We're back with another episode of Spider-Noir -- "A Mistake I'll Never Make Again" -- and we're wondering: which is the titular mistake? There are many to choose from! Spider and Cat are together, but is the timing of their relationship right? We talk about how this episode slows things down a bit to offer some character backstory, and how it offers a different kind of cliffhanger resumption. Is "hungover Cage" a new Cage for us? Also, to borrow a moment from another one of Joey's podcasts, we discuss the "most Cage moment" in the episode. Joey admires more great stuff from the kid, Mike talks about how surprised he was to see cigarettes being smoked, and we both talk about how Cat pulls a "Superman II" in making the ultimate comic book gambit. Also, Megawatt is here now... will get even more members of Spider-Man's rogues' gallery? Also, we get another (or our first?) dose of "Cage Fu." What an episode!

<description>We're back with another episode of Spider-Noir -- "A Mistake I'll Never Make Again" -- and we're wondering: which is the titular mistake? There are many to choose from! Spider and Cat are together, but is the timing of their relationship right? We talk about how this episode slows things down a bit to offer some character backstory, and how it offers a different kind of cliffhanger resumption. Is "hungover Cage" a new Cage for us? Also, to borrow a moment from another one of Joey's podcasts, we discuss the "most Cage moment" in the episode. Joey admires more great stuff from the kid, Mike talks about how surprised he was to see cigarettes being smoked, and we both talk about how Cat pulls a "Superman II" in making the ultimate comic book gambit. Also, Megawatt is here now... will get even more members of Spider-Man's rogues' gallery? Also, we get another (or our first?) dose of "Cage Fu." What an episode!</description>

"There’s a fight coming."

We're back with another episode of Spider-Noir -- "A Mistake I'll Never Make Again" -- and we're wondering: which is the titular mistake? There are many to choose from! Spider and Cat are together, but is the timing of their relationship right? We talk about how this episode slows things down a bit to offer some character backstory, and how it offers a different kind of cliffhanger resumption. Is "hungover Cage" a new Cage for us? Also, to borrow a moment from another one of Joey's podcasts, we discuss the "most Cage moment" in the episode. Joey admires more great stuff from the kid, Mike talks about how surprised he was to see cigarettes being smoked, and we both talk about how Cat pulls a "Superman II" in making the ultimate comic book gambit. Also, Megawatt is here now... will get even more members of Spider-Man's rogues' gallery? Also, we get another (or our first?) dose of "Cage Fu." What an episode!

Spider-Noir s1e4: "A Mistake I'll Never Make Again"

It's time to talk about "Double Cross," the third episode of Spider-Noir, which is perhaps our most plot-heavy installment yet! In discussing the "intricate web" that this show weaves, we discuss the violence and language employed on this show (in a way that works), how Spider-Noir weaves race into its narrative in an intentional way, and how it smartly (and sparingly) returns to the things the show does well. Does "Double Cross" introduce Tombstone? We discuss the newest super-powered human. Joey talks about how he was emotionally affected by Sandman's storyline before making a big discovery about his favorite character on the show. We break down the big showdown and the series' second cliffhanger, and how that makes sense given the directorial duties on the show. This episode (and the next) were helmed by Nzingha Stewart, who is only Cage's second (!) female director; this discovery leads us down a Cage VOD rabbit hole and into the blur of his 2010s movies. Lastly: who got shot?!

<description>It's time to talk about "Double Cross," the third episode of Spider-Noir, which is perhaps our most plot-heavy installment yet! In discussing the "intricate web" that this show weaves, we discuss the violence and language employed on this show (in a way that works), how Spider-Noir weaves race into its narrative in an intentional way, and how it smartly (and sparingly) returns to the things the show does well. Does "Double Cross" introduce Tombstone? We discuss the newest super-powered human. Joey talks about how he was emotionally affected by Sandman's storyline before making a big discovery about his favorite character on the show. We break down the big showdown and the series' second cliffhanger, and how that makes sense given the directorial duties on the show. This episode (and the next) were helmed by Nzingha Stewart, who is only Cage's second (!) female director; this discovery leads us down a Cage VOD rabbit hole and into the blur of his 2010s movies. Lastly: who got shot?!</description>

"Do I need to remind you that you’re lying on your stomach with a bullet in your ass?!"

It's time to talk about "Double Cross," the third episode of Spider-Noir, which is perhaps our most plot-heavy installment yet! In discussing the "intricate web" that this show weaves, we discuss the violence and language employed on this show (in a way that works), how Spider-Noir weaves race into its narrative in an intentional way, and how it smartly (and sparingly) returns to the things the show does well. Does "Double Cross" introduce Tombstone? We discuss the newest super-powered human. Joey talks about how he was emotionally affected by Sandman's storyline before making a big discovery about his favorite character on the show. We break down the big showdown and the series' second cliffhanger, and how that makes sense given the directorial duties on the show. This episode (and the next) were helmed by Nzingha Stewart, who is only Cage's second (!) female director; this discovery leads us down a Cage VOD rabbit hole and into the blur of his 2010s movies. Lastly: who got shot?!

Spider-Noir s1e3: "Double Cross"

We're back with another episode of Spider-Noir, "Tread Lightly," which also marks the return of the Spider after five years away from crime-fighting! After talking about our watching cadence (are you, listener, also watching weekly?) and how we generally dislike binge watching shows, we talk about the nice touches and twists on the formula, including a contemplative superhero at this show's core. We come to terms with the fact that this is an R-rated Spider-Man, praise both Nicolas Cage's comedy chops and the work Lamorne Morris is doing in the show, and discuss what powers Ben actually has. 
 
We dive into what the timing, setting, and level of technology does for this episode's action sequence. Joey digs a bit deeper into the director of these first two episodes, Harry Bradbeer, while Mike talks about an interview he watched about Black &amp; White vs. Color versions. We discuss what we would like to see for this show, going forward, and we grapple with the reality that this is a Spider-Man who threatens to kill his enemies. What are the implications of that?

<description>We're back with another episode of Spider-Noir, "Tread Lightly," which also marks the return of the Spider after five years away from crime-fighting! After talking about our watching cadence (are you, listener, also watching weekly?) and how we generally dislike binge watching shows, we talk about the nice touches and twists on the formula, including a contemplative superhero at this show's core. We come to terms with the fact that this is an R-rated Spider-Man, praise both Nicolas Cage's comedy chops and the work Lamorne Morris is doing in the show, and discuss what powers Ben actually has. 



We dive into what the timing, setting, and level of technology does for this episode's action sequence. Joey digs a bit deeper into the director of these first two episodes, Harry Bradbeer, while Mike talks about an interview he watched about Black &amp; White vs. Color versions. We discuss what we would like to see for this show, going forward, and we grapple with the reality that this is a Spider-Man who threatens to kill his enemies. What are the implications of that?</description>

"I don't think that guy was a plumber."

We're back with another episode of Spider-Noir, "Tread Lightly," which also marks the return of the Spider after five years away from crime-fighting! After talking about our watching cadence (are you, listener, also watching weekly?) and how we generally dislike binge watching shows, we talk about the nice touches and twists on the formula, including a contemplative superhero at this show's core. We come to terms with the fact that this is an R-rated Spider-Man, praise both Nicolas Cage's comedy chops and the work Lamorne Morris is doing in the show, and discuss what powers Ben actually has. 



We dive into what the timing, setting, and level of technology does for this episode's action sequence. Joey digs a bit deeper into the director of these first two episodes, Harry Bradbeer, while Mike talks about an interview he watched about Black & White vs. Color versions. We discuss what we would like to see for this show, going forward, and we grapple with the reality that this is a Spider-Man who threatens to kill his enemies. What are the implications of that?

Spider-Noir s1e2: "Tread Lightly"

#CageClub is back, and it's a brand new era and a brand new area: TV! 
 
After addressing our plans to cover the rest of Spider-Noir on a weekly basis (as well as the two movies we missed), we step into the office with, well, "Step Into My Office." We talk about how this series feels bigger (in terms of critical reception and coverage) than a Cage property has in years, the impact of watching it in black and white (versus choosing the color option), and the extensive New York Times interview just published this week. 
 
Then, we dive into the details of the first episode. We have questions, like: Ben Reilly? Is he connected at all to the much-maligned comic series with that character? We talk about the film skipping a traditional origin story for, essentially, a second-origin story for Cage's character. We explore the rogues' gallery starting to take shape - including Silvermane, Sandman, and Black Cat - and how the show exceeding our expectations in spite of some recent superhero burnout. We also discuss how the show nails its noir trappings, and we wonder what's next for this character.

<description>#CageClub is back, and it's a brand new era and a brand new area: TV! 



After addressing our plans to cover the rest of Spider-Noir on a weekly basis (as well as the two movies we missed), we step into the office with, well, "Step Into My Office." We talk about how this series feels bigger (in terms of critical reception and coverage) than a Cage property has in years, the impact of watching it in black and white (versus choosing the color option), and the extensive New York Times interview just published this week. 



Then, we dive into the details of the first episode. We have questions, like: Ben Reilly? Is he connected at all to the much-maligned comic series with that character? We talk about the film skipping a traditional origin story for, essentially, a second-origin story for Cage's character. We explore the rogues' gallery starting to take shape - including Silvermane, Sandman, and Black Cat - and how the show exceeding our expectations in spite of some recent superhero burnout. We also discuss how the show nails its noir trappings, and we wonder what's next for this character.</description>

"You don't do math with letters, kid."

#CageClub is back, and it's a brand new era and a brand new area: TV! 



After addressing our plans to cover the rest of Spider-Noir on a weekly basis (as well as the two movies we missed), we step into the office with, well, "Step Into My Office." We talk about how this series feels bigger (in terms of critical reception and coverage) than a Cage property has in years, the impact of watching it in black and white (versus choosing the color option), and the extensive New York Times interview just published this week. 



Then, we dive into the details of the first episode. We have questions, like: Ben Reilly? Is he connected at all to the much-maligned comic series with that character? We talk about the film skipping a traditional origin story for, essentially, a second-origin story for Cage's character. We explore the rogues' gallery starting to take shape - including Silvermane, Sandman, and Black Cat - and how the show exceeding our expectations in spite of some recent superhero burnout. We also discuss how the show nails its noir trappings, and we wonder what's next for this character.

Spider-Noir s1e1: "Step Into My Office"

#CageClub returns with the first of two new episodes releasing in short order! First up is Gunslingers, which hit VOD (and some theaters) two weeks ago. (Coming up soon: The Surfer!) Gunslingers is yet another Western film in his recent filmography, prompting us to reflect on Nicolas Cage's VOD filmography. Is the juice worth the frequent squeeze? We try to break down the amount of bullets, shootouts, CGI blood, and dudes in all places; whether it was an "actual" Rockefeller who was killed in the film's inciting incident; and what ever happened to that poor horse. We admire Cage's look -- including his cross-shaped glasses and his raspy voice -- and talk about how this sort of feels like a Twilight Zone episode. Mike reveals who the bartender is. We talk about the reality behind the paternity twist at the end and share our confusion and disbelief at the film's credits scene.

<description>#CageClub returns with the first of two new episodes releasing in short order! First up is Gunslingers, which hit VOD (and some theaters) two weeks ago. (Coming up soon: The Surfer!) Gunslingers is yet another Western film in his recent filmography, prompting us to reflect on Nicolas Cage's VOD filmography. Is the juice worth the frequent squeeze? We try to break down the amount of bullets, shootouts, CGI blood, and dudes in all places; whether it was an "actual" Rockefeller who was killed in the film's inciting incident; and what ever happened to that poor horse. We admire Cage's look -- including his cross-shaped glasses and his raspy voice -- and talk about how this sort of feels like a Twilight Zone episode. Mike reveals who the bartender is. We talk about the reality behind the paternity twist at the end and share our confusion and disbelief at the film's credits scene.</description>

"Baptize me! Matthew 3:14."

#CageClub returns with the first of two new episodes releasing in short order! First up is Gunslingers, which hit VOD (and some theaters) two weeks ago. (Coming up soon: The Surfer!) Gunslingers is yet another Western film in his recent filmography, prompting us to reflect on Nicolas Cage's VOD filmography. Is the juice worth the frequent squeeze? We try to break down the amount of bullets, shootouts, CGI blood, and dudes in all places; whether it was an "actual" Rockefeller who was killed in the film's inciting incident; and what ever happened to that poor horse. We admire Cage's look -- including his cross-shaped glasses and his raspy voice -- and talk about how this sort of feels like a Twilight Zone episode. Mike reveals who the bartender is. We talk about the reality behind the paternity twist at the end and share our confusion and disbelief at the film's credits scene.

Gunslingers (2025)

Welcome to #CageClub! Joey Lewandowski and Mike Manzi are watching all of Cage's movies, writing about them at cageclub.me, and podcasting about them. Join them on this journey! Presented by the CageClub Podcast Network.

#CageClub: The Nicolas Cage Podcast

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