How “sleazy” was Indie Sleaze, really - and was it ever a scene that Paul Smith of Maxïmo Park recognised himself in?
At a time when the air was thick with lager and leather jackets, Smith was more inspired by art-school notebooks, Robert Wyatt, and the idea that pop could be poetry.
In this conversation, the Maxïmo Park frontman joins Sean Adams who also lived through the era being retrospectively called “indie sleaze”, was at those early Yeah Yeah Yeahs, Franz Ferdinand, Bloc Party and Libertines shows, released records by Metric and Kaiser Chiefs, etc. 
In this conversation they revisit the making of Maxïmo Park’s Mercury-nominated debut and reflect on what it meant to be outsiders during Britain’s mid-2000s indie boom. Recorded for the album’s twentieth anniversary, the pair unpack the contradictions of that moment - art rock vs lad rock and sincerity vs posturing whilst tracing how those tensions still shape British guitar music today.
From signing to Warp Records and headlining the NME Awards Tour alongside Arctic Monkeys, Mystery Jets and We Are Scientists, to the band’s art-school roots, working-class perspectives, and enduring faith in pop’s emotional truth, this is a deeply human glance back at the legacy of one of the era’s most literate frontmen.
Chapters
00:00 – Indie Sleaze, revisionism, and the myth of 200501:46 – Forming an art-school band and the noise scene that shaped them08:30 – From experimental roots to pop hooks: defining the Maxïmo Park DNA14:30 – Signing to Warp Records and finding a home for outsiders20:30 – The whirlwind year: Top of the Pops, the NME Tour, and the cost of success24:30 – Art rock, class, and being mislabeled “sleazy”31:30 – The politics of pop and the poetry of the everyday42:30 – Romance, resistance, and the belief that pop can still mean something
Continue the Conversation:
Head to the Drowned in Sound community to chat about the topics in this episode.
Subscribe:
Sign up to the Drowned in Sound newsletter for weekly insights on music, culture, and resistance.
Links & Resources

Maxïmo Park Official Website
‘The Rise and Fall of Indie Sleaze’ - BBC Podcast
20th Anniversary Edition of A Certain Trigger
Paul Smith & Rachel Unthank Collaborative Album

Drowned in Sound

Drowned in Sound

Was Indie Sleaze Even Real? Maxïmo Park’s ‘A Certain Trigger’ at 20

NOV 5, 202564 MIN
Drowned in Sound

Was Indie Sleaze Even Real? Maxïmo Park’s ‘A Certain Trigger’ at 20

NOV 5, 202564 MIN

Description

How “sleazy” was Indie Sleaze, really - and was it ever a scene that Paul Smith of Maxïmo Park recognised himself in? At a time when the air was thick with lager and leather jackets, Smith was more inspired by art-school notebooks, Robert Wyatt, and the idea that pop could be poetry. In this conversation, the Maxïmo Park frontman joins Sean Adams who also lived through the era being retrospectively called “indie sleaze”, was at those early Yeah Yeah Yeahs, Franz Ferdinand, Bloc Party and Libertines shows, released records by Metric and Kaiser Chiefs, etc.  In this conversation they revisit the making of Maxïmo Park’s Mercury-nominated debut and reflect on what it meant to be outsiders during Britain’s mid-2000s indie boom. Recorded for the album’s twentieth anniversary, the pair unpack the contradictions of that moment - art rock vs lad rock and sincerity vs posturing whilst tracing how those tensions still shape British guitar music today. From signing to Warp Records and headlining the NME Awards Tour alongside Arctic Monkeys, Mystery Jets and We Are Scientists, to the band’s art-school roots, working-class perspectives, and enduring faith in pop’s emotional truth, this is a deeply human glance back at the legacy of one of the era’s most literate frontmen. Chapters 00:00 – Indie Sleaze, revisionism, and the myth of 2005 01:46 – Forming an art-school band and the noise scene that shaped them 08:30 – From experimental roots to pop hooks: defining the Maxïmo Park DNA 14:30 – Signing to Warp Records and finding a home for outsiders 20:30 – The whirlwind year: Top of the Pops, the NME Tour, and the cost of success 24:30 – Art rock, class, and being mislabeled “sleazy” 31:30 – The politics of pop and the poetry of the everyday 42:30 – Romance, resistance, and the belief that pop can still mean something Continue the Conversation: Head to the Drowned in Sound community to chat about the topics in this episode. Subscribe: Sign up to the Drowned in Sound newsletter for weekly insights on music, culture, and resistance. Links & Resources Maxïmo Park Official Website ‘The Rise and Fall of Indie Sleaze’ - BBC Podcast 20th Anniversary Edition of A Certain Trigger Paul Smith & Rachel Unthank Collaborative Album