Backlisted

For this episode we are joined by the writer, Noreen Masud, author of the acclaimed memoir, A Flat Place (currently shortlisted for the Women’s Prize for Non-Fiction). The book she has chosen to discuss is A Marsh Island, a 19th century American novel by Sarah Orne Jowett, who is usually considered one of the foremost proponents of American regionalism – an assumption this episode investigates. The book was first serialised in the Atlantic Monthly magazine in 1885 and published by Houghton Mifflin later that year. The story centres on Dick Dale, a wealthy young urban bohemian artist who finds himself billeted with a traditional farming family in the middle of New England’s Great Salt Marsh. His impact on the small community over the course of a harvest provides what plot there is – but the novel is rich in atmosphere and interior reflection, exploring the complex tensions between rural and urban ways of life in late 19th century East Coast America. It was written at a moment in Jewett’s own life when she had just begun an unconventional relationship with another woman and the episode also explores how that plays out in the subversive presentation of the relationships in the novel.

Novelist Andrew Hunter Murray and biographer Laura Thompson join us to discuss The Children of Men (1992), a dystopian thriller by the late P.D. James. The author is probably best remembered as one of Britain's greatest exponents of detective fiction, an heir to the Golden Age of female novelists such as Agatha Christie, Ngaio Marsh, Dorothy Sayers et al. In The Children of Men, however, James depicts a nightmare near-future in which the world is literally coming to an end. The book became a bestseller; in 2006, it was adapted for the big screen by the Mexican director Alfonso Cuarón. We look at the ways in which James explored issues that seem eerily contemporary: the societal impact of an uncontrolled virus, falling fertility rates, an ageing population, the rise of populism and accompanying exploitation of migrant labour. She also knew how to grip her readers to the very last page. Phyllis Dorothy James, Baroness James of Holland Park, lived a long and remarkable life and it was a pleasure for all of us to revisit her work and biography in this episode.

Award-winning poet Emily Berry joins us to consider the work and troubled life of Anne Sexton. We focus on her brilliant second collection All My Pretty Ones (1962). Sexton was a trailblazing American poet of the so-called 'confessional' school of the 1960s, one whose writing continues to provoke controversy and debate; her friends and contemporaries included Sylvia Plath and John Berryman. We hear from Sexton herself, in recordings of readings and interviews, and fronting own experimental jazz-rock ensemble, Anne Sexton and Her Kind, and also from her daughter Linda. Please note: Anne Sexton was an unflinching chronicler of her own struggle with mental illness, and this episode contains extensive discussion of suicide and sexual abuse.

This fully illustrated, lavishly produced episode of Backlisted represents the last word in coffee table books. Join John, Andy and Nicky as we dip into the origin, design and continuing appeal of specialist hardcover publishing, via some of our favourite cookery books, exhibition catalogues and sumptuous volumes simply too beautiful to leave on the shelf. Thank you to our Patrons for their contributions to our virtual quarto library; as you will hear, we loved making this show, which is as deep as it is long. And remember: a coffee table book is for life, not just for Christmas.

This episode of Backlisted is devoted to A Life in Movies (1986), the first volume of memoirs of the filmmaker Michael Powell who, with his partner Emeric Pressburger, is responsible for some of the finest, most magical and soulful films ever to come out of the UK: The Life and Death of Colonel Blimp, Black Narcissus, The Red Shoes, and many more. Joining us for a discussion of Powell's life and work - and his vision of cinema as a space in which all the other arts may find expression - are memoirist and critic James Cook and film writer and academic Melanie Williams. We focus on four productions of the Archers that between them tell the story of Powell and Pressburger's achievement: The Spy in Black, A Matter of Life and Death, "I Know Where I'm Going!" and Gone to Earth. If for some reason you have yet to see these films, or any of Michael Powell's work, set aside some time for your next personal obsession. You'll be glad you did.