Here we go! The grand finale of The Hamilcast is officially underway with the return of Hamilton's mastermind choreographer Andy Blankenbuehler! Andy was the last guest before lockdown, coming over in person in February of 2020. Five years later, he's back to celebrate #HamilTEN and reflect on over a decade of working the show we are still happily dissecting all these years later.
I love talking to Andy because every single story he tells gives more insight into his incredible thought process. From getting Hamilton Broadway's original cast together for the 2025 Tony Awards performance, to the necessary changes to the "What'd I Miss?" choreography in response to the Black Lives Matter movement, to why the Hamilfilm is the best filmed version of a show ever... everything he does is so layered and as he says, "thick."
This week we get into the logistics of the famous "Andy Refreshers" and what maintenance for the show looks like after all these years, especially when he's working on other projects, including bringing the Lin-Manuel Miranda and Eisa Davis concept album Warriors to the stage. I tried to keep my cool but sdlkfjsldkfj this is so exciting and based on what Andy tells us (which is a lot!) it's going to blow all of our minds into outer space. But honestly, what else is new?
This episode was recorded in October of 2025 at WTF Media Studios in Manhattan and produced with Natalie Grillo from Any Moment Productions in collaboration with Meghan Miles.
#217: Andy Blankenbuehler // Part One (2020)
#218: Andy Blankenbuehler // Part Two (2020)
#219: Andy Blankenbuehler // Part Three (2020)
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It feels very fitting that after ten years and speaking to dozens of actors who have played Aaron Burr, the very last one to grace the podcast is Hamilton Broadway's original (inimitable!) Leslie Odom, Jr. We didn't have a long time, but let me tell you... we had a GREAT time.
This episode is funny, it's moving, it's layered, it's healing, it's so much of why Leslie Odom, Jr. is such a fascinating person to talk to. He tells me about how his beautiful cover of Tonight, Tonight" by the Smashing Pumpkins came to be, his experience with Purlie Victorious, how much he loved pushing the nerd bar to a ten with Owen Tillerman in Central Park, and how playing the legendary Sam Cooke in One Night in Miami... meant the world to him.
Aaron Burr is surrounded by ghosts and Leslie Odom, Jr. is no different because when it comes to his monumental return to Hamilton ten years after his Tony Award winning run originating Aaron Burr, the ghosts are everywhere: from his fellow original cast members to his younger self (omg wait until you get to that part, you're going to lose your mind). Coming back to Hamilton after a decade was his idea and Leslie is bringing ten years of therapy, regret, loss, grief, joy and everything in between to the stage of the Rodgers. Luckily for all of us, Hamilton is a show that can handle whatever he's bringing to the room that day. And even though he's playing Burr with more frustration this time around, he promises - promises! - that every single night he's trying his very best not to kill Alexander at the end of this thing.
From his favorite Burr line to the importance of listening to your soul and why he promises to never, ever waste our time, Leslie Odom, Jr., lays it all out on the table.
Leslie Odom, Jr. - An Offering: Live at Speakeasy Studios
Leslie Odom, Jr - "Tonight, Tonight" (Smashing Pumpkins cover)
"Havin' a Plan" from Central Park
One Night In Miami… (Original Motion Picture Soundtrack)
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This is the last throwback before we really dive in and start wrapping up The Hamilcast. Anna-Lee Craig is HamiltonBroadway's A2 (assistant sound), and when she came on the podcast all the way back in 2017, she made all of our heads explode. It actually keeps happening because I STILL hear from listeners about this conversation. I mean, she invented the famous ALC Special! And, come to think of it, listeners write not just about this conversation, but the many conversations I've had with people behind the scenes at Hamilton, in all different arenas: hair, wardrobe, management, sound, you name it. These episodes really, really highlighted that you can love theatre and love the arts and still be a MAJOR part of it without being on stage.
The main reason I wanted to repost this episode is because I really wanted to point out how important these episodes were SPECIFICALLY for women. Anna-Lee is among many, many badass women featured on the podcast, especially when it comes to behind the scenes work. I'm super proud that I was able to speak to so many of the people who make Hamilton what it is, in so many ways, and it's really important to me that so many women were able to come on and tell their stories.
If you're interested in all of that behind the scenes action (from everyone), there are manyyyyyyy episodes listed further down in the show notes.
This is the full, untouched episode from 2017 and below is the original description. ALC's second episode is #94.
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Get ready to become OBSESSED with Anna-Lee Craig, one of Hamilton Broadway's team of groundbreaking sound experts. Anna-Lee's official title is A2/Assistant Sound, but I've also added Badass Lady because she is awesome. Having been with Hamilton since The Public, Anna-Lee knows how to make each and every performance sound its best. I mean, she came up with a special microphone design the crew calls the ALC Special. Does it get any cooler than that? Oh - one more thing - Anna-Lee invited me to watch the show from her sound console WHICH I WILL NEVER GET OVER, EVER! But having watch her mix a performance, I can tell you that what she does is nothing less than sorcery. Lezgo!
To help Puerto Rico: https://hispanicfederation.org/donate For Puerto Rico Spotify Playlist #AlmostLikePraying
Donate to disaster relief: List of charities to donate to victims of Hurricanes Harvey, Irma, and Maria Baker Ripley One America Appeal The Humane Society
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Dresser Kimberly "Kimmie" Mark: Episode 78
Dresser Emily Roney: Episodes 103 and 104
Associate Choreographer and Original Dance Captain Stephanie Klemons: Episode 110
Historian, Author, and Professor Dr. Joanne Freeman: Episodes 112 and 113
Company Manager Holli Campbell: Episodes 116, 117, 244, & 245
Dresser Chris Leary: Episodes 122 and 123
Stage Manager Deanna Weiner: Episodes 146, 147, 148
Bar Manager Mike Anthony: Episodes 191, 192, 193
Sound Designer Jason Crystal: Episodes 220 & 221
Stage Manager and Advocate Cody Renard Richard: Episodes 250 & 251
Hair and Wig Designer Charles G. LaPointe: Episodes 266 & 267
Costume Designer Paul Tazewell: Episodes 270, 271, & 272
Pop Master Jay Duckworth: Episodes 324, 325, & 326
Wardrobe Supervisor Cristina Lundy: Episodes 372, 373, 374, 386, 387, 388
Hair and Makeup Supervisor Brandee Danielle Huston: Episodes 391, 392, and 393
As The Hamilcast starts to wrap up, I couldn't end this thing without jumping on the mic with Michael Paul Smith and making a podcast love letter to every listener, guest, Patreon Peep, and cool experience from these last ten years. Of course I couldn't mention everything and even as I type this, I'm kicking myself for not going back and discussing every single episode and every single experience at length and with extreme detail. But this feels very self serving as it is (woof!) so please, if you're reading this, please know how much I love I have for this entire journey, and how much fun I've had with you. It has been the absolute best and even though we do get sappy at times in this very special bonus episode (no but literally, it's a Very Special Episode of The Hamilcast), I still want these last few weeks to be a PARTY. So grab your popcorn (wink!) and join us as we take this walk down memory lane and remember, to quote Thomas Kail, I made this show for you.
Michael Paul Smith on Instagram
Ted and Michael Read Sketches into Microphones
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