<description>荷鲁斯是一位猎鹰形态的造物神。他的眼睛是太阳和月亮。当新月出现时，他就成了一个瞎子，称作Mekhenty-er-irty ，意思是“没有眼睛的人”，而当他的视力恢复时，他又被称作Khenty-irty意思是“有眼睛的人”。眼盲时的荷鲁斯时非常危险的，他有时会将朋友误认为敌人并发起攻击。他是奥西里斯与伊西斯的儿子，是莱托波里斯的守护神。</description>

罗浮魅影（一）天空之眼

<description>    予罢秩醴泉,特诣东洛,访金吾长史张公旭,请师笔法。长史于时在裴儆宅憩止,己一年矣。众有师张公求笔法,或有得者,皆曰神妙,仆顷在长安师事张公,竟不蒙传授,使知是道也。人或问笔法者,张公皆大笑,而对之便草书,或三纸,或五纸,皆乘兴而散,竟不复有得其言者。予自再游洛丁,相见眷然不替。仆问裴儆:“足下师敬长史,有何所得?"曰:“但得书绢素屏数本。亦偿论请笔法,惟言倍加工学临写,书法当自悟耳。”&lt;br&gt;　　仆自停裴儆宅,月馀,因与裴儆从长史言话散,却回长史前请曰。“仆既承九丈奖诱,日月滋深,夙夜工勤,耽溺翰墨,虽四远流扬,自未为稳,倘得闻笔法要诀,则终为师学,以冀至于能妙,岂任感戴之诚也!"长史良久不言,乃左右盼视,怫然而起。仆乃从行归于东竹林院小堂,张公乃当堂踞坐床,而命仆居乎小榻,乃曰:“书法玄微,难妄传授。非志士高人,讵可言其要妙?书之求能,且攻真草,今以授予,可须思妙。”&lt;br&gt;　　乃曰:“夫平谓横,子知之乎?”仆思以对曰:“尝闻长史九丈令每为一平画,皆须纵横有象。此岂非其谓乎?"长史乃笑曰:“然”。&lt;br&gt;　　又曰:“夫直谓纵,子知之乎?”曰:“岂不谓直者必纵之不令邪曲之谓乎?”长史曰:“然”。&lt;br&gt;　　又曰:“均谓间,子知之乎?”曰：“尝蒙示以间不容光之谓乎?"长史曰:“然”。&lt;br&gt;　　又曰:“密谓际,子知之乎?”曰:“岂不谓筑锋下笔,皆令宛成,不令其疏之谓乎?"长史曰“然”。&lt;br&gt;　　又曰:“锋谓末,子知之乎?”曰:“岂不谓末以成画,使其锋健之谓乎?”长史曰:“然”。&lt;br&gt;　　又曰:“力谓骨体,子知之乎?”曰:“岂不谓趯，笔则点画皆有筋骨,字体自然雄媚之谓乎?"长史曰:“然,'。&lt;br&gt;　　又曰:“轻转谓曲折,子知之乎?”曰:“岂不谓钩笔转角,折锋轻过,亦谓转角为暗过之谓乎?"长史曰:“然”。&lt;br&gt;　　又曰:“决谓牵掣,子知之乎?”曰:“岂不谓牵掣为撇,锐意挫锋,使不怯滞,令险峻而成,以谓之决乎?”长史曰:“然”。&lt;br&gt;　　又曰:“补谓不足,子知之乎?"曰:“尝闻于长史,岂不谓结构点画或有失趣者,则以别点画旁救之谓乎?"长史曰：“然”。&lt;br&gt;　　又曰:“损谓有余,子知之乎?"曰:“尝蒙所授,岂不谓趣长笔短,长使意气有余,画若不足之谓乎?"曰:“然”。&lt;br&gt;　　又曰：“巧谓布置,子知之乎?”曰：“岂不谓欲书先预想字形布置,令其平稳,或意外生体,令有异势,是之谓巧乎?"曰:“然”。&lt;br&gt;　　又曰:“称谓大小,子知之乎?”曰:“尝闻教授,岂不谓大字促之令小,小字展之使大,兼令茂密,所以为称乎?”长史曰:“然,子言颇皆近之矣。工若精勤,悉自当为妙笔。”&lt;br&gt;　　真卿前请曰:“幸蒙长史九丈传授用笔之法,敢问攻书之妙,何如得齐于古人?”张公曰:“妙在执笔,令其圆畅,勿使拘挛。其次识法,谓口传手授之诀,勿使无度,所谓笔法也。其次在于布置,不慢不越,巧使合宜。其次纸笔精佳。其次变化适怀,纵舍掣夺,咸有规矩。五者备矣,然后能齐于古人。”&lt;br&gt;　　曰:“敢问长史神用执笔之理,可得闻乎?”长史曰：“予传授笔法,得之于老舅彦远曰:吾昔日学书,虽功深,奈何迹不至殊妙。后问于褚河南,曰:‘用笔当须如印印泥。'思而不悟,后于江岛,遇见沙平地静,令人意悦欲书。乃偶以利锋画而书之,其劲险之状,明利媚好。自兹乃悟用笔如锥画沙,使其藏锋,画乃沉着。当其用笔,常欲使其透过纸背,此功成之极矣。真草用笔,悉如画沙,点画净媚,则其道至矣。如此则其迹可久,自然齐于古人。但思此理,以专想功用,故其点画不得妄动。子其书绅。”&lt;br&gt;　　予遂铭谢,逡巡再拜而退。自此得攻书之妙。于兹五年,真草自知可成矣。&lt;br&gt;　　平直均密，锋力转决，补损巧称为十二意。天宝五年丙戌九月颜真卿述</description>

书法有大美（一）颜真卿眼中的书法意境美学

<description>Here's to the crazy ones.&lt;br&gt;The misfits.&lt;br&gt;The rebels.&lt;br&gt;The troublemakers.&lt;br&gt;The round pegs in the square holes.&lt;br&gt;The ones who see things differently.&lt;br&gt;They're not fond of rules.&lt;br&gt;And they have no respect for the status quo.&lt;br&gt;You can quote them, disagree with them, glorify or vilify them.&lt;br&gt;About the only thing you can't do is ignore them.&lt;br&gt;Because they change things.&lt;br&gt;They invent. They imagine. They heal. They explore. They create. They inspire.&lt;br&gt;They push the human race forward.&lt;br&gt;Maybe they have to be crazy.&lt;br&gt;How else can you stare at an empty canvas and see a work of art?&lt;br&gt;Or sit in silence and hear a song that's never been written?&lt;br&gt;Or gaze at a red planet and see a laboratory on wheels?&lt;br&gt;We make tools for these kinds of people.&lt;br&gt;While some see them as the crazy ones, we see genius.&lt;br&gt;Because the people who are crazy enough to think they can change the world, are the ones who do.</description>

The Art of Technology

<description>A Euromech colloquium, on interfacial processes and inhomogeneous turbulence, was held in London on 28–30 June 2010. Papers were presented describing and analyzing the influence of interfaces that separate turbulent/non-turbulent regions, between regions of contrasting fluid properties, or at the edge of boundaries. This paper describes a summary of the work presented, giving a snapshot of the current progress in this area, along with discussions about future research directions.</description>

Achilles_Jean_Paul

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