<description>&lt;p&gt;More and more people are choosing to get vinyl copies of their music made one at a time, rather than having hundreds of copies pressed at once. Or in very small batches, or allowing fans to order copies on demand.&lt;/p&gt;&lt;p&gt;So how does this work, and what does it mean ? How do you get the best quality results, and minimise the risk of getting something back that you're not happy with ?&lt;/p&gt;&lt;p&gt;Mastering for vinyl is a whole different ball-game, as I discussed in detail with Scott Hull in &lt;a href="http://themasteringshow.com/episode-94" rel="noopener noreferrer" target="_blank"&gt;Episode 94&lt;/a&gt;. So in this show, &lt;strong&gt;Joe Caithness&lt;/strong&gt; and I dig into the topic in detail, discussing:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;What is a "lathe cut" or "dubplate"&lt;/li&gt;&lt;li&gt;How are they made, and how are they different to traditionally pressed vinyl ?&lt;/li&gt;&lt;li&gt;Do you &lt;strong&gt;always&lt;/strong&gt; need to have your music mastered by a dedicated vinyl cutting engineer ?&lt;/li&gt;&lt;li&gt;How do you get the specs for the audio you should supply ? And&lt;/li&gt;&lt;li&gt;Why this can be trickier than it sounds&lt;/li&gt;&lt;li&gt;Do you &lt;strong&gt;really&lt;/strong&gt; need to mono the bass on vinyl ? And what about &lt;strong&gt;phase&lt;/strong&gt; ?&lt;/li&gt;&lt;/ul&gt;&lt;br/&gt;&lt;p&gt;Links and more episodes here:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.themasteringshow.com/episode-107" rel="noopener noreferrer" target="_blank"&gt;www.themasteringshow.com/episode-107&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Mentioned in this episode:&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Mastering&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://the-mastering-show.captivate.fm/ian"&gt;Click HERE to work with Ian&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tools&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://the-mastering-show.captivate.fm/plugins"&gt;For Ian's mastering plugins, click HERE&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Leapwing&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://the-mastering-show.captivate.fm/leapwing"&gt;Find out more about Leapwing's plugins&lt;/a&gt;&lt;/p&gt;</description>

The Mastering Show

The Mastering Show Podcast

The Mastering Show #107 - Mastering for 1-Off Vinyl (and short runs)

MAR 31, 202668 MIN
The Mastering Show

The Mastering Show #107 - Mastering for 1-Off Vinyl (and short runs)

MAR 31, 202668 MIN

Description

More and more people are choosing to get vinyl copies of their music made one at a time, rather than having hundreds of copies pressed at once. Or in very small batches, or allowing fans to order copies on demand.So how does this work, and what does it mean ? How do you get the best quality results, and minimise the risk of getting something back that you're not happy with ?Mastering for vinyl is a whole different ball-game, as I discussed in detail with Scott Hull in Episode 94. So in this show, Joe Caithness and I dig into the topic in detail, discussing:What is a "lathe cut" or "dubplate"How are they made, and how are they different to traditionally pressed vinyl ?Do you always need to have your music mastered by a dedicated vinyl cutting engineer ?How do you get the specs for the audio you should supply ? AndWhy this can be trickier than it soundsDo you really need to mono the bass on vinyl ? And what about phase ?Links and more episodes here:www.themasteringshow.com/episode-107Mentioned in this episode:MasteringClick HERE to work with IanToolsFor Ian's mastering plugins, click HERELeapwingFind out more about Leapwing's plugins