From Mean Girls to Mamma Mia! to First Reformed, Amanda Seyfried has repeatedly displayed her versatility as a performer. Today, we return to one of our favorite conversations with the illustrious actor.
At the top, we discuss her Oscar-nominated portrayal of 1920s and '30s screen star Marion Davies in David Fincher's Mank (6:53), her early years working in the industry (13:13), and the joy of making Mean Girls (15:26). Then, she reflects on the parallels between 1930s Hollywood and today (36:08), how she found her footing (41:51), and where she'd like to go in the years ahead (45:32).
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What does photography need to do now? Artist Tyler Mitchell has been asking (and attempting to answer) that question since making history as the first Black photographer to shoot a Vogue cover back in 2018. Since then (he was only 23-years-old at the time) his work has been celebrated in museums around the world, featured in publications like Vanity Fair and W, and, ultimately, published in his debut monograph, I Can Make You Feel Good. He joins us this week around the opening of his revelatory exhibition, Ghost Images, now available at the Gagosian Gallery in New York City.
View the works discussed in our virtual gallery here or visit talkeasypod.com/tyler-mitchell-gallery/.
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In celebration of Oscar Sunday, our conversation with actor Monica Barbaro. Her portrayal of Joan Baez in the Bob Dylan biopic, A Complete Unknown, earned her an Academy Award nomination for Best Supporting Actress.
At the top, we discuss how director James Mangold drew inspiration from Miloš Forman’s Amadeus (7:00), the vocal lessons Monica received in preparation for the role of Baez (10:15), and her affecting rendition of House of the Rising Sun (16:00). Then, we dive into Monica’s California upbringing (18:00), her pivot from dancing to professional acting (24:00), and the winding journey that led her to A Complete Unknown (29:00).
On the back-half, we talk about her breakout role in Top Gun: Maverick (38:00), her evolving relationship to perfectionism (39:30), the deep, autobiographical research she did to portray Joan Baez (42:00), and what she hopes for in the years to come (54:15).
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In the lead-up to Oscar Sunday, our conversation with actor, writer, and director Jesse Eisenberg.
At the top, we unpack the journey that shaped his film A Real Pain (9:18), memories from his travels to Poland (15:40), and what he observed about his family growing up in East Brunswick (22:23). Then, Eisenberg reflects on his first jokes written on post-it notes (29:20), his breakthrough acting roles in Roger Dodger (31:35) and The Squid and the Whale (34:37), and formative visits to his aunt Doris in New York City (35:32).
On the back-half, we talk about his transformation in The Social Network (41:15), the erotic dream that inspired his play The Spoils (42:48), the real anxiety he explored while writing A Real Pain (46:39), lessons on directing from Richard Ayoade and Greg Mottola (51:14), and why he cares so deeply about his art (1:00:10).
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One week from Oscar Sunday, we’re joined by Nickel Boys director RaMell Ross.
At the top, RaMell describes the formal innovations of the new film (6:44), the naivete that allowed him to make this singular project (8:02), and how photography is shaped by race in ways we don’t consider (12:00). Then, we dive into RaMell’s Virginia upbringing (29:28), the hoop dreams that brought him to Georgetown (29:35), and the “question everything” mindset that took flight in his college years (30:30).
On the back-half, Ross explains the cinematic lineage of his Oscar-nominated documentary Hale County This Morning, This Evening (42:25), his aim to portray the American South in a new light (50:26), and why Nickel Boys is just the beginning of this next chapter in Black cinematic history (57:00).
Thoughts or future guest ideas? Email us at [email protected].
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