<description>Proclivitas writer and director Miley Tennecliffe is my guest on this episode which was recorded with a live audience as part of the WA Made Film Festival where Proclivitas celebrated its WA premiere recently. 

This one was a really fun episode to record, and I’d like to give a special shoutout to the audience who attended this recording on the day, and for asking some great questions which listeners will be able to hear towards the end of the episode. 

Proclivitas follows Clare (played by Rose Riley), a recovering addict returning to her hometown to sell her deceased mother's home, where she reunites with former flame Jerry (played by George Mason) and battles a demonic presence.

Anyway… enjoy.  </description>

Proclivitas writer and director Miley Tennecliffe…

Proclivitas writer and director Miley Tennecliffe is my guest on this episode which was recorded with a live audience as part of the WA Made Film Festival where Proclivitas celebrated its WA premiere recently. 

This one was a really fun episode to record, and I’d like to give a special shoutout to the audience who attended this recording on the day, and for asking some great questions which listeners will be able to hear towards the end of the episode. 

Proclivitas follows Clare (played by Rose Riley), a recovering addict returning to her hometown to sell her deceased mother's home, where she reunites with former flame Jerry (played by George Mason) and battles a demonic presence.

Anyway… enjoy.  

Episode #130 | Miley Tunnecliffe

<description>Welcome to the Cinema Australia Podcast. My name is Matthew Eeles.

In this episode, I’m joined by Floodland director Jordan Giusti to discuss this very topical documentary set in flood-prone Lismore, where residents face life-changing decisions after devastating floods. A man copes pragmatically, his friend turns activist, and an Indigenous social worker builds a healing centre.

Jordan is an award-winning director based in Naarm (Melbourne).

Prior to Floodland, Jordan completed numerous short films, including Grevillea and Reptile, which we also discuss here.

Jordan is also a two-time Australian Directors Guild Awards nominee for his short film work and has had notable festival screenings.

As regular Cinema Australia readers and listeners will know, I usually publish my interviews prior to a film’s release, but I was a bit late with this one as I’ve been on WA Made Film Festival duties over here in Perth.

Floodland is still screening at some cinema locations, so be sure to check out the film’s website.

Anyway… enjoy.</description>

Welcome to the Cinema Australia Podcast. My name …

Welcome to the Cinema Australia Podcast. My name is Matthew Eeles.

In this episode, I’m joined by Floodland director Jordan Giusti to discuss this very topical documentary set in flood-prone Lismore, where residents face life-changing decisions after devastating floods. A man copes pragmatically, his friend turns activist, and an Indigenous social worker builds a healing centre.

Jordan is an award-winning director based in Naarm (Melbourne).

Prior to Floodland, Jordan completed numerous short films, including Grevillea and Reptile, which we also discuss here.

Jordan is also a two-time Australian Directors Guild Awards nominee for his short film work and has had notable festival screenings.

As regular Cinema Australia readers and listeners will know, I usually publish my interviews prior to a film’s release, but I was a bit late with this one as I’ve been on WA Made Film Festival duties over here in Perth.

Floodland is still screening at some cinema locations, so be sure to check out the film’s website.

Anyway… enjoy.

Episode #129 | Jordan Giusti

<description>Welcome to the latest episode of the Cinema Australia Podcast.

In this episode I’m joined by actor Teresa Palmer, and director Marcelle Lunam to discuss their new rom-com, Addition. 

Addition follows Grace, played by Palmer, a woman who counts everything because numbers hold her world together. But when a chance encounter with Seamus, played by Joe Dempsie, turns her world upside down, her meticulously ordered life starts to unravel. 

Having appeared in numerous films and TV shows since the early 2000’s Teresa Palmer really needs no introduction. But if you’re unfamiliar with her work, she has appeared in films such as 2:37, Kieran Darcy-Smith’s Wish You Were Here, Warm Bodies opposite Nicholas Hoult, Mel Gibson’s Hacksaw Ridge, and Rachel Griffith’s Ride Like a Girl in which she playa Melbourne Cup-winning jockey, Michelle Payne. Teresa’s TV credits include The Family Next Door, The Clearing and Mixtape. 

Addition is the first narrative feature film for Marcelle Lunam having previously directed the documentary Habana (Abana) Shakes, and the music video Justine Clarke: I Like to Shake. Marcelle’s work here is quite impressive for a first timer. 

Anyway… enjoy. </description>

Welcome to the latest episode of the Cinema Austr…

Welcome to the latest episode of the Cinema Australia Podcast.

In this episode I’m joined by actor Teresa Palmer, and director Marcelle Lunam to discuss their new rom-com, Addition. 

Addition follows Grace, played by Palmer, a woman who counts everything because numbers hold her world together. But when a chance encounter with Seamus, played by Joe Dempsie, turns her world upside down, her meticulously ordered life starts to unravel. 

Having appeared in numerous films and TV shows since the early 2000’s Teresa Palmer really needs no introduction. But if you’re unfamiliar with her work, she has appeared in films such as 2:37, Kieran Darcy-Smith’s Wish You Were Here, Warm Bodies opposite Nicholas Hoult, Mel Gibson’s Hacksaw Ridge, and Rachel Griffith’s Ride Like a Girl in which she playa Melbourne Cup-winning jockey, Michelle Payne. Teresa’s TV credits include The Family Next Door, The Clearing and Mixtape. 

Addition is the first narrative feature film for Marcelle Lunam having previously directed the documentary Habana (Abana) Shakes, and the music video Justine Clarke: I Like to Shake. Marcelle’s work here is quite impressive for a first timer. 

Anyway… enjoy. 

Episode #128 | Teresa Palmer & Marcelle Lunam

<description>Welcome to the very first episode of the Cinema Australia Podcast for 2026! It’s great to be back. 

It wasn’t until the back end of 2025 that I realised how few episodes of this Podcast I recorded last year with a focus on more written interviews. I’m going to make it a priority in 2026 to record more episodes and hopefully reach my 150th episode which would be very exciting.

On to this episode…

I usually stick to interviewing directors and actors, but I couldn’t pass up the opportunity to guest cinematographer Benjamin Bryan - someone whose career I’ve kept a close eye on since first taking notice of his work on documentary, Franklin in 2022. 

Few cinematographers working in Australia are shooting films like Benjamin, and his work in his latest film, Iron Winter, is nothing short of breathtaking. 

Iron Winter observes two friends from Mongolia’s remote Tsakhir (Saak-ear) Valley, as they undertake a grueling rite of passage, herding 2,000 horses across the icy Mongolian steppe in search of grazing land below the snow. This tradition has been under threat in recent times due to harsh weather conditions made worse by climate change and the effects of urbanisation on the local community. 

Benjamin’s other films include Glenn Triggs’ Ancestry Road and Sue Thomson’s Careless which we also discuss here along with his directing work on his new series pilot, Lake Boga.

Anyway… enjoy.</description>

Welcome to the very first episode of the Cinema A…

Welcome to the very first episode of the Cinema Australia Podcast for 2026! It’s great to be back. 

It wasn’t until the back end of 2025 that I realised how few episodes of this Podcast I recorded last year with a focus on more written interviews. I’m going to make it a priority in 2026 to record more episodes and hopefully reach my 150th episode which would be very exciting.

On to this episode…

I usually stick to interviewing directors and actors, but I couldn’t pass up the opportunity to guest cinematographer Benjamin Bryan - someone whose career I’ve kept a close eye on since first taking notice of his work on documentary, Franklin in 2022. 

Few cinematographers working in Australia are shooting films like Benjamin, and his work in his latest film, Iron Winter, is nothing short of breathtaking. 

Iron Winter observes two friends from Mongolia’s remote Tsakhir (Saak-ear) Valley, as they undertake a grueling rite of passage, herding 2,000 horses across the icy Mongolian steppe in search of grazing land below the snow. This tradition has been under threat in recent times due to harsh weather conditions made worse by climate change and the effects of urbanisation on the local community. 

Benjamin’s other films include Glenn Triggs’ Ancestry Road and Sue Thomson’s Careless which we also discuss here along with his directing work on his new series pilot, Lake Boga.

Anyway… enjoy.

Episode #127 | Benjamin Bryan

<description>This episode is a little different from usual, as it features two interviews originally recorded for my radio segment on 2RRR and the Community Radio Network. I thought I’d also publish them here for your listening pleasure.

My first guest here is Dawn Jackson, a filmmaker from Perth whose new documentary Pointe: Dancing on a Knife’s Edge is currently touring Australia with a series of Q&amp;A screenings.

Pointe: Dancing on a Knife’s Edge is a captivating and moving documentary about Australian dancer Floeur Alder, daughter of ballet luminaries Lucette Aldous AC and Alan Alder. At 22, just as she was about to embark on her European dance career, she survived a brutal stabbing by a stranger outside her home. While the physical wounds healed, the trauma stirred turbulent memories from her past, sparking a deeply personal quest to find her place in the dance world.

Dawn Jackson is an award-winning filmmaker and dancer passionate about social change through storytelling. Since completing her Master’s at the WA Screen Academy, specialising in directing, Dawn has been developing the feature documentary Pointe: Dancing on a Knife’s Edge, which recently won the inaugural Brian Beaton Award. She is also developing Caves House – Place of Love, an innovative social history documentary project, and Hush, a new dance/film work born out of an arts residency in the Arctic Circle. Dawn’s previous work includes the men’s mental health drama Fathom, which she directed and produced in 2017.

——

If you’ve been following Cinema Australia for a while now, you’ll know that my next guest needs no introduction.

Davo has released a new feature film almost every second year since his debut, The Lives We Lead, in 2015. Since then, Davo’s filmography has included Hunting for Shadows, A Silent Agreement, The Blood of God, Public Eye, and The Switchblade Sisterhood.

Davo’s latest film, Mothers, Lovers and Others, follows the interweaving private lives and family dramas of several people who cross paths at an orgy.

Davo certainly has a signature style, and as I tell him in this interview, there’s no one else like him making movies in Australia today.

Anyway… enjoy.
</description>

This episode is a little different from usual, as…

This episode is a little different from usual, as it features two interviews originally recorded for my radio segment on 2RRR and the Community Radio Network. I thought I’d also publish them here for your listening pleasure.

My first guest here is Dawn Jackson, a filmmaker from Perth whose new documentary Pointe: Dancing on a Knife’s Edge is currently touring Australia with a series of Q&A screenings.

Pointe: Dancing on a Knife’s Edge is a captivating and moving documentary about Australian dancer Floeur Alder, daughter of ballet luminaries Lucette Aldous AC and Alan Alder. At 22, just as she was about to embark on her European dance career, she survived a brutal stabbing by a stranger outside her home. While the physical wounds healed, the trauma stirred turbulent memories from her past, sparking a deeply personal quest to find her place in the dance world.

Dawn Jackson is an award-winning filmmaker and dancer passionate about social change through storytelling. Since completing her Master’s at the WA Screen Academy, specialising in directing, Dawn has been developing the feature documentary Pointe: Dancing on a Knife’s Edge, which recently won the inaugural Brian Beaton Award. She is also developing Caves House – Place of Love, an innovative social history documentary project, and Hush, a new dance/film work born out of an arts residency in the Arctic Circle. Dawn’s previous work includes the men’s mental health drama Fathom, which she directed and produced in 2017.

——

If you’ve been following Cinema Australia for a while now, you’ll know that my next guest needs no introduction.

Davo has released a new feature film almost every second year since his debut, The Lives We Lead, in 2015. Since then, Davo’s filmography has included Hunting for Shadows, A Silent Agreement, The Blood of God, Public Eye, and The Switchblade Sisterhood.

Davo’s latest film, Mothers, Lovers and Others, follows the interweaving private lives and family dramas of several people who cross paths at an orgy.

Davo certainly has a signature style, and as I tell him in this interview, there’s no one else like him making movies in Australia today.

Anyway… enjoy.


Episode #126 | Dawn Jackson & Davo Hardy

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