<description>&lt;p&gt;Kirk Douglas died this week. In this special episode of the British Film Institute's flagship podcast the BFI's Digital editor, Henry Barnes, pays tribute by introducing clips from an archive interview with the star, which was recorded at the National Film Theatre in 1972. Douglas talks about his roles in classics like Spartacus, as well as the fun he had playing the bad guy and playing with his public image.&lt;/p&gt;&lt;br&gt;&lt;p&gt;This episode of the podcast was written, presented and edited by Henry Barnes. Production and mixing by Peter Sale.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

Kirk Douglas died this week. In this special episode of the British Film Institute's flagship podcast the BFI's Digital editor, Henry Barnes, pays tribute by introducing clips from an archive interview with the star, which was recorded at the...

Kirk Douglas died this week. In this special episode of the British Film Institute's flagship podcast the BFI's Digital editor, Henry Barnes, pays tribute by introducing clips from an archive interview with the star, which was recorded at the National Film Theatre in 1972. Douglas talks about his roles in classics like Spartacus, as well as the fun he had playing the bad guy and playing with his public image. This episode of the podcast was written, presented and edited by Henry Barnes. Production and mixing by Peter Sale.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Kirk Douglas tribute

<description>&lt;p&gt;The 2010s saw huge changes in the way films were watched and talked about. In the final episode of this series of The Bigger Picture (and the final episode of this decade) Anna, Hen and Pete explore the trends in film and telly - including #MeToo, streaming, Marvel and TV's REAL golden age - that developed over 10 extraordinary years in screen culture.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Plus! Anna shares what she's learnt about film, herself and the world during te 2010s and Hen exclusively reveals his pick for the greatest screen experience of the last decade. Clue: it ain't classy.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Thanks to all of The Bigger Picture's listeners for spending time with us this year. We wish you all happy holidays and a peaceful, prosperous 2020.&lt;/p&gt;&lt;br&gt;&lt;p&gt;The Bigger Picture, presented by the BFI is ...&lt;/p&gt;&lt;br&gt;&lt;p&gt;BFI Digital editor &lt;a href="https://twitter.com/HenryHBarnes" rel="noopener noreferrer" target="_blank"&gt;Henry Barnes&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://twitter.com/annabdemented" rel="noopener noreferrer" target="_blank"&gt;Anna Bogutskaya&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;and producer &lt;a href="https://www.petersale.co.uk/" rel="noopener noreferrer" target="_blank"&gt;Peter Sale. &lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

The 2010s saw huge changes in the way films were watched and talked about. In the final episode of this series of The Bigger Picture (and the final episode of this decade) Anna, Hen and Pete explore the trends in film and telly - including #MeToo, stre...

The 2010s saw huge changes in the way films were watched and talked about. In the final episode of this series of The Bigger Picture (and the final episode of this decade) Anna, Hen and Pete explore the trends in film and telly - including #MeToo, streaming, Marvel and TV's REAL golden age - that developed over 10 extraordinary years in screen culture. Plus! Anna shares what she's learnt about film, herself and the world during te 2010s and Hen exclusively reveals his pick for the greatest screen experience of the last decade. Clue: it ain't classy. Thanks to all of The Bigger Picture's listeners for spending time with us this year. We wish you all happy holidays and a peaceful, prosperous 2020. The Bigger Picture, presented by the BFI is ... BFI Digital editor <a href="https://twitter.com/HenryHBarnes" rel="noopener noreferrer" target="_blank">Henry Barnes</a> <a href="https://twitter.com/annabdemented" rel="noopener noreferrer" target="_blank">Anna Bogutskaya</a> and producer <a href="https://www.petersale.co.uk/" rel="noopener noreferrer" target="_blank">Peter Sale. </a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

The trends of the 2010s

<description>&lt;p&gt;Greta Gerwig's take on Little Women, Louis May Alcott's classic novel, starts fast and speeds up from there. We talk about how Gerwig's antic adaptation barely pauses for breath, but still makes room in its period setting for a very modern take on women, work, money and freedom.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Starring Saoirse Ronan as aspiring writer Jo Marsh, Little Women tells the story of Jo and her sisters - Meg, Amy and Beth - as they leave adolescence and find their way in the world. It's Gerwig's second film as director after the Oscar-nominated Lady Bird, which also starred Ronan.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Elsewhere in this episode: witch stories, clockwork games and Anna swoons and swoons again over the lovely (for now) Timothée Chalamet, who plays this Little Women's Laurie.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

Greta Gerwig's take on Little Women, Louis May Alcott's classic novel, starts fast and speeds up from there. We talk about how Gerwig's antic adaptation barely pauses for breath, but still makes room in its period setting for a very mode...

Greta Gerwig's take on Little Women, Louis May Alcott's classic novel, starts fast and speeds up from there. We talk about how Gerwig's antic adaptation barely pauses for breath, but still makes room in its period setting for a very modern take on women, work, money and freedom. Starring Saoirse Ronan as aspiring writer Jo Marsh, Little Women tells the story of Jo and her sisters - Meg, Amy and Beth - as they leave adolescence and find their way in the world. It's Gerwig's second film as director after the Oscar-nominated Lady Bird, which also starred Ronan. Elsewhere in this episode: witch stories, clockwork games and Anna swoons and swoons again over the lovely (for now) Timothée Chalamet, who plays this Little Women's Laurie.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Little Women, instant friendship

<description>&lt;p&gt;Heartless, irrational, unstoppable - zombies and the sea are natural soul(less) mates and Mati Diop's debut film pairs them beautifully. Atlantics, which took home the first feature award at this year's London Film Festival, is a love story between a Senegalese woman and her departed lover. It hits the high water mark for stories of supernatural love.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Anna, Hen and Pete talk about what makes a ghoulish love story glimmer, how the sea shines as a metaphor on film and why love stories in which one person is dead are the most beautiful and tragic of all.&lt;/p&gt;&lt;br&gt;&lt;p&gt;!WARNING: Contains spoliers for Atlantics!&lt;/p&gt;&lt;br&gt;&lt;p&gt;The Bigger Picture, presented by the BFI, is ...&lt;/p&gt;&lt;br&gt;&lt;p&gt;BFI Digital editor &lt;a href="https://twitter.com/HenryHBarnes" rel="noopener noreferrer" target="_blank"&gt;Henry Barnes&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://twitter.com/annabdemented" rel="noopener noreferrer" target="_blank"&gt;Anna Bogutskaya&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;and producer &lt;a href="https://www.petersale.co.uk/" rel="noopener noreferrer" target="_blank"&gt;Peter Sale. &lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

Heartless, irrational, unstoppable - zombies and the sea are natural soul(less) mates and Mati Diop's debut film pairs them beautifully. Atlantics, which took home the first feature award at this year's London Film Festival, is a love story b...

Heartless, irrational, unstoppable - zombies and the sea are natural soul(less) mates and Mati Diop's debut film pairs them beautifully. Atlantics, which took home the first feature award at this year's London Film Festival, is a love story between a Senegalese woman and her departed lover. It hits the high water mark for stories of supernatural love. Anna, Hen and Pete talk about what makes a ghoulish love story glimmer, how the sea shines as a metaphor on film and why love stories in which one person is dead are the most beautiful and tragic of all. !WARNING: Contains spoliers for Atlantics! The Bigger Picture, presented by the BFI, is ... BFI Digital editor <a href="https://twitter.com/HenryHBarnes" rel="noopener noreferrer" target="_blank">Henry Barnes</a> <a href="https://twitter.com/annabdemented" rel="noopener noreferrer" target="_blank">Anna Bogutskaya</a> and producer <a href="https://www.petersale.co.uk/" rel="noopener noreferrer" target="_blank">Peter Sale. </a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Atlantics and supernatural love

<description>&lt;p&gt;A paperwork thriller. A chit-chat drama. The Report, the true story of the US Senate intelligence officer who investigated the CIA's torture of detainees after 9/11, uses dialogue - lots and lots of dialogue - to tell a slow-burning story of an instution reaching far beyond its limits.&lt;/p&gt;&lt;br&gt;&lt;p&gt;In this episode of The Bigger Picture Hen, Anna and Pete describe how watching the film is more akin to listening to long-form narrative podcast than going to the cinema, why the film remains a thrill despite its slow pace and how - bizarrely - scenes of state-sanctioned torture have become a trope unto themselves.&lt;/p&gt;&lt;br&gt;&lt;p&gt;The Bigger Picture, presented by the BFI, is ...&lt;/p&gt;&lt;br&gt;&lt;p&gt;BFI Digital editor &lt;a href="https://twitter.com/HenryHBarnes" rel="noopener noreferrer" target="_blank"&gt;Henry Barnes&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://twitter.com/annabdemented" rel="noopener noreferrer" target="_blank"&gt;Anna Bogutskaya&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;and producer &lt;a href="https://www.petersale.co.uk/" rel="noopener noreferrer" target="_blank"&gt;Peter Sale. &lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

A paperwork thriller. A chit-chat drama. The Report, the true story of the US Senate intelligence officer who investigated the CIA's torture of detainees after 9/11, uses dialogue - lots and lots of dialogue - to tell a slow-burning story of an in...

A paperwork thriller. A chit-chat drama. The Report, the true story of the US Senate intelligence officer who investigated the CIA's torture of detainees after 9/11, uses dialogue - lots and lots of dialogue - to tell a slow-burning story of an instution reaching far beyond its limits. In this episode of The Bigger Picture Hen, Anna and Pete describe how watching the film is more akin to listening to long-form narrative podcast than going to the cinema, why the film remains a thrill despite its slow pace and how - bizarrely - scenes of state-sanctioned torture have become a trope unto themselves. The Bigger Picture, presented by the BFI, is ... BFI Digital editor <a href="https://twitter.com/HenryHBarnes" rel="noopener noreferrer" target="_blank">Henry Barnes</a> <a href="https://twitter.com/annabdemented" rel="noopener noreferrer" target="_blank">Anna Bogutskaya</a> and producer <a href="https://www.petersale.co.uk/" rel="noopener noreferrer" target="_blank">Peter Sale. </a><hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

The Report and the paperwork thriller

Hosted by BFI programmer Anna Bogutskaya and the BFI’s digital editor, Henry Barnes, The Bigger Picture covers the best in screen culture, from film to TV to gaming.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Hosted by BFI programmer Anna Bogutskaya and the BFI’s digital editor, Henry Barnes, The Bigger Picture covers the best in screen culture, from film to TV to gaming.

The Bigger Picture, presented by The British Film Institute

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