Check out the newest season of&nbsp;Recording Artists, hosted by actor, artist, and futurist Ahmed Best. Explore the Getty archives and learn about the innovative art-science group Experiments in Art and Technology (E.A.T.) in season three, out now.



This first episode of the season features Robert Rauschenberg, weaving archival recordings of the artist with new interviews by MoMA chief curator at large and publisher Michelle Kuo and cognitive-studies scientist Xiaodong Lin-Siegler.



<a href="https://www.getty.edu/podcasts/recording-artists/robert-rauschenberg/">Learn more about the episode</a>&nbsp;and subscribe to the series.



The&nbsp;<a href="https://www.getty.edu/about/join-and-give/patron-program/">Getty Patron Program</a>&nbsp;is a proud sponsor of this podcast.



Additional music from “Variations VII” written by John Cage courtesy of Henmar Press, Inc.

<description>&lt;p&gt;Check out the newest season of&amp;nbsp;&lt;em&gt;Recording Artists&lt;/em&gt;, hosted by actor, artist, and futurist Ahmed Best. Explore the Getty archives and learn about the innovative art-science group Experiments in Art and Technology (E.A.T.) in season three, out now.&lt;/p&gt;



&lt;p&gt;This first episode of the season features Robert Rauschenberg, weaving archival recordings of the artist with new interviews by MoMA chief curator at large and publisher Michelle Kuo and cognitive-studies scientist Xiaodong Lin-Siegler.&lt;/p&gt;



&lt;p&gt;&lt;a href="https://www.getty.edu/podcasts/recording-artists/robert-rauschenberg/"&gt;Learn more about the episode&lt;/a&gt;&amp;nbsp;and subscribe to the series.&lt;/p&gt;



&lt;p&gt;The&amp;nbsp;&lt;a href="https://www.getty.edu/about/join-and-give/patron-program/"&gt;Getty Patron Program&lt;/a&gt;&amp;nbsp;is a proud sponsor of this podcast.&lt;/p&gt;



&lt;p&gt;Additional music from “Variations VII” written by John Cage courtesy of Henmar Press, Inc.&lt;/p&gt;</description>

Check out the newest season of&nbsp;Recording Artists, hosted by actor, artist, and futurist Ahmed Best. Explore the Getty archives and learn about the innovative art-science group Experiments in Art and Technology (E.A.T.) in season three, out now.



T

Check out the newest season of&nbsp;Recording Artists, hosted by actor, artist, and futurist Ahmed Best. Explore the Getty archives and learn about the innovative art-science group Experiments in Art and Technology (E.A.T.) in season three, out now.



This first episode of the season features Robert Rauschenberg, weaving archival recordings of the artist with new interviews by MoMA chief curator at large and publisher Michelle Kuo and cognitive-studies scientist Xiaodong Lin-Siegler.



Learn more about the episode&nbsp;and subscribe to the series.



The&nbsp;Getty Patron Program&nbsp;is a proud sponsor of this podcast.



Additional music from “Variations VII” written by John Cage courtesy of Henmar Press, Inc.

Recording Artists: Robert Rauschenberg

Enjoy this episode from season 2 of Getty's other podcast, Recording Artists. This series features materials from Getty's archives. This season, titled Intimate Addresses, highlights artists' letters. 



To hear the rest of the season, subscribe to Recording Artists on your favorite podcast app or on our website <a href="https://www.getty.edu/recordingartists/">here</a>.





In 1944, Frida Kahlo is at a crossroads, both in terms of her health and her career. In April of that year, with World War II dragging on, she writes to her gallerist—and former lover—Julien Levy. In this tender and personal letter, she moves from the logistical challenges of sending art across national borders during wartime, to describing her painful new steel corsets, to asking after her many friends in New York, where Levy lives. Unpacking this letter and exploring Kahlo’s words written in her own hand provides a new understanding of an artist who has become larger than life in the years since her death at age 47.



In this episode of Recording Artists: Intimate Addresses, host Tess Taylor highlights Kahlo’s vibrant personality, tracing how her artistic career developed alongside her long-running health struggles and her now-iconic style and persona. Anna Deavere Smith voices the letter. Photographer and poet Rachel Eliza Griffiths, whose work often addresses pain and the body, provides her artist’s insight while historian Circe Henestrosa, who co-curated the Kahlo exhibition Making Herself Up at the Victoria and Albert Museum in 2018, shares charming anecdotes and important details of Kahlo’s life.



For transcripts, images, and additional resources <a href="https://www.getty.edu/recordingartists/">visit our website</a>.

<description>&lt;p&gt;Enjoy this episode from season 2 of Getty's other podcast, &lt;em&gt;Recording Artists&lt;/em&gt;. This series features materials from Getty's archives. This season, titled &lt;em&gt;Intimate Addresses&lt;/em&gt;, highlights artists' letters. &lt;/p&gt;



&lt;p&gt;To hear the rest of the season, subscribe to &lt;em&gt;Recording Artists&lt;/em&gt; on your favorite podcast app or on our website &lt;a href="https://www.getty.edu/recordingartists/"&gt;here&lt;/a&gt;.&lt;/p&gt;





&lt;p&gt;In 1944, Frida Kahlo is at a crossroads, both in terms of her health and her career. In April of that year, with World War II dragging on, she writes to her gallerist—and former lover—Julien Levy. In this tender and personal letter, she moves from the logistical challenges of sending art across national borders during wartime, to describing her painful new steel corsets, to asking after her many friends in New York, where Levy lives. Unpacking this letter and exploring Kahlo’s words written in her own hand provides a new understanding of an artist who has become larger than life in the years since her death at age 47.&lt;/p&gt;



&lt;p&gt;In this episode of &lt;em&gt;Recording Artists: Intimate Addresses&lt;/em&gt;, host Tess Taylor highlights Kahlo’s vibrant personality, tracing how her artistic career developed alongside her long-running health struggles and her now-iconic style and persona. Anna Deavere Smith voices the letter. Photographer and poet Rachel Eliza Griffiths, whose work often addresses pain and the body, provides her artist’s insight while historian Circe Henestrosa, who co-curated the Kahlo exhibition &lt;em&gt;Making Herself Up&lt;/em&gt; at the Victoria and Albert Museum in 2018, shares charming anecdotes and important details of Kahlo’s life.&lt;/p&gt;



&lt;p&gt;For transcripts, images, and additional resources &lt;a href="https://www.getty.edu/recordingartists/"&gt;visit our website&lt;/a&gt;.&lt;/p&gt;</description>

Enjoy this episode from season 2 of Gettys other podcast, Recording Artists. This series features materials from Gettys archives. This season, titled Intimate Addresses, highlights artists letters. 



To hear the rest of the season, subscribe to Recordi

Enjoy this episode from season 2 of Getty's other podcast, Recording Artists. This series features materials from Getty's archives. This season, titled Intimate Addresses, highlights artists' letters. 



To hear the rest of the season, subscribe to Recording Artists on your favorite podcast app or on our website here.





In 1944, Frida Kahlo is at a crossroads, both in terms of her health and her career. In April of that year, with World War II dragging on, she writes to her gallerist—and former lover—Julien Levy. In this tender and personal letter, she moves from the logistical challenges of sending art across national borders during wartime, to describing her painful new steel corsets, to asking after her many friends in New York, where Levy lives. Unpacking this letter and exploring Kahlo’s words written in her own hand provides a new understanding of an artist who has become larger than life in the years since her death at age 47.



In this episode of Recording Artists: Intimate Addresses, host Tess Taylor highlights Kahlo’s vibrant personality, tracing how her artistic career developed alongside her long-running health struggles and her now-iconic style and persona. Anna Deavere Smith voices the letter. Photographer and poet Rachel Eliza Griffiths, whose work often addresses pain and the body, provides her artist’s insight while historian Circe Henestrosa, who co-curated the Kahlo exhibition Making Herself Up at the Victoria and Albert Museum in 2018, shares charming anecdotes and important details of Kahlo’s life.



For transcripts, images, and additional resources visit our website.

Recording Artists: Frida Kahlo

In Season 2 of Getty's podcast series Recording Artists, titled Intimate Addresses, each episode unpacks one letter from one artist, including Marcel Duchamp, Frida Kahlo, M. C. Richards, Benjamin Patterson, Nam June Paik, and Meret Oppenheim. Anna Deavere Smith reads the letters while our host, poet Tess Taylor, speaks with modern-day creators and historians to explore the artists’ lives. The season launches September 26, 2023. Subscribe on your favorite podcast app or learn more on our website <a href="https://www.getty.edu/recordingartists/">here</a>.

<description>&lt;p&gt;In Season 2 of Getty's podcast series &lt;em&gt;Recording Artists&lt;/em&gt;, titled I&lt;em&gt;ntimate Addresses&lt;/em&gt;, each episode unpacks one letter from one artist, including Marcel Duchamp, Frida Kahlo, M. C. Richards, Benjamin Patterson, Nam June Paik, and Meret Oppenheim. Anna Deavere Smith reads the letters while our host, poet Tess Taylor, speaks with modern-day creators and historians to explore the artists’ lives. The season launches September 26, 2023. Subscribe on your favorite podcast app or learn more on our website &lt;a href="https://www.getty.edu/recordingartists/"&gt;here&lt;/a&gt;. &lt;/p&gt;</description>

In Season 2 of Gettys podcast series Recording Artists, titled Intimate Addresses, each episode unpacks one letter from one artist, including Marcel Duchamp, Frida Kahlo, M. C. Richards, Benjamin Patterson, Nam June Paik, and Meret Oppenheim. Anna Deaver

In Season 2 of Getty's podcast series Recording Artists, titled Intimate Addresses, each episode unpacks one letter from one artist, including Marcel Duchamp, Frida Kahlo, M. C. Richards, Benjamin Patterson, Nam June Paik, and Meret Oppenheim. Anna Deavere Smith reads the letters while our host, poet Tess Taylor, speaks with modern-day creators and historians to explore the artists’ lives. The season launches September 26, 2023. Subscribe on your favorite podcast app or learn more on our website here.

Trailer—Recording Artists Season 2

“I think you can see that from my work, that I try to put everything I know in there and everything I don’t know. I’m looking for stuff that I don’t know, in that pursuit of, like, a daily practice.”



Terrance Hayes is fascinated by creating records of daily life. With a background in visual art and poetry, he has a nuanced understanding of what constitutes writing and reading across mediums. His work as a teacher also touches everything he does.



In this episode, hosted by Getty Research Institute associate curator Dr. LeRonn Brooks, Hayes discusses his creative practice, as well as the possibilities of radical imagination in recording one’s life.



Hayes is professor of creative writing at New York University. He is the author of the National Book Award finalist How to Be Drawn (Penguin, 2015) and Lighthead (2010), which won the 2010 National Book Award and was a finalist for the National Book Critics Circle Award. His numerous honors include a Whiting Writers Award and fellowships from the National Endowment for the Arts, United States Artists, the Guggenheim, and the MacArthur Foundation.



For images, transcripts, and more, visit <a href="https://blogs.getty.edu/iris/art-and-poetry-recording-everyday-life/">https://blogs.getty.edu/iris/art-and-poetry-recording-everyday-life/</a> or <a href="http://www.getty.edu/podcasts/">http://www.getty.edu/podcasts</a>



To learn more about Terrance Hayes, visit <a href="https://terrancehayes.com/">https://terrancehayes.com/</a>

<description>&lt;p&gt;“I think you can see that from my work, that I try to put everything I know in there and everything I don’t know. I’m looking for stuff that I don’t know, in that pursuit of, like, a daily practice.”&lt;/p&gt;



&lt;p&gt;Terrance Hayes is fascinated by creating records of daily life. With a background in visual art and poetry, he has a nuanced understanding of what constitutes writing and reading across mediums. His work as a teacher also touches everything he does.&lt;/p&gt;



&lt;p&gt;In this episode, hosted by Getty Research Institute associate curator Dr. LeRonn Brooks, Hayes discusses his creative practice, as well as the possibilities of radical imagination in recording one’s life.&lt;/p&gt;



&lt;p&gt;Hayes is professor of creative writing at New York University. He is the author of the National Book Award finalist &lt;em&gt;How to Be Drawn&lt;/em&gt; (Penguin, 2015) and &lt;em&gt;Lighthead&lt;/em&gt; (2010), which won the 2010 National Book Award and was a finalist for the National Book Critics Circle Award. His numerous honors include a Whiting Writers Award and fellowships from the National Endowment for the Arts, United States Artists, the Guggenheim, and the MacArthur Foundation.&lt;/p&gt;



&lt;p&gt;For images, transcripts, and more, visit &lt;a href="https://blogs.getty.edu/iris/art-and-poetry-recording-everyday-life/"&gt;https://blogs.getty.edu/iris/art-and-poetry-recording-everyday-life/&lt;/a&gt; or &lt;a href="http://www.getty.edu/podcasts/"&gt;http://www.getty.edu/podcasts&lt;/a&gt;&lt;/p&gt;



&lt;p&gt;To learn more about Terrance Hayes, visit &lt;a href="https://terrancehayes.com/"&gt;https://terrancehayes.com/&lt;/a&gt;&lt;/p&gt;</description>

“I think you can see that from my work, that I try to put everything I know in there and everything I don’t know. I’m looking for stuff that I don’t know, in that pursuit of, like, a daily practice.”



Terrance Hayes is fascinated by creating records of

“I think you can see that from my work, that I try to put everything I know in there and everything I don’t know. I’m looking for stuff that I don’t know, in that pursuit of, like, a daily practice.”



Terrance Hayes is fascinated by creating records of daily life. With a background in visual art and poetry, he has a nuanced understanding of what constitutes writing and reading across mediums. His work as a teacher also touches everything he does.



In this episode, hosted by Getty Research Institute associate curator Dr. LeRonn Brooks, Hayes discusses his creative practice, as well as the possibilities of radical imagination in recording one’s life.



Hayes is professor of creative writing at New York University. He is the author of the National Book Award finalist How to Be Drawn (Penguin, 2015) and Lighthead (2010), which won the 2010 National Book Award and was a finalist for the National Book Critics Circle Award. His numerous honors include a Whiting Writers Award and fellowships from the National Endowment for the Arts, United States Artists, the Guggenheim, and the MacArthur Foundation.



For images, transcripts, and more, visit https://blogs.getty.edu/iris/art-and-poetry-recording-everyday-life/ or http://www.getty.edu/podcasts



To learn more about Terrance Hayes, visit https://terrancehayes.com/

Art and Poetry: Recording Everyday Life

“What I tell my students—and most of them are writers—is that the only way for them to get to a place where they’re making what they should be making, writing what they should be writing, is to work from a place of courage.”



Claudia Rankine is a skilled poet, playwright, essayist, and professor. She explores, across genres, how the act of witnessing is necessary in maintaining the social contract. During this period of immense global change, witnessing as an act is a powerful act for artists, who can incisively question the moral trajectory of a nation.



In this episode, hosted by Getty Research Institute associate curator Dr. LeRonn Brooks, Rankine shares her thoughts on the role art and artists play in determining the course of history, her approach to teaching a new generation of artists, and the importance of introspection and intention in shaping our collective future.



Rankine is professor of creative writing at New York University. She is the author of three plays and six collections, including Citizen: An American Lyric and Don’t Let Me Be Lonely; she has also edited several anthologies, including The Racial Imaginary: Writers on Race in the Life of the Mind. In 2016, she co-founded The Racial Imaginary Institute (TRII). Her most recent book is Just Us: An American Conversation (Graywolf, 2020). She is a recipient of numerous awards and honors, including MacArthur, Lannan Foundation, and Guggenheim fellowships.



For images, transcripts, and more, visit <a href="https://blogs.getty.edu/iris/art-and-poetry-how-to-witness-the-world/">https://blogs.getty.edu/iris/art-and-poetry-how-to-witness-the-world/</a> or <a href="http://www.getty.edu/podcasts/">http://www.getty.edu/podcasts</a>



To learn more about Claudia Rankine, visit <a href="https://as.nyu.edu/faculty/claudia-rankine.html">https://as.nyu.edu/faculty/claudia-rankine.html</a>

<description>&lt;p&gt;“What I tell my students—and most of them are writers—is that the only way for them to get to a place where they’re making what they should be making, writing what they should be writing, is to work from a place of courage.”&lt;/p&gt;



&lt;p&gt;Claudia Rankine is a skilled poet, playwright, essayist, and professor. She explores, across genres, how the act of witnessing is necessary in maintaining the social contract. During this period of immense global change, witnessing as an act is a powerful act for artists, who can incisively question the moral trajectory of a nation.&lt;/p&gt;



&lt;p&gt;In this episode, hosted by Getty Research Institute associate curator Dr. LeRonn Brooks, Rankine shares her thoughts on the role art and artists play in determining the course of history, her approach to teaching a new generation of artists, and the importance of introspection and intention in shaping our collective future.&lt;/p&gt;



&lt;p&gt;Rankine is professor of creative writing at New York University. She is the author of three plays and six collections, including &lt;em&gt;Citizen: An American Lyric&lt;/em&gt; and &lt;em&gt;Don’t Let Me Be Lonely&lt;/em&gt;; she has also edited several anthologies, including &lt;em&gt;The Racial Imaginary: Writers on Race in the Life of the Mind&lt;/em&gt;. In 2016, she co-founded The Racial Imaginary Institute (TRII). Her most recent book is &lt;em&gt;Just Us: An American Conversation&lt;/em&gt; (Graywolf, 2020). She is a recipient of numerous awards and honors, including MacArthur, Lannan Foundation, and Guggenheim fellowships.&lt;/p&gt;



&lt;p&gt;For images, transcripts, and more, visit &lt;a href="https://blogs.getty.edu/iris/art-and-poetry-how-to-witness-the-world/"&gt;https://blogs.getty.edu/iris/art-and-poetry-how-to-witness-the-world/&lt;/a&gt; or &lt;a href="http://www.getty.edu/podcasts/"&gt;http://www.getty.edu/podcasts&lt;/a&gt;&lt;/p&gt;



&lt;p&gt;To learn more about Claudia Rankine, visit &lt;a href="https://as.nyu.edu/faculty/claudia-rankine.html"&gt;https://as.nyu.edu/faculty/claudia-rankine.html&lt;/a&gt;&lt;/p&gt;</description>

“What I tell my students—and most of them are writers—is that the only way for them to get to a place where they’re making what they should be making, writing what they should be writing, is to work from a place of courage.”



Claudia Rankine is a skill

“What I tell my students—and most of them are writers—is that the only way for them to get to a place where they’re making what they should be making, writing what they should be writing, is to work from a place of courage.”



Claudia Rankine is a skilled poet, playwright, essayist, and professor. She explores, across genres, how the act of witnessing is necessary in maintaining the social contract. During this period of immense global change, witnessing as an act is a powerful act for artists, who can incisively question the moral trajectory of a nation.



In this episode, hosted by Getty Research Institute associate curator Dr. LeRonn Brooks, Rankine shares her thoughts on the role art and artists play in determining the course of history, her approach to teaching a new generation of artists, and the importance of introspection and intention in shaping our collective future.



Rankine is professor of creative writing at New York University. She is the author of three plays and six collections, including Citizen: An American Lyric and Don’t Let Me Be Lonely; she has also edited several anthologies, including The Racial Imaginary: Writers on Race in the Life of the Mind. In 2016, she co-founded The Racial Imaginary Institute (TRII). Her most recent book is Just Us: An American Conversation (Graywolf, 2020). She is a recipient of numerous awards and honors, including MacArthur, Lannan Foundation, and Guggenheim fellowships.



For images, transcripts, and more, visit https://blogs.getty.edu/iris/art-and-poetry-how-to-witness-the-world/ or http://www.getty.edu/podcasts



To learn more about Claudia Rankine, visit https://as.nyu.edu/faculty/claudia-rankine.html

Art and Poetry: How to Witness the World

Join Jim Cuno, president of the J. Paul Getty Trust, as he talks with artists, writers, curators, and scholars about their work. Listen in as he engages these important thinkers in reflective and critical conversations about architecture, archaeology, art history, and museum exhibitions.

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