Is the process involved in the analysis of a Dramatica storyform truly objective, or is everyone fooling themselves? Jim answers these questions as well as giving an update on our app, Subtext.
(Note: This episode was recorded April 11, 2018--at that time, Subtext was called the &quot;Narrative First Atomizer&quot;)
In addition, we dive into what it feels like when a storyform just clicks into place--when you know you've found the unique set of thematic Storypoints that create the message of the narrative.
You can read <a href="https://narrativefirst.com/podcasts/transcripts/66">the entire transcription of this episode here</a>.
<a href="https://narrativefirst.com/services">Story Development Services</a> from Narrative First. Stop rewriting and finally finish that story with our expert advice.
Show Notes &amp; Links
<ul>
<li><a href="http://discuss.dramatica.com/t/objectivity-but-at-the-wrong-level/1601">Objectivity, At the Wrong Level - Discuss Dramatica</a> online discussion covering the objective analysis involved in discovering the unique storyform of a narrative</li>
<li><a href="https://app.narrativefirst.com/storyforms/pretty-woman">Pretty Woman</a> the complete Storyform, as found in Subtext</li>
<li><a href="https://app.narrativefirst.com/storyforms/i-tonya">The Throughlines of Pretty Woman</a> a visual representation of this film's Four Throughlines</li>
</ul>
Narrative First theme by Alex Hull. Hear more on his Soundcloud, <a href="http://soundcloud.com/operation-solace">Operation Solace</a>.

<description>
 &lt;p&gt;Is the process involved in the analysis of a Dramatica storyform truly objective, or is everyone fooling themselves? Jim answers these questions as well as giving an update on our app, Subtext.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;(Note: This episode was recorded April 11, 2018--at that time, Subtext was called the &amp;quot;Narrative First Atomizer&amp;quot;)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;In addition, we dive into what it feels like when a storyform just &lt;em&gt;clicks&lt;/em&gt; into place--when you know you've found the unique set of thematic Storypoints that create the message of the narrative.&lt;/p&gt;
&lt;p&gt;You can read &lt;a href="https://narrativefirst.com/podcasts/transcripts/66"&gt;the entire transcription of this episode here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://narrativefirst.com/services"&gt;&lt;strong&gt;Story Development Services&lt;/strong&gt;&lt;/a&gt; from Narrative First. Stop rewriting and finally finish that story with our expert advice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Show Notes &amp;amp; Links&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://discuss.dramatica.com/t/objectivity-but-at-the-wrong-level/1601"&gt;Objectivity, At the Wrong Level - Discuss Dramatica&lt;/a&gt; online discussion covering the objective analysis involved in discovering the unique storyform of a narrative&lt;/li&gt;
&lt;li&gt;&lt;a href="https://app.narrativefirst.com/storyforms/pretty-woman"&gt;&lt;em&gt;Pretty Woman&lt;/em&gt;&lt;/a&gt; the complete Storyform, as found in Subtext&lt;/li&gt;
&lt;li&gt;&lt;a href="https://app.narrativefirst.com/storyforms/i-tonya"&gt;The Throughlines of &lt;em&gt;Pretty Woman&lt;/em&gt;&lt;/a&gt; a visual representation of this film's Four Throughlines&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;em&gt;Narrative First&lt;/em&gt; theme by Alex Hull. Hear more on his Soundcloud, &lt;a href="http://soundcloud.com/operation-solace"&gt;Operation Solace&lt;/a&gt;.&lt;/p&gt;

 </description>

Is the process involved in the analysis of a Dramatica storyform truly objective, or is everyone fooling themselves? Jim answers these questions as well as giving an update on our app, Subtext.

Narrative First: where story is always king

When It All Finally Clicks Into Place

When It All Finally Clicks Into Place

Description