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 <a class="
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 " href="https://podcasts.apple.com/us/podcast/murmur-digital-radio/id1151225389"
 
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 <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/579a5624e6f2e1648e670630/1577484432429-4S5SNP4FXLW0YWHA7A28/image-asset.jpeg" data-image-dimensions="550x550" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/579a5624e6f2e1648e670630/1577484432429-4S5SNP4FXLW0YWHA7A28/image-asset.jpeg?format=1000w" width="550" height="550" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/579a5624e6f2e1648e670630/1577484432429-4S5SNP4FXLW0YWHA7A28/image-asset.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/579a5624e6f2e1648e670630/1577484432429-4S5SNP4FXLW0YWHA7A28/image-asset.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/579a5624e6f2e1648e670630/1577484432429-4S5SNP4FXLW0YWHA7A28/image-asset.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/579a5624e6f2e1648e670630/1577484432429-4S5SNP4FXLW0YWHA7A28/image-asset.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/579a5624e6f2e1648e670630/1577484432429-4S5SNP4FXLW0YWHA7A28/image-asset.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/579a5624e6f2e1648e670630/1577484432429-4S5SNP4FXLW0YWHA7A28/image-asset.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/579a5624e6f2e1648e670630/1577484432429-4S5SNP4FXLW0YWHA7A28/image-asset.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

 
 
 
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 We continue to talk about art that bother us. World-building has been strangely silent since The Matrix, a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists. Geof Darrow and Steve Skroce - the two craftspeople first to join the legion - assemble here to add their DNA to our dish. Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.

<description>We continue to talk about the movies that bother us. World-building has been strangely silent since The Matrix (1999), a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists. Geof Darrow and Steve Skroce - two craftspeople first to join the legion - assemble here to add their DNA to our dish. Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.</description>

Geof Darrow and Steve Skroce discuss the permanence of The Matrix, twenty years after its release.

We continue to talk about the movies that bother us.  World-building has been strangely silent since The Matrix (1999), a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists.  Geof Darrow and Steve Skroce - two craftspeople first to join the legion - assemble here to add their DNA to our dish.  Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.

Murmur 111 : Geof Darrow and Steve Skroce | "The Matrix @20"

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 Oh, F’it, let’s actually talk about the film Fight Club @ Twenty - still the smartest delinquent in the room - with the man whose book-as-rolling-ball-of-art-and-confusion began a movie birthed by an apropos society of full-throated artists: Chuck Palahniuk. The film still can’t drink, but it’s no less a danger to society. Its meta and mythos are more than meets the eye, and its fever-pitch lives in Chuck’s own agnostic baptisms. Write what you know, perhaps; film what’s to remain, please. Live from Cologne, Germany Live from Cologne, Germany, with an assist from Black Francis of The Pixies. Gleiten [Slide].

<description>Oh, f'it, let’s actually talk about the film FIGHT CLUB @ Twenty - still the smartest delinquent in the room - with the man whose book-as-rolling-ball-of-art-and-confusion began a movie birthed by an apropos society of full-throated artists: Chuck Palahniuk. The film still can’t drink, but it’s no less a danger to society. Its meta and mythos are more than meets the eye, and its fever-pitch lives in Chuck’s own agnostic baptisms. Write what you know, perhaps; film what’s to remain, please. Oh, and, slide.</description>

Chuck Palahniuk reviews the narrows and the straights of twenty years since his seminal work "Fight Club" was adapted for the screen.

Oh, f'it, let’s actually talk about the film FIGHT CLUB @ Twenty - still the smartest delinquent in the room - with the man whose book-as-rolling-ball-of-art-and-confusion began a movie birthed by an apropos society of full-throated artists: Chuck Palahniuk.  The film still can’t drink, but it’s no less a danger to society.  Its meta and mythos are more than meets the eye, and its fever-pitch lives in Chuck’s own agnostic baptisms.  Write what you know, perhaps; film what’s to remain, please.  Oh, and, slide.

Murmur 110 : Chuck Palahniuk | "Fight Club" @20

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 Henry Rollins — Professor Emeritus, The Modern School of Film — joins us in lovely, lovely Lima, Peru to triptych his life in three acts (i.e. three films) and continue our journey <a href="https://www.modernschooloffilm.com" target="_blank">In:Pictures</a>. His selections are as raw and ready-made as Henry; one indie, one Epic, one film family-photo one would sooner forget, but cannot. Blissfully, Robert Duvall came up a few times (read three) to boot. Henry never forgets, and his cinema, unsurprisingly, unforgiving. Welcome back, Professor. Thank you, Peru.

<description>Henry Rollins — Professor Emeritus, The Modern School of Film — joins us in lovely, lovely Lima, Peru to triptych his life in three acts (i.e. three films) and continue our journey In:Pictures. His selections are as raw and ready-made as Henry; one indie, one Epic, one film family-photo one would sooner forget, but cannot. Blissfully, Robert Duvall came up a few times (read three) to boot. Henry never forgets, and his cinema, unsurprisingly, unforgiving. Welcome back, Professor. Thank you, Peru.</description>

A live talk with Henry Rollins on the movie memories that made him.

Henry Rollins — Professor Emeritus, The Modern School of Film — joins us in lovely, lovely Lima, Peru to triptych his life in three acts (i.e. three films) and continue our journey In:Pictures. His selections are as raw and ready-made as Henry; one indie, one Epic, one film family-photo one would sooner forget, but cannot.  Blissfully, Robert Duvall came up a few times (read three) to boot.  Henry never forgets, and his cinema, unsurprisingly, unforgiving.  Welcome back, Professor.  Thank you, Peru.

Murmur 109 : Henry Rollins | In:Pictures

Once upon an art-form, the term "classically trained" meant something, for better and for worse. Wesley Snipes is the former and we're the former for it. Dr. Snipes joined us in Monaco to look back and ahead at his range, his craftsmanship and, most importantly, to teach us how to take a punch. And a kick. All in a dance move or two.








































































 

 
 
 

 

 
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<description>Once upon an art-form, the term "classically trained" meant something. For better and for worse. Wesley Snipes is the former, and we're the former for it. Dr. Snipes joined us in Monaco to look back and ahead at his range, his craftsmanship and, most importantly, to teach us how to take a punch. And a kick. All in a dance move or two.</description>

Wesley Snipes joins Murmur in Monaco to look back, look ahead, and (fake) fight.

Once upon an art-form, the term "classically trained" meant something.  For better and for worse.  Wesley Snipes is the former, and we're the former for it.  Dr. Snipes joined us in Monaco to look back and ahead at his range, his craftsmanship and, most importantly, to teach us how to take a punch.  And a kick.  All in a dance move or two.

Murmur Meta : Wesley Snipes

<h3>SUBJECT : NOSTALGIA</h3>
































 Like the man sang, "It's never over". More than an 80's-lyric, though, while function is transient, what forms us, eternal. And gift-able. Singer/writer Ingrid Michaelson tiles the walls of both her home and her art with love and legacies that neither date, nor diminish. What transports her is the photo of the photo; the time of the time. Perhaps, in a world where the future is far less sexy, and less inconceivable, than ever, what's past is Epilogue. All those moments not lost in time. Rather held. Imperishable.


































































 

 
 
 

 

 
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 " href="https://podcasts.apple.com/us/podcast/murmur-digital-radio/id1151225389"
 
 >
 
 
 
 
 
 
 
 
 
 
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 </a>
 

 
 
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<description>Like the man sang, "It's never over". More than an 80's-lyric, though, while function is transient, what form's us, eternal. And gift-able. Singer/writer Ingrid Michaelson tiles the walls of both her home and her art with love and legacies that neither date, nor diminish. What transports her is the photo of the photo; the time of the time. Perhaps, in a world where the future is far less sexy, and less inconceivable, than ever, what's past is Epilogue. All those moments not lost in time. Rather held. Imperishable.</description>

Singer/Songwriter Ingrid Michaelson warms her heart and art in blankets from the past.

Like the man sang, "It's never over".  More than an 80's-lyric, though, while function is transient, what form's us, eternal.  And gift-able.  Singer/writer Ingrid Michaelson tiles the walls of both her home and her art with love and legacies that neither date, nor diminish.  What transports her is the photo of the photo; the time of the time.  Perhaps, in a world where the future is far less sexy, and less inconceivable, than ever, what's past is Epilogue.  All those moments not lost in time.  Rather held.  Imperishable.

Murmur 108 : Ingrid Michaelson  |  Now That's Totally Cool, Almost

Where craft meets culture. Hosted by The Modern School of Film’s Robert Milazzo, Murmur is a prescient tour through our sight and sound culture; featuring scenes, songs, and an array of guest tour-guides from all sides of the brain. See you there.

Murmur Digital Radio

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