“Cannonball” is on its last week of spring break, so we’re sharing an episode of “Popcast” that features Jack Harlow discussing his pivot to R&B. In a viral clip from this episode, Harlow, a white musician, says, “I got Blacker.” Wesley was struck by Harlow's honesty and the questions raised by the full conversation. 
Subscribe today at <a href="http://nytimes.com/podcasts">nytimes.com/podcasts</a> or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here <a href="https://www.nytimes.com/activate-access/audio?source=podcatcher">https://www.nytimes.com/activate-access/audio?source=podcatcher</a>.&nbsp; Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.

<description>&lt;p&gt;“Cannonball” is on its last week of spring break, so we’re sharing an episode of “Popcast” that features Jack Harlow discussing his pivot to R&amp;B. In a viral clip from this episode, Harlow, a white musician, says, “I got Blacker.” Wesley was struck by Harlow's honesty and the questions raised by the full conversation. &lt;/p&gt;
&lt;p&gt;&lt;p&gt;Subscribe today at &lt;a href="http://nytimes.com/podcasts"&gt;nytimes.com/podcasts&lt;/a&gt; or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here &lt;a href="https://www.nytimes.com/activate-access/audio?source=podcatcher"&gt;https://www.nytimes.com/activate-access/audio?source=podcatcher&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&lt;/p&gt;&lt;br/&gt; &lt;p&gt;Hosted by Simplecast, an AdsWizz company. See &lt;a href="https://pcm.adswizz.com"&gt;pcm.adswizz.com&lt;/a&gt; for information about our collection and use of personal data for advertising.&lt;/p&gt;</description>

“Cannonball” is on its last week of spring break, so we’re sharing an episode of “Popcast” that features Jack Harlow discussing his pivot to R&B. In a viral clip from this episode, Harlow, a white musician, says, “I got Blacker.” Wesley was struck by Harlow's honesty and the questions raised by the full conversation. 


‘Popcast’: Jack Harlow Talks Race and Ego

While the “Cannonball” team is on a short break, Wesley is recommending some notable conversations he’s listened to lately from other New York Times shows. This week, it’s an episode of “Modern Love,” featuring host Anna Martin talking with Zendaya and Robert Pattinson. They dig into the complicated relationship at the core of their new film, “The Drama,” and consider how much they actually want to know about their real-life romantic partners.
Subscribe today at <a href="http://nytimes.com/podcasts">nytimes.com/podcasts</a> or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here <a href="https://www.nytimes.com/activate-access/audio?source=podcatcher">https://www.nytimes.com/activate-access/audio?source=podcatcher</a>.&nbsp; Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.

<description>&lt;p&gt;While the “Cannonball” team is on a short break, Wesley is recommending some notable conversations he’s listened to lately from other New York Times shows. This week, it’s an episode of “Modern Love,” featuring host Anna Martin talking with Zendaya and Robert Pattinson. They dig into the complicated relationship at the core of their new film, “The Drama,” and consider how much they actually want to know about their real-life romantic partners.&lt;/p&gt;
&lt;p&gt;&lt;p&gt;Subscribe today at &lt;a href="http://nytimes.com/podcasts"&gt;nytimes.com/podcasts&lt;/a&gt; or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here &lt;a href="https://www.nytimes.com/activate-access/audio?source=podcatcher"&gt;https://www.nytimes.com/activate-access/audio?source=podcatcher&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;&lt;/p&gt;&lt;br/&gt; &lt;p&gt;Hosted by Simplecast, an AdsWizz company. See &lt;a href="https://pcm.adswizz.com"&gt;pcm.adswizz.com&lt;/a&gt; for information about our collection and use of personal data for advertising.&lt;/p&gt;</description>

While the “Cannonball” team is on a short break, Wesley is recommending some notable conversations he’s listened to lately from other New York Times shows. This week, it’s an episode of “Modern Love,” featuring host Anna Martin talking with Zendaya and Robert Pattinson. They dig into the complicated relationship at the core of their new film, “The Drama,” and consider how much they actually want to know about their real-life romantic partners.

‘Modern Love’: Zendaya and Robert Pattinson on Marriage and Secrets

<description>Every spring, Wesley Morris finds himself searching for music that captures the light and breezy feeling that comes with the end of winter. This year, there’s an obvious soundtrack to the season: Harry Styles’s new album, “Kiss All the Time. Disco, Occasionally.”

“These songs are like 12 beautiful little flowers,” Wesley says. “They’re not supposed to last forever. They’re just supposed to last for the season. And six weeks, that is a perfect amount of time for these songs to just blossom in your ears.” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and
Spotify. You can also subscribe via your favorite podcast app here
https://www.nytimes.com/activate-access/audio?source=podcatcher. 

Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com
for information about our collection and use of personal data for
advertising.
</description>

Every spring, Wesley Morris finds himself searching for music that captures the light and breezy feeling that comes with the end of winter. This year, there’s an obvious soundtrack to the season: Harry Styles’s new album, “Kiss All the Time. Disco, Occasionally.”

“These songs are like 12 beautiful little flowers,” Wesley says. “They’re not supposed to last forever. They’re just supposed to last for the season. And six weeks, that is a perfect amount of time for these songs to just blossom in your ears.”

Harry Styles Is the Sound of Spring

<description>The latest from the Ryan Murphy television fun house is an unquestionable hit. It’s also a ’90s nostalgia bomb. People are trying to eat, shop and dress like John F. Kennedy Jr. and Carolyn Bessette. They’re obsessed.

But with what, exactly? Because at first, “Love Story” has all the hallmarks of a ’90s sitcom — a young working woman in the city, enjoying her freedom till a meet-cute with the one. Only in Murphy’s version, that’s the moment this turns into another one of his American Horror stories. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and
Spotify. You can also subscribe via your favorite podcast app here
https://www.nytimes.com/activate-access/audio?source=podcatcher. 

Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com
for information about our collection and use of personal data for
advertising.
</description>

The latest from the Ryan Murphy television fun house is an unquestionable hit. It’s also a ’90s nostalgia bomb. People are trying to eat, shop and dress like John F. Kennedy Jr. and Carolyn Bessette. They’re obsessed.

But with what, exactly? Because at first, “Love Story” has all the hallmarks of a ’90s sitcom — a young working woman in the city, enjoying her freedom till a meet-cute with the one. Only in Murphy’s version, that’s the moment this turns into another one of his American Horror stories.

'Love Story' Is Actually a Horror Story

<description>Wesley Morris is an unabashed believer in the Oscars. That they genuinely matter.

Every year, he has to re-convince his friend, Sasha Weiss, the culture editor for The New York Times Magazine. This year, of course, there’s the “One Battle After Another” versus “Sinners” of it all. And there’s a lot there. But also, what happened to “Marty Supreme” and poor Timothée Chalamet? And is it possible that “KPop Demon Hunters” took home Best Animated Feature Film and Best Original Song and still, somehow … got robbed? Subscribe today at nytimes.com/podcasts or on Apple Podcasts and
Spotify. You can also subscribe via your favorite podcast app here
https://www.nytimes.com/activate-access/audio?source=podcatcher. 

Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com
for information about our collection and use of personal data for
advertising.
</description>

Wesley Morris is an unabashed believer in the Oscars. That they genuinely matter.

Every year, he has to re-convince his friend, Sasha Weiss, the culture editor for The New York Times Magazine. This year, of course, there’s the “One Battle After Another” versus “Sinners” of it all. And there’s a lot there. But also, what happened to “Marty Supreme” and poor Timothée Chalamet? And is it possible that “KPop Demon Hunters” took home Best Animated Feature Film and Best Original Song and still, somehow … got robbed?

What the Oscars Got Right

Conversations about the culture that moves us – the good, the bad and whatever’s in between. Every week, critic Wesley Morris talks with writers and artists about the moment we’re in. Surprisingly personal and never obvious, new episodes drop Thursdays.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Cannonball with Wesley Morris

Details

Recent Episodes