<description>&lt;p style= "line-height: 16.8pt; vertical-align: baseline; margin: 0in 6.0pt 4.8pt -6.0pt;"&gt; &lt;span style="font-family: Helvetica; color: #4b4b4b;"&gt;Episode 3:&lt;/span&gt;&lt;/p&gt; &lt;p style= "line-height: 16.8pt; vertical-align: baseline; margin: 0in 6.0pt 4.8pt -6.0pt;"&gt; &lt;span style="font-family: Helvetica; color: #4b4b4b;"&gt;Karl Fritsch defies preconceptions that production work is not creative. Internationally renowned for his rings, his exhibitions and books are as singular as each object. Namita Wiggers speaks with the artist in his studio (Wellington, New Zealand) about collaboration, process, materials, and how production and jewelry are anything but repetitive. Visit the blog at &lt;a href= "http://www.CriticalCraftForum.com"&gt;www.CriticalCraftForum.com&lt;/a&gt; for images and links. Sound: Seth Nehil; Music: Matt Marble&lt;/span&gt;&lt;/p&gt;</description>

Critical Craft Forum

Critical Craft Forum | Namita Gupta Wiggers

Critical Craft Forum Episode 3

JUL 25, 201743 MIN
Critical Craft Forum

Critical Craft Forum Episode 3

JUL 25, 201743 MIN

Description

Episode 3: Karl Fritsch defies preconceptions that production work is not creative. Internationally renowned for his rings, his exhibitions and books are as singular as each object. Namita Wiggers speaks with the artist in his studio (Wellington, New Zealand) about collaboration, process, materials, and how production and jewelry are anything but repetitive. Visit the blog at www.CriticalCraftForum.com for images and links. Sound: Seth Nehil; Music: Matt Marble