<p>Critics have been warning about the death of photography as an art form for years. Smartphones were going to lead to its demise by making everyone a photographer. Then came warnings about AI, which can create photographic images without a human actually being present at a given time and place. But, the FT’s US art critic Ariella Budick argues that instead of dying, the medium has evolved. She joins us to discuss how it has changed from its purest form in the 1950s to today.</p><p>-------</p><p>We love hearing from you. Lilah is on Instagram @<a href="https://instagram.com/lilahrap" rel="noopener noreferrer" target="_blank">lilahrap</a>, and email at [email protected]. Get in touch this week if you have questions for the great wine critic Jancis Robinson, who'll be answering them on our next Monday episode.</p><p>-------</p><p><strong>Links (all FT links get you past the paywall): </strong></p><p>– Lilah’s profile of the Bronx Documentary Center is here: <a href="https://on.ft.com/3NQeAZe" rel="noopener noreferrer" target="_blank">https://on.ft.com/3NQeAZe</a></p><p>– <em> </em>Ariella’s most recent review is of the exhibition <em>We Are Here</em> at the International Center of Photography: <a href="https://on.ft.com/48BeUof" rel="noopener noreferrer" target="_blank">https://on.ft.com/48BeUof</a></p><p>– She’s also recently written about Robert Frank at the MoMA: <a href="https://on.ft.com/3ArjnNH" rel="noopener noreferrer" target="_blank">https://on.ft.com/3ArjnNH</a></p><br><p><a href="https://www.ft.com/content/ec921d0a-1ef3-4340-9fc2-8079f694771d" rel="noopener noreferrer" target="_blank"><strong>Read a transcript of this episode on FT.com</strong></a></p><br /><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
