The Acapodcast
The Acapodcast

The Acapodcast

Chad Bergeron

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Boston Representing!
APR 18, 2011
Boston Representing!

Wow.  This was an amazing weekend for the Boston A Cappella Scene.

For me it started with the Five O’Clock Shadow 20th anniversary reunion. 20 years is a long time in this community. A really long time.  Rockapella existed, but hadn’t yet started their sting with Carmen Sandiego.  The House Jacks would be formed a few months later. And like both of these groups, FOCS helped usher in a new sound, and a new style of professional a cappella.  And in the past twenty years, FOCS has changed, and evolved, with 22 different singers having been a part of the group at one time or another.  Some of these singers even joined other groups, to continued success. Groups including The House Jacks, Rockapella, Firedrill!, Overboard, Duwende, The Vantastix, 91 Ghosts, Slapdash Graduate, and more.

FOCS has notably had some of the top VP wear their logo, including Jeff Thatcher, Wes Carroll, Samrat Chakrabarti, and Dave Stackhouse.  In fact, they were one of the groups to pioneer VP, and Dave ‘Stack’ Stackhouse has helped pioneer the Thumper mic, and sings ‘Beatbass’, both VP and bass guitar lines. They’ve also been frontrunners in the use of distortion effects on vocals, the lead/rhythm/guitar structure of a vocal band, and outreach to schools and the community.

They managed to get 17 of the former members back together for this reunion, including several who flew from the west coast, and videos from a few more.  It was an impressive feat.  Besides a great concert with fantastic music from fantastic musicians, the show did a wonderful job of showing the evolution of the group, and of the sound.  They even made a few tongue-in-cheek references to some recent dormant times. More than that, though, the whole concert felt like a party.  Everyone was having a blast, audience and performer alike, and it was the -fun- that came through more than anything else.

It was an amazing show, and a real pleasure to spend a little time with everyone, both those I already knew personally, and those I didn’t.

(As a side note, unlike many groups, this one no longer has any original members in it. But as one of the early members fatefully said, “This is bigger than any one person”.  The group still rocks, and I hope does so for another twenty years.)

Ball In The House had sent FOCS a congratulatory video, and wished they could have seen the show in person, as FOCS was a big influence on them, but they were busy flying to Korea, for a VIP gig! So cool.

I came home from the concert and jumped onto twitter (@acapodcast) to see what all the folks down in New York had to say about the ICCA finals, which were the same night.  I was pleased to see that Pitch Slapped, last year’s bridesmaids, took home the winner’s bouquet this year! I know after their 2nd place last year, and their early elimination from the second season of The Sing-Off, they have been working hard and itching to put a checkmark into the ‘winner’ column.  Along with their recently released 5 track EP (edited, mixed, and mastered by the up-and-coming Plaid Productions), they definitely have a lot to crow about.

The next day was the Boston regionals for the Harmony Sweeps, in some ways the corresponding competition for professional and semi-professional groups.  The sweeps see a wide variety of groups every year, including pop, barbershop, doo wop, folk, and more.  It’s really a vocal competition, and not a genre competition.  This year saw groups like Mainely Acappella (Women’s Barbershop) and former Sweeps champions North Shore A Cappella (Doo Wop). Victory, and the pass to the finals in California went to Overboard, an especially impressive feat when you realize that one of the members, Caleb Wheldon, was singing his heart out the night before as part of Five O’Clock Shadow (He’s actually part of -three- currently active groups…).  Congratulations to them.

Overall, like I said, this was an amazing weekend for Boston A Cappella, and I’m thrilled to be in the heart of it.

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-1 MIN
Play Ball!
MAY 15, 2010
Play Ball!

One of the best things an a cappella group can do is to sing the national anthem at a ball game.  I don’t care what group you are, what country you are singing for, or what kind of game it is at.  You could be a high school group at your cousins jai-lai game in Ecuador singing the Ecuadorian national anthem.  It doesn’t matter.  And here’s why it’s a good thing for your group to do:

  1. National Anthems were made to be sung.  Every national anthem is simple enough to be sung by everyone. That’s part of instilling national pride.  It is hard to sing a national anthem and sound bad at it. Well, certain notable exceptions (Sorry Ms. Barr) aside.
  2. They’re short.  Or at least, the portions you sing at a game are short.  No one sings all the lyrics.  So you can focus on perfecting just a small bit of song. Plus, I’d be willing to bet you already know the words and melody.
  3. The heart of the song is pretty basic. This ties into part one.  But this means that you as a group have the freedom to innovate, to build on that structure and hang your own style off of it.  Start with the core that everyone recognizes, but make it your own.
  4. Sports fans are a great audience. They’re eager, excited, happy, perhaps already a little drunk, and they love their national anthem. It’s a tradition and a hallmark.  They are at the stadium to cheer someone on, and they will cheer you on with just aas much fervor.  Plus, because you’re not competing with another team, everyone is cheering for you, not just half the fans.
  5. You  get to put yourself and your art out in front of a lot of people that, let’s face it, probably aren’t coming to your concerts. This is marketing gold. Untapped markets that are ready to hear your product. And if you are a high school group singing at a high school game, this is -not- a bad way to get noticed by that team member or cheerleader you might have an eye on…
  6. You’re only out there for a minute and a half, singing a song you know well, to an audience that is happy to hear you and isn’t listening with judgmental ears.  It’s a chance to relax, have fun, and learn to let go of performance jitters.  Even I can belt out the melody as a soloist at a ball game, and I’ve got pretty bad stage fright when it comes to solos.

Check out this clip here of Firedrill! (yay!) singing the national anthem at a recent Red Sox (yay!) game at Fenway Park.

Do be careful though, there are some big pitfalls if you’re not careful.  Don’t sing for more than about a minute and a half.  The audience isn’t there to see a concert.  Actually, I know for a fact that they don’t want you to sing longer than that at major venues like Fenway.  Also, don’t get so crazy with your arrangement that you lose the audience. Key to this is keeping the well known melody front and center.  Be as jazzy as you like, but don’t depart too much from that.  Also be careful changing the familiar tempo too much.  Remember, everyone in the stands knows this part of the song really well, and getting too far away from it will make them uncomfortable.

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-1 MIN