Audiogyan
Audiogyan

Audiogyan

Audiogyan

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Document conversations with designers, artists, writers, thinkers, musicians, philosophers, and other luminaries from India.

www.audiogyan.com

Recent Episodes

Ep.303 - Importance of process in architecture with Hans Brouwer
SEP 11, 2024
Ep.303 - Importance of process in architecture with Hans Brouwer
Introduction<br/><p>Welcome to a new series, “Footprints of History”. The Drawing Board, with whom I am partnering for the 3rd consecutive year, brings this series to you. The Drawing Board is an international architecture competition based in India where students can test their understanding and skills in shaping how communities live and thrive while preserving local heritage. TDB has been actively running an Architecture competition for undergraduate students since 2016. It is conceptualised by Mindspace Architects and Rohan Builders. This year, which is the 9th edition of the competition, the design brief revolves around redesigning the Pathu Thoon Lane in Madurai (Tamil Nadu, India) also known as "10 Pillar Street”. This site is somewhere between the Meenakshi Temple and Thirumalai Nayakar Place. The design challenge is to restore and integrate the lane's cultural heritage, emphasizing these 10 pillars. The submission deadline is 16th September 2024. More details in the show notes and <a href="http://thedrawingboard.in">thedrawingboard.in</a></p><br/><p>Ludwig Mies, the German-American architect, once said "Architecture is the will of an epoch translated into space.” And this quote aptly describes our today’s guest. Hans Brouwer. Hans, originally from Hong Kong, is a distinguished architect with a global footprint. He studied architecture in Switzerland and the University of Southern California, where he graduated top of his class. Hans spent his early career with Sir Norman Foster, contributing to landmark projects like the Century Tower in Tokyo and Commerzbank Headquarters in Frankfurt. In 1995, he founded HB Design, later relocating to Singapore, and expanded to regional offices in Phuket and Bangkok. An award-winning architect, Hans also teaches at the National University of Singapore and frequently speaks at industry events.</p><br/>Questions<br/><ol><li>What do you see when you see the 10 Pillar Street - as an architect and as a tourist or history lover? Which aspects stand out for you?</li><br/><li>You have a strong emphasis on “the process”. You say this process is truly creative because the end is not known at the beginning. Can you unpack this for us?</li><br/><li>At HB Design, you emphasize the importance of context and site in shaping architectural outcomes. How do you balance the need for innovation with the preservation of cultural heritage in a project?</li><br/><li>You deeply engage with clients in the design process, how would you involve a community or stakeholders in a project like the restoration of Madurai’s Pathu Thoon Lane?</li><br/><li>Assuming Designers or specialists are generally aware of the pros and cons of various solutions and living on tradeoffs. Given the expertise, what amount of community involvement is apt - because, if we go and ask people, they will want faster horses while the solution could be inventing a car.</li><br/><li>I am very curious to know about BIM - What is building information modeling? How does it help in the process and over all practice at HB Design?</li><br/><li>With BIM being such an integral part of HB Design’s process, how do you see technology aiding in the preservation and restoration of culturally significant sites?</li><br/><li>You are working in South east Asia where we are seeing a lot of innovation with great emphasis on green infrastructure. What are a few trends in the technology and architecture industry which can be applied to this complex network of communities and historical 10 pillars?</li><br/><li>In the future world if AI, which faculty should young architects need to build to accept or reject AI proposals assuming they have the analog context of climate change and other challenges? Especially with AI, machines can simulate and build imaginary landscapes and more…</li><br/></ol>Reference links<br/><ol><li><a href="https://www.hbdesign.biz/">https://www.hbdesign.biz/</a></li><br/><li><a href="https://zakworldoffacades.com/speaker/hans-brouwer/">https://zakworldoffacades.com/speaker/hans-brouwer/</a></li><br/><li><a href="https://www.linkedin.com/in/hans-brouwer-70b6b0a7/?originalSubdomain=sg">https://www.linkedin.com/in/hans-brouwer-70b6b0a7/?originalSubdomain=sg</a></li><br/><li><a href="https://www.designandarchitecture.com/article/hans-brouwer.html">https://www.designandarchitecture.com/article/hans-brouwer.html</a></li><br/><li><a href="https://www.re-thinkingthefuture.com/architect/hb-design/">https://www.re-thinkingthefuture.com/architect/hb-design/</a></li><br/><li><a href="https://www.youtube.com/watch?v=srX9bcl10MI">https://www.youtube.com/watch?v=srX9bcl10MI</a></li><br/></ol><p></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://www.audiogyan.com?utm_medium=podcast&#38;utm_campaign=CTA_1">www.audiogyan.com</a>
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48 MIN
Ep.302 - Pillars of the Past and Present with Uday Andhare
SEP 3, 2024
Ep.302 - Pillars of the Past and Present with Uday Andhare
Introduction<br/><p>Welcome to a new series, “Footprints of History”. This series is brought to you by, The Drawing Board, with whom I am partnering for the 3rd consecutive year. The Drawing Board is an international architecture competition based in India where students can test their understanding and skills in shaping how communities live and thrive while preserving local heritage. TDB has been actively running an Architecture competition for undergraduate students since 2016. It is conceptualised by Mindspace Architects and Rohan Builders. This year, the 9th edition of the competition, the design brief revolves around redesigning the Pathu Thoon Lane in Madurai (Tamil Nadu, India) also known as "10 Pillar Street”. This site is somewhere between the Meenakshi Temple and Thirumalai Nayakar Place. The design challenge is to restore and integrate the lane's cultural heritage, emphasizing these 10 pillars. The submission deadline is 16th September 2024. </p><br/><p>Today’s episode is called, “Pillars of Past and Present”. I am pleased to have Architect Uday Andhare with us on Audiogyan. Uday has been a design principal at Indigo Architects since 1998. He holds a degree from CEPT University and the University of New Mexico. Uday advocates for technically appropriate and ecologically sensitive architecture, blending traditional wisdom with modern design. Uday teaches at CEPT University while leading his firm in Ahmedabad. He has drawn diverse experiences during his internships with B.V Doshi and while working in the USA.</p><br/>Questions<br/><ol><li>What do you see when you see these 10 pillars on Pathu Thoon Lane? Which aspects stand out for you from an Intent, Material, and Context point of view?</li><br/><li>The Getty Podcast - B.V. Doshi said, “Is Architecture defined by theory or it’s a convention, or it is something which is rooted in the place?” What are the potentialities of such a project? Do you consider it be a restoration project or conservation or anything else?</li><br/><li>You have consciously chosen friendlier materials in your projects at Indigo. If one has to restore or build things around the pillars, would you build with new materials and new technology or continue with existing materials or the same fabric?</li><br/><li>What are the few anchor points of traditional Indian architecture that still hold relevance today? (More meta)</li><br/><li>Likewise, what are the few enduring aspects of Indian architecture that can inform students in this project?</li><br/><li>Your Philosophy is “search for contemporary rootedness in this ever-changing environment”. How do you spot it? What are the key parameters on which this search happens?</li><br/><li>For you, every new project feels like your first. How can any practicing architect or any creative individual maintain this fresh perspective, this outlook/worldview?</li><br/><li>Which faculty would young architects need to build for the future digital world? Especially with AI, machines can simulate and build imaginary landscapes and more… What will make architects accept or reject AI proposals assuming they have the analog context of climate change and other challenges?</li><br/></ol>Reference reading<br/><ol><li><a href="https://indigo-architects.com/">https://indigo-architects.com/</a></li><br/><li><a href="https://www.instagram.com/indigoarchitects/">https://www.instagram.com/indigoarchitects/</a></li><br/><li><a href="https://www.instagram.com/udayandhare/">https://www.instagram.com/udayandhare/</a></li><br/><li><a href="https://www.instagram.com/rohanbuilders/">https://www.instagram.com/rohanbuilders/</a></li><br/><li><a href="https://www.instagram.com/mindspacearchitects/">https://www.instagram.com/mindspacearchitects/</a></li><br/><li><a href="https://www.instagram.com/thedrawingboard.in/">https://www.instagram.com/thedrawingboard.in/</a></li><br/><li><a href="https://thedrawingboard.in/">https://thedrawingboard.in/</a></li><br/><li><a href="https://www.youtube.com/playlist?list=PLFIgtET-7ZIzMxVo0EeOdO3NaG-g0V2ve">https://www.youtube.com/playlist?list=PLFIgtET-7ZIzMxVo0EeOdO3NaG-g0V2ve</a></li><br/><li><a href="https://www.linkedin.com/in/uday-andhare-0b34406/?originalSubdomain=in">https://www.linkedin.com/in/uday-andhare-0b34406/?originalSubdomain=in</a></li><br/><li><a href="https://theloftforum.org/people/uday-andhare/">https://theloftforum.org/people/uday-andhare/</a></li><br/><li><a href="https://x.com/indigoarch_amd?lang=en">https://x.com/indigoarch_amd?lang=en</a></li><br/><li><a href="https://www.re-thinkingthefuture.com/know-your-architects/a1534-indigo-architects-15-iconic-projects/">https://www.re-thinkingthefuture.com/know-your-architects/a1534-indigo-architects-15-iconic-projects/</a></li><br/><li><a href="https://thinkmatter.in/2017/02/27/indigo-architects-mausami-and-uday-andhare/">https://thinkmatter.in/2017/02/27/indigo-architects-mausami-and-uday-andhare/</a></li><br/><li><a href="https://www.archdaily.com/author/uday-mausami-andhare">https://www.archdaily.com/author/uday-mausami-andhare</a></li><br/><li><a href="https://www.facebook.com/watch/?v=1264525753603165">https://www.facebook.com/watch/?v=1264525753603165</a></li><br/><li><a href="https://www.youtube.com/watch?v=RT1jqsobX8o">https://www.youtube.com/watch?v=RT1jqsobX8o</a></li><br/><li><a href="https://audiogyan.com/">https://audiogyan.com/</a></li><br/><li><a href="https://blogs.getty.edu/iris/audio-b-v-doshi-modern-architecture-in-india-part-2/">https://blogs.getty.edu/iris/audio-b-v-doshi-modern-architecture-in-india-part-2/</a></li><br/></ol><p> </p><br/><p></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://www.audiogyan.com?utm_medium=podcast&#38;utm_campaign=CTA_1">www.audiogyan.com</a>
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45 MIN
Ep.301 - The Paper Ark case study with Nayan Shrimali and Venus Bird
AUG 28, 2024
Ep.301 - The Paper Ark case study with Nayan Shrimali and Venus Bird
<p>Friedrich Nietzsche once said, “We should be a mirror of being: we are God in miniature.”. I Had Srijan Jha in Ep. 258 on “<a href="https://audiogyan.com/2022/12/21/how-mini-can-be-miniature-art/">How mini can a miniature art be</a>’ and a case study of ‘<a href="https://audiogyan.com/2022/10/19/green-humour/">Green humor</a>’ with Rohan Chakravarty in Ep.253. And today’s episode is an amalgamation of both. Today’s guests do a lot of work in the realm of nature in miniature.</p><br/><p>I am pleased to have Nayan Shrimali &amp; Venus Bird (earlier known as Vaishali). They are the duo who run the “The Paper Ark”, store, project - we’ll find out soon.</p><br/><p>Nayan is a furniture and interior design graduate from NID, Ahmedabad. He now works full-time as a paper cut artist. Venus holds a diploma in animation and visual effects, she brings life into these objects through colors. They both are from Ahmedabad.</p><br/>Questions<br/><ol><li>What is The Paper Ark? How did you start and why? What initially drew you both to miniature papercutting and specifically to birds and animals as your subjects? The "1000 Days of Birds" series is a remarkable feat! How did the concept for such a long-term project come about, and how did you two stay motivated throughout?</li><br/><li>Does this art form have a rich history in various cultures? Do you have a specific name for the style of papercutting you practice? Are there specializations?</li><br/><li>How can one get into this? For aspiring artists interested in papercutting, what basic skills or knowledge do you think are most important to develop?</li><br/><li>Given the intricate detail, can you give us a rough estimate of how long it typically takes to create one of your miniature artworks?</li><br/><li>What is it about working in miniature that appeals to you? Is it the focus on detail, the challenge of working small, or something else?</li><br/><li>In your collection, you have a wide variety of birds and animals. Do YOu also have various themes such as ‘Rare’, and ‘Pollinator project’? How do you decide which subjects to create miniature paper cuttings of? How do you start and what is the process like?</li><br/><li>As successful artists selling your work online, have you encountered any specific challenges in marketing or running a business focused on miniature paper cutting?</li><br/><li>Can you share some insights into your tools and materials? Are there any specific types of paper or cutting implements that you find essential for creating your miniature objects?</li><br/><li>It's fascinating that your primary audience is overseas! What do you think attracts international collectors to your work?</li><br/><li>What is the future? Any new series, themes, or techniques you'd like to explore? Where and how can people collaborate?</li><br/></ol>Reference reading<br/><ol><li><a href="https://www.thepaperark.com/">https://www.thepaperark.com/</a></li><br/><li><a href="https://www.instagram.com/thepaperark/">https://www.instagram.com/thepaperark/</a></li><br/><li><a href="https://www.instagram.com/nayan_venus/">https://www.instagram.com/nayan_venus/</a></li><br/><li><a href="https://www.instagram.com/venusbirdart/">https://www.instagram.com/venusbirdart/</a></li><br/><li><a href="https://audiogyan.com/2022/10/19/green-humour/">https://audiogyan.com/2022/10/19/green-humour/</a></li><br/><li><a href="https://audiogyan.com/2022/12/21/how-mini-can-be-miniature-art/">https://audiogyan.com/2022/12/21/how-mini-can-be-miniature-art/</a></li><br/></ol><p></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://www.audiogyan.com?utm_medium=podcast&#38;utm_campaign=CTA_1">www.audiogyan.com</a>
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47 MIN