Hi Friend! Here are the show notes for Episode 48 of Sally’s Performing Arts Lab Podcast. The Fabulous Peyton Storz of Chicago’s Annoyance Theatre joins me on this episode of SallyPAL.
I’m Sally Adams. I talk to people on a podcast about creating original work for a live audience. Send an email anytime to Sally@sallypal.com.
Before the interview, I want to share a couple of thoughts. I love live performance. I love live music, dance, poetry, theatre, opera, you name it. But more than that, I love good story telling. I’m drawn to storytellers. Like the woman at the party who reveals an embarrassing moment for the sake of a laugh. Or the older gentleman who can pull you into his childhood with some well chosen details. My daughter, Emile, has 2 or 3 ‘go-to’ stories she calls her 'party stories'. They enable her to feel less awkward in new situations and they reveal to strangers that she's interesting. I firmly believe that every human has a story to tell. But so often I hear people say they’re boring or that nothing interesting happens to them. My mom used to tell me if I was bored it meant I was boring. But I think feeling boring has more to do with whether you are present in the moment. I’ve been working on reminding myself to pay attention to what’s happening right now. Like when I’m singing at the local brewery, I can easily veer off into thinking about my lyrics, what’s on tap, what song I want to do after this one I’m singing right now… But I do best when I am immersed in the moment of the song. It frees me to interact with the people who are actually listening. The other night I got lost in thought while performing and totally stopped the song because I just forgot where I was. This doesn’t generally happen (partly because I keep my lyrics handy). But the other night when I stopped, a lovely man came up and kindly reminded me of the lyric and began to tell me the story of the song I was singing. He mentioned how meaningful it was to him. Ordinarily, before an exchange like that I would be tempted to joke with my music partner or the audience about the music or my memory, but this person was so ‘in’ the moment of the song… and I was not. Rather than be upset with me for forgetting the lyrics to this special song, he helped me refocus. It was so generous.
I think we have an opportunity as story tellers whether the audience is opera lovers at the Met or a couple of friends hearing you tell a party story. Be with the people who are listening. Listen to them as well. Being present is the ultimate compliment you can pay another creature. Past regrets and worries about the future are the enemies of the 'moment'. Be present in your life and I guarantee you will feel alive. And there’s almost nothing better than to be alive in front of an audience.
You can even get a t-shirt that says exactly that! “Alive in Front of an Audience” at the SallyPAL shop! Check it out at SallyPAL.com/Shop.
In the ‘Amber Harrington - Work Hard and Don’t Be a Jerk’ episode I mentioned that I was toying with a YouTube channel. I’ve used it for live TOWN Stages interviews, creator encouragement and my own original music and covers. I’ve been working on a couple of different channels. "Brian and Sally" is a channel featuring my music partner and I rehearsing songs. And "SallyPAL" is a mish-mosh of live performance and storytelling stuff. In time, I hope to improve my technical skills and expand the offerings but there’s already content for anyone who’s curious. 
Peyton Storz
I’ve known Peyton for a while now and I have expected for quite some time that she would make her indelible mark on the world of live comedy. Before she realized she is a comedian, Peyton studied Shakespeare, Greek tragedy, and contemporary drama. But when she was taunted by a southwestern professor for being too 'weird', she switched programs and found her voice in Chicago. Peyton graduated from Columbia College Chicago with a BA in Comedy Writing and Performance. She trained at The Second City and The Annoyance Theatre. Peyton recently graduated from The Annoyance Theatre training program where she’s performed with the popular Splatter Theatre. The “subversive language and themes” in The Annoyance Theatre’s unedited and progressive comedy has garnered hundreds of standing ovations, produced Chicago’s longest running musical, and spawned a second venue in New York City. Notable alumni from The Annoyance include cast members from Upright Citizens Brigade, MADtv, the Office and Saturday Night Live. Other graduates include Jeff Garlin, Amy Sedaris, Andy Richter, Jane Lynch, and Stephen Colbert… and now Peyton Storz who, with three other performers, has formed the new comedy group, Size 11 Productions. Their all-female Hairy Tales features a Snow White and the 7 Dwarves burlesque number and a live sword fight. You can see the show every Friday night in June at Otherworld theatre space in Chicago. Peyton is one of the most memorable comedians you’ll see on stage. Her authenticity, intelligence and her willingness to try new things make her a comedy treasure. I hope you’ll enjoy my interview with Peyton Storz on SallyPAL. I know Peyton as the consummate thrift store bargain hunter and the person to be with if you’re hungry for adventure. She has a big heart in a little body. And she definitely thinks outside the box. Peyton is a comedy risk-taker. Never one to settle for safe, reliable bits, she always seems to find humanity in the bizarre. I believe it’s the secret to her success. Peyton’s next venture is with Otherworld Theatre in Chicago. I know you’ll enjoy episode 48 with Comedy Risk Taker, Peyton Storz. Be sure and listen until the end of the interview for Concise Advice from the Interview, and Words of Wisdom from George.
 
At the SallyPAL shop you can buy t-shirts, totes, coffee mugs and stickers with vintage theatre photos, paintings and fun sayings. Proclaim, “My Life is My Art” or identify yourself as a “Story Warrior” with great gear from the SallyPAL.com/Shop. If you’re a story teller (and, honestly, who isn’t? It’s what makes us human.) you’ll appreciate SallyPAL swag at SallyPAL.com/shop. Go see for yourself.
Concise Advice from the Interview. 5 bits of advice from Comedy Weirdo Peyton Storz: 
#5 Figure out what you care about 
#4 If it makes you feel good, you should do it. If it makes you feel bad, you shouldn’t do it. Only you know what’s best for you. 
#3 If you’re around people who don’t make you feel like it’s okay to be as weird as you are, then you need to find new people. 
#2 Just because someone tells you something is right, doesn’t mean that it’s right for you. 
#1 for whiney straight white males: Stop talking and let someone else talk. Then maybe you won’t be saying anything wrong because you won’t be speaking at all... Then take a second to listen.”
Thank you for following, sharing, subscribing, reviewing, joining, & thank you for listening. If you’re downloading the podcast and listening on your drive to work, or podcast-binging like my sister does, let me know you’re out there. Shared storytelling is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and now: t-shirts, totes, coffee mugs and stickers! All the stories ever expressed once lived only in someone’s imagination… Now… Start Listening!

<description>Hi Friend! Here are the show notes for Episode 48 of Sally’s Performing Arts Lab Podcast. The Fabulous Peyton Storz of Chicago’s Annoyance Theatre joins me on this episode of SallyPAL.
I’m Sally Adams. I talk to people on a podcast about creating original work for a live audience. Send an email anytime to Sally@sallypal.com.
Before the interview, I want to share a couple of thoughts. I love live performance. I love live music, dance, poetry, theatre, opera, you name it. But more than that, I love good story telling. I’m drawn to storytellers. Like the woman at the party who reveals an embarrassing moment for the sake of a laugh. Or the older gentleman who can pull you into his childhood with some well chosen details. My daughter, Emile, has 2 or 3 ‘go-to’ stories she calls her 'party stories'. They enable her to feel less awkward in new situations and they reveal to strangers that she's interesting. I firmly believe that every human has a story to tell. But so often I hear people say they’re boring or that nothing interesting happens to them. My mom used to tell me if I was bored it meant I was boring. But I think feeling boring has more to do with whether you are present in the moment. I’ve been working on reminding myself to pay attention to what’s happening right now. Like when I’m singing at the local brewery, I can easily veer off into thinking about my lyrics, what’s on tap, what song I want to do after this one I’m singing right now… But I do best when I am immersed in the moment of the song. It frees me to interact with the people who are actually listening. The other night I got lost in thought while performing and totally stopped the song because I just forgot where I was. This doesn’t generally happen (partly because I keep my lyrics handy). But the other night when I stopped, a lovely man came up and kindly reminded me of the lyric and began to tell me the story of the song I was singing. He mentioned how meaningful it was to him. Ordinarily, before an exchange like that I would be tempted to joke with my music partner or the audience about the music or my memory, but this person was so ‘in’ the moment of the song… and I was not. Rather than be upset with me for forgetting the lyrics to this special song, he helped me refocus. It was so generous.
I think we have an opportunity as story tellers whether the audience is opera lovers at the Met or a couple of friends hearing you tell a party story. Be with the people who are listening. Listen to them as well. Being present is the ultimate compliment you can pay another creature. Past regrets and worries about the future are the enemies of the 'moment'. Be present in your life and I guarantee you will feel alive. And there’s almost nothing better than to be alive in front of an audience.
You can even get a t-shirt that says exactly that! “Alive in Front of an Audience” at the SallyPAL shop! Check it out at SallyPAL.com/Shop.
In the ‘Amber Harrington - Work Hard and Don’t Be a Jerk’ episode I mentioned that I was toying with a YouTube channel. I’ve used it for live TOWN Stages interviews, creator encouragement and my own original music and covers. I’ve been working on a couple of different channels. "Brian and Sally" is a channel featuring my music partner and I rehearsing songs. And "SallyPAL" is a mish-mosh of live performance and storytelling stuff. In time, I hope to improve my technical skills and expand the offerings but there’s already content for anyone who’s curious. 
Peyton Storz
I’ve known Peyton for a while now and I have expected for quite some time that she would make her indelible mark on the world of live comedy. Before she realized she is a comedian, Peyton studied Shakespeare, Greek tragedy, and contemporary drama. But when she was taunted by a southwestern professor for being too 'weird', she switched programs and found her voice in Chicago. Peyton graduated from Columbia College Chicago with a BA in Comedy Writing and Performance. She trained at The Second City and The Annoyance Theatre. Peyton recently graduated from The Annoyance Theatre training program where she’s performed with the popular Splatter Theatre. The “subversive language and themes” in The Annoyance Theatre’s unedited and progressive comedy has garnered hundreds of standing ovations, produced Chicago’s longest running musical, and spawned a second venue in New York City. Notable alumni from The Annoyance include cast members from Upright Citizens Brigade, MADtv, the Office and Saturday Night Live. Other graduates include Jeff Garlin, Amy Sedaris, Andy Richter, Jane Lynch, and Stephen Colbert… and now Peyton Storz who, with three other performers, has formed the new comedy group, Size 11 Productions. Their all-female Hairy Tales features a Snow White and the 7 Dwarves burlesque number and a live sword fight. You can see the show every Friday night in June at Otherworld theatre space in Chicago. Peyton is one of the most memorable comedians you’ll see on stage. Her authenticity, intelligence and her willingness to try new things make her a comedy treasure. I hope you’ll enjoy my interview with Peyton Storz on SallyPAL. I know Peyton as the consummate thrift store bargain hunter and the person to be with if you’re hungry for adventure. She has a big heart in a little body. And she definitely thinks outside the box. Peyton is a comedy risk-taker. Never one to settle for safe, reliable bits, she always seems to find humanity in the bizarre. I believe it’s the secret to her success. Peyton’s next venture is with Otherworld Theatre in Chicago. I know you’ll enjoy episode 48 with Comedy Risk Taker, Peyton Storz. Be sure and listen until the end of the interview for Concise Advice from the Interview, and Words of Wisdom from George.

At the SallyPAL shop you can buy t-shirts, totes, coffee mugs and stickers with vintage theatre photos, paintings and fun sayings. Proclaim, “My Life is My Art” or identify yourself as a “Story Warrior” with great gear from the SallyPAL.com/Shop. If you’re a story teller (and, honestly, who isn’t? It’s what makes us human.) you’ll appreciate SallyPAL swag at SallyPAL.com/shop. Go see for yourself.
Concise Advice from the Interview. 5 bits of advice from Comedy Weirdo Peyton Storz:
#5 Figure out what you care about
#4 If it makes you feel good, you should do it. If it makes you feel bad, you shouldn’t do it. Only you know what’s best for you.
#3 If you’re around people who don’t make you feel like it’s okay to be as weird as you are, then you need to find new people.
#2 Just because someone tells you something is right, doesn’t mean that it’s right for you.
#1 for whiney straight white males: Stop talking and let someone else talk. Then maybe you won’t be saying anything wrong because you won’t be speaking at all... Then take a second to listen.”
Thank you for following, sharing, subscribing, reviewing, joining, &amp; thank you for listening. If you’re downloading the podcast and listening on your drive to work, or podcast-binging like my sister does, let me know you’re out there. Shared storytelling is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and now: t-shirts, totes, coffee mugs and stickers! All the stories ever expressed once lived only in someone’s imagination… Now… Start Listening!</description>

Hi Friend! Here are the show notes for Episode 48 of Sally’s Performing Arts Lab Podcast. The Fabulous Peyton Storz of Chicago’s Annoyance Theatre joins me on this episode of SallyPAL.
I’m Sally Adams. I talk to people on a podcast about creating ori...

Hi Friend! Here are the show notes for Episode 48 of Sally’s Performing Arts Lab Podcast. The Fabulous Peyton Storz of Chicago’s Annoyance Theatre joins me on this episode of SallyPAL.
I’m Sally Adams. I talk to people on a podcast about creating original work for a live audience. Send an email anytime to Sally@sallypal.com.
Before the interview, I want to share a couple of thoughts. I love live performance. I love live music, dance, poetry, theatre, opera, you name it. But more than that, I love good story telling. I’m drawn to storytellers. Like the woman at the party who reveals an embarrassing moment for the sake of a laugh. Or the older gentleman who can pull you into his childhood with some well chosen details. My daughter, Emile, has 2 or 3 ‘go-to’ stories she calls her 'party stories'. They enable her to feel less awkward in new situations and they reveal to strangers that she's interesting. I firmly believe that every human has a story to tell. But so often I hear people say they’re boring or that nothing interesting happens to them. My mom used to tell me if I was bored it meant I was boring. But I think feeling boring has more to do with whether you are present in the moment. I’ve been working on reminding myself to pay attention to what’s happening right now. Like when I’m singing at the local brewery, I can easily veer off into thinking about my lyrics, what’s on tap, what song I want to do after this one I’m singing right now… But I do best when I am immersed in the moment of the song. It frees me to interact with the people who are actually listening. The other night I got lost in thought while performing and totally stopped the song because I just forgot where I was. This doesn’t generally happen (partly because I keep my lyrics handy). But the other night when I stopped, a lovely man came up and kindly reminded me of the lyric and began to tell me the story of the song I was singing. He mentioned how meaningful it was to him. Ordinarily, before an exchange like that I would be tempted to joke with my music partner or the audience about the music or my memory, but this person was so ‘in’ the moment of the song… and I was not. Rather than be upset with me for forgetting the lyrics to this special song, he helped me refocus. It was so generous.
I think we have an opportunity as story tellers whether the audience is opera lovers at the Met or a couple of friends hearing you tell a party story. Be with the people who are listening. Listen to them as well. Being present is the ultimate compliment you can pay another creature. Past regrets and worries about the future are the enemies of the 'moment'. Be present in your life and I guarantee you will feel alive. And there’s almost nothing better than to be alive in front of an audience.
You can even get a t-shirt that says exactly that! “Alive in Front of an Audience” at the SallyPAL shop! Check it out at SallyPAL.com/Shop.
In the ‘Amber Harrington - Work Hard and Don’t Be a Jerk’ episode I mentioned that I was toying with a YouTube channel. I’ve used it for live TOWN Stages interviews, creator encouragement and my own original music and covers. I’ve been working on a couple of different channels. "Brian and Sally" is a channel featuring my music partner and I rehearsing songs. And "SallyPAL" is a mish-mosh of live performance and storytelling stuff. In time, I hope to improve my technical skills and expand the offerings but there’s already content for anyone who’s curious. 
Peyton Storz
I’ve known Peyton for a while now and I have expected for quite some time that she would make her indelible mark on the world of live comedy. Before she realized she is a comedian, Peyton studied Shakespeare, Greek tragedy, and contemporary drama. But when she was taunted by a southwestern professor for being too 'weird', she switched programs and found her voice in Chicago. Peyton graduated from Columbia College Chicago with a BA in Comedy Writing and Performance. She trai

Episode 48 - Be As Weird As You Are with Peyton Storz

Welcome to the blog & show notes for Episode 47 of <a href='http://www.sallypal.com'>Sally’s Performing Arts Lab Podcast.</a> In this episode, I interview my favorite drama teacher, <a href='http://www.tulsapeople.com/Tulsa-People/February-2011/Innovative-educators/'>Amber Harrington</a>, from <a href='https://edison.tulsaschools.org/'>Edison High School</a> in <a href='https://en.wikipedia.org/wiki/Tulsa,_Oklahoma'>Tulsa, Oklahoma</a>. I’m your SallyPAL podcast host, <a href='https://sallypal.com/sally-adams-sallypal-artistic-expression/'>Sally Adams</a>. I talk to people about creating original work for a live audience. Send an email anytime to <a href='mailto:Sally@sallypal.com'>Sally@sallypal.com</a>.

I have an update on the SallyPAL empire. SallyPAL now has a <a href='https://sallypal.com/shop/'>STORE</a>! You can buy t-shirts, totes and coffee mugs with <a href='https://sallypal.com/product/aop-tote-bag-hey-thats-not-your-prop/'>vintage theatre photos and paintings</a>. Each one has a caption or speech bubble that will make you chuckle (especially if you’ve ever been backstage). Click the link to go to <a href='https://sallypal.com/shop/'>SallyPAL.com/shop</a> and see for yourself.
In addition to building the store, I’ve been toying with a <a href='https://www.youtube.com/channel/UCfL9LzVbidtRqCCZsOk-imw'>YouTube channel</a>. But I could use some advice. So far I’ve used it for live TOWN Stages interviews, encouragement videos and my own original music and covers. But I’d like to know what you want to see.
My son, my music partner and I are working on a new musical. Would you like to see the process and what that actually looks like? Do you want me to share videos of original performances from around the world? Do you want more video interviews? I have to admit, I’ve got a steep learning curve on this one. <a href='https://www.youtube.com/channel/UCfL9LzVbidtRqCCZsOk-imw'>Just click this link to go to YouTube for the SallyPAL channel</a>. Subscribe and comment on the channel and I can start sharing useful stuff!
Before I tell you about one amazing drama teacher, I want to share about a little project at our Virginia cottage. Because I am constantly struggling to get better sound, George and I created a recording studio in an under-stair closet. Here’s a pic of my closet under the stairs Harry Potter space. You might even be inspired to try something like this in your own home. It required that we both give up items of clothing we know longer wear to free up the space, but that’s a good thing, right?
<a href='https://www.fox23.com/news/edison-drama-teacher-takes-home-golden-apple-award/450995625'>Amber Harrington</a> was never my drama teacher. She’s quite a bit younger than I am. But she taught all three of my kids. And as her peer, I’ve watched her work and been so impressed. Amber lives by her mantra, Work Hard and Don’t Be a Jerk. She’s been teaching theatre in Tulsa, Oklahoma for nearly 20 years. This very special artist has received numerous awards for her teaching. And her students regularly win awards for their performances and technical work. Every year she expands the theatre program that has changed so many lives including the lives of my three kids.
Amber Harrington teaches nearly 250 students each year. This sometimes requires her to accommodate two classes at once. This would be tough enough for most teachers, but Amber’s organizational skills, work ethic (and <a href='https://classroom.google.com'>Google Classroom</a>) make it work. She learned what it means to be a drama teacher from her dad, Paul Harrington. He taught her about raising money, building sets and marketing the work of young local artists on a teacher’s small salary.
Amber Harrington graduated from <a href='https://www.se.edu/'>Southeastern Oklahoma State University</a> with a theatre degree after learning every facet of theatre craft. As a teacher she created projects and performances that helped her students grow. And every year the <a href='https://www.facebook.com/Edison-Eagle-Theatre-213036512084129/'>Edison Eagle theatre program</a> gets a little bigger.
There are so many opportunities in Amber's department. Early in the school year there is a district-wide one-act competition that has often led her students to compete at the state level. The annual Halloween show, <a href='https://www.youtube.com/watch?v=S_9dkmBV1O0'>Creeps</a>, has dance, music, spoken word and original writing. Fall Funnies features comedy scenes and monologues. She produces mainstage plays and musicals with the help of other interested teachers including history teacher Chris Burnham and now retired <a href='https://www.folger.edu/'>Folger Shakespeare</a> Library Mentor Teacher, Paul Stevenson.
When the <a href='http://www.newson6.com/story/37951490/timeline-of-oklahoma-teacher-walkout-2018'>teacher walk-out</a> forced students to forego one of the annual productions, Amber created a summer Comedy Camp to make up for the lost stage time. During the school year she produces an audition-only stand-up comedy show that includes some <a href='https://www.youtube.com/watch?v=XYWzW7M4FdA'>very funny student-written routines</a>. Edison Eagle Theatre also produces an annual Saturday Night Live knock-off called Thursday Night Live (or TNL). I’ve often thought the kids’ original skits were funnier than the actual SNL.
As a Folger Shakespeare Library Teaching Artist herself, Amber makes Shakespeare accessible to the kids. Just recently, one of her students won the <a href='http://www.okmag.com/blog/2017/03/28/channeling-the-bard/'>Shakespeare competition</a> that leads to a National event in New York City. Her schoolwide Shakespeare festival has produced other National contenders over the years. And Amber and her students began a new tradition in 2017 featuring monologues written by students that focus on the lives of dogs called Dogologues. The December show raises money for <a href='https://www.facebook.com/PLDSTexas/'>The Promised Land Dachsund Sanctuary</a>.     
So many young artists have trod the boards under Amber’s watchful eye including my three kids. I give her credit for instilling a sense of confidence and encouraging integrity. Amber now has her 10-year-old son joining the fun by teaching him to operate the light board and including him in the summer comedy camp.

One nice thing about teaching is having time in the summer to spend with your kids. One tough thing about teaching is being able to afford your kids. The Oklahoma Teacher Walkout last year in the national news was not unexpected. For those of us who have taught in Oklahoma public schools, politics loom large.
Amber is committed to supporting the kids by keeping politics out of all theatre department activities. She finds ways to create a positive environment where all students feel welcome. Amber commits every day to the Drama Class as a safe space. She keeps it that way even in the face of difficult circumstances for teachers. She believes in taking the art seriously without taking yourself too seriously.
All Eagle Theatre kids are required to do some performance-related writing. She created one of the first full-fledged playwriting programs in a high school in Oklahoma. Amber believes in students creating original work to a deadline. As she points out, “theatre is the hardest deadline.” All of these programs should be enough for any teacher, but Amber goes the extra mile. She takes the existing Edison deaf education program and incorporates ASL signing by having interpreters for performances and encouraging deaf students to participate in shows. And her program produced the only two Oklahoma winners of the <a href='http://education.kennedy-center.org/education/vsa/programs/about_playwright_competition.cfm'>Kennedy Center Very Special Arts youth playwriting program</a>.
In my interview with Amber Harrington you’ll hear us talk about the amazing <a href='https://myvocalauthority.com/'>voice coach Rena Cook</a> and the play <a href='https://www.amazon.com/Falsetto-One-act-Farcical-Social-Satire/dp/B000N93LBS'>The Hairy Falsetto by J.I. Rodale</a>. We mention<a href='http://nightingaletheater.com/event/the-lesbian-exhibit-by-will-hedgecock/'> The Lesbian Exhibit by Eagle Theatre grad Will Inman</a>. We also talk about presentational acting vs. teaching kids how to access feelings in a role. This is a process Amber refers to as “turning a corner”. The political climate in education came up, of course. And we discussed the juiciness of “the long silence” in performance.
There’s so much to talk about with Amber: We mentioned <a href='https://www.facebook.com/thomas.self.14'>artist Tom Self</a>’s original t-shirt designs for Creeps (they’re collector’s items now). Amber’s dad writes large cast plays that are often performed on the Eagle Theatre mainstage. The number of events she produces led to the development of a black box theatre space. Her casts have won all state one-act competitions. And Edison actors are regularly selected for regional and state all-star and tech awards.
This very committed teacher makes theatre classes challenging, exciting and fun. According to her students, the experience is worth every critique, long rehearsal, and ugly cry. Performing on stage is a risky business but with the encouragement of a teacher like Ms. Harrington, students take artistic risks with confidence. I know you’ll enjoy episode 47 with high school drama teacher Amber Harrington. You can click on the play button in this blog to hear the entire episode. But if you want to skip around, look below for a podcast rundown. After the interview you’ll hear Concise Advice from the Interview. This is a quick compilation of the advice given by my guest during the show. Words of Wisdom from George follows and is a bit of good advice from my husband, the coolest guy on the planet.
Here’s the blog version of Concise Advice from the Interview: There are only 2 bits of advice from Drama Goddess Amber Harrington this week:
#2 Work Hard.
#1 Don’t be a jerk.
Advice to live by.
Thank you for following, sharing, subscribing, reviewing, joining, & thank you for listening. If you’re downloading and listening on your drive to work, or rocking the artist’s podcast-listening lifestyle like my sister does, let me know you’re out there. Shared storytelling is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And <a href='https://www.sallypal.com'>SallyPAL</a> is here with resources, encouragement, and now <a href='https://www.sallypal.com/shop'>t-shirts and totes!</a>
All the stories ever expressed once lived only in someone’s imagination. Now… Work Hard and Don’t be a jerk!

<description>
Welcome to the blog &amp; show notes for Episode 47 of &lt;a href='http://www.sallypal.com'&gt;Sally’s Performing Arts Lab Podcast.&lt;/a&gt; In this episode, I interview my favorite drama teacher, &lt;a href='http://www.tulsapeople.com/Tulsa-People/February-2011/Innovative-educators/'&gt;Amber Harrington&lt;/a&gt;, from &lt;a href='https://edison.tulsaschools.org/'&gt;Edison High School&lt;/a&gt; in &lt;a href='https://en.wikipedia.org/wiki/Tulsa,_Oklahoma'&gt;Tulsa, Oklahoma&lt;/a&gt;. I’m your SallyPAL podcast host, &lt;a href='https://sallypal.com/sally-adams-sallypal-artistic-expression/'&gt;Sally Adams&lt;/a&gt;. I talk to people about creating original work for a live audience. Send an email anytime to &lt;a href='mailto:Sally@sallypal.com'&gt;Sally@sallypal.com&lt;/a&gt;.

I have an update on the SallyPAL empire. SallyPAL now has a &lt;a href='https://sallypal.com/shop/'&gt;STORE&lt;/a&gt;! You can buy t-shirts, totes and coffee mugs with &lt;a href='https://sallypal.com/product/aop-tote-bag-hey-thats-not-your-prop/'&gt;vintage theatre photos and paintings&lt;/a&gt;. Each one has a caption or speech bubble that will make you chuckle (especially if you’ve ever been backstage). Click the link to go to &lt;a href='https://sallypal.com/shop/'&gt;SallyPAL.com/shop&lt;/a&gt; and see for yourself.
In addition to building the store, I’ve been toying with a &lt;a href='https://www.youtube.com/channel/UCfL9LzVbidtRqCCZsOk-imw'&gt;YouTube channel&lt;/a&gt;. But I could use some advice. So far I’ve used it for live TOWN Stages interviews, encouragement videos and my own original music and covers. But I’d like to know what you want to see.
My son, my music partner and I are working on a new musical. Would you like to see the process and what that actually looks like? Do you want me to share videos of original performances from around the world? Do you want more video interviews? I have to admit, I’ve got a steep learning curve on this one. &lt;a href='https://www.youtube.com/channel/UCfL9LzVbidtRqCCZsOk-imw'&gt;Just click this link to go to YouTube for the SallyPAL channel&lt;/a&gt;. Subscribe and comment on the channel and I can start sharing useful stuff!
Before I tell you about one amazing drama teacher, I want to share about a little project at our Virginia cottage. Because I am constantly struggling to get better sound, George and I created a recording studio in an under-stair closet. Here’s a pic of my closet under the stairs Harry Potter space. You might even be inspired to try something like this in your own home. It required that we both give up items of clothing we know longer wear to free up the space, but that’s a good thing, right?
&lt;a href='https://www.fox23.com/news/edison-drama-teacher-takes-home-golden-apple-award/450995625'&gt;Amber Harrington&lt;/a&gt; was never my drama teacher. She’s quite a bit younger than I am. But she taught all three of my kids. And as her peer, I’ve watched her work and been so impressed. Amber lives by her mantra, Work Hard and Don’t Be a Jerk. She’s been teaching theatre in Tulsa, Oklahoma for nearly 20 years. This very special artist has received numerous awards for her teaching. And her students regularly win awards for their performances and technical work. Every year she expands the theatre program that has changed so many lives including the lives of my three kids.
Amber Harrington teaches nearly 250 students each year. This sometimes requires her to accommodate two classes at once. This would be tough enough for most teachers, but Amber’s organizational skills, work ethic (and &lt;a href='https://classroom.google.com'&gt;Google Classroom&lt;/a&gt;) make it work. She learned what it means to be a drama teacher from her dad, Paul Harrington. He taught her about raising money, building sets and marketing the work of young local artists on a teacher’s small salary.
Amber Harrington graduated from &lt;a href='https://www.se.edu/'&gt;Southeastern Oklahoma State University&lt;/a&gt; with a theatre degree after learning every facet of theatre craft. As a teacher she created projects and performances that helped her students grow. And every year the &lt;a href='https://www.facebook.com/Edison-Eagle-Theatre-213036512084129/'&gt;Edison Eagle theatre program&lt;/a&gt; gets a little bigger.
There are so many opportunities in Amber's department. Early in the school year there is a district-wide one-act competition that has often led her students to compete at the state level. The annual Halloween show, &lt;a href='https://www.youtube.com/watch?v=S_9dkmBV1O0'&gt;Creeps&lt;/a&gt;, has dance, music, spoken word and original writing. Fall Funnies features comedy scenes and monologues. She produces mainstage plays and musicals with the help of other interested teachers including history teacher Chris Burnham and now retired &lt;a href='https://www.folger.edu/'&gt;Folger Shakespeare&lt;/a&gt; Library Mentor Teacher, Paul Stevenson.
When the &lt;a href='http://www.newson6.com/story/37951490/timeline-of-oklahoma-teacher-walkout-2018'&gt;teacher walk-out&lt;/a&gt; forced students to forego one of the annual productions, Amber created a summer Comedy Camp to make up for the lost stage time. During the school year she produces an audition-only stand-up comedy show that includes some &lt;a href='https://www.youtube.com/watch?v=XYWzW7M4FdA'&gt;very funny student-written routines&lt;/a&gt;. Edison Eagle Theatre also produces an annual Saturday Night Live knock-off called Thursday Night Live (or TNL). I’ve often thought the kids’ original skits were funnier than the actual SNL.
As a Folger Shakespeare Library Teaching Artist herself, Amber makes Shakespeare accessible to the kids. Just recently, one of her students won the &lt;a href='http://www.okmag.com/blog/2017/03/28/channeling-the-bard/'&gt;Shakespeare competition&lt;/a&gt; that leads to a National event in New York City. Her schoolwide Shakespeare festival has produced other National contenders over the years. And Amber and her students began a new tradition in 2017 featuring monologues written by students that focus on the lives of dogs called Dogologues. The December show raises money for &lt;a href='https://www.facebook.com/PLDSTexas/'&gt;The Promised Land Dachsund Sanctuary&lt;/a&gt;.     
So many young artists have trod the boards under Amber’s watchful eye including my three kids. I give her credit for instilling a sense of confidence and encouraging integrity. Amber now has her 10-year-old son joining the fun by teaching him to operate the light board and including him in the summer comedy camp.

One nice thing about teaching is having time in the summer to spend with your kids. One tough thing about teaching is being able to afford your kids. The Oklahoma Teacher Walkout last year in the national news was not unexpected. For those of us who have taught in Oklahoma public schools, politics loom large.
Amber is committed to supporting the kids by keeping politics out of all theatre department activities. She finds ways to create a positive environment where all students feel welcome. Amber commits every day to the Drama Class as a safe space. She keeps it that way even in the face of difficult circumstances for teachers. She believes in taking the art seriously without taking yourself too seriously.
All Eagle Theatre kids are required to do some performance-related writing. She created one of the first full-fledged playwriting programs in a high school in Oklahoma. Amber believes in students creating original work to a deadline. As she points out, “theatre is the hardest deadline.” All of these programs should be enough for any teacher, but Amber goes the extra mile. She takes the existing Edison deaf education program and incorporates ASL signing by having interpreters for performances and encouraging deaf students to participate in shows. And her program produced the only two Oklahoma winners of the &lt;a href='http://education.kennedy-center.org/education/vsa/programs/about_playwright_competition.cfm'&gt;Kennedy Center Very Special Arts youth playwriting program&lt;/a&gt;.
In my interview with Amber Harrington you’ll hear us talk about the amazing &lt;a href='https://myvocalauthority.com/'&gt;voice coach Rena Cook&lt;/a&gt; and the play &lt;a href='https://www.amazon.com/Falsetto-One-act-Farcical-Social-Satire/dp/B000N93LBS'&gt;The Hairy Falsetto by J.I. Rodale&lt;/a&gt;. We mention&lt;a href='http://nightingaletheater.com/event/the-lesbian-exhibit-by-will-hedgecock/'&gt; The Lesbian Exhibit by Eagle Theatre grad Will Inman&lt;/a&gt;. We also talk about presentational acting vs. teaching kids how to access feelings in a role. This is a process Amber refers to as “turning a corner”. The political climate in education came up, of course. And we discussed the juiciness of “the long silence” in performance.
There’s so much to talk about with Amber: We mentioned &lt;a href='https://www.facebook.com/thomas.self.14'&gt;artist Tom Self&lt;/a&gt;’s original t-shirt designs for Creeps (they’re collector’s items now). Amber’s dad writes large cast plays that are often performed on the Eagle Theatre mainstage. The number of events she produces led to the development of a black box theatre space. Her casts have won all state one-act competitions. And Edison actors are regularly selected for regional and state all-star and tech awards.
This very committed teacher makes theatre classes challenging, exciting and fun. According to her students, the experience is worth every critique, long rehearsal, and ugly cry. Performing on stage is a risky business but with the encouragement of a teacher like Ms. Harrington, students take artistic risks with confidence. I know you’ll enjoy episode 47 with high school drama teacher Amber Harrington. You can click on the play button in this blog to hear the entire episode. But if you want to skip around, look below for a podcast rundown. After the interview you’ll hear Concise Advice from the Interview. This is a quick compilation of the advice given by my guest during the show. Words of Wisdom from George follows and is a bit of good advice from my husband, the coolest guy on the planet.
Here’s the blog version of Concise Advice from the Interview: There are only 2 bits of advice from Drama Goddess Amber Harrington this week:
#2 Work Hard.
#1 Don’t be a jerk.
Advice to live by.
Thank you for following, sharing, subscribing, reviewing, joining, &amp; thank you for listening. If you’re downloading and listening on your drive to work, or rocking the artist’s podcast-listening lifestyle like my sister does, let me know you’re out there. Shared storytelling is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And &lt;a href='https://www.sallypal.com'&gt;SallyPAL&lt;/a&gt; is here with resources, encouragement, and now &lt;a href='https://www.sallypal.com/shop'&gt;t-shirts and totes!&lt;/a&gt;
All the stories ever expressed once lived only in someone’s imagination. Now… Work Hard and Don’t be a jerk!</description>


Welcome to the blog & show notes for Episode 47 of Sally’s Performing Arts Lab Podcast. In this episode, I interview my favorite drama teacher, Amber Harrington, from Edison High School in Tulsa, Oklahoma. I’m your SallyPAL podcast host, Sally Adams...


Welcome to the blog & show notes for Episode 47 of Sally’s Performing Arts Lab Podcast. In this episode, I interview my favorite drama teacher, Amber Harrington, from Edison High School in Tulsa, Oklahoma. I’m your SallyPAL podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email anytime to Sally@sallypal.com.

I have an update on the SallyPAL empire. SallyPAL now has a STORE! You can buy t-shirts, totes and coffee mugs with vintage theatre photos and paintings. Each one has a caption or speech bubble that will make you chuckle (especially if you’ve ever been backstage). Click the link to go to SallyPAL.com/shop and see for yourself.
In addition to building the store, I’ve been toying with a YouTube channel. But I could use some advice. So far I’ve used it for live TOWN Stages interviews, encouragement videos and my own original music and covers. But I’d like to know what you want to see.
My son, my music partner and I are working on a new musical. Would you like to see the process and what that actually looks like? Do you want me to share videos of original performances from around the world? Do you want more video interviews? I have to admit, I’ve got a steep learning curve on this one. Just click this link to go to YouTube for the SallyPAL channel. Subscribe and comment on the channel and I can start sharing useful stuff!
Before I tell you about one amazing drama teacher, I want to share about a little project at our Virginia cottage. Because I am constantly struggling to get better sound, George and I created a recording studio in an under-stair closet. Here’s a pic of my closet under the stairs Harry Potter space. You might even be inspired to try something like this in your own home. It required that we both give up items of clothing we know longer wear to free up the space, but that’s a good thing, right?
Amber Harrington was never my drama teacher. She’s quite a bit younger than I am. But she taught all three of my kids. And as her peer, I’ve watched her work and been so impressed. Amber lives by her mantra, Work Hard and Don’t Be a Jerk. She’s been teaching theatre in Tulsa, Oklahoma for nearly 20 years. This very special artist has received numerous awards for her teaching. And her students regularly win awards for their performances and technical work. Every year she expands the theatre program that has changed so many lives including the lives of my three kids.
Amber Harrington teaches nearly 250 students each year. This sometimes requires her to accommodate two classes at once. This would be tough enough for most teachers, but Amber’s organizational skills, work ethic (and Google Classroom) make it work. She learned what it means to be a drama teacher from her dad, Paul Harrington. He taught her about raising money, building sets and marketing the work of young local artists on a teacher’s small salary.
Amber Harrington graduated from Southeastern Oklahoma State University with a theatre degree after learning every facet of theatre craft. As a teacher she created projects and performances that helped her students grow. And every year the Edison Eagle theatre program gets a little bigger.
There are so many opportunities in Amber's department. Early in the school year there is a district-wide one-act competition that has often led her students to compete at the state level. The annual Halloween show, Creeps, has dance, music, spoken word and original writing. Fall Funnies features comedy scenes and monologues. She produces mainstage plays and musicals with the help of other interested teachers including history teacher Chris Burnham and now retired Folger Shakespeare Library Mentor Teacher, Paul Stevenson.
When the teacher walk-out forced students to forego one of the annual productions, Amber created a summer Comedy Camp to make up for the lost stage time. During the school year she produces an audition-only stand-up comedy show that includes some very

Episode 47 - Work Hard and Don't Be a Jerk with Amber Harrington

Fail, fail Again, fail better - Samuel Beckett
Welcome to the show notes for Episode 46 of Sally’s Performing Arts Lab Podcast. Chris O’Rourke, playwright, director, Irishman and critic joins me from Dublin, Ireland on episode 46 of SallyPAL. To hear his authentic (and very appealing) Irish brogue, you need to find the episode on your favorite podcast platform. Just type in SallyPAL and look for Episode 46. I’m podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email to me anytime by sending to <a href='mailto:Sally@sallypal.com'>Sally@sallypal.com</a>. Share your story with me and let me know about a creator you’d like me to interview.
Copyright Update 
I want to do a little update on the copyright information I shared in the last blog and podcast when I told you all copyrighted material from 1923 would be entering the public domain this year after a 20 year wait for Federal term extensions. That actually happened at the stroke of midnight on January 1, 2019. Today, January 10, 2019, I heard an episode of the radio show 1A with host Joshua Johnson on WAMU (the show is on a lot of NPR stations as well as the Internet). Husband and wife copyright experts James Boyle and Jennifer Jenkins spend an enlightening hour reviewing what the copyright laws mean for creative people. I highly recommend checking out Joshua Johnson’s January 10 episode of 1A concerning copyright law. I think it will clarify a lot of what we face as creators in the digital age from “fair use” to Creative Commons. They also discuss tools available to resolve the plagiarizing of protected works. Knowledge is power.
Podcast Guest Chris O’Rourke 
Chris O’Rourke is a playwright, director, drama coach and critic currently living in Dublin, Ireland. Until July, 2016 Chris was the National Theatre Critic for Examiner.com. He now reviews performances for The Arts Review. I think Chris has reviewed nearly every live play in Ireland. I get his reviews in my email box every week and read them not just because I’m interested in the Irish theatre scene (I wouldn’t be if it wasn’t for Chris). I read his reviews from TheArtsReview.com because they are a master class in what makes a live show worth seeing. Anyone producing live theatre needs to read Chris’ insightful and intelligent journalism. You can do that by visiting the website. Chris reviews and writes for TheArtsReview.com. Check it out.
Chris O’Rourke is also the artistic director of the award-winning Everything is Liminal and Unknown Theatre troupes specializing in originating works with young people from high risk backgrounds. Unknown Theatre’s groundbreaking production, “If Walls Could Talk” played at The 2017 Edinburgh Fringe Festival to rave reviews.
I hope you’ll click the podcast link at the top of this blog entry to enjoy episode 46 with Chris O’Rourke. I also invite you to go to your favorite podcast provider and download past episodes. There are dozens of wonderful conversations with people creating original work in the world of performance right now. I interview choreographers, playwrights, musicians, scholars, designers, technicians and performers from stages all over the world. Every interview includes a section titled Concise Advice from the Interview that highlights the best nuggets of wisdom, as well as Words of Wisdom from George, a brief bit of insight from my husband, the coolest guy on the planet.
Concise Advice from the Interview for Episode 46 includes five bits of advice from Critic and Playwright, Chris O’Rourke:
5 Be honest in your criticism. As long as there’s no vindictiveness you can be share what you see.
4 When working with young people, do work that is relevant to their lives.
3 It’s important to tell stories of people whose voices aren’t ordinarily heard.
2 If you’re working with young people, let them have fun, find their voices, and express themselves.
1 Respect your audience by keeping them engaged and entertained.
Thank you for reading, following, sharing, subscribing, reviewing, joining, & thank you for listening to the podcast. If you’re downloading and listening on your drive to work, or reading the blog after hours, let me know you’re out there. Shared storytelling is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and a growing community of storytellers.
All the stories ever expressed once lived only in someone’s imagination.

<description>&lt;p&gt;Fail, fail Again, fail better - Samuel Beckett&lt;/p&gt;
&lt;p&gt;Welcome to the show notes for Episode 46 of Sally’s Performing Arts Lab Podcast. Chris O’Rourke, playwright, director, Irishman and critic joins me from Dublin, Ireland on episode 46 of SallyPAL. To hear his authentic (and very appealing) Irish brogue, you need to find the episode on your favorite podcast platform. Just type in SallyPAL and look for Episode 46. I’m podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email to me anytime by sending to &lt;a href='mailto:Sally@sallypal.com'&gt;Sally@sallypal.com&lt;/a&gt;. Share your story with me and let me know about a creator you’d like me to interview.&lt;/p&gt;
&lt;p&gt;Copyright Update
I want to do a little update on the copyright information I shared in the last blog and podcast when I told you all copyrighted material from 1923 would be entering the public domain this year after a 20 year wait for Federal term extensions. That actually happened at the stroke of midnight on January 1, 2019. Today, January 10, 2019, I heard an episode of the radio show 1A with host Joshua Johnson on WAMU (the show is on a lot of NPR stations as well as the Internet). Husband and wife copyright experts James Boyle and Jennifer Jenkins spend an enlightening hour reviewing what the copyright laws mean for creative people. I highly recommend checking out Joshua Johnson’s January 10 episode of 1A concerning copyright law. I think it will clarify a lot of what we face as creators in the digital age from “fair use” to Creative Commons. They also discuss tools available to resolve the plagiarizing of protected works. Knowledge is power.&lt;/p&gt;
&lt;p&gt;Podcast Guest Chris O’Rourke
Chris O’Rourke is a playwright, director, drama coach and critic currently living in Dublin, Ireland. Until July, 2016 Chris was the National Theatre Critic for Examiner.com. He now reviews performances for The Arts Review. I think Chris has reviewed nearly every live play in Ireland. I get his reviews in my email box every week and read them not just because I’m interested in the Irish theatre scene (I wouldn’t be if it wasn’t for Chris). I read his reviews from TheArtsReview.com because they are a master class in what makes a live show worth seeing. Anyone producing live theatre needs to read Chris’ insightful and intelligent journalism. You can do that by visiting the website. Chris reviews and writes for TheArtsReview.com. Check it out.&lt;/p&gt;
&lt;p&gt;Chris O’Rourke is also the artistic director of the award-winning Everything is Liminal and Unknown Theatre troupes specializing in originating works with young people from high risk backgrounds. Unknown Theatre’s groundbreaking production, “If Walls Could Talk” played at The 2017 Edinburgh Fringe Festival to rave reviews.&lt;/p&gt;
&lt;p&gt;I hope you’ll click the podcast link at the top of this blog entry to enjoy episode 46 with Chris O’Rourke. I also invite you to go to your favorite podcast provider and download past episodes. There are dozens of wonderful conversations with people creating original work in the world of performance right now. I interview choreographers, playwrights, musicians, scholars, designers, technicians and performers from stages all over the world. Every interview includes a section titled Concise Advice from the Interview that highlights the best nuggets of wisdom, as well as Words of Wisdom from George, a brief bit of insight from my husband, the coolest guy on the planet.&lt;/p&gt;
&lt;p&gt;Concise Advice from the Interview for Episode 46 includes five bits of advice from Critic and Playwright, Chris O’Rourke:&lt;/p&gt;
&lt;p&gt;5 Be honest in your criticism. As long as there’s no vindictiveness you can be share what you see.&lt;/p&gt;
&lt;p&gt;4 When working with young people, do work that is relevant to their lives.&lt;/p&gt;
&lt;p&gt;3 It’s important to tell stories of people whose voices aren’t ordinarily heard.&lt;/p&gt;
&lt;p&gt;2 If you’re working with young people, let them have fun, find their voices, and express themselves.&lt;/p&gt;
&lt;p&gt;1 Respect your audience by keeping them engaged and entertained.&lt;/p&gt;
&lt;p&gt;Thank you for reading, following, sharing, subscribing, reviewing, joining, &amp; thank you for listening to the podcast. If you’re downloading and listening on your drive to work, or reading the blog after hours, let me know you’re out there. Shared storytelling is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and a growing community of storytellers.&lt;/p&gt;
&lt;p&gt;All the stories ever expressed once lived only in someone’s imagination.&lt;/p&gt;
</description>

Fail, fail Again, fail better - Samuel Beckett
Welcome to the show notes for Episode 46 of Sally’s Performing Arts Lab Podcast. Chris O’Rourke, playwright, director, Irishman and critic joins me from Dublin, Ireland on episode 46 of SallyPAL. To hear...

Fail, fail Again, fail better - Samuel Beckett
Welcome to the show notes for Episode 46 of Sally’s Performing Arts Lab Podcast. Chris O’Rourke, playwright, director, Irishman and critic joins me from Dublin, Ireland on episode 46 of SallyPAL. To hear his authentic (and very appealing) Irish brogue, you need to find the episode on your favorite podcast platform. Just type in SallyPAL and look for Episode 46. I’m podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email to me anytime by sending to Sally@sallypal.com. Share your story with me and let me know about a creator you’d like me to interview.
Copyright UpdateI want to do a little update on the copyright information I shared in the last blog and podcast when I told you all copyrighted material from 1923 would be entering the public domain this year after a 20 year wait for Federal term extensions. That actually happened at the stroke of midnight on January 1, 2019. Today, January 10, 2019, I heard an episode of the radio show 1A with host Joshua Johnson on WAMU (the show is on a lot of NPR stations as well as the Internet). Husband and wife copyright experts James Boyle and Jennifer Jenkins spend an enlightening hour reviewing what the copyright laws mean for creative people. I highly recommend checking out Joshua Johnson’s January 10 episode of 1A concerning copyright law. I think it will clarify a lot of what we face as creators in the digital age from “fair use” to Creative Commons. They also discuss tools available to resolve the plagiarizing of protected works. Knowledge is power.
Podcast Guest Chris O’RourkeChris O’Rourke is a playwright, director, drama coach and critic currently living in Dublin, Ireland. Until July, 2016 Chris was the National Theatre Critic for Examiner.com. He now reviews performances for The Arts Review. I think Chris has reviewed nearly every live play in Ireland. I get his reviews in my email box every week and read them not just because I’m interested in the Irish theatre scene (I wouldn’t be if it wasn’t for Chris). I read his reviews from TheArtsReview.com because they are a master class in what makes a live show worth seeing. Anyone producing live theatre needs to read Chris’ insightful and intelligent journalism. You can do that by visiting the website. Chris reviews and writes for TheArtsReview.com. Check it out.
Chris O’Rourke is also the artistic director of the award-winning Everything is Liminal and Unknown Theatre troupes specializing in originating works with young people from high risk backgrounds. Unknown Theatre’s groundbreaking production, “If Walls Could Talk” played at The 2017 Edinburgh Fringe Festival to rave reviews.
I hope you’ll click the podcast link at the top of this blog entry to enjoy episode 46 with Chris O’Rourke. I also invite you to go to your favorite podcast provider and download past episodes. There are dozens of wonderful conversations with people creating original work in the world of performance right now. I interview choreographers, playwrights, musicians, scholars, designers, technicians and performers from stages all over the world. Every interview includes a section titled Concise Advice from the Interview that highlights the best nuggets of wisdom, as well as Words of Wisdom from George, a brief bit of insight from my husband, the coolest guy on the planet.
Concise Advice from the Interview for Episode 46 includes five bits of advice from Critic and Playwright, Chris O’Rourke:
5 Be honest in your criticism. As long as there’s no vindictiveness you can be share what you see.
4 When working with young people, do work that is relevant to their lives.
3 It’s important to tell stories of people whose voices aren’t ordinarily heard.
2 If you’re working with young people, let them have fun, find their voices, and express themselves.
1 Respect your audience by keeping them engaged and entertained.
Thank you for reading, following, sharing, subscr

Episode 46 - Irish Ideas with Chris O'Rourke

Hi Friend, Welcome to a special 2018 Christmas Eve Episode of Sally’s Performing Arts Lab Podcast. Today, we’re going to talk about my upcoming guests now that 2019 is right around the corner. I’m your SallyPAL podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email anytime to <a href='mailto:Sally@sallypal.com'>Sally@sallypal.com</a>.
Although I’ve been away from podcasting for a few months, I am still out here supporting new works wherever I see the opportunity. As 2018 draws to a close I wanted to share some thoughts before I kick into twice a month podcast uploads again. After producing over 50 episodes of SallyPAL, I took a break from podcasting. It was only supposed to last a month to make time for some other projects. But I got out of the habit of regularly editing and posting and after a few more weeks I was almost embarrassed to start again. It’s like that feeling you get when you forget to send a baby gift and then 2 years later you figure it’s probably too late to send that onesie you were maybe going to buy. But enough about me and my nieces… There are some things on the horizon that are really too exciting to ignore and I want to share them with my Sally PALS! So let me start by letting you know about the guests I have coming up in the next few months:
<ol><li>Upcoming Guests
<ol><li>Chris O’Rourke is a playwright, director, drama coach and critic with a Masters in Modern Drama. Chris was National Theatre Critic for com until July 2016 when Examiner.com ceased. During that time he extensively reviewed in Ireland and abroad. Chris is artistic director of Everything is Liminal and Unknown Theatre which specializes in originating works with young people from high risk backgrounds. </li>
<li>Peyton Storz performs with the groundbreaking comedy Splatter Theater in Chicago. Peyton graduated from Columbia College Chicago with a BA in Comedy Writing and Performance, and has trained at The Annoyance Theater and The Second City in Chicago. She hails from my hometown, Tulsa, Oklahoma.</li>
<li>Amber Harrington teaches theatre at Edison Magnet School in Tulsa, Oklahoma. With nearly 18 years of experience she has been named Teacher of the Year, won countless awards with her students, and has created programs for her theatre kids that are imitated throughout the state. Her student playwriting program is the first of its kind in Oklahoma and has produced two national award-wining playwrights. Amber is also a Folger Shakespeare Teaching Artist.</li>
<li>Reed Mathis is making fresh music in The Bay Area. Reed tours with his own band and works as a studio musician blending his love of classical music (Beethoven in particular) with his spectacular bass-playing skills. Reed is a former member of Tea Leaf Green. He’s also played bass with Grateful Dead members Phil Lesh, Mickey Hart, and Bill Kreutzmann. He has also played with the Steve Kimock Band, and was a founding member of Tulsa progressive jazz band Jacob Fred Jazz Odyssey.</li>
<li>Stick close because I also have an interview promised with J.D. McPherson as soon as his touring schedule lets up. </li>
</ol></li>
</ol><ol start="2"><li>Big news in public domain works and what it means for creatives: If you’re not sure exactly what the term public domain means, according to Google’s online dictionary, “public domain is the state of belonging or being available to the public as a whole, and therefore not subject to copyright.” This is a pretty big deal for creatives in general. But especially for arts teachers. Many of you may remember being admonished by your choir teacher or your drama director to get rid of your photocopies after a performance because the works were copyrighted and you did not have permission to keep those copies. In just a few days that will no longer be true for works published in 1923. Works published in 1922 and before have been available for 20 years. I know this because in 2013 I wrote a musical for my students that borrowed songs from 1922 and earlier including the well-known, “Be It Ever So Humble, There’s No Place Like Home”.</li>
</ol>A recent article in the Smithsonian magazine highlights a lot of the things that are important to artists regarding works in the public domain. According to the article on January 1, 2019, “all works first published in the United States in 1923 will enter the public domain.”
Because of a weird discrepancy with the law, it’s been 20 years since there’s been any mass release of work into the public domain. The last time it happened was 1998 and Google didn’t even incorporate as a company until September of that year. That means the explosive growth of digital art hasn’t legally included variations on work from this period in part because works published in 1923 haven’t been in the public domain. Some of the work has been available, of course, without alteration, through publishers and for a price.
1998 was the year that public domain releases stopped because the Sonny Bono Copyright Term Extension Act added 20 years to the wait time for published works to enter the public domain. The bill was named for Congressman Bono posthumously although he did put his signature on the legislation. It’s complicated, just like copyright law so I’ve included some deep dive links for anyone who needs more. And don’t get me started on global copyright. It’s a hot mess.
Next week, though, you’ll have total and free access to things like Robert Frost’s “Stopping by Woods on a Snowy Evening,” which, although written in 1922, was not published until 1923. The laws for these earlier works is different from works in the digital age. Nowadays, a work has a copyright as soon as it’s created. I’m not kidding when I say this stuff is ridiculously complicated. I’ll include a link to a great Brad Templeton website on copyright, plagiarism, and some other topics you might find interesting.
Other things entering the public domain? Well, how about the unforgettable pop hit, “Yes, We Have No Bananas,” or the songs “Who’s Sorry Now?” and the flapper hit, “The Charleston”. The film debuts of Marlene Dietrich, Douglas Fairbanks, Jr. and Fay Wray will be available for general public use. There won’t be any Disney fare available until 2024. At the time the law changed, Mickey Mouse’s film debut, Steamboat Willie, would have been public domain in 2004. But the Disney Corporation lobbied to retain the rights to its creations over two decades into the next century. They didn’t have to lobby all that hard as both the House and Senate had corporate-leaning Republican majorities and President Clinton wasn’t looking to make public domain law a part of his platform. The 1998 law gave Steamboat Willie an extra 20 years before he would steer into un-copyrighted waters.
What’s really exciting now is that digital collections like Internet Archive, Google Books and HathiTrust will be storing seminal works from the early days of American Modernism. D.H. Lawrence, Virginia Woolfe, Claude McKay, Sigmund Freud, George Bernard Shaw, Louis Armstrong, Gertrude Stein, and so many others. Members of the Harlem Renaissance, the DaDaist school, and the Algonquin Roundtable all feature prominently in 1923. This new surge of old works in the digital age allows for current creatives to freely play with the works of important artists of the era bridging WWI and the Great Depression.
Works entering the public domain can be altered indiscriminately. You could even claim p.d. work as your own, but that’s not art, that’s plagiarism. As artists we are always standing on the shoulders of giants. Give attribution whenever you can. And do your homework. Look at the context for works that you use. Collaborating with ghosts expands our artistic horizons. It’s an exciting way to learn from our predecessors. Teachers will be free to share these works with their students and scholars can print important poems and essays many of us have never read. It’s only one year, but I think you’ll find that 1923 was a very good year, indeed.
<ol start="3"><li>SallyPAL Shoppe opening – Stay on the lookout for the SallyPAL Shoppe. I’ll have t-shirts, coffee mugs, all the usual fun high-quality performing arts kitsch at decent prices. If you don’t see anything in the store yet, stay tuned!</li>
</ol>      You’ve heard from my son Will Inman before and he’s back to talk about the new release of 1923 published works into the public domain, plagiarism, sharing your work, educational theatre, and some other cool stuff. Will’s plays have been produced in theaters from Texas to New York. He is currently a Cadence Pipeline New Works Fellow with Cadence Theatre in Richmond, Virginia. He’s been a featured student playwright with the VSA Kennedy Center plays, been performed with Tulsa SummerStage and Fringe festivals, Writopia Labs Comedy Playwriting Festival Houston University, Rogers State University, a portion of his play, The Lesbian Exhibit,  was performed at Torrent Theatre in New York City, and last year he won the inaugural Edward Albee Playwriting Award by Theresa Rebeck for his play Winners.
Concise Advice from the Interview - 5 bits of advice about using public domain work:
<ol start="5"><li>DO give attribution when you use someone else’s work. It’s not a requirement, but it’s important to recognize the work of other artists, especially if it inspires you.</li>
<li>Develop a sense of context for the work you are modifying. Find out something about the history and culture of the originating artists to give depth to your work</li>
<li>Dig around in the available digital archives and learn more about public domain works. It’s creative, it’s fun and it’s educational!</li>
<li>Learn more about copyright law. As an artist, it’s up to you to know the difference between plagiarism and responsible evolution of artistic work.</li>
<li>Don’t just crib work, use the public domain to inspire all new original works of theatre, music, and dance.</li>
</ol>Check out the blog, SallyPAL.com, for articles and podcast episodes. You, too, can be a SallyPAL. Thank you for following, sharing, subscribing, reviewing, joining, & thank you for listening.
If you’re downloading and listening on your drive to work, or commenting and reviewing like my sister does, let me know you’re out there. Storytelling through performance is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and a growing community of storytellers. All the stories ever expressed once lived only in someone’s imagination… Now… Go Pretend!

<description>&lt;p&gt;Hi Friend, Welcome to a special 2018 Christmas Eve Episode of Sally’s Performing Arts Lab Podcast. Today, we’re going to talk about my upcoming guests now that 2019 is right around the corner. I’m your SallyPAL podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email anytime to &lt;a href='mailto:Sally@sallypal.com'&gt;Sally@sallypal.com&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Although I’ve been away from podcasting for a few months, I am still out here supporting new works wherever I see the opportunity. As 2018 draws to a close I wanted to share some thoughts before I kick into twice a month podcast uploads again. After producing over 50 episodes of SallyPAL, I took a break from podcasting. It was only supposed to last a month to make time for some other projects. But I got out of the habit of regularly editing and posting and after a few more weeks I was almost embarrassed to start again. It’s like that feeling you get when you forget to send a baby gift and then 2 years later you figure it’s probably too late to send that onesie you were maybe going to buy. But enough about me and my nieces… There are some things on the horizon that are really too exciting to ignore and I want to share them with my Sally PALS! So let me start by letting you know about the guests I have coming up in the next few months:&lt;/p&gt;
&lt;ol&gt;&lt;li&gt;Upcoming Guests
&lt;ol&gt;&lt;li&gt;Chris O’Rourke is a playwright, director, drama coach and critic with a Masters in Modern Drama. Chris was National Theatre Critic for com until July 2016 when Examiner.com ceased. During that time he extensively reviewed in Ireland and abroad. Chris is artistic director of Everything is Liminal and Unknown Theatre which specializes in originating works with young people from high risk backgrounds. &lt;/li&gt;
&lt;li&gt;Peyton Storz performs with the groundbreaking comedy Splatter Theater in Chicago. Peyton graduated from Columbia College Chicago with a BA in Comedy Writing and Performance, and has trained at The Annoyance Theater and The Second City in Chicago. She hails from my hometown, Tulsa, Oklahoma.&lt;/li&gt;
&lt;li&gt;Amber Harrington teaches theatre at Edison Magnet School in Tulsa, Oklahoma. With nearly 18 years of experience she has been named Teacher of the Year, won countless awards with her students, and has created programs for her theatre kids that are imitated throughout the state. Her student playwriting program is the first of its kind in Oklahoma and has produced two national award-wining playwrights. Amber is also a Folger Shakespeare Teaching Artist.&lt;/li&gt;
&lt;li&gt;Reed Mathis is making fresh music in The Bay Area. Reed tours with his own band and works as a studio musician blending his love of classical music (Beethoven in particular) with his spectacular bass-playing skills. Reed is a former member of Tea Leaf Green. He’s also played bass with Grateful Dead members Phil Lesh, Mickey Hart, and Bill Kreutzmann. He has also played with the Steve Kimock Band, and was a founding member of Tulsa progressive jazz band Jacob Fred Jazz Odyssey.&lt;/li&gt;
&lt;li&gt;Stick close because I also have an interview promised with J.D. McPherson as soon as his touring schedule lets up. &lt;/li&gt;
&lt;/ol&gt;&lt;/li&gt;
&lt;/ol&gt;&lt;ol start="2"&gt;&lt;li&gt;Big news in public domain works and what it means for creatives: If you’re not sure exactly what the term public domain means, according to Google’s online dictionary, “public domain is the state of belonging or being available to the public as a whole, and therefore not subject to copyright.” This is a pretty big deal for creatives in general. But especially for arts teachers. Many of you may remember being admonished by your choir teacher or your drama director to get rid of your photocopies after a performance because the works were copyrighted and you did not have permission to keep those copies. In just a few days that will no longer be true for works published in 1923. Works published in 1922 and before have been available for 20 years. I know this because in 2013 I wrote a musical for my students that borrowed songs from 1922 and earlier including the well-known, “Be It Ever So Humble, There’s No Place Like Home”.&lt;/li&gt;
&lt;/ol&gt;&lt;p&gt;A recent article in the Smithsonian magazine highlights a lot of the things that are important to artists regarding works in the public domain. According to the article on January 1, 2019, “all works first published in the United States in 1923 will enter the public domain.”&lt;/p&gt;
&lt;p&gt;Because of a weird discrepancy with the law, it’s been 20 years since there’s been any mass release of work into the public domain. The last time it happened was 1998 and Google didn’t even incorporate as a company until September of that year. That means the explosive growth of digital art hasn’t legally included variations on work from this period in part because works published in 1923 haven’t been in the public domain. Some of the work has been available, of course, without alteration, through publishers and for a price.&lt;/p&gt;
&lt;p&gt;1998 was the year that public domain releases stopped because the Sonny Bono Copyright Term Extension Act added 20 years to the wait time for published works to enter the public domain. The bill was named for Congressman Bono posthumously although he did put his signature on the legislation. It’s complicated, just like copyright law so I’ve included some deep dive links for anyone who needs more. And don’t get me started on global copyright. It’s a hot mess.&lt;/p&gt;
&lt;p&gt;Next week, though, you’ll have total and free access to things like Robert Frost’s “Stopping by Woods on a Snowy Evening,” which, although written in 1922, was not published until 1923. The laws for these earlier works is different from works in the digital age. Nowadays, a work has a copyright as soon as it’s created. I’m not kidding when I say this stuff is ridiculously complicated. I’ll include a link to a great Brad Templeton website on copyright, plagiarism, and some other topics you might find interesting.&lt;/p&gt;
&lt;p&gt;Other things entering the public domain? Well, how about the unforgettable pop hit, “Yes, We Have No Bananas,” or the songs “Who’s Sorry Now?” and the flapper hit, “The Charleston”. The film debuts of Marlene Dietrich, Douglas Fairbanks, Jr. and Fay Wray will be available for general public use. There won’t be any Disney fare available until 2024. At the time the law changed, Mickey Mouse’s film debut, Steamboat Willie, would have been public domain in 2004. But the Disney Corporation lobbied to retain the rights to its creations over two decades into the next century. They didn’t have to lobby all that hard as both the House and Senate had corporate-leaning Republican majorities and President Clinton wasn’t looking to make public domain law a part of his platform. The 1998 law gave Steamboat Willie an extra 20 years before he would steer into un-copyrighted waters.&lt;/p&gt;
&lt;p&gt;What’s really exciting now is that digital collections like Internet Archive, Google Books and HathiTrust will be storing seminal works from the early days of American Modernism. D.H. Lawrence, Virginia Woolfe, Claude McKay, Sigmund Freud, George Bernard Shaw, Louis Armstrong, Gertrude Stein, and so many others. Members of the Harlem Renaissance, the DaDaist school, and the Algonquin Roundtable all feature prominently in 1923. This new surge of old works in the digital age allows for current creatives to freely play with the works of important artists of the era bridging WWI and the Great Depression.&lt;/p&gt;
&lt;p&gt;Works entering the public domain can be altered indiscriminately. You could even claim p.d. work as your own, but that’s not art, that’s plagiarism. As artists we are always standing on the shoulders of giants. Give attribution whenever you can. And do your homework. Look at the context for works that you use. Collaborating with ghosts expands our artistic horizons. It’s an exciting way to learn from our predecessors. Teachers will be free to share these works with their students and scholars can print important poems and essays many of us have never read. It’s only one year, but I think you’ll find that 1923 was a very good year, indeed.&lt;/p&gt;
&lt;ol start="3"&gt;&lt;li&gt;SallyPAL Shoppe opening – Stay on the lookout for the SallyPAL Shoppe. I’ll have t-shirts, coffee mugs, all the usual fun high-quality performing arts kitsch at decent prices. If you don’t see anything in the store yet, stay tuned!&lt;/li&gt;
&lt;/ol&gt;&lt;p&gt;      You’ve heard from my son Will Inman before and he’s back to talk about the new release of 1923 published works into the public domain, plagiarism, sharing your work, educational theatre, and some other cool stuff. Will’s plays have been produced in theaters from Texas to New York. He is currently a Cadence Pipeline New Works Fellow with Cadence Theatre in Richmond, Virginia. He’s been a featured student playwright with the VSA Kennedy Center plays, been performed with Tulsa SummerStage and Fringe festivals, Writopia Labs Comedy Playwriting Festival Houston University, Rogers State University, a portion of his play, The Lesbian Exhibit,  was performed at Torrent Theatre in New York City, and last year he won the inaugural Edward Albee Playwriting Award by Theresa Rebeck for his play Winners.&lt;/p&gt;
&lt;p&gt;Concise Advice from the Interview - 5 bits of advice about using public domain work:&lt;/p&gt;
&lt;ol start="5"&gt;&lt;li&gt;DO give attribution when you use someone else’s work. It’s not a requirement, but it’s important to recognize the work of other artists, especially if it inspires you.&lt;/li&gt;
&lt;li&gt;Develop a sense of context for the work you are modifying. Find out something about the history and culture of the originating artists to give depth to your work&lt;/li&gt;
&lt;li&gt;Dig around in the available digital archives and learn more about public domain works. It’s creative, it’s fun and it’s educational!&lt;/li&gt;
&lt;li&gt;Learn more about copyright law. As an artist, it’s up to you to know the difference between plagiarism and responsible evolution of artistic work.&lt;/li&gt;
&lt;li&gt;Don’t just crib work, use the public domain to inspire all new original works of theatre, music, and dance.&lt;/li&gt;
&lt;/ol&gt;&lt;p&gt;Check out the blog, SallyPAL.com, for articles and podcast episodes. You, too, can be a SallyPAL. Thank you for following, sharing, subscribing, reviewing, joining, &amp; thank you for listening.&lt;/p&gt;
&lt;p&gt;If you’re downloading and listening on your drive to work, or commenting and reviewing like my sister does, let me know you’re out there. Storytelling through performance is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and a growing community of storytellers. All the stories ever expressed once lived only in someone’s imagination… Now… Go Pretend!&lt;/p&gt;
</description>

Hi Friend, Welcome to a special 2018 Christmas Eve Episode of Sally’s Performing Arts Lab Podcast. Today, we’re going to talk about my upcoming guests now that 2019 is right around the corner. I’m your SallyPAL podcast host, Sally Adams. I talk to pe...

Hi Friend, Welcome to a special 2018 Christmas Eve Episode of Sally’s Performing Arts Lab Podcast. Today, we’re going to talk about my upcoming guests now that 2019 is right around the corner. I’m your SallyPAL podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email anytime to Sally@sallypal.com.
Although I’ve been away from podcasting for a few months, I am still out here supporting new works wherever I see the opportunity. As 2018 draws to a close I wanted to share some thoughts before I kick into twice a month podcast uploads again. After producing over 50 episodes of SallyPAL, I took a break from podcasting. It was only supposed to last a month to make time for some other projects. But I got out of the habit of regularly editing and posting and after a few more weeks I was almost embarrassed to start again. It’s like that feeling you get when you forget to send a baby gift and then 2 years later you figure it’s probably too late to send that onesie you were maybe going to buy. But enough about me and my nieces… There are some things on the horizon that are really too exciting to ignore and I want to share them with my Sally PALS! So let me start by letting you know about the guests I have coming up in the next few months:
Upcoming Guests
Chris O’Rourke is a playwright, director, drama coach and critic with a Masters in Modern Drama. Chris was National Theatre Critic for com until July 2016 when Examiner.com ceased. During that time he extensively reviewed in Ireland and abroad. Chris is artistic director of Everything is Liminal and Unknown Theatre which specializes in originating works with young people from high risk backgrounds. 
Peyton Storz performs with the groundbreaking comedy Splatter Theater in Chicago. Peyton graduated from Columbia College Chicago with a BA in Comedy Writing and Performance, and has trained at The Annoyance Theater and The Second City in Chicago. She hails from my hometown, Tulsa, Oklahoma.
Amber Harrington teaches theatre at Edison Magnet School in Tulsa, Oklahoma. With nearly 18 years of experience she has been named Teacher of the Year, won countless awards with her students, and has created programs for her theatre kids that are imitated throughout the state. Her student playwriting program is the first of its kind in Oklahoma and has produced two national award-wining playwrights. Amber is also a Folger Shakespeare Teaching Artist.
Reed Mathis is making fresh music in The Bay Area. Reed tours with his own band and works as a studio musician blending his love of classical music (Beethoven in particular) with his spectacular bass-playing skills. Reed is a former member of Tea Leaf Green. He’s also played bass with Grateful Dead members Phil Lesh, Mickey Hart, and Bill Kreutzmann. He has also played with the Steve Kimock Band, and was a founding member of Tulsa progressive jazz band Jacob Fred Jazz Odyssey.
Stick close because I also have an interview promised with J.D. McPherson as soon as his touring schedule lets up. 

Big news in public domain works and what it means for creatives: If you’re not sure exactly what the term public domain means, according to Google’s online dictionary, “public domain is the state of belonging or being available to the public as a whole, and therefore not subject to copyright.” This is a pretty big deal for creatives in general. But especially for arts teachers. Many of you may remember being admonished by your choir teacher or your drama director to get rid of your photocopies after a performance because the works were copyrighted and you did not have permission to keep those copies. In just a few days that will no longer be true for works published in 1923. Works published in 1922 and before have been available for 20 years. I know this because in 2013 I wrote a musical for my students that borrowed songs from 1922 and earlier including the well-known, “Be It Ever So Humble, There’s No Place Li

Special Episode - SallyPAL Update and Public Domain with Will Inman

Hi Friend! Episode 45 of Sally’s Performing Arts Lab Podcast features poet, spoken word artist and actor and past winner of the prestigious Jingle Feldman Artist Award, Deborah J. Hunter. I’m your SallyPAL podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email anytime to <a href='mailto:Sally@sallypal.com'>Sally@sallypal.com</a>.
Thanks to everyone who joined me at <a href='http://townstages.com/'>New York’s Town Stages</a> for my live feed Wednesday, August 8. My daughter, writer <a href='https://www.emileadams.com/'>Emile Adams</a>, joined me as well as several fellows from the <a href='https://www.sokoloffarts.org/'>Sokoloff Arts Fellowship program</a> at Town Stages in New York City.
<a href='https://nimrod.utulsa.edu/archive/lasting_matters/main.html'>Nimrod</a>, <a href='https://legacy.lib.utexas.edu/taro/ricewrc/00934/rice-00934.html'>Curbside Review</a>, <a href='https://store.thislandpress.com/collections/magazines'>This Land</a>, and Another Sun in the UK have all published Deborah Hunter’s essays and poems. Deborah has made a lasting impact on her community in Tulsa, Oklahoma through her work as a certified behavioral health case manager and as an artist. Her impact is felt throughout the state. This year Deborah was honored with a <a href='https://www.tulsaworld.com/photovideo/slideshows/meet-the-women-of-the-year-pinnacle-award-winners/collection_a72b0216-2271-50b8-a5a6-f2aba9b30f9d.html#3'>Woman of the Year Pinnacle Award</a> for women creating real, sustainable change in Oklahoma.
Over the summer Deborah worked with playwright <a href='http://howlround.com/authors/tara-brooke-watkins'>Tara Brooke Watkins</a> developing ideas through something called '<a href='https://workingnarratives.org/article/story-circles/'>story circles</a>'. Using the <a href='https://tulsaraceriot.omeka.net/items/show/26'>Mary E. Jones Parrish collection of photographs</a>, Tara created a new work about the <a href='https://timeline.com/history-tulsa-race-massacre-a92bb2356a69'>1921 Greenwood Massacre in the Tulsa Greenwood District</a>. Tara asked my guest, Deborah Hunter, to build a poem around the phrase “Dig It” or “So You Wanna Dig?” for the piece. Two poems by Deborah Hunter appear in the work, <a href='https://www.brownpapertickets.com/event/3448738?cookie_header=1'>Tulsa ’21: Black Wall Street</a>.
Deborah also worked this summer with Portico Dance Theatre on their SummerStage production simply titled, <a href='http://www.summerstagetulsa.org/content/wo-portico-dans-theatre'>Wo</a>. Her poetry is very much in demand these days. As a performing poet, she brings her formidable energy to the stage creating stories and characters of substance.
Deborah Hunter's life is filled with stories of struggle. Her grandmother was a survivor of the massacre on Greenwood. And her adult daughter is mentally ill. When Deborah’s daughter was diagnosed with schizophrenia, Deborah began a long journey relating to people with mental health diagnoses. <a href='https://www.tulsalibrary.org/sites/default/files/blogfiles/jfanche/Tulsa%20World%20Deborah%20Hunter%2017.PDF'>She’s a mental health advocate, a voice for women of color, a caseworker with a deep understanding of homelessness, and a soulful storyteller</a>.
During the interview, Deb and I cover a lot of ground in our shared hometown including <a href='http://www.milb.com/content/page.jsp?sid=t260&ymd=20100513&content_id=10020610&vkey=team1'>OneOk Ball Park</a>, <a href='https://www.guthriegreen.com/'>Guthrie Green</a>, <a href='https://mhaok.org/'>the Mental Health Association of Oklahoma</a>, <a href='https://flnamihernando.org/about-nami-hernando/mission/?gclid=CjwKCAjwns_bBRBCEiwA7AVGHtd1iunM-AmXty5x6adQ89FuUwSt5TDiGrmX7mPMkeDhw9YMg9OiBBoC7BsQAvD_BwE'>NAMI (the National Alliance on Mental Illness)</a>, and the <a href='http://www.greenwoodculturalcenter.com/'>Greenwood Cultural Center</a>. We talked about <a href='https://festivaldepoesiademedellin.org/en/Diario/04_10_12.html'>Pablo Neruda</a>, <a href='http://americanradioworks.publicradio.org/features/blackspeech/hlgates.html'>Henry Louis Gates</a>, <a href='https://www.hannibalbjohnson.com/books/'>Hannibal Johnson</a>, <a href='https://www.tulsaworld.com/blogs/scene/arts/arts-three-questions-with-david-blakely-author-of-four-ways/article_1b02ec3e-dc18-5f36-809d-c22151848d28.html'>David Blakely and his play about the Osage Murders called Four Ways to Die. </a> <a href='https://sallypal.com/episode-36-storytelling-in-plays-with-david-blakely/'>Blakely</a> based his play on <a href='https://www.penguinrandomhouse.com/books/208562/killers-of-the-flower-moon-by-david-grann/9780307742483/'>David Grann’s book about the Murders, Killers of the Flower Moon</a>. I also mentioned a book about race relations I read as a teacher at <a href='http://www.hollandhall.org/'>Holland Hall Preparatory School</a>, titled <a href='https://www.amazon.com/Black-Kids-Sitting-Together-Cafeteria/dp/0465060684/ref=pd_lpo_sbs_14_t_0?_encoding=UTF8&psc=1&refRID=CTPF292NKH7AGH9YX3DX'>Why Are All the Black Kids Sitting Together in the Cafeteria? by Beverly Daniel Tatum</a>. I can recommend both books enthusiastically.
There is so much depth to Deborah’s way of looking at the world. She is strong and kind, formidable and nuanced, deep and funny. I know you’ll enjoy hearing Deborah’s point of view as both an activist and an artist. Be sure and listen until the end of the interview for Concise Advice from the Interview, and Words of Wisdom from George. 
Concise Advice from the Interview: 5 bits of advice from Poet-Activist, Deborah J. Hunter: 
5 To perform a poem in 1st person that is not your personal story, become a character telling that story. 
4 Nobody’s better than you are and you are no better than anyone else. 
3 Racism is about education. 
2 Speak out against micro aggressions. 
1 Tell the truth.
Check out the blog, SallyPAL.com, for articles and podcast episodes. You, too, can be a SallyPAL. SallyPAL now has a YouTube channel. Check it out at <a href='https://www.youtube.com/channel/UCfL9LzVbidtRqCCZsOk-imw'>https://www.youtube.com/channel/UCfL9LzVbidtRqCCZsOk-imw</a>. When I get some subscribers, YouTube promised me I could have a more memorable link. So go ahead and subscribe while I figure out how to be a good YouTuber. Also, look for short bits of advice, past podcasts, and the edited version of the live feed. Right now you can watch the recorded live show uncut. But that won’t last long. I'll edit soon because my mom says the pants I’m wearing don’t work for TV. Until I figure out how to look like Cindy Crawford on my channel, you can catch 3 unedited hours of great interviews at Town Stages!
Thank you for following, sharing, subscribing, reviewing, joining, & thank you for listening. If you’re downloading and listening on your drive to work, or commenting and reviewing like my sister does, <a href='https://sallypal.com/join/'>let me know you’re out there</a>.
Storytelling through performance is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and a growing community of storytellers. All the stories ever expressed once lived only in someone’s imagination… Now… Tell your truth!

<description>
Hi Friend! Episode 45 of Sally’s Performing Arts Lab Podcast features poet, spoken word artist and actor and past winner of the prestigious Jingle Feldman Artist Award, Deborah J. Hunter. I’m your SallyPAL podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email anytime to &lt;a href='mailto:Sally@sallypal.com'&gt;Sally@sallypal.com&lt;/a&gt;.
Thanks to everyone who joined me at &lt;a href='http://townstages.com/'&gt;New York’s Town Stages&lt;/a&gt; for my live feed Wednesday, August 8. My daughter, writer &lt;a href='https://www.emileadams.com/'&gt;Emile Adams&lt;/a&gt;, joined me as well as several fellows from the &lt;a href='https://www.sokoloffarts.org/'&gt;Sokoloff Arts Fellowship program&lt;/a&gt; at Town Stages in New York City.
&lt;a href='https://nimrod.utulsa.edu/archive/lasting_matters/main.html'&gt;Nimrod&lt;/a&gt;, &lt;a href='https://legacy.lib.utexas.edu/taro/ricewrc/00934/rice-00934.html'&gt;Curbside Review&lt;/a&gt;, &lt;a href='https://store.thislandpress.com/collections/magazines'&gt;This Land&lt;/a&gt;, and Another Sun in the UK have all published Deborah Hunter’s essays and poems. Deborah has made a lasting impact on her community in Tulsa, Oklahoma through her work as a certified behavioral health case manager and as an artist. Her impact is felt throughout the state. This year Deborah was honored with a &lt;a href='https://www.tulsaworld.com/photovideo/slideshows/meet-the-women-of-the-year-pinnacle-award-winners/collection_a72b0216-2271-50b8-a5a6-f2aba9b30f9d.html#3'&gt;Woman of the Year Pinnacle Award&lt;/a&gt; for women creating real, sustainable change in Oklahoma.
Over the summer Deborah worked with playwright &lt;a href='http://howlround.com/authors/tara-brooke-watkins'&gt;Tara Brooke Watkins&lt;/a&gt; developing ideas through something called '&lt;a href='https://workingnarratives.org/article/story-circles/'&gt;story circles&lt;/a&gt;'. Using the &lt;a href='https://tulsaraceriot.omeka.net/items/show/26'&gt;Mary E. Jones Parrish collection of photographs&lt;/a&gt;, Tara created a new work about the &lt;a href='https://timeline.com/history-tulsa-race-massacre-a92bb2356a69'&gt;1921 Greenwood Massacre in the Tulsa Greenwood District&lt;/a&gt;. Tara asked my guest, Deborah Hunter, to build a poem around the phrase “Dig It” or “So You Wanna Dig?” for the piece. Two poems by Deborah Hunter appear in the work, &lt;a href='https://www.brownpapertickets.com/event/3448738?cookie_header=1'&gt;Tulsa ’21: Black Wall Street&lt;/a&gt;.
Deborah also worked this summer with Portico Dance Theatre on their SummerStage production simply titled, &lt;a href='http://www.summerstagetulsa.org/content/wo-portico-dans-theatre'&gt;Wo&lt;/a&gt;. Her poetry is very much in demand these days. As a performing poet, she brings her formidable energy to the stage creating stories and characters of substance.
Deborah Hunter's life is filled with stories of struggle. Her grandmother was a survivor of the massacre on Greenwood. And her adult daughter is mentally ill. When Deborah’s daughter was diagnosed with schizophrenia, Deborah began a long journey relating to people with mental health diagnoses. &lt;a href='https://www.tulsalibrary.org/sites/default/files/blogfiles/jfanche/Tulsa%20World%20Deborah%20Hunter%2017.PDF'&gt;She’s a mental health advocate, a voice for women of color, a caseworker with a deep understanding of homelessness, and a soulful storyteller&lt;/a&gt;.
During the interview, Deb and I cover a lot of ground in our shared hometown including &lt;a href='http://www.milb.com/content/page.jsp?sid=t260&amp;ymd=20100513&amp;content_id=10020610&amp;vkey=team1'&gt;OneOk Ball Park&lt;/a&gt;, &lt;a href='https://www.guthriegreen.com/'&gt;Guthrie Green&lt;/a&gt;, &lt;a href='https://mhaok.org/'&gt;the Mental Health Association of Oklahoma&lt;/a&gt;, &lt;a href='https://flnamihernando.org/about-nami-hernando/mission/?gclid=CjwKCAjwns_bBRBCEiwA7AVGHtd1iunM-AmXty5x6adQ89FuUwSt5TDiGrmX7mPMkeDhw9YMg9OiBBoC7BsQAvD_BwE'&gt;NAMI (the National Alliance on Mental Illness)&lt;/a&gt;, and the &lt;a href='http://www.greenwoodculturalcenter.com/'&gt;Greenwood Cultural Center&lt;/a&gt;. We talked about &lt;a href='https://festivaldepoesiademedellin.org/en/Diario/04_10_12.html'&gt;Pablo Neruda&lt;/a&gt;, &lt;a href='http://americanradioworks.publicradio.org/features/blackspeech/hlgates.html'&gt;Henry Louis Gates&lt;/a&gt;, &lt;a href='https://www.hannibalbjohnson.com/books/'&gt;Hannibal Johnson&lt;/a&gt;, &lt;a href='https://www.tulsaworld.com/blogs/scene/arts/arts-three-questions-with-david-blakely-author-of-four-ways/article_1b02ec3e-dc18-5f36-809d-c22151848d28.html'&gt;David Blakely and his play about the Osage Murders called Four Ways to Die. &lt;/a&gt; &lt;a href='https://sallypal.com/episode-36-storytelling-in-plays-with-david-blakely/'&gt;Blakely&lt;/a&gt; based his play on &lt;a href='https://www.penguinrandomhouse.com/books/208562/killers-of-the-flower-moon-by-david-grann/9780307742483/'&gt;David Grann’s book about the Murders, Killers of the Flower Moon&lt;/a&gt;. I also mentioned a book about race relations I read as a teacher at &lt;a href='http://www.hollandhall.org/'&gt;Holland Hall Preparatory School&lt;/a&gt;, titled &lt;a href='https://www.amazon.com/Black-Kids-Sitting-Together-Cafeteria/dp/0465060684/ref=pd_lpo_sbs_14_t_0?_encoding=UTF8&amp;psc=1&amp;refRID=CTPF292NKH7AGH9YX3DX'&gt;Why Are All the Black Kids Sitting Together in the Cafeteria? by Beverly Daniel Tatum&lt;/a&gt;. I can recommend both books enthusiastically.
There is so much depth to Deborah’s way of looking at the world. She is strong and kind, formidable and nuanced, deep and funny. I know you’ll enjoy hearing Deborah’s point of view as both an activist and an artist. Be sure and listen until the end of the interview for Concise Advice from the Interview, and Words of Wisdom from George. 
Concise Advice from the Interview: 5 bits of advice from Poet-Activist, Deborah J. Hunter:
5 To perform a poem in 1st person that is not your personal story, become a character telling that story.
4 Nobody’s better than you are and you are no better than anyone else.
3 Racism is about education.
2 Speak out against micro aggressions.
1 Tell the truth.
Check out the blog, SallyPAL.com, for articles and podcast episodes. You, too, can be a SallyPAL. SallyPAL now has a YouTube channel. Check it out at &lt;a href='https://www.youtube.com/channel/UCfL9LzVbidtRqCCZsOk-imw'&gt;https://www.youtube.com/channel/UCfL9LzVbidtRqCCZsOk-imw&lt;/a&gt;. When I get some subscribers, YouTube promised me I could have a more memorable link. So go ahead and subscribe while I figure out how to be a good YouTuber. Also, look for short bits of advice, past podcasts, and the edited version of the live feed. Right now you can watch the recorded live show uncut. But that won’t last long. I'll edit soon because my mom says the pants I’m wearing don’t work for TV. Until I figure out how to look like Cindy Crawford on my channel, you can catch 3 unedited hours of great interviews at Town Stages!
Thank you for following, sharing, subscribing, reviewing, joining, &amp; thank you for listening. If you’re downloading and listening on your drive to work, or commenting and reviewing like my sister does, &lt;a href='https://sallypal.com/join/'&gt;let me know you’re out there&lt;/a&gt;.
Storytelling through performance is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and a growing community of storytellers. All the stories ever expressed once lived only in someone’s imagination… Now… Tell your truth!</description>

Hi Friend! Episode 45 of Sally’s Performing Arts Lab Podcast features poet, spoken word artist and actor and past winner of the prestigious Jingle Feldman Artist Award, Deborah J. Hunter. I’m your SallyPAL podcast host, Sally Adams. I talk to people ...

Hi Friend! Episode 45 of Sally’s Performing Arts Lab Podcast features poet, spoken word artist and actor and past winner of the prestigious Jingle Feldman Artist Award, Deborah J. Hunter. I’m your SallyPAL podcast host, Sally Adams. I talk to people about creating original work for a live audience. Send an email anytime to Sally@sallypal.com.
Thanks to everyone who joined me at New York’s Town Stages for my live feed Wednesday, August 8. My daughter, writer Emile Adams, joined me as well as several fellows from the Sokoloff Arts Fellowship program at Town Stages in New York City.
Nimrod, Curbside Review, This Land, and Another Sun in the UK have all published Deborah Hunter’s essays and poems. Deborah has made a lasting impact on her community in Tulsa, Oklahoma through her work as a certified behavioral health case manager and as an artist. Her impact is felt throughout the state. This year Deborah was honored with a Woman of the Year Pinnacle Award for women creating real, sustainable change in Oklahoma.
Over the summer Deborah worked with playwright Tara Brooke Watkins developing ideas through something called 'story circles'. Using the Mary E. Jones Parrish collection of photographs, Tara created a new work about the 1921 Greenwood Massacre in the Tulsa Greenwood District. Tara asked my guest, Deborah Hunter, to build a poem around the phrase “Dig It” or “So You Wanna Dig?” for the piece. Two poems by Deborah Hunter appear in the work, Tulsa ’21: Black Wall Street.
Deborah also worked this summer with Portico Dance Theatre on their SummerStage production simply titled, Wo. Her poetry is very much in demand these days. As a performing poet, she brings her formidable energy to the stage creating stories and characters of substance.
Deborah Hunter's life is filled with stories of struggle. Her grandmother was a survivor of the massacre on Greenwood. And her adult daughter is mentally ill. When Deborah’s daughter was diagnosed with schizophrenia, Deborah began a long journey relating to people with mental health diagnoses. She’s a mental health advocate, a voice for women of color, a caseworker with a deep understanding of homelessness, and a soulful storyteller.
During the interview, Deb and I cover a lot of ground in our shared hometown including OneOk Ball Park, Guthrie Green, the Mental Health Association of Oklahoma, NAMI (the National Alliance on Mental Illness), and the Greenwood Cultural Center. We talked about Pablo Neruda, Henry Louis Gates, Hannibal Johnson, David Blakely and his play about the Osage Murders called Four Ways to Die.  Blakely based his play on David Grann’s book about the Murders, Killers of the Flower Moon. I also mentioned a book about race relations I read as a teacher at Holland Hall Preparatory School, titled Why Are All the Black Kids Sitting Together in the Cafeteria? by Beverly Daniel Tatum. I can recommend both books enthusiastically.
There is so much depth to Deborah’s way of looking at the world. She is strong and kind, formidable and nuanced, deep and funny. I know you’ll enjoy hearing Deborah’s point of view as both an activist and an artist. Be sure and listen until the end of the interview for Concise Advice from the Interview, and Words of Wisdom from George. 
Concise Advice from the Interview: 5 bits of advice from Poet-Activist, Deborah J. Hunter:5 To perform a poem in 1st person that is not your personal story, become a character telling that story.4 Nobody’s better than you are and you are no better than anyone else.3 Racism is about education.2 Speak out against micro aggressions.1 Tell the truth.
Check out the blog, SallyPAL.com, for articles and podcast episodes. You, too, can be a SallyPAL. SallyPAL now has a YouTube channel. Check it out at https://www.youtube.com/channel/UCfL9LzVbidtRqCCZsOk-imw. When I get some subscribers, YouTube promised me I could have a more memorable link. So go ahead and subscribe while I figure out how to be a good YouTuber. Also, look f

Episode 45 - Soulful Storytelling with Deborah Hunter

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