<description>&lt;p&gt;In 2017, audio producer Phil Smith travelled to Ukraine to attend his friend's wedding. There, somewhere between the cities of Ivano-Frankivsk, Lviv and Odessa, he fell in love with the soundworld of the sleeper train: its steady hypnotic rhythms, the melody of hurtling through time and space, the calls of distant tannoy speakers drifting across platforms in the dead of night, the chorus of snores from sleeping passengers. Revisiting these recordings, seven years later, this Slow Radio journey offers echoes of a country in calmer times, when such trains were not a means of logistics transportation or symbol of desperate escape (as witnessed in the February of 2022) but conduits of restful imagining.&lt;/p&gt;&lt;p&gt;From the opening establishing shot - the sound of whistles and shunting engines, off in the distance - we are moved along in a river of wheeled luggage through the cathedral acoustics of a station building to take our seat in the carriage of the overnight train. The scenes are unhurried as bunks are unfolded and brief snatches of conversation overheard. We set off - a gentle accelerando of wheels and rails - and time stretches: there are no voices now, just the music of the train's motion through the night.&lt;/p&gt;&lt;p&gt;Produced by Phil Smith
A Reduced Listening production for BBC Radio 3&lt;/p&gt;</description>

Overnight trains weave their way across Ukraine through sounds gathered in 2017.

In 2017, audio producer Phil Smith travelled to Ukraine to attend his friend's wedding. There, somewhere between the cities of Ivano-Frankivsk, Lviv and Odessa, he fell in love with the soundworld of the sleeper train: its steady hypnotic rhythms, the melody of hurtling through time and space, the calls of distant tannoy speakers drifting across platforms in the dead of night, the chorus of snores from sleeping passengers. Revisiting these recordings, seven years later, this Slow Radio journey offers echoes of a country in calmer times, when such trains were not a means of logistics transportation or symbol of desperate escape (as witnessed in the February of 2022) but conduits of restful imagining.From the opening establishing shot - the sound of whistles and shunting engines, off in the distance - we are moved along in a river of wheeled luggage through the cathedral acoustics of a station building to take our seat in the carriage of the overnight train. The scenes are unhurried as bunks are unfolded and brief snatches of conversation overheard. We set off - a gentle accelerando of wheels and rails - and time stretches: there are no voices now, just the music of the train's motion through the night.Produced by Phil Smith
A Reduced Listening production for BBC Radio 3

Sleeper Train

<description>&lt;p&gt;From the medina of Marrakech to the palmeries in Zagora, join sound recordists Andrea Campisi and Silvia Malnati as they embark upon a roadtrip in sound, leaving the capital city to journey across southeast Morocco. Across four movements of contrasting energies, bound together by the motif of the muezzin’s call to prayer, we listen to an immersive musical suite comprising binaural field recordings and on-location sound.&lt;/p&gt;&lt;p&gt;I. Allegro: In Marrakech medina we take a walk through a maze of streets and stalls before arriving out onto the iconic Jemaa el-Fnaa square. Here, we’re met with the hypnotising sound of pungi flutes and, as the sun sets, of gnawa musicians, jesters and Said Anazoure’s intricate banjo playing.&lt;/p&gt;&lt;p&gt;II. Largo: We leave the city behind to seek refuge in the mountainous region of Ourika. Here, we hear sounds of village life, as well as the distant voices of children reciting the Koran from behind the school’s door.&lt;/p&gt;&lt;p&gt;III. Scherzo: Having crossed the Atlas mountains, we descend towards the Draa Valley and its oasis, tuning in to the sound of the palmeries just outside Zagora. As night falls, crickets take their place alongside the mating calls of cats under the stars.&lt;/p&gt;&lt;p&gt;IV. Finale: We resume our drive, headed for a village outside Aït Benhaddou. A local family invites us to spend the night inside their tigmi, a traditional house, and attend an Ahwach ceremony with the musicians of Ahwach Asfalou.&lt;/p&gt;&lt;p&gt;With special thanks to Hamid Boukhch, Said Anazoure, Ahwach Asfalou (Mme Ijja, Hiba, Iken, Oumaghlif, Bendrisse, Hanafi, Ait houssa, Tabrahimte, Belmadan, Mr Haji, Mr Ifliisse, Almsalla, Belaabass, Benhdouch, Boularia, Ait Bikouch, Khalfi) and Alexa Kruger.&lt;/p&gt;&lt;p&gt;Produced by Andrea Campisi and Silvia Malnati
A Reduced Listening production for BBC Radio 3&lt;/p&gt;</description>

Travels across the southeast of Morocco: a sonic road trip in four movements.

From the medina of Marrakech to the palmeries in Zagora, join sound recordists Andrea Campisi and Silvia Malnati as they embark upon a roadtrip in sound, leaving the capital city to journey across southeast Morocco. Across four movements of contrasting energies, bound together by the motif of the muezzin’s call to prayer, we listen to an immersive musical suite comprising binaural field recordings and on-location sound.I. Allegro: In Marrakech medina we take a walk through a maze of streets and stalls before arriving out onto the iconic Jemaa el-Fnaa square. Here, we’re met with the hypnotising sound of pungi flutes and, as the sun sets, of gnawa musicians, jesters and Said Anazoure’s intricate banjo playing.II. Largo: We leave the city behind to seek refuge in the mountainous region of Ourika. Here, we hear sounds of village life, as well as the distant voices of children reciting the Koran from behind the school’s door.III. Scherzo: Having crossed the Atlas mountains, we descend towards the Draa Valley and its oasis, tuning in to the sound of the palmeries just outside Zagora. As night falls, crickets take their place alongside the mating calls of cats under the stars.IV. Finale: We resume our drive, headed for a village outside Aït Benhaddou. A local family invites us to spend the night inside their tigmi, a traditional house, and attend an Ahwach ceremony with the musicians of Ahwach Asfalou.With special thanks to Hamid Boukhch, Said Anazoure, Ahwach Asfalou (Mme Ijja, Hiba, Iken, Oumaghlif, Bendrisse, Hanafi, Ait houssa, Tabrahimte, Belmadan, Mr Haji, Mr Ifliisse, Almsalla, Belaabass, Benhdouch, Boularia, Ait Bikouch, Khalfi) and Alexa Kruger.Produced by Andrea Campisi and Silvia Malnati
A Reduced Listening production for BBC Radio 3

Morocco Suite

<description>&lt;p&gt;Relax with a mix of music and natural sounds, recorded by Radio 3 Sunday Breakfast listeners. Three dawn choruses from across the UK, starring woodland, garden and sea birds, follow on from the very different dusk chorus from the remote Greeenland town of Ilulissat, which features hundreds of huskies. Recordings made by Julie Moody, Alice Smith, Ted Reed and Michael Bawtree.&lt;/p&gt;</description>

Relax with a mix of music and natural sounds.

Relax with a mix of music and natural sounds, recorded by Radio 3 Sunday Breakfast listeners. Three dawn choruses from across the UK, starring woodland, garden and sea birds, follow on from the very different dusk chorus from the remote Greeenland town of Ilulissat, which features hundreds of huskies. Recordings made by Julie Moody, Alice Smith, Ted Reed and Michael Bawtree.

Sounds of the Earth - husky howls and oystercatchers

<description>&lt;p&gt;Time unravels in this hypnotic audio journey...&lt;/p&gt;&lt;p&gt;In this edition of Slow Radio, we tumble inside the delicate mechanism of the clock - our attempt to contain and mark the steady rush of time itself. Musical and rhythmic, this surreal audio composition moves between the meditative beat of a single timepiece through to a cacophonous eruption of melodious chimes and cuckoos. The Clock will air just after Big Ben's midnight chimes play out on the BBC, 100 years after London's most famous clock was first broadcast on New Year's Eve 1923.&lt;/p&gt;&lt;p&gt;Featuring audio first recorded for the documentary Time Flies on BBC Radio 4, as well as new recordings and compositions built from the sounds of Big Ben's internal mechanism and ringing bells.&lt;/p&gt;&lt;p&gt;Produced by Eleanor McDowall
A Falling Tree production for BBC Radio 3&lt;/p&gt;</description>

Time unravels in this hypnotic audio journey inside the delicate mechanism of the clock.

Time unravels in this hypnotic audio journey...In this edition of Slow Radio, we tumble inside the delicate mechanism of the clock - our attempt to contain and mark the steady rush of time itself. Musical and rhythmic, this surreal audio composition moves between the meditative beat of a single timepiece through to a cacophonous eruption of melodious chimes and cuckoos. The Clock will air just after Big Ben's midnight chimes play out on the BBC, 100 years after London's most famous clock was first broadcast on New Year's Eve 1923.Featuring audio first recorded for the documentary Time Flies on BBC Radio 4, as well as new recordings and compositions built from the sounds of Big Ben's internal mechanism and ringing bells.Produced by Eleanor McDowall
A Falling Tree production for BBC Radio 3

The Clock

<description>&lt;p&gt;How does the Berlin urban landscape sound?&lt;/p&gt;&lt;p&gt;Using a unique approach that combines field recordings and photographs translated into audio, the Uruguayan and Berlin-based artist Darío Dornel, aka Kirap, takes listeners on a captivating journey through the city's hidden soundscapes.&lt;/p&gt;&lt;p&gt;Pictures of recognisable city places are translated into sound using audio software through Bitmap's code conversion. A wide range of sounds is generated using various sound design tools and techniques. These sounds are combined with field recordings from the same places, creating an immersive sound exploration trip.&lt;/p&gt;&lt;p&gt;The journey starts at an old Berlin district, where listeners are greeted by the songs of birds, we then explore a street market in Neukölln, a demonstration on the old Prussian road, to finally listening to the day fading out at a train station, and welcoming the night at a known corner in Mitte.&lt;/p&gt;&lt;p&gt;Whether you are a local or a first-time visitor, this sound piece offers a fresh perspective on Berlin's urban landscape and a new way to experience the city by uncovering hidden features initially unnoticed. Take advantage of this chance to imaginatively travel to Berlin and discover the sonic landscape that makes this city unique.&lt;/p&gt;</description>

A combination of field recordings and images of Berlin translated to sound.

How does the Berlin urban landscape sound?Using a unique approach that combines field recordings and photographs translated into audio, the Uruguayan and Berlin-based artist Darío Dornel, aka Kirap, takes listeners on a captivating journey through the city's hidden soundscapes.Pictures of recognisable city places are translated into sound using audio software through Bitmap's code conversion. A wide range of sounds is generated using various sound design tools and techniques. These sounds are combined with field recordings from the same places, creating an immersive sound exploration trip.The journey starts at an old Berlin district, where listeners are greeted by the songs of birds, we then explore a street market in Neukölln, a demonstration on the old Prussian road, to finally listening to the day fading out at a train station, and welcoming the night at a known corner in Mitte.Whether you are a local or a first-time visitor, this sound piece offers a fresh perspective on Berlin's urban landscape and a new way to experience the city by uncovering hidden features initially unnoticed. Take advantage of this chance to imaginatively travel to Berlin and discover the sonic landscape that makes this city unique.

Berlin's Hidden Soundscape

An antidote to today’s frenzied world. Step back, let go, immerse yourself: it’s time to go slow.Listen to the sounds of birds, mountain climbing, monks chatting as you go about your day. A lo-fi celebration of pure sound.

Slow Radio

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