The BrainFood Show
The BrainFood Show

The BrainFood Show

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In this show, the team behind the wildly popular TodayIFoundOut YouTube channel do deep dives into a variety of fascinating topics to help you feed your brain with interesting knowledge.

Recent Episodes

Is Nuclear Winter Actually a Possibility or Just Pseudoscience?
APR 17, 2026
Is Nuclear Winter Actually a Possibility or Just Pseudoscience?
As horrific as a nuclear war would be in the immediate, a common idea is that the real troubles for humanity, and the world, would actually occur in the long aftermath, triggering what is now commonly known as nuclear winter- a nightmarish scenario in which atmospheric temperatures would drop dramatically, crops would fail, and widespread famine, disease, and unrest would follow, leading to a catastrophic reduction in the global population, or even the end of human civilization. But just what is ‘nuclear winter’ anyway? Who came up with it, and is it actually a real possibility, or just some scientists with way too much time on their hands and a news media who loves them some good doomsday scenarios, whether they are valid possibilities or not. Well, put on your gas mask and lead-lined underwear as we dive into the controversial history and science of one of the most frightening doomsday scenarios ever conceived. Surprisingly, the first published suggestion that a nuclear war could alter the global climate appeared not in an official scientific publication, but rather in fiction. In the post-apocalyptic short story Tomorrow’s Children by American science fiction writer Poul Anderson, first published in the March 1947 issue of Astounding Science Fiction, a team of scientists hunt down mutated humans in the wake of a nuclear war. At one point, the story’s protagonist High Drummond observes that: “Winter lay heavily on the north, a vast grey sky seeming frozen solid over the rolling white plains. The last three winters had come early and stayed long. Dust, colloidal dust of the bombs, suspended in the atmosphere and cutting down the solar constant by a deadly percent or two. There had even been a few earthquakes, se off in geologically unstable parts of the world by bombs planted right. Half of California had been ruined when a sabotage bomb started the San Andreas Fault on a major slip. And that kicked up still more dust. Fimbulwinter, thought Drummond bleakly. The doom of the prophecy.” Anderson later adapted this story into a full-length novel titled Twilight World, first published in 1961. The same phenomenon also appears in Christopher Anvil’s short story Torch, published in the April 1957 issue of Astounding Science Fiction. In this story, a Soviet nuclear ballistic missile test in Siberia accidentally sets fire to an oil field, releasing large amounts of oily soot into the atmosphere that blots out the sun and triggers a global ice age. The term Fimbulwinter or “mighty winter” in Anderson’s original 1947 story is drawn from Norse Mythology, and refers to a series of three particularly harsh winters preceding Ragnarök, the apocalyptic battle of the Gods that will destroy and cleanse the world. While the origins of any mythological concept are hard to pin down, it has been speculated that Fimbulwinter may have been inspired by the Volcanic Winter of 536, in which a series of simultaneous volcanic eruptions ejected vast amounts of particulates - especially sulfur dioxide - into the upper atmosphere. They lingered there for years, blocking out the sun’s rays and causing global temperatures to drop by as much as 2.5 degrees Celsius or 4.5 degrees. As Roman historian Precopius recorded: “And it came about during this year that a most dread portent took place. For the sun gave forth its light without brightness, like the moon, during this whole year, and it seemed exceedingly like the sun in eclipse, for the beams it shed were not clear nor such as it is accustomed to shed. And from the time when this thing happened men were free neither from war nor pestilence nor any other thing leading to death.” Author: Gilles Messier Host / Editor: Daven Hiskey Producer: Samuel Avila Learn more about your ad choices. Visit megaphone.fm/adchoices
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48 MIN
The Quest for the Recoilless Gun
APR 15, 2026
The Quest for the Recoilless Gun
If you’ve ever shot a gun, then you will have quickly learned the first fundamental rule of shooting: recoil sucks. Depending on the calibre, weight of the firearm, and your technique, just a few minutes of shooting something like a hunting rifle can quickly leave your shoulder bruised and sore. And the bigger the firearm, the worse the problem becomes, with large-calibre military artillery pieces requiring elaborate systems of hydraulic cylinders to absorb their prodigious recoil. This, in turn, makes these weapons extremely heavy and difficult to move around the battlefield. There are two basic solutions to this problem: mount the artillery on heavy armoured vehicles… or somehow eliminate the recoil itself. Over the last century, engineers around the world have devised dozens of ingenious methods to achieve just that, creating weapons that are simultaneously powerful and long-ranged while being light and compact enough to be moved around the battlefield by regular troops or light vehicles. This is the fascinating technology behind recoilless weapons. To begin with, let’s first examine the physics behind recoil. One way to understand this phenomenon is via Newton’s Third Law - that is, “For every action, there is an equal and opposite reaction.” A more useful principle, however, is conservation of momentum. Momentum, defined as an object’s ability to resist changes in motion, is given by the simple formula mass times velocity. When an object is split into pieces and those pieces propelled in different directions - such as in the case of a bomb exploding or, more relevant to our discussion, a firearm shooting a projectile - the momentum of the overall system is conserved. In other words, if you add up the momentum - mass times velocity - of every individual piece, they will sum up to the original momentum - in the case of a stationary object, zero. Most firearms shoot a projectile significantly lighter than themselves; however, as this projectile is travelling at a very high velocity, its momentum equals that of the firearm, which, being much heavier, will recoil at a significantly lower velocity. The heavier the firearm, the slower it recoils and vice-versa. This, along with surface area in contact with your shoulder, is why, despite sometimes being quite painful, the recoil of most firearms is nowhere near strong enough to actually rip your shoulder off - unlike the projectile being fired downrange. Based on this physical analysis, it stands to reason that if you placed two identical firearms back-to-back and fired them in opposite directions, their recoil would cancel out and the whole assembly would remain stationary. This is known as the counter-shot or counter-weight principle, and was the operating principle of the first recoilless firearm to see combat: the Davis Gun. Patented by U.S. Navy Commander Cleland Davis in 1914, the Davis gun was specifically intended for use aboard aircraft. During the First World War more conventional small-calibre cannons were experimentally fitted to various aircraft for use against balloons, zeppelins, ships, submarines, ammunition dumps, and other specialized targets; however, aircraft of the period were rather flimsy constructions of wood, wire, and canvas, and were easily damaged by the recoil of such weapons. Thus, by the end of the war both the American and British navies and flying services showed great interest in Davis’s design. The Davis Gun effectively comprised two gun barrels mounted back-to-back and fired a special double-ended cartridge. On firing, a conventional shell was propelled out the forward barrel towards the target, while an equivalent mass of lead shot and grease was expelled out the rear, the recoil of the two barrels cancelling each other out. Of course, standing directly behind what is effectively a gigantic shotgun is a good way to have a very bad day, meaning the Davis gun had to be rather awkwardly mounted at the very front of the aircraft with its barrel pointing downward at a steep angle so that the counter-shot was propelled safely up and over the top wing. There were other problems as well. Since the gun had to propel two projectiles at equal velocity, the propellant charge - and thus the cartridge - was much larger than usual, making it awkward to handle. Author: Gilles Messier Host/Editor: Daven Hiskey Producer: Samuel Avila Learn more about your ad choices. Visit megaphone.fm/adchoices
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41 MIN
Creating the Terminator
APR 14, 2026
Creating the Terminator
“They could have fired me on the spot. But you know, they’re idiots” That’s a quote from James Cameron about the reaction of gathered executives to the first screening of The Terminator, which according to the director, really didn’t go all that well. However, largely due to Cameron’s background working on cheesy B-Movies, there was nobody else in Hollywood the studio could bring in to finish the movie. In fact, the success of Terminator and by extension the career of James Cameron owes a lot to the director’s B-movie chops, connections and experience. Oh, and a vicious bout of food poisoning that left him delirious and on the verge of shitting himself for like 5 whole days. On this, there is a long-standing industry legend that the genesis of The Terminator was a nightmare Cameron had whilst working on the cinematic turd that is, Piranha II: The Spawning, a film about genetically engineered flying piranha that is largely only noteworthy for being the directorial debut of Cameron, outside of a little film he made funded by his dentist. The legend posits that Cameron had to take a break from tossing rubber piranha at his actors when he came down with food poisoning. Whilst recovering in a cheap Italian hotel, Cameron is said to have had a nightmare about a chrome skeleton attempting to stab him with a kitchen knife and that that image was so terrifying he was convinced it could be a great hook for a film. Cameron then immediately sketched out the basic design of what would become the Terminator. Which is a great story, but it’s not the whole story and there are several details James Cameron himself has dismissed or clarified over the years. Author: Karl Smallwood Editor: Daven Hiskey Producer: Samuel Avila Host: Simon Whistler Learn more about your ad choices. Visit megaphone.fm/adchoices
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28 MIN