As a working actor, Ryan Czerwonko’s credits include “The Endgame,” “Chicago Med,” “Chicago Fire,” “Cherry,” “Paint,” and “Watchmen,” to name a few. He’s also the artistic director of Adult Film, an exciting Brooklyn theater and film group where he acts, directs, and teaches. His latest project is a year-long exploration of Chekhov’s “Sea Gull” that will culminate in a limited engagement in Manhattan in May and a documentary on the whole process. On this episode, he explains why Chekhov is so important to him and what he set out to do with this ambitious endeavor. He gives us a deep dive into his very specific preparation process and takes us through the various techniques and approaches he has collected and adapted for his own use and combined into a curriculum for his students. He uses his recent time on the set of a movie as an example of being in the present moment and using your current thoughts and feelings as the driving force of your work, which is a major tenet of his approach. He explains why Stella Adler and Nikos Psacharopoulos are so influential to him, why tension is good, “acting” is bad, how he learned to stop worrying and focus on the work, and much much more. <a href= "https://www.eventbrite.com/e/sea-gull-tickets-871106642417?aff=ebdsoporgprofile"> "Sea Gull" Info and Tickets </a> Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  <a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"> Filmmaker Magazine</a>. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on <a href= "https://www.instagram.com/">Instagram</a> (Photo by Matt Street)

<description>&lt;p class="p1"&gt;As a working actor, Ryan Czerwonko’s credits include “The Endgame,” “Chicago Med,” “Chicago Fire,” “Cherry,” “Paint,” and “Watchmen,” to name a few. He’s also the artistic director of &lt;em&gt;Adult Film&lt;/em&gt;, an exciting Brooklyn theater and film group where he acts, directs, and teaches. His latest project is a year-long exploration of Chekhov’s “Sea Gull” that will culminate in a limited engagement in Manhattan in May and a documentary on the whole process. On this episode, he explains why Chekhov is so important to him and what he set out to do with this ambitious endeavor. He gives us a deep dive into his very specific preparation process and takes us through the various techniques and approaches he has collected and adapted for his own use and combined into a curriculum for his students. He uses his recent time on the set of a movie as an example of being in the present moment and using your current thoughts and feelings as the driving force of your work, which is a major tenet of his approach. He explains why Stella Adler and Nikos Psacharopoulos are so influential to him, why tension is good, “acting” is bad, how he learned to stop worrying and focus on the work, and much much more.&lt;/p&gt; &lt;p class="p1"&gt;&lt;a href= "https://www.eventbrite.com/e/sea-gull-tickets-871106642417?aff=ebdsoporgprofile"&gt; "Sea Gull" Info and Tickets &lt;/a&gt;&lt;/p&gt; &lt;p class="p1"&gt;Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  &lt;a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"&gt; Filmmaker Magazine&lt;/a&gt;. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. &lt;/p&gt; &lt;p class="p1"&gt;&lt;span class="Apple-converted-space"&gt;Follow Back To One on &lt;a href= "https://www.instagram.com/"&gt;Instagram&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="p1"&gt;&lt;span class="Apple-converted-space"&gt;(Photo by Matt Street)&lt;/span&gt;&lt;/p&gt;</description>

As a working actor, Ryan Czerwonko’s credits include “The Endgame,” “Chicago Med,” “Chicago Fire,” “Cherry,” “Paint,” and “Watchmen,” to name a few. He’s also the artistic director of Adult Film, an exciting Brooklyn...

Ryan Czerwonko

Dylan Baker is the definition of a consummate actor. For over three decades he has delivered so many incredible performances in series like “The Good Wife,” “Damages,” “Hunters,” films like “Happiness,” “Selma,” “Spider-Man 2”, and his latest, “LaRoy, Texas”, where he plays a professional killer. He talks about his approach toward playing despicable people, some who other actor’s wouldn’t touch. He takes us back to his beginnings, and the acting instruction that changed his work and which he still uses today. He tells a story about how the legendary theater director Nikos Psacharopoulos had a big impact on his early career,  talks about the excitement of working on ultra independent films like Onur Tukel’s “The Misogynists,” explains why minimal direction works so powerfully for him, gives us a run down of his pre-curtain ritual, and much much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  <a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"> Filmmaker Magazine</a>. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on <a href= "https://www.instagram.com/">Instagram</a>

<description>&lt;p class="p1"&gt;Dylan Baker is the definition of a consummate actor. For over three decades he has delivered so many incredible performances in series like “The Good Wife,” “Damages,” “Hunters,” films like “Happiness,” “Selma,” “Spider-Man 2”, and his latest, “LaRoy, Texas”, where he plays a professional killer. He talks about his approach toward playing despicable people, some who other actor’s wouldn’t touch. He takes us back to his beginnings, and the acting instruction that changed his work and which he still uses today. He tells a story about how the legendary theater director Nikos Psacharopoulos had a big impact on his early career,&lt;span class="Apple-converted-space"&gt; &lt;/span&gt; talks about the excitement of working on ultra independent films like Onur Tukel’s “The Misogynists,” explains why minimal direction works so powerfully for him, gives us a run down of his pre-curtain ritual, and much much more.&lt;/p&gt; &lt;p class="p1"&gt;Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  &lt;a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"&gt; Filmmaker Magazine&lt;/a&gt;. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. &lt;/p&gt; &lt;p class="p1"&gt;&lt;span class="Apple-converted-space"&gt;Follow Back To One on &lt;a href= "https://www.instagram.com/"&gt;Instagram&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>

Dylan Baker is the definition of a consummate actor. For over three decades he has delivered so many incredible performances in series like “The Good Wife,” “Damages,” “Hunters,” films like “Happiness,” “Selma,” “Spider-Man 2”,...

Dylan Baker

His work in series like “Grey’s Anatomy,” “13 Reasons Why,” and “This Is Us,” has established Brandon Scott as a captivatingly talented actor. His latest is the new MAX series “The Girls on the Bus,” where he plays the jilted ex-lover of Melissa Benoist’s journalist character, who now needs his help because he's the new press secretary to the leading Presidential candidate. He talks about the process of building connection between two people that are supposed to have a past, and how sometimes that can be done in simple ways. He describes the impact Christina Applegate and Linda Cardellini had on developing his sense of play while shooting “Dead To Me,” explains why directors showing “collaborative curiosity” is so helpful, why his process starts with stress and fear, plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  <a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"> Filmmaker Magazine</a>. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on <a href= "https://www.instagram.com/">Instagram</a>

<description>&lt;p class="p1"&gt;His work in series like “Grey’s Anatomy,” “13 Reasons Why,” and “This Is Us,” has established Brandon Scott as a captivatingly talented actor. His latest is the new MAX series “The Girls on the Bus,” where he plays the jilted ex-lover of Melissa Benoist’s journalist character, who now needs his help because he's the new press secretary to the leading Presidential candidate. He talks about the process of building connection between two people that are supposed to have a past, and how sometimes that can be done in simple ways. He describes the impact Christina Applegate and Linda Cardellini had on developing his sense of play while shooting “Dead To Me,” explains why directors showing “collaborative curiosity” is so helpful, why his process starts with stress and fear, plus much more!&lt;/p&gt; &lt;p class="p1"&gt;Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  &lt;a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"&gt; Filmmaker Magazine&lt;/a&gt;. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. &lt;/p&gt; &lt;p class="p1"&gt;&lt;span class="Apple-converted-space"&gt;Follow Back To One on &lt;a href= "https://www.instagram.com/"&gt;Instagram&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>

His work in series like “Grey’s Anatomy,” “13 Reasons Why,” and “This Is Us,” has established Brandon Scott as a captivatingly talented actor. His latest is the new MAX series “The Girls on the Bus,” where he plays the jilted...

Brandon Scott

Colin Burgess and Anthony Oberbeck star in “Dad & Step-Dad,” a indie comedy film they co-wrote with director Tynan DeLong. It follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the 13 year-old son they share. It’s about family, communication, insecurity, and the fragility of the male ego. On this episode, Burgess and Oberbeck describe the development of their comedy tastes and take us back to the improvised shorts that preceded the feature, where they were able to hone their characters and comedic sensibility before growing the project to feature-length. They talk about the decision to “not do jokes,” the importance of silence in comedy, the influence of Fredrick Wiseman, the similarities with the other comedy starring Colin Burgess that’s out now—“Free Time,” and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  <a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"> Filmmaker Magazine</a>. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on <a href= "https://www.instagram.com/">Instagram</a>

<description>&lt;p class="p1"&gt;Colin Burgess and Anthony Oberbeck star in “Dad &amp; Step-Dad,” a indie comedy film they co-wrote with director Tynan DeLong. It follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the 13 year-old son they share. It’s about family, communication, insecurity, and the fragility of the male ego. On this episode, Burgess and Oberbeck describe the development of their comedy tastes and take us back to the improvised shorts that preceded the feature, where they were able to hone their characters and comedic sensibility before growing the project to feature-length. They talk about the decision to “not do jokes,” the importance of silence in comedy, the influence of Fredrick Wiseman, the similarities with the other comedy starring Colin Burgess that’s out now—“Free Time,” and much more!&lt;/p&gt; &lt;p class="p1"&gt;Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  &lt;a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"&gt; Filmmaker Magazine&lt;/a&gt;. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. &lt;/p&gt; &lt;p class="p1"&gt;&lt;span class="Apple-converted-space"&gt;Follow Back To One on &lt;a href= "https://www.instagram.com/"&gt;Instagram&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>

Colin Burgess and Anthony Oberbeck star in “Dad & Step-Dad,” a indie comedy film they co-wrote with director Tynan DeLong. It follows Jim and Dave, a dad and a step-dad, as they struggle with bonding during a weekend upstate with Branson, the...

Colin Burgess and Anthony Oberbeck

You know the gifted actor George MacKay from films like “1917” or “True History of The Kelly Gang.” Now he has given us two absolutely incredible performances in “Femme” (in select theaters now) and “The Beast” (out on April 5th). On this episode, he takes us into his process of inhabiting these two extremely different characters. He explains why context is becoming more and more important to him in his preparation, talks about the actor as storyteller, the secret to appearing truly menacing, those sex scenes in “Femme,” a lesson about respect that he learned from Eddie Marsan, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  <a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"> Filmmaker Magazine</a>. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on <a href= "https://www.instagram.com/">Instagram</a>

<description>&lt;p class="p1"&gt;You know the gifted actor George MacKay from films like “1917” or “True History of The Kelly Gang.” Now he has given us two absolutely incredible performances in “Femme” (in select theaters now) and “The Beast” (out on April 5th). On this episode, he takes us into his process of inhabiting these two extremely different characters. He explains why context is becoming more and more important to him in his preparation, talks about the actor as storyteller, the secret to appearing truly menacing, those sex scenes in “Femme,” a lesson about respect that he learned from Eddie Marsan, and much more.&lt;/p&gt; &lt;p class="p1"&gt;Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  &lt;a href= "https://filmmakermagazine.com/column/back-to-one-a-podcast-on-acting/#.WvsAWNMvx25"&gt; Filmmaker Magazine&lt;/a&gt;. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. &lt;/p&gt; &lt;p class="p1"&gt;&lt;span class="Apple-converted-space"&gt;Follow Back To One on &lt;a href= "https://www.instagram.com/"&gt;Instagram&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>

You know the gifted actor George MacKay from films like “1917” or “True History of The Kelly Gang.” Now he has given us two absolutely incredible performances in “Femme” (in select theaters now) and “The Beast” (out on April 5th). On...

George MacKay

The no nonsense, in-depth, actors-on-acting podcast from Filmmaker Magazine. Hosted by Peter Rinaldi. One working actor every episode doing a deep dive into their approach to the craft. No small talk, no celebrity stories, no inane banter—just the work.

Back To One

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