Word In Your Ear

With Mark Ellen in foreign parts David Hepworth and Alex Gold light cigars, pass the port in the correct direction and discuss…..

…..the fact that there is only one way to play a Beatles song and that is the way the Beatles did it.

…..the chances that Taylor Swift is reaching her imperial phase and nobody is prepared to tell her what she really needs to hear.

….the very good reason that all contemporary pop records do literally sound the same.

…the 50th anniversary of Richard and Linda Thompson’s “I Want To See The Bright Lights Tonight”.

….the story of the Allman Brothers’ “Jessica”, a jam that turned into Dickey Betts’ pension.

….how the Blue Nile got a plug which is worth all the bought media in the world.

We lobbed the feathered arrows of enquiry at the rock and roll dartboard this week and these got the highest scores …

… rock stars v the new league of the Super-Rich.

… package tours of the mid-‘60s – eight acts, an interval, a compere plus God Save the Queen.

… ‘Hits, Flops and Other Illusions’ by Edward Zwick and the fantastic tale about arrogance, money-squandering and Julia Roberts at the Halcyon Hotel.

... pop music used to be about persuading people to cut loose; now it’s about getting them to tighten up.

… why you can read Ron Wood’s memoir as either comedy or tragedy.

.. Chris Blackwell’s post-production trickery that sold Bob Marley to a rock audience.

… Master Tape Rescue: the arduous task of panning for gold.

... and why there should be a movie about the making of Shakespeare in Love.

Plus birthday guest Chuck Loncon in Savannah, Georgia – Neil Young v Spotify, Lady Antebellum, the Dixie Chicks and the tangled world of political correctness.

Neil’s an old friend from our days back at Smash Hits in the early ‘80s. The first Pet Shop Boys demos were played on the office tape machine, though he was a bit self-conscious about “the one with the rap on it”. He’s always had a journalistic capacity for story-telling, remembering everything in famously entertaining detail, and we had so much material from this reunion we turned it into a two-part podcast. Here’s a taste of what you’ll find in this second half ...

… “every group has to have an angle”.

… pop’s current obsession with identity.

… why Bronski Beat were so significant.

… David Bowie’s scathing one-word reviews of Michael Jackson and Oasis at the Brits.

… “the whole world of pop songs is a giant ever-expanding artwork”.

… meeting Frida from Abba, “a song waiting to happen”.

… the ‘Pits & Perverts’ gay benefit for the miners in 1984.

… London clubs in the early ‘80s - “we had a competition to see who could wear the highest heels”.

… how everyone at Smash Hits thought Michael Jackson’s Thriller was “a damp squib”.

… recording West End Girls. 

… first hearing a 12-inch single.

… appearing on Soul Train with Don Cornelius – “like being on a different planet”.

… why Dusty Springfield gave Jerry Wexler a nervous breakdown.

… seeing the last Ziggy Stardust show.

… meeting Steven Spielberg, Micky Dolenz and Joni Mitchell.

… and Boy George's gag about George Michael.

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Neil’s an old friend from our days back at Smash Hits in the early ‘80s. The first Pet Shop Boys demos were played on the office tape machine, though he was a bit self-conscious about “the one with the rap on it”, and he’s one of the few people who’s seen the music press from every angle - as a reader in the ‘70s, as a writer and interviewer and as a musician on its front covers. We had so much great material from this wide-ranging conversation that we’ve turned it into a two-part podcast. Here’s a taste of what you’ll find in this first half ...

 … the NME article he and his brother pinned to their bedroom wall.

… the event at a Sex Pistols show “which stopped me going to gigs for about three years”.

… the first time he saw his name in print.

… interviewing Marc Bolan in his “fat phase”.

… a barbed chat with Morrissey.

… the pop press shift from “super-showbiz to super-counter-culture”.

… Television, the Clash and other music he discovered through the NME.

… meeting John Taylor 35 years after interviewing him.  

… the pop decade when “something extraordinary happened every day”.

… his mother’s horrified reaction when he left Smash Hits to start the Pet Shop Boys.

… the Human League in their Imperial Phase.

… Phil Collins showing him round Abba’s studio in Stockholm.

… and why ‘80s pop stars were “the most controlling”.

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