The Review Show

Episode 307. In our final Review Show of the year, we rewatched Severance before season two premieres in January! Employees at a shadowy mega-corporation can choose to undergo a "severance" procedure, where their brain is divided between work memories and personal memories. A group of severed employees who know nothing outside of their office start to wonder what the purpose of their work actually is, what their outside lives are like, and what it'll take for them to escape. We discuss the myriad mysteries of the show and how the character motivations are the most compelling secrets of all, Ricken's attempts at philosophy, the seemingly empty company town, new departments we want to see in season two, and Cobel's "Hey Arnold" shrine.

Episode 306. We watched the 2018 limited series Escape at Dannemora, from director Ben Stiller. In this drama based on true events, two inmates start affairs with a civilian prison employee, and manipulate her to get them the tools they need to break out. We discuss how everything falls apart after the escape, the diegetic soundtrack of 2015 radio pop hits, tiny doll pants, and how a reference to Happy Gilmore has actual thematic resonance to the story.

Episode 305. They should've sent a poet... instead they got podcasters. We connect with Contact, the 1997 sci-fi drama from director Robert Zemekis, based on a novel from Carl Sagan. Dr. Ellie Arroway has spent her life listening to the stars, and the stars finally have a message for her. Humanity scrambles to decode an alien transmission and determine what to do with this new knowledge, and what it means for their very concept of facts vs. faith. We discuss the story's approachable and universal take on "lowercase f" faith, the eccentric billionaire who lives in a plane, that legendary mirror shot, and the rare sci-fi story that's comforting more than it is cautionary.

Episode 304. We watched Ti West's horror trilogy of X, Pearl, and Maxxxine. These movies take us from a 1970s adult film shoot turned deadly to a farmgirl's suffocating small town life in 1918 to the neon sleeze of 1980s LA. We discuss the sense of history in each of the films, repeated patterns of aging and feeling trapped and becoming the person you swore you wouldn't become, dual roles and special effects makeup, if character actor Toby Huss has become too well known to just be used for a couple minutes, and screaming at a scarecrow.

Episode 303. We kick off October with a look into DC Comics' dark magic side, reading Paul Dini's run on Zatanna. Our heroine is both a working stage magician and one of the most powerful magical beings in the universe, as she juggles solving supernatural crimes with maintaining her performance schedule. We discuss how Zatanna is more iconic than any actual real world female magicians, the story's sense of place in San Francisco, killer puppets, Brother Night, and the "please, just let me sleep" genre of heroes.