Discord and Rhyme: An Album Podcast

The gang sits down by the fire to discuss a second round of the songs that made them love music. This year's batch covers an astonishing amount of ground, including movie soundtracks, jazz, funk, girl groups, folk, prog (of course), hip-hop, musicals, dub reggae, power pop — and even a hymn!

Of all the casualties of the Beatles’ Apple label, Badfinger is the most tragic. They had a very promising start, helped along by the Beatles and their associates, but a combination of bad management and personal tragedy stopped them from being as successful as they should have been. However, for a brief period everything worked out exactly right, and Badfinger came up with an album that deserves to be ranked among the all-time classics. From power pop to boogie rock and various points in between, Straight Up is a no-skips album that deserves your attention, so listen up.

Buenas tardes, amigos, and happy Hallo-Ween, my good friends. It took us way, way too long to get the bright idea to devote our annual All Hallow’s Eve episode to the Brothers Ween, but now that we have, it seems appropriate to discuss 1994’s Chocolate and Cheese, an album where Deaner and Gener try on a whole bunch of different musical costumes. While C&C isn’t their major-label debut, it’s the first album they produced in a major-label fashion, and the songs cover a lot of stylistic ground, including Tom Jones Vegas rockabilly lounge, kaleidoscopic Prince psychedelia, a sweeping Morricone murder ballad, smooth Philly soul, and a few songs that completely defy categorization. While this album is often ranked behind powerhouse Ween classics like The Mollusk and Quebec, many of its songs have gone on to become live standards, and there’s an argument to be made that it formed the bedrock of the band’s musical legacy. So join John, Mike, Phil, and Rich as they make a return pilgrimage to the shrine of the mighty Boognish, and remember: don’t believe the florist when he tells you that the roses are free.

Power pop legend Matthew Sweet has had a rough go of it lately, suffering a debilitating stroke last year while setting out on tour, and it’s possible that he may never play music again. So today’s episode is both a bittersweet tribute to his career and a joyous celebration of his music, which is exactly the emotional tightrope that his 1991 cult classic Girlfriend walks from start to finish. Sweet recorded this album during the interim between going through a painful divorce and meeting his now-wife, and while his lyrics aren’t strictly autobiographical, the album’s 15 songs run the gamut from desperate yearning (“Don’t Go,” “You Don’t Love Me”) to pure ebullience (“I’ve Been Waiting,” “Girlfriend”). And it’s all topped off with crisp, direct production that evoked Crazy Horse and the Beatles’ Revolver during a period when many rock albums were soaked in reverb and drained of personality. So kick back as Rich, Phil, and returning guest Libby Cudmore deconstruct and consume an album that’s perfect in so many ways.

Creedence Clearwater Revival’s 1969 album Willy and the Poor Boys sounds like something out of 1965, or even 1865 - but definitely not the heavy, psychedelic late 1960s. But even though CCR’s music feels like it's outside of time - or maybe because of it - it became the soundtrack of a generation. Ben, Amanda, and Rich make the case that Willy and the Poor Boys should be pulled down from the cultural wallpaper and appreciated as the fresh, crackling music it still is.