The Photowalk

Robert Gumpert joins me on the show from San Francisco, where he's spent decades photographing the parts of life most of us never see unless we work there, live there, or get pulled into the system. Hiring halls on the docks and the interview rooms inside the county jails have all been part of his working world.

His long-running project Take a Picture / Tell a Story was the one that initially caught my attention: a portrait made after a recorded conversation with someone in custody, giving a literal voice to people awaiting trial.

We also talk about his photographs of mariners heading out to sea, and his book Division Street, published by Dewi Lewis. That work looks at life under the flyovers and in the city's corners, where people without a home live just two blocks from some of the wealthiest startup companies on earth.

In between the letters and features, my guest today is Laura Gates, a fast-rising documentary sports photographer. We talk about the pitches where stories begin, the momentum behind the women's game, and the moments on and off the field that meet Laura's curious lens.

She self-published her first book and sold more copies than many photographers manage through traditional publishers, which speaks to the strength of her work. We also talk about confidence when you are starting out as a photographer, the realities of building a creative business, and the place of women in sport as the wider picture continues to grow and evolve.

From the mailbag today, Gene Westburg writes about the calm he's found walking with a camera and a four-legged friend, Alex Boone sends in the picture that defined his 2025, made on a trusty smartphone, and Fred Ash throws me a why question to wrestle with, plus street photographer Valérie Jardin guest-writes a Friday Reflection and considers how AI may affect street photography.

This week's edition is guest-focused. Paul Berriff OBE, has lived a life few could imagine. A filmmaker and photographer whose work spans more than 180 prime-time documentaries, he has survived a helicopter crash, escaped a sinking ship in a North Sea storm, crawled from the wreckage of a downed aircraft, and lived through the collapse of both towers on September 11 while filming inside the disaster zone. His tape from that day remains one of the most important visual records of the south tower falling.

Before film came photography. In the 1960s, Paul made remarkably natural portraits of The Beatles and the Rolling Stones, long before fame turned them into myth. Later, with what he called a "clockwork camera," he moved into observational documentary and eventually built his own production company. Alongside all this, he trained as a firefighter and helped carry out more than 850 RNLI sea rescues.

The conversation moved differently from how I imagined it might. Two major stories emerged. One is his account of filming inside the World Trade Center as the towers came down, surviving when the buildings collapsed around him. The other is the story of a rescue by helicopter in brutal conditions, a moment when a second narrow escape became part of his history.

I'll also share a little more about the craft of photogravure that we'll be exploring on the new Scottish retreat in June. There's a reminder of this month's assignment, the last one of the year, before we shift our focus to THE ONE in December.