<description>Episode 4 of the This Post Life podcast

This is an interview with Sean Massey the Supervising dialogue editor for Deadpool 2.

I first met Sean at the Los Angeles Post Production Group and he later talked to me about his path to dialogue editing.

Some terms used:

Alt - Alternative take

PFX - any kind of sound effect captured during filming aside from footsteps, cloth movement - (from
http://socialsounddesign.com)

M&amp;E  (M&amp;E Track) - A sound track with the mixed music and effects on separate channels and no dialogue. This track is sent to foreign countries to create versions of the film in their language. (from The Film Editor's Handbook by Norman Hollyn)
See also: 
The M&amp;E Printmaster- The final version with specific language dialog bussed to an reference stem.
This is used for foreign language versions which will be re-voiced in the local language. (from:
http://www.gearslutz.com/board/post-production-forum/109902-postaudio-terminology.html)

The Grant – Sony’s 330 seat dubbing stage. (In 2010, Sony said it was the largest dubbing stage in the
world.)

This interview is from the summer of 2013.</description>

Episode 4 of the This Post Life podcast

This is …

Episode 4 of the This Post Life podcast

This is an interview with Sean Massey the Supervising dialogue editor for Deadpool 2.

I first met Sean at the Los Angeles Post Production Group and he later talked to me about his path to dialogue editing.

Some terms used:

Alt - Alternative take

PFX - any kind of sound effect captured during filming aside from footsteps, cloth movement - (from
http://socialsounddesign.com)

M&E  (M&E Track) - A sound track with the mixed music and effects on separate channels and no dialogue. This track is sent to foreign countries to create versions of the film in their language. (from The Film Editor's Handbook by Norman Hollyn)
See also: 
The M&E Printmaster- The final version with specific language dialog bussed to an reference stem.
This is used for foreign language versions which will be re-voiced in the local language. (from:
http://www.gearslutz.com/board/post-production-forum/109902-postaudio-terminology.html)

The Grant – Sony’s 330 seat dubbing stage. (In 2010, Sony said it was the largest dubbing stage in the
world.)

This interview is from the summer of 2013.

Sean Massey - Podcast Episode 004

<description>Here's the second podcast episode of THIS POST LIFE.

In this episode, Chris and I go to a Blue Collar Post Collective meetup and talk to some members there, like Zora Arnold.

Find out more about BCPC here: https://www.facebook.com/groups/BCPANY/</description>

Here's the second podcast episode of THIS POST LI…

Here's the second podcast episode of THIS POST LIFE.

In this episode, Chris and I go to a Blue Collar Post Collective meetup and talk to some members there, like Zora Arnold.

Find out more about BCPC here: https://www.facebook.com/groups/BCPANY/

Blue Collar Post Collective - Podcast Episode 002 (I Wasn't Born to Live and Die in Texas)

<description>Welcome to the first podcast episode of THIS POST LIFE.

In this episode, Chris and I talk to our friend, writer-producer, Simei Pulu, who is known to most as just “Pulu”.

We all met at RCC and I guess you could say RCC was the start of each one of our own paths into the industry.

Pulu talks about transitioning from a Bio-Tech company to film and TV production and then from a Network TV job to Feature Film Post Production. His transformation is not complete.

Hear how Pulu went all the way from green to it all to Green Book, a Peter Farrelly film.

And how his work ethic is getting him to where he wants to go now….</description>

Welcome to the first podcast episode of THIS POST…

Welcome to the first podcast episode of THIS POST LIFE.

In this episode, Chris and I talk to our friend, writer-producer, Simei Pulu, who is known to most as just “Pulu”.

We all met at RCC and I guess you could say RCC was the start of each one of our own paths into the industry.

Pulu talks about transitioning from a Bio-Tech company to film and TV production and then from a Network TV job to Feature Film Post Production. His transformation is not complete.

Hear how Pulu went all the way from green to it all to Green Book, a Peter Farrelly film.

And how his work ethic is getting him to where he wants to go now….

#ThisPostLife podcast by Quintessential Studios

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