Epic Universal Podcast

From queue changes to construction walls to nighttime lagoon testing, the parks offer plenty to parse this week. The guys then pivot from the Epic Universe lagoon to Universal’s classic monsters, using the buzz around Guillermo del Toro’s Frankenstein to explore how the 1931 film lurched into existence. Expect lost projects, studio pivots, and a Monster role Bela Lugosi famously refused. NEWS • VelociCoaster ends its single rider line, likely due to party sorting and load-efficiency issues. • Warner Bros. Discovery is reportedly shopping DC theme park rights to Universal, raising big questions for Marvel, Six Flags, and international parks. • Removal of Hollywood Rip Ride Rockit sparks speculation, though new construction-wall posters suggest general theming rather than a specific IP. • Nighttime testing at the Epic Universe lagoon shows projection effects featuring a bird-or-dragon silhouette. • Universal Studios Hollywood opens sales for FanFest Nights and a late-night New Year’s Eve event, prompting questions about noise control before Fast & Furious: Hollywood Drift debuts. FEATURE • Guillermo del Toro’s long-gestating Frankenstein began as a Universal concept more than a decade ago. • Jim walks through how Universal’s early monster era took shape under financial pressure following the 1929 crash. • The studio acquired stage rights to Frankenstein after Dracula’s success, initially planning it for Bela Lugosi, who rejected the role. • The episode ends as Universal begins hunting for a new star, eventually leading James Whale to discover Boris Karloff in the studio lunchroom. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Be Our Guest Vacations, a platinum-level earmarked travel agency offering concierge planning for Universal, Disney, cruises, and more. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim kicks off this week’s show with a wild winter travel saga involving airport shutdowns, missing donuts, and a 3 a.m. pickup run that somehow beats the incoming snowstorm. From there, he and Eric dive into a new Universal survey aimed squarely at teens, explore construction movement in Lost Continent, and track down the long-missing Monsters Café icons now hiding backstage in Dark Universe. They also unpack the Grinch’s sudden takeover of holiday marketing before shifting into a deep-dive feature on the long, winding, neon-lit creation of Universal CityWalk Hollywood—a project Lou Wasserman first dreamed up nearly three decades before it opened. NEWS • Teen-focused Universal survey hints at interest in genre preferences, event awareness, and horror-driven engagement. • Activity in Lost Continent sparks renewed speculation about future land plans and potential tie-ins to Wicked’s box office momentum. • Classic Monsters Café statues resurface behind Dark Universe, raising questions about their next life in the parks. • McDonald’s unveils a Grinch meal, highlighting the odd licensing divide between animated, live-action, and promotional designs. • Universal updates its disability access program, shifting to a more streamlined digital Attractions Assistance Pass. FEATURE • How Lou Wasserman’s 1966 idea evolved into the modern, open-air entertainment district known as CityWalk. • Why Universal insisted CityWalk be “not a mall,” but a curated neighborhood blending neon art, unique shops, and LA culture. • The surprising role of historic neon, UCLA programming, and an 18-screen movie palace in shaping the development. • Early expansions, closures, and how CityWalk continues to evolve ahead of Universal Hollywood’s third on-site hotel. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Eric Hersey - IG: @erichersey | X: @erichersey FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is brought to you by UnlockedMagic.com, powered by the DVC Rental Store. Planning a 2026 trip to Walt Disney World or Universal Orlando? Save 10 percent or more on deluxe accommodations at:UnlockedMagic.com If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim and Eric unwrap a very different kind of holiday story this week: the wild, demanding, and downright unbelievable making of How the Grinch Stole Christmas (2000). Fresh from Jim’s trip to IAAPA and holiday visits to the Universal parks, the guys trace how the film’s production shaped today’s Grinchmas offerings, from the makeup performers wear to the version of Whoville Universal still uses. Along the way, they dig into this year’s seasonal additions, Wicked’s strong opening, and the latest rumblings from Epic Universe. NEWS• Universal Orlando and Hollywood launch their holiday seasons, including new decorations, Tribute Store theming, and Grinchmas updates • Wicked for Good posts a massive opening weekend, powering Universal’s awards-season buzz• Epic Universe construction heats up with a major new permit near the Ministry of Magic• Butterbeer expands again with Coffee Mate creamers arriving nationwide soon FEATURE• The unbelievable true story of making the 2000 Grinch.• The intense Hollywood bidding war that secured Dr. Seuss’s beloved book for Universal• What Jim Carrey endured inside a full yak-fur bodysuit, yellow contacts, and nine-hour makeup sessions• The military-level torture survival training Carrey received just to get through filming• How Ron Howard, Rick Baker, and even Eddie Murphy tried to keep morale up on set• And how all of this still influences the Grinch performers greeting guests at Universal today HOSTS• Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com• Eric Hersey - IG: @erichersey | X: @erichersey | Website: strongmindedagency.com FOLLOW• Facebook: JimHillMediaNews• Instagram: JimHillMedia• TikTok: JimHillMedia PRODUCTION CREDITSEdited by Dave GreyProduced by Eric Hersey - Strong Minded Agency SPONSORThis week’s episode is brought to you by Unlocked Magic. Save on regular Disney theme park tickets and discounted after-hours event tickets when you book through UnlockedMagic.com. Lock in your winter plans while deals last! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Jim Hill and Eric Hersey dig into the latest Universal Orlando updates before turning to a deep-dive tribute to Jay Stein — the visionary who transformed Universal’s backlot tour into a spectacle factory and helped define the studio’s signature “JayBang” style of themed entertainment. NEWS NBC’s Wicked: One Wonderful Night special sparks strong reactions as Universal’s cross-promotions continue everywhere from Dunkin’ to TV tie-ins. New 2026 Universal Orlando ticket options clarify how multi-day guests can access Epic Universe more than once. Reddit reactions and critic reviews paint a wide spectrum of opinions on Universal’s latest TV musical marketing moment. Preparations continue around Orlando as fans look ahead to more detailed Epic Universe rollouts. FEATURE — A TRIBUTE TO JAY STEIN How a 26-year-old studio problem-solver was handed one directive: “Fix the tram tour.” The creation of the very first “JayBang”: the 1968 Flash Flood, sending 20,000 gallons of water rushing past the tram. The shift from generic “movie magic” to effects pulled straight from current Universal Pictures releases. The Eiger Sanction–inspired glacier tunnel illusion, which evolved into one of the most memorable tram finales ever built. Why Jay Stein’s fingerprints can still be felt across every fireball, near-miss shark, collapsing bridge, and runaway vehicle in Universal’s attraction lineup. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Eric Hersey — X/Twitter: @erichersey | Instagram: @erichersey | Website: erichersey.com Patreon Enjoying the show? Your support helps us bring more insider history, analysis, and interviews to the feed. Join us at: https://www.patreon.com/jimhillmedia/ Follow Us Facebook: @JimHillMediaNews YouTube: @jimhillmedia TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by Unlocked Magic, where listeners can save up to 12% on Universal Orlando and Walt Disney World tickets — including select after-hours events. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Hill and Eric Hersey trace the ambitious — and ultimately ill-fated — vision for Universal’s Dark Universe, from the scrapped sequel to The Mummy to Tom Cruise’s push to reinvent himself as the studio’s modern Van Helsing. NEWS Universal courts talent and headlines by hiring Mark Platt and director Lorene Scafaria for a Sabrina Carpenter–led Alice in Wonderland musical. Comcast explores a bid for Warner Bros. Discovery, with Morgan Stanley and Goldman Sachs advising. Competing interest from Netflix and Apple raises the stakes ahead of WBD’s planned corporate split. Peacock sets a new premiere date for The Epic Ride documentary, now featuring rare dragon-drone testing footage from Epic Universe. A closer look at how the industry shake-ups could affect theme park rights, licensing, and future Universal IP development. FEATURE The original plan for a direct sequel to 2017’s The Mummy — and how the story would have expanded Dr. Jekyll’s organization and the gods-and-monsters mythology. Why Tom Cruise’s version of Nick Morton was conceived as the entry point to a larger shared universe… and how internal plans positioned him as the modern Van Helsing, monster hunter and connective tissue between films. How Cruise’s hands-on creative control — the same instinct that later led Top Gun: Maverick to a $1.4B box office — clashed with Universal’s rollout of the Dark Universe brand. A breakdown of what actually killed the Dark Universe: mismatched expectations, a premature cinematic universe announcement, and a marketing campaign Cruise felt undermined the film he delivered. Why Epic Universe’s Dark Universe land succeeds where the films didn’t — channeling classic-monster storytelling without the burden of a forced franchise blueprint. HOSTS Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.comEric Hersey — X/Twitter: @erichersey | Instagram: @erichersey | Website: erichersey.com PATREON Love the show? Support more insider stories, deep dives, and history of themed entertainment at:https://www.patreon.com/jimhillmedia/ FOLLOW US Facebook: @JimHillMediaNews YouTube: @jimhillmedia TikTok: @jimhillmedia PRODUCTION Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency SPONSOR Unlocked Magic — Save up to 12% on Universal Orlando and Walt Disney World tickets, including discounts on after-hours events like Mickey’s Very Merry Christmas Party and Jollywood Nights. Start planning at UnlockedMagic.com. Learn more about your ad choices. Visit megaphone.fm/adchoices