<description>&lt;p&gt;In Uganda’s capital city, a young cab driver forms an unlikely bond with a sex worker during the crippling lockdown of 2021. They are both forced to make tough decisions. &lt;/p&gt;&lt;p&gt;Written by George the Poet Produced by Benbrick &amp;amp; George the Poet 
Original Music and Sound Design by Benbrick.&lt;/p&gt;</description>

A Ugandan cab driver forms an unlikely bond with a sex worker during the covid lockdown.

In Uganda’s capital city, a young cab driver forms an unlikely bond with a sex worker during the crippling lockdown of 2021. They are both forced to make tough decisions. Written by George the Poet Produced by Benbrick &amp; George the Poet 
Original Music and Sound Design by Benbrick.

Once Upon a Time in Kampala

<description>&lt;p&gt;George responds to audience questions taken from Common Ground, the platform he co-created in Chapter 3. Listeners discuss everything from art to race using prompts from previous episodes, reaffirming the importance of the artist/audience relationship.&lt;/p&gt;</description>

George responds to listener questions submitted through the Common Ground platform.

George responds to audience questions taken from Common Ground, the platform he co-created in Chapter 3. Listeners discuss everything from art to race using prompts from previous episodes, reaffirming the importance of the artist/audience relationship.

Back to Common Ground

<description>&lt;p&gt;Shaken by the passing of his grandmother, George reflects on the post-colonial struggles of her generation. 1970s Jamaica provides an early case study of the weaponised debt that went on to re-colonise much of the global South. A look back on previous episodes illuminates patterns of exploitation and extraction across African/Western relations. This is the global context that frames the questionable role of the International Monetary Fund in the perpetuation of poverty. George is reminded by his grandmother’s legacy that fighting for justice is always an option. 
 
Written by George the Poet
Produced by Benbrick &amp;amp; George the Poet
With an original score composed by Benbrick and recorded by the BBC Concert Orchestra.&lt;/p&gt;</description>

George explores the weaponisation of debt through Jamaica’s relationship with the IMF.

Shaken by the passing of his grandmother, George reflects on the post-colonial struggles of her generation. 1970s Jamaica provides an early case study of the weaponised debt that went on to re-colonise much of the global South. A look back on previous episodes illuminates patterns of exploitation and extraction across African/Western relations. This is the global context that frames the questionable role of the International Monetary Fund in the perpetuation of poverty. George is reminded by his grandmother’s legacy that fighting for justice is always an option. 
 
Written by George the Poet
Produced by Benbrick &amp; George the Poet
With an original score composed by Benbrick and recorded by the BBC Concert Orchestra.

Jamaican DemAhCrazy Pt II

<description>&lt;p&gt;When keeping it real goes…wrong? For a moment in the seventies, Jamaican democracy produced an ambitious plan to end inequality between countries. But when the island’s socialist leader, Michael Manley, flew too close to the sun, he got burnt. What was the New International Economic Order? Why did it rattle Margaret Thatcher and Ronald Reagan so much? On this fast-paced tour of Jamaican history, George looks back at the rise and fall of the Third World’s biggest political project.&lt;/p&gt;&lt;p&gt;Written by George the Poet
Produced by Benbrick and George the Poet
Original score composed by Benbrick and recorded by the BBC Concert Orchestra&lt;/p&gt;</description>

George explores Jamaica's 1970s bid to end global inequality and its impact.

When keeping it real goes…wrong? For a moment in the seventies, Jamaican democracy produced an ambitious plan to end inequality between countries. But when the island’s socialist leader, Michael Manley, flew too close to the sun, he got burnt. What was the New International Economic Order? Why did it rattle Margaret Thatcher and Ronald Reagan so much? On this fast-paced tour of Jamaican history, George looks back at the rise and fall of the Third World’s biggest political project.Written by George the Poet
Produced by Benbrick and George the Poet
Original score composed by Benbrick and recorded by the BBC Concert Orchestra

Jamaican DemAhCrazy Pt I

<description>&lt;p&gt;When is a breakup not a breakup? When your ex controls every aspect of your life. After walking through the freedom struggles of Ghana and the Congo in previous episodes, George turns his attention towards the “former” French colonies of West and Central Africa. What happens when freedom is gifted conditionally, not won through revolution? Is all independence created equal?&lt;/p&gt;&lt;p&gt;Written by George the Poet
Produced by Benbrick and George the Poet
Original Score by Benbrick recorded by the BBC Concert Orchestra
Sound Design by Benbrick&lt;/p&gt;</description>

George explores the conditional freedom given to the “former” French African colonies.

When is a breakup not a breakup? When your ex controls every aspect of your life. After walking through the freedom struggles of Ghana and the Congo in previous episodes, George turns his attention towards the “former” French colonies of West and Central Africa. What happens when freedom is gifted conditionally, not won through revolution? Is all independence created equal?Written by George the Poet
Produced by Benbrick and George the Poet
Original Score by Benbrick recorded by the BBC Concert Orchestra
Sound Design by Benbrick

Francophone Pt II

The award-winning and critically-acclaimed podcast from George the Poet delivers a fresh take on inner city life through a mix of storytelling, music and fiction.

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