<description>Interview by Ali Williams&lt;br /&gt;&lt;br /&gt;H.E.A.T are not exactly sitting around polishing old trophies and talking about the glory days. When HEAVY's Ali Williams caught up with Jimmy Jay, the Swedish melodic rock machine was holed up in rehearsal mode, fresh off the Spanish leg of their Welcome To The Future 2026 run and already gearing up for the next round of work. &lt;br /&gt;In classic H.E.A.T fashion, there is no neat little pause between touring and recording. The band is heading into Hamburg to start work on the next album, with more than twenty songs already written and waiting to be narrowed down to the strongest ten or so. Jimmy made it clear this one is being approached with a more live, in-the-room mindset too, leaning back toward the kind of energy that made earlier releases hit so hard. Less stitched together in separate corners, more five blokes in a room pushing air and rattling the walls. That alone should be enough to get fans interested before a single note has even escaped into the wild. &lt;br /&gt;There is also something deeply satisfying about hearing a band twenty years in still sound hungry rather than merely organised. H.E.A.T hit their 20-year anniversary next year, which is long enough for most bands to either implode, become a tribute act to themselves, or start releasing albums that sound like they were assembled by committee and a legal team. Jimmy, though, spoke with the kind of grounded pride that only comes from a band that has genuinely worked for its place. He describes H.E.A.T as classic Scandinavian melodic heavy metal and hard rock, and there is no need to dress that up in fancier language than it deserves. They know what they are, they know what they do well, and they have built a loyal following by sticking a boot through the door not by politely knocking. &lt;br /&gt;Coming out of the Stockholm suburbs, with the broader Scandinavian legacy of hard rock and metal humming in the background, has clearly helped shape that instinct. Not in a smug, self-congratulatory way, either. More in the sense that if you grow up in a place where this music is woven into the cultural fabric, it is easier to treat it as something lived rather than borrowed. &lt;br /&gt;That authenticity carries through to the band’s line-up story, which Jimmy recounted without turning it into some dramatic soap opera. H.E.A.T began as a six-piece, later dropped to five, and have only really had one major shake-up at the microphone. After original vocalist Kenny Leckremo left, Erik Grönwall stepped in for a decade-long run before moving on, with Kenny eventually returning and bringing things full circle. The result now is a band that feels about as close to its original DNA as it possibly can. &lt;br /&gt;For longtime fans, that matters. For newer ones, it explains why H.E.A.T still feel connected to their roots instead of merely trading on them. Jimmy also touched on the audience the band attracts, and it was one of the more telling parts of the chat. He reckons the crowd seems to stay roughly the same age, which is a very funny way of saying younger fans keep finding them while the old guard refuses to bugger off. That is not a bad place to be. It means the band has managed the rare trick of staying relevant without trying to act twenty years younger than they are. No desperate trend-chasing, no identity crisis, just a solid crowd of people who actually give a damn about music. &lt;br /&gt;Of course, for Australian fans, the immediate excitement is the upcoming run of shows in Brisbane, Melbourne and Sydney this April. It will be the band’s third trip Down Under, which means they are well past the polite “great to be here” stage and into the territory of knowing what they are in for. Jimmy spoke warmly about returning, even if the small matter of a 25-hour flight sits between Stockholm and Brisbane like a punishment designed by an especially vindictive travel agent. &lt;br /&gt;&lt;br /&gt;Become a supporter of this podcast: &lt;a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss"&gt;https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support&lt;/a&gt;.</description>

Interview by Ali Williams

H.E.A.T are not exactly sitting around polishing old trophies and talking about the glory days. When HEAVY's Ali Williams caught up with Jimmy Jay, the Swedish melodic rock machine was holed up in rehearsal mode, fresh off...

Interview by Ali Williams H.E.A.T are not exactly sitting around polishing old trophies and talking about the glory days. When HEAVY's Ali Williams caught up with Jimmy Jay, the Swedish melodic rock machine was holed up in rehearsal mode, fresh off the Spanish leg of their Welcome To The Future 2026 run and already gearing up for the next round of work.  In classic H.E.A.T fashion, there is no neat little pause between touring and recording. The band is heading into Hamburg to start work on the next album, with more than twenty songs already written and waiting to be narrowed down to the strongest ten or so. Jimmy made it clear this one is being approached with a more live, in-the-room mindset too, leaning back toward the kind of energy that made earlier releases hit so hard. Less stitched together in separate corners, more five blokes in a room pushing air and rattling the walls. That alone should be enough to get fans interested before a single note has even escaped into the wild.  There is also something deeply satisfying about hearing a band twenty years in still sound hungry rather than merely organised. H.E.A.T hit their 20-year anniversary next year, which is long enough for most bands to either implode, become a tribute act to themselves, or start releasing albums that sound like they were assembled by committee and a legal team. Jimmy, though, spoke with the kind of grounded pride that only comes from a band that has genuinely worked for its place. He describes H.E.A.T as classic Scandinavian melodic heavy metal and hard rock, and there is no need to dress that up in fancier language than it deserves. They know what they are, they know what they do well, and they have built a loyal following by sticking a boot through the door not by politely knocking.  Coming out of the Stockholm suburbs, with the broader Scandinavian legacy of hard rock and metal humming in the background, has clearly helped shape that instinct. Not in a smug, self-congratulatory way, either. More in the sense that if you grow up in a place where this music is woven into the cultural fabric, it is easier to treat it as something lived rather than borrowed.  That authenticity carries through to the band’s line-up story, which Jimmy recounted without turning it into some dramatic soap opera. H.E.A.T began as a six-piece, later dropped to five, and have only really had one major shake-up at the microphone. After original vocalist Kenny Leckremo left, Erik Grönwall stepped in for a decade-long run before moving on, with Kenny eventually returning and bringing things full circle. The result now is a band that feels about as close to its original DNA as it possibly can.  For longtime fans, that matters. For newer ones, it explains why H.E.A.T still feel connected to their roots instead of merely trading on them. Jimmy also touched on the audience the band attracts, and it was one of the more telling parts of the chat. He reckons the crowd seems to stay roughly the same age, which is a very funny way of saying younger fans keep finding them while the old guard refuses to bugger off. That is not a bad place to be. It means the band has managed the rare trick of staying relevant without trying to act twenty years younger than they are. No desperate trend-chasing, no identity crisis, just a solid crowd of people who actually give a damn about music.  Of course, for Australian fans, the immediate excitement is the upcoming run of shows in Brisbane, Melbourne and Sydney this April. It will be the band’s third trip Down Under, which means they are well past the polite “great to be here” stage and into the territory of knowing what they are in for. Jimmy spoke warmly about returning, even if the small matter of a 25-hour flight sits between Stockholm and Brisbane like a punishment designed by an especially vindictive travel agent.  Become a supporter of this podcast: <a...

From Stockholm With Volume: H.E.A.T Lock In, Load Up, And Head Down Under

<description>Interview by Angela Croudace&lt;br /&gt;Dr. Mike Trubetskov isn’t just a metal producer—he’s a guide into one of the genre’s most misunderstood elements: synths. Based in Melbourne, he works with heavy bands to shape what he calls their “cinematic sound,” and a huge part of that comes from what sits beneath the obvious.&lt;br /&gt;For Mike, synths aren’t always meant to be heard, they’re meant to be felt. Whether it’s a subtle, slow-moving pad or an industrial, distorted layer cutting through dense guitars, these sounds define the emotional weight of a track. Remove them, and something vital disappears.&lt;br /&gt;What stands out is his balance between creativity and restraint. He approaches each song like a puzzle, filling gaps instinctively while respecting the band’s vision. Too much layering? It kills the song. The right touch? It elevates everything.&lt;br /&gt;He’s also quick to point out that great synth work starts with songwriting, not sound design. A strong melody that fits naturally within the track will always win over something overly complex. From following vocal lines to adding hidden counter-melodies deep in the mix, these small, often unnoticed details are what transform a good track into something immersive and alive.&lt;br /&gt;There’s also a technical intensity behind it all. In a genre built on distortion, synths need to fight for space—often pushed through layers of saturation to cut through, or buried with reverb to create an eerie, almost subconscious presence. It’s this constant push and pull between clarity and atmosphere that defines modern metal production.&lt;br /&gt;For anyone looking to learn, Mike’s approach is both reassuring and challenging: trust your instincts, focus on the music first, and don’t rely on trends to carry your sound. He shares more of this insight on his YouTube channel, Doctor Mike Metal, where he breaks down techniques and encourages artists to experiment, refine, and ultimately find their own voice.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Become a supporter of this podcast: &lt;a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss"&gt;https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support&lt;/a&gt;.</description>

Interview by Angela Croudace
Dr. Mike Trubetskov isn’t just a metal producer—he’s a guide into one of the genre’s most misunderstood elements: synths. Based in Melbourne, he works with heavy bands to shape what he calls their “cinematic sound,” and a...

Interview by Angela Croudace Dr. Mike Trubetskov isn’t just a metal producer—he’s a guide into one of the genre’s most misunderstood elements: synths. Based in Melbourne, he works with heavy bands to shape what he calls their “cinematic sound,” and a huge part of that comes from what sits beneath the obvious. For Mike, synths aren’t always meant to be heard, they’re meant to be felt. Whether it’s a subtle, slow-moving pad or an industrial, distorted layer cutting through dense guitars, these sounds define the emotional weight of a track. Remove them, and something vital disappears. What stands out is his balance between creativity and restraint. He approaches each song like a puzzle, filling gaps instinctively while respecting the band’s vision. Too much layering? It kills the song. The right touch? It elevates everything. He’s also quick to point out that great synth work starts with songwriting, not sound design. A strong melody that fits naturally within the track will always win over something overly complex. From following vocal lines to adding hidden counter-melodies deep in the mix, these small, often unnoticed details are what transform a good track into something immersive and alive. There’s also a technical intensity behind it all. In a genre built on distortion, synths need to fight for space—often pushed through layers of saturation to cut through, or buried with reverb to create an eerie, almost subconscious presence. It’s this constant push and pull between clarity and atmosphere that defines modern metal production. For anyone looking to learn, Mike’s approach is both reassuring and challenging: trust your instincts, focus on the music first, and don’t rely on trends to carry your sound. He shares more of this insight on his YouTube channel, Doctor Mike Metal, where he breaks down techniques and encourages artists to experiment, refine, and ultimately find their own voice. Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support</a>.

The Integration Of Synth Into Heavy Metal, As Told By DR. MIKE TRUBETSKOV

<description>Interview by Angela Croudace&lt;br /&gt;Los Angeles duo sace6 are carving out a striking space in modern heavy music, blending R&amp;amp;B melodies with emotionally charged metal textures. In conversation with HEAVY, Sace and Noah reveal the deeply personal roots behind their name, with 6 honouring Sace’s father as a baseball player and serving as a symbol of inspiration.&lt;br /&gt;Their latest project, Brutalist, reflects both sonic intensity and immersive world-building, pairing pop-forward vocals with what the band describes as “brutal” emotional weight. The duo emphasised a unique creative process built on trust, often working separately to fully realise ideas before combining them into something cohesive. That authenticity has helped shape a sound that feels both unpredictable and intentional, with tracks like Ego marking defining moments in their evolution.&lt;br /&gt;Celebrating a decade of darkness, nothing, nowhere. returns to Australia this month, bringing The Return Of The Reaper tour with special guests sace6 and Closure. The run begins April 16 in Brisbane before hitting Sydney, Melbourne, Adelaide and concluding in Perth on April 23.&lt;br /&gt;For sace6, the tour marks a major milestone and their first chance to connect with Australian audiences face-to-face for the first time ever. Check out the full interview above.&lt;br /&gt;&lt;br /&gt;Become a supporter of this podcast: &lt;a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss"&gt;https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support&lt;/a&gt;.</description>

Interview by Angela Croudace
Los Angeles duo sace6 are carving out a striking space in modern heavy music, blending R&amp;B melodies with emotionally charged metal textures. In conversation with HEAVY, Sace and Noah reveal the deeply personal roots...

Interview by Angela Croudace Los Angeles duo sace6 are carving out a striking space in modern heavy music, blending R&amp;B melodies with emotionally charged metal textures. In conversation with HEAVY, Sace and Noah reveal the deeply personal roots behind their name, with 6 honouring Sace’s father as a baseball player and serving as a symbol of inspiration. Their latest project, Brutalist, reflects both sonic intensity and immersive world-building, pairing pop-forward vocals with what the band describes as “brutal” emotional weight. The duo emphasised a unique creative process built on trust, often working separately to fully realise ideas before combining them into something cohesive. That authenticity has helped shape a sound that feels both unpredictable and intentional, with tracks like Ego marking defining moments in their evolution. Celebrating a decade of darkness, nothing, nowhere. returns to Australia this month, bringing The Return Of The Reaper tour with special guests sace6 and Closure. The run begins April 16 in Brisbane before hitting Sydney, Melbourne, Adelaide and concluding in Perth on April 23. For sace6, the tour marks a major milestone and their first chance to connect with Australian audiences face-to-face for the first time ever. Check out the full interview above. Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support</a>.

Beauty In The Brutal: sace6’s Rise And First Trip Down Under

<description>Interview by Kris Peters&lt;br /&gt;In any serious conversation about death metal, Vomitory’s name is a must-mention. Formed in 1989, the Swedish band unleashed eight blistering albums between 1996 and 2011, cementing their status as genre titans before parting ways in 2013. However, their retirement was short-lived, as they returned to the stage in 2019 to mark their 30th anniversary. Now, three years after the release of their critically acclaimed comeback album All Heads Are Gonna Roll in 2023, Vomitory are back with their latest beast, In Death Throes, due out on April 10.&lt;br /&gt;According to drummer Tobias Gustafsson, while the unmistakable Vomitory sound remains, the new album cranks up the intensity. “In Death Throes picks up where All Heads Are Gonna Roll left off, but we’ve turned the intensity up a notch. Christian (Fredriksson, new guitarist) quickly found his place and even contributed music to four killer tracks. These additions bring a bit of diversity to our sound without straying too far from the formula.”&lt;br /&gt;HEAVY sat down with drummer Gustafsson to get the full rundown, asking him to dive deeper into the musical side of the album and what Vomitory were going for this time around.&lt;br /&gt;"We continued on the same path as we did on our comeback album All Heads Are Going to Roll," he offered. "So we continued writing in the in the same way. But in hindsight, this new album turned out a bit more intense than the previous one, which is not a bad thing for a death metal band (laughs)."&lt;br /&gt;In the full interview, Tobias goes into more detail about how In Death Throes picks up where All Heads Are Gonna Roll left off, the added intensity in the music, and how new guitarist Christian Fredriksson contributed to the overall product.&lt;br /&gt;We spoke about the early days of the band and where they fit in, the parting of ways in 2013 and his feelings at the time, the circumstances that brought them back together and how much planning was behind that decision, the importance of their comeback album All Heads Are Going to Roll and more.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Become a supporter of this podcast: &lt;a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss"&gt;https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support&lt;/a&gt;.</description>

Interview by Kris Peters
In any serious conversation about death metal, Vomitory’s name is a must-mention. Formed in 1989, the Swedish band unleashed eight blistering albums between 1996 and 2011, cementing their status as genre titans before parting...

Interview by Kris Peters In any serious conversation about death metal, Vomitory’s name is a must-mention. Formed in 1989, the Swedish band unleashed eight blistering albums between 1996 and 2011, cementing their status as genre titans before parting ways in 2013. However, their retirement was short-lived, as they returned to the stage in 2019 to mark their 30th anniversary. Now, three years after the release of their critically acclaimed comeback album All Heads Are Gonna Roll in 2023, Vomitory are back with their latest beast, In Death Throes, due out on April 10. According to drummer Tobias Gustafsson, while the unmistakable Vomitory sound remains, the new album cranks up the intensity. “In Death Throes picks up where All Heads Are Gonna Roll left off, but we’ve turned the intensity up a notch. Christian (Fredriksson, new guitarist) quickly found his place and even contributed music to four killer tracks. These additions bring a bit of diversity to our sound without straying too far from the formula.” HEAVY sat down with drummer Gustafsson to get the full rundown, asking him to dive deeper into the musical side of the album and what Vomitory were going for this time around. "We continued on the same path as we did on our comeback album All Heads Are Going to Roll," he offered. "So we continued writing in the in the same way. But in hindsight, this new album turned out a bit more intense than the previous one, which is not a bad thing for a death metal band (laughs)." In the full interview, Tobias goes into more detail about how In Death Throes picks up where All Heads Are Gonna Roll left off, the added intensity in the music, and how new guitarist Christian Fredriksson contributed to the overall product. We spoke about the early days of the band and where they fit in, the parting of ways in 2013 and his feelings at the time, the circumstances that brought them back together and how much planning was behind that decision, the importance of their comeback album All Heads Are Going to Roll and more. Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support</a>.

In The Throes Of Death With TOBIAS GUSTAFSSON From VOMITORY

<description>Interview by Kris Peters&lt;br /&gt;Patient Sixty-Seven have become one of the most compelling and community‑driven voices in modern metalcore - a band built not on hype or industry shortcuts, but on heart, resilience, and the belief that heavy music can be a lifeline. Emerging from the isolated but fiercely creative city of Perth, Australia, P67 have spent the past decade turning personal struggle into connection, and connection into a movement that now has reached metalcore fans across the globe.&lt;br /&gt;From their earliest releases, Patient Sixty-Seven stood out for their emotional honesty - songs that didn’t shy away from fear, grief, or self‑doubt, but instead embraced them as part of the human experience. That vulnerability resonated deeply, helping the band build a loyal, engaged, and heartfelt community long before the industry took notice. Fans didn’t just listen; they shared stories, found comfort in the lyrics, and formed bonds with each other that extended far beyond the music.&lt;br /&gt;Now, Patient Sixty-Seven are stepping into their most significant chapter yet. In May this year, the band will join Of Mice &amp;amp; Men and Crystal Lake on a major Australian tour - a career‑defining moment that places them alongside some of the most influential names in modern heavy music. It’s a testament to how far they’ve come, and a signal of where they’re headed next.&lt;br /&gt;HEAVY caught up with vocalist Tom Kiely to find out more. One of the topics of discussion is how the band approaches major International supports. Do they go out there to warm the crowd up and play a role, or do they attack it with more vigour and go out there with a view to blowing everyone else off stage?&lt;br /&gt;"I think for us, we just want to be ourselves," Tom measured. "I think obviously we want to make sure that we bring a high level of energy and intensity, because we know that ultimately our role on the tour is to get the crowd warmed up; to get the crowd moving; to get the crowd excited for the bands that are coming after us. By doing that it leans nicely into what we like to do anyway, which is play with a lot of energy and get the crowd involved. We try to be interactive and try and bring that spark to the stage and after our set's finished, hopefully people are even more excited for the next few bands.&lt;br /&gt;Opening is always tricky because you know the crowd's definitely still getting warmed up and maybe not moving as much, so it's our job to shake off any cobwebs people have if they haven't been to a show in a while. We do what we can to get people banging their heads and maybe getting a mosh pit going. We find that a lot of the times once you start talking to the crowd and interacting with them there's a lot of people who are ready to get moving. If we can get a few mosh pits going, that'll be a highlight for sure (laughs)."&lt;br /&gt;In the full interview, Tom talked more about the run of shows with Of Mice &amp;amp; Men and Crystal Lake, where they fit in with the line-up, what to expect from their live show and what three songs concert goers can listen to in order to get to know the band before the shows.&lt;br /&gt;He also spoke about curating a set list to appeal to fans of the headliners while also playing their strongest material, how far advanced work is on their new album, what direction it is going to take musically and more.&lt;br /&gt;Of Mice &amp;amp; Men 2026 Australian Tour Dates With Crystal Lake&lt;br /&gt;Tuesday 5th May – PERTH, Magnet House&lt;br /&gt;Thursday 7th May – ADELAIDE, Lion Arts Factory&lt;br /&gt;Friday 8th May – MELBOURNE, 170 Russell&lt;br /&gt;Saturday 9th May – SYDNEY, Manning Bar&lt;br /&gt;Sunday 10th May – BRISBANE, The Triffid&lt;br /&gt;Tickets https://thephoenix.au/of-mice-and-men/&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Become a supporter of this podcast: &lt;a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss"&gt;https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support&lt;/a&gt;.</description>

Interview by Kris Peters
Patient Sixty-Seven have become one of the most compelling and community‑driven voices in modern metalcore - a band built not on hype or industry shortcuts, but on heart, resilience, and the belief that heavy music can be a...

Interview by Kris Peters Patient Sixty-Seven have become one of the most compelling and community‑driven voices in modern metalcore - a band built not on hype or industry shortcuts, but on heart, resilience, and the belief that heavy music can be a lifeline. Emerging from the isolated but fiercely creative city of Perth, Australia, P67 have spent the past decade turning personal struggle into connection, and connection into a movement that now has reached metalcore fans across the globe. From their earliest releases, Patient Sixty-Seven stood out for their emotional honesty - songs that didn’t shy away from fear, grief, or self‑doubt, but instead embraced them as part of the human experience. That vulnerability resonated deeply, helping the band build a loyal, engaged, and heartfelt community long before the industry took notice. Fans didn’t just listen; they shared stories, found comfort in the lyrics, and formed bonds with each other that extended far beyond the music. Now, Patient Sixty-Seven are stepping into their most significant chapter yet. In May this year, the band will join Of Mice &amp; Men and Crystal Lake on a major Australian tour - a career‑defining moment that places them alongside some of the most influential names in modern heavy music. It’s a testament to how far they’ve come, and a signal of where they’re headed next. HEAVY caught up with vocalist Tom Kiely to find out more. One of the topics of discussion is how the band approaches major International supports. Do they go out there to warm the crowd up and play a role, or do they attack it with more vigour and go out there with a view to blowing everyone else off stage? "I think for us, we just want to be ourselves," Tom measured. "I think obviously we want to make sure that we bring a high level of energy and intensity, because we know that ultimately our role on the tour is to get the crowd warmed up; to get the crowd moving; to get the crowd excited for the bands that are coming after us. By doing that it leans nicely into what we like to do anyway, which is play with a lot of energy and get the crowd involved. We try to be interactive and try and bring that spark to the stage and after our set's finished, hopefully people are even more excited for the next few bands. Opening is always tricky because you know the crowd's definitely still getting warmed up and maybe not moving as much, so it's our job to shake off any cobwebs people have if they haven't been to a show in a while. We do what we can to get people banging their heads and maybe getting a mosh pit going. We find that a lot of the times once you start talking to the crowd and interacting with them there's a lot of people who are ready to get moving. If we can get a few mosh pits going, that'll be a highlight for sure (laughs)." In the full interview, Tom talked more about the run of shows with Of Mice &amp; Men and Crystal Lake, where they fit in with the line-up, what to expect from their live show and what three songs concert goers can listen to in order to get to know the band before the shows. He also spoke about curating a set list to appeal to fans of the headliners while also playing their strongest material, how far advanced work is on their new album, what direction it is going to take musically and more. Of Mice &amp; Men 2026 Australian Tour Dates With Crystal Lake Tuesday 5th May – PERTH, Magnet House Thursday 7th May – ADELAIDE, Lion Arts Factory Friday 8th May – MELBOURNE, 170 Russell Saturday 9th May – SYDNEY, Manning Bar Sunday 10th May – BRISBANE, The Triffid Tickets https://thephoenix.au/of-mice-and-men/ Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support</a>.

Putting On A Show With TOM KIELY From PATIENT SIXTY-SEVEN

All the latest music interviews from the team at HEAVY Magazine. HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music. We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on <a href="http://www.speaker.com/user/heavy" rel="noopener">www.speaker.com/user/heavy</a> Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support</a>.

All the latest music interviews from the team at HEAVY Magazine. 

HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music.

We will upload the latest interviews regularly so before to follow our...

HEAVY Music Interviews

Details

Recent Episodes