<p>We meet artist Jesse Darling. His multi-disciplinary practice, of sculptures, drawings and objects, considers how bodily subjects are initially formed and continuously reformed through sociopolitical influences.</p><br><p>Darling (b. Oxford, UK) draws on his own experience as well as the narratives of history and counter-history. He explores the inherent vulnerability of being a body, and how the inevitable mortality of living things translates to civilizations and structures. Featuring an array of free-floating consumer goods, support devices, liturgical objects, construction materials, fictional characters and mythical symbols, JD’s work recontextualizes manmade objects to reveal their precarity. Simultaneously wounded and liberated shapes outwardly bare their frailty and need for care and healing.</p><br><p>Jesse Darling is an artist who writes, lives, and works. His research is concerned with the attempt to make visible the unconscious of European petro-colonial modernity through the history of technology and the production of ideology, or the objects and ideas with which we make up the world. In sculpture and installation he has taken up this enquiry using something like a materialist poetics to explore and reimagine the worldmaking values of that modernity. He is also interested in the role of spirituality as a structuring matrix for secular social life, and his practice takes seriously the idea that intuition, dreams, pathologies and folklore all have something important to tell us about the world. </p><br><p>If there is a formal theme that runs through his work it is the acknowledgement of fallibility and fungibility as fundamental qualities in living beings, societies and technologies, which extends to the “mortal” quality of empires and ideas as a form of precarious optimism - nothing and no-one is too big to fail. Taking vulnerability and entanglement as a fact of life lends itself to a politics and a practice of community and coalition: Darling has been part of countless community-led projects and organizations and continues to research ways of being-with as praxis. Correspondence and dialogue form an important part of his research process.</p><br><p>He has published many texts online and in print, including two chapbooks: VIRGINS, published by Monitor Books (2021), and SHOWGIRLS (Arcadia_Missa publishing, 2023, on the occasion of a Tate film commission for Site Visit). Selected solo exhibitions include Enclosures at Camden Arts Center (2022), No Medals No Ribbons at Modern Art Oxford (2022), Gravity Road at Kunstverein Freiburg (2022), Crevé at Triangle France Astérides (2019), and The Ballad of Saint Jerome at Tate Britain (2018—2019). Darling also participated in the 58th Venice Biennale, and was awarded the Turner Prize in 2023. In 2024, Jesse Darling became Associate Professor at the Ruskin and full-time Tutorial Fellow at St Anne's College.</p><br><p>Follow <a href="https://bravenewwhat.org/" rel="noopener noreferrer" target="_blank">https://bravenewwhat.org/</a></p><p><a href="https://www.instagram.com/arcadiamissa/?hl=en" rel="noopener noreferrer" target="_blank">@ArcadiaMissa</a>, <a href="https://www.instagram.com/galeriesultana/?hl=en" rel="noopener noreferrer" target="_blank">@GalerieSultana</a>, <a href="https://www.instagram.com/galeriemolitor/?hl=en-gb" rel="noopener noreferrer" target="_blank">@GalerieMolitor</a> and <a href="https://www.instagram.com/chapterny/?hl=en" rel="noopener noreferrer" target="_blank">@ChapterNY</a></p><br><p>Viist:</p><p><a href="https://arcadiamissa.com/jesse-darling/" rel="noopener noreferrer" target="_blank">https://arcadiamissa.com/jesse-darling/</a></p><p><a href="https://galeriesultana.com/artists/jesse-darling" rel="noopener noreferrer" target="_blank">https://galeriesultana.com/artists/jesse-darling</a></p><br /><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
