Low Profile with Markly Morrison

Musician Kento Oiwa interviewed by Markly Morrison for the Olympia Music History Project. Formed in the mid-1990s by Japanese immigrants Kento Oiwa and Michiko Swiggs, IQU was a group unlike anything folks in Olympia–or anyplace else, for that matter–had ever witnessed..  I spoke to Kento in a hotel room on an assignment from the Olympia Music History Project, where this interview was first published. Beyond his involvement in IQU, Kento was also an active DJ and event organizer in the Olympia music scene throughout the 1990s. As you will hear, he’s a killer theremin player too. Kento also helped organize the storied Yo Yo A Gogo festivals that filled downtown Olympia with people from all over the world, including friends from Japan like the Bloodthirsty Butchers and Copass Grinderz. This episode has been gussied up with some tasty music clips for your enjoyment. If you like, you can read the full transcript and dig a little deeper into this story–and other stories connected to it–at olympiamusichistory.org

Swamp Dogg is coming to Olympia this weekend 7/13/2025! First, he'll be performing at Scherler Sundays, it's a free show that starts at 3pm. After that, Olympia Film Society will be hosting a free 8pm screening of the new documentary Swamp Dogg Gets His Pool Painted at the Capitol Theater in Downtown Oly. No reservations required, all totally free! More info about the show can be found at freemusicolympia.org This is my 2020 interview with Jerry Williams, better known as Swamp Dogg. It was really fun to hear his wild stories again. Enjoy, and hopefully see you this Sunday!

Today, instead of your usual Low Profile programming, I’m sharing an interview I conducted with Pat Maley in 2023 for the Olympia Music History Project.  The whole transcript is available at olympiamusichistory.org . Pat and I are discussing the history of Yo Yo Recordings, a studio and record label that he ran from the 1980s to 2006, recording hundreds of touring and local artists.  Inspired by the International Pop Underground Convention in 1991, Pat Maley, Michelle Noel, Kento Oiwa, Pat Castaldo and Ed Varga started YoYo A Go Go, an independent music festival that ran for 5 or 6 days in a row.  There were four YoYo A Go Go festivals between 1994 and 2001, and all the people I just mentioned will be getting together for a panel discussion to reminisce, reflect and celebrate these events through collective storytelling and slides. This event is called “That Summer Feeling: Thirty Years of YoYo A Go Go” and it’s happening next Friday, April 18th 2025 at 4pm at The Evergreen State College, in the COM 1 Recital Hall. No tickets or reservations are needed, this event will be open to the public. Here’s my conversation with Pat. Illustration by Jack Habegger

When I first developed an interest in rough-around-the-edges cumbia music, a friend (thanks Matt!) introduced me to the music of Dick El Demasiado, purveyor of “cumbias lunaticas.” Over the years I’ve managed to glean a bit more about him, then I recently saw a documentary about him called Dick Verdult: It Is True, But Not Here. I learned Dick El Demasiado the musician is a mere sliver of what Dick Verdult the artist has to offer. His culture-jamming tendencies are a reflection of his culturally scattered upbringing- born in the Netherlands, raised all over Europe and South America, and currently living in the Spanish town of Calanda. When Arrington de Dionyso and I spoke to him last November, he was at home in Spain. Dick discusses the music that spoke to him in his youth, moving 20 times in his first 20 years, writing ugly poetry, creating music alone vs with a group, having an audience in a notorious street gang, that signature skeleton costume, and his definition of cultural distortion. Gratitude to Jack Habegger for all the the portraits you've seen this season! Such strong work. Want to hear the show more often? Be a part of the movement! Whenever I have enough money to cover a full work day sourced from supporters like you [at Patreon.com/lowprofile ] I will work on a new episode. I am currently taping season 10 for release in 2025, but in the meantime I have some fun stuff on the table- unpublished interviews with Gastr Del Sol, Elf Power, Dollar Country host Franklin Fantini and DJ Screw biographer Lance Scott Walker, plus live episodes from Scherler Sundays 2024 with interviews and performances from Chris Cohen, Mirah, Michael Hurley, Danbert Nobacon of Chumbawamba, Little Wings, Jonny Kosmo, Lori Goldston and Oh, Rose. If your want to listen to more oral history from some pretty radical musicians, scope olympiamusichistory.org and dig around. I'm the audio editor and there are over 30 hours of interviews currently available on the website. We're in the middle of recording new interviews, so expect another 10 or so interviews early this summer! Scherler Sundays is returning to downtown Olympia, WA every Sunday in July and August at 3pm. See a curated afternoon of bands and solo artists, plus live interview tapings for Low Profile. Catch artists you’ve heard on this show- Swamp Dogg, Stephen Steinbrink, Soul-Junk, and LAKE- plus other incredible acts like Pearl and The Oysters, Wut, Afrocop, Winehouse, Sunbathe, plus an extended throwback showcase curated by the Olympia Music History Project, and the return of Michael Hurley! Get your tickets NOWHERE. All you have to do is show up. See you there! For more information, visit freemusicolympia.org

It’s been a minute since I’ve put out a new show, and so I thought maybe I’d let you in on what has been keeping me so busy. A couple years ago, I started working on an oral history project funded by the city- appropriately titled The Olympia Music History Project. We (myself, Mariella Luz and Kelsey Smith) have since broken off from the city into our own nonprofit organization, and I’m excited to announce that we are launching olympiamusichistory.org on New Year’s Day, 2025! So let me tell you about what this is: I was a part of a team that interviewed 30 people who were doing significant things in Olympia’s legendary indie music scene between 1980-2002. We spoke with folks from globally revered bands like Bikini Kill, Sleater-Kinney and The Gossip, as well as hometown heroes including Young Pioneers, The Noses, Fitz of Depression, even Olympia’s only known ska band of that era, Engine 54. I’ve learned so much working on this project- and I’ve heard all the interviews several times, because I’m the guy who edited them. Have you ever seen that T-Shirt that says “Reading is Sexy?” That was designed by Sarah Utter, the singer and guitarist from The Bangs. Allegedly Patrick Swayze lived here at some point, but I don’t know if he ever got out to any punk shows. And yeah, Nirvana was a part of our scene for a while too, I forget what happened after they moved to Seattle.  And there were all these festivals- International Pop Underground Convention in 1991, The YoYo A Go Go festivals after that, Ladyfest- which became an international series- and a groundbreaking, grassroots rock opera called The Transfused. All these things happened in that 22-year window.  My interview with a guy named John Foster focuses on a couple of crucial things happening, that the scene- at least in part- owes its existence.  The first one is the enactment of the Green Line Policy at KAOS- that’s KAOS, 89.3 FM, Olympia- a game-changing move making it against the rules to play any less than 80% independently released music. That had a huge impact on a lot of creative people that tuned in. The second is the publication of OP Magazine, a dense zine focused on independent music of every kind, and featured contributing writers like Matt Groening, Eugene Chadbourne, Jonathan Richman, on and on. This magazine was globally distributed from right here in Olympia, and served as a regularly updated encyclopedia of indie music- and where to get it. Basically, it was like a precursor to something in-between Pitchfork and Bandcamp, in the pre-internet dark ages. John Foster was at the helm for both of these endeavors, and he was one of the people I interviewed for the Olympia Music History Project, and here is our conversation, recorded in the historic Rockway-Leland building downtown.