<description>&lt;p&gt;In part two of this episode, artist, researcher and writer Dan Guthrie looks at public responses to the ongoing ‘culture wars’ over statues in the UK, from the Government’s tweaks to legislation surrounding the removal of statues to the online comments made about a consultation happening in Dan’s hometown of Stroud. &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Dan Guthrie is an artist, researcher and writer whose work often explores representations of Black Britishness, with an interest in examining how they manifest themselves in rural areas.&lt;/p&gt;&lt;p&gt;His work has been screened at Alchemy Film and Moving Image Festival, Focal Point Gallery, Obsidian Coast and the ICA, and he has previously worked as a submission viewer for London Short Film Festival and Glasgow Short Film Festival.&lt;/p&gt;&lt;p&gt;At the moment, he is developing a new body of work investigating historical and contemporary Black presences and mis-presences in his hometown of Stroud, working across moving image, sculpture and writing.&lt;/p&gt;&lt;p&gt;He is currently a participant in East Bristol Contemporary’s Day School programme, a panel member for Stroud District Council’s review of statues, buildings, streets and monuments, and a part-time librarian.&lt;/p&gt;&lt;p&gt;He lives and works in Stroud, Gloucestershire.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href='http://danguthrie.net'&gt;danguthrie.net&lt;/a&gt; /&lt;a href='http://instagram.com/danglefree'&gt; instagram.com/danglefree&lt;/a&gt; &lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

In part two of this episode, artist, researcher and writer Dan Guthrie looks at public responses to the ongoing ‘culture wars’ over statues in the UK, from the Government’s tweaks to legislation surrounding the removal of statues to the online commen...

In part two of this episode, artist, researcher and writer Dan Guthrie looks at public responses to the ongoing ‘culture wars’ over statues in the UK, from the Government’s tweaks to legislation surrounding the removal of statues to the online comments made about a consultation happening in Dan’s hometown of Stroud.  Dan Guthrie is an artist, researcher and writer whose work often explores representations of Black Britishness, with an interest in examining how they manifest themselves in rural areas.His work has been screened at Alchemy Film and Moving Image Festival, Focal Point Gallery, Obsidian Coast and the ICA, and he has previously worked as a submission viewer for London Short Film Festival and Glasgow Short Film Festival.At the moment, he is developing a new body of work investigating historical and contemporary Black presences and mis-presences in his hometown of Stroud, working across moving image, sculpture and writing.He is currently a participant in East Bristol Contemporary’s Day School programme, a panel member for Stroud District Council’s review of statues, buildings, streets and monuments, and a part-time librarian.He lives and works in Stroud, Gloucestershire. <a href='http://danguthrie.net'>danguthrie.net</a> /<a href='http://instagram.com/danglefree'> instagram.com/danglefree</a> <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Two Black Boys - Part 2

<description>&lt;p&gt;In this podcast we will follow the voice of Premila Tamang, presenting over 200 years of history between Nepal and Britain. Intended to make a clear introduction of Nepali/Gurkhali, a recent demography to be recognised within British society, as well as highlighting ongoing issues of Gurkha veterans, and the importance of identity as the diaspora integrate further here in the UK.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;As an artist Diwas Dewan is interested in making works that represent various Nepali/British experiences. He is inspired by many migrants who made their journeys and how they re-established themselves in the UK. So far, Diwas is aware his practice has always been about duels to enable himself to communicate simplifying dialogues. Him, being part of two cultures and languages must have something to do with it. Diwas is also a member of “Out The Window” an art collective with friends and many associates, all glad to be practising amongst each other here in Bristol.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Premila Tamang aka Premila van Ommen, is a PhD Candidate in Cultural Studies at the London College of Fashion, University of Arts London. Her research focuses on the impact of military Gurkha heritage in the cultural expressions of young Nepali men in the UK. She is also the director of the campaign group Gurkha Equal Rights. She is a member of the Haatemalo Collective, a global diasporic network of Nepali artists, academics and activists. She is also the curator of several online photo archival projects including Urban Arhats, founder of Himalayan food collective Yak Bites, and the Afro-Nepali arts movement MOMOLIFE.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;A full transcript is available on our website.&lt;/p&gt;&lt;p&gt;Edit, Mix and Original music: Rowan Bishop https://www.rowanbishop.co.uk/&lt;/p&gt;&lt;p&gt;This episode was commissioned by Caraboo Projects and kindly supported by Arts Council England &lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

In this podcast we will follow the voice of Premila Tamang, presenting over 200 years of history between Nepal and Britain. Intended to make a clear introduction of Nepali/Gurkhali, a recent demography to be recognised within British society, as well...

In this podcast we will follow the voice of Premila Tamang, presenting over 200 years of history between Nepal and Britain. Intended to make a clear introduction of Nepali/Gurkhali, a recent demography to be recognised within British society, as well as highlighting ongoing issues of Gurkha veterans, and the importance of identity as the diaspora integrate further here in the UK. As an artist Diwas Dewan is interested in making works that represent various Nepali/British experiences. He is inspired by many migrants who made their journeys and how they re-established themselves in the UK. So far, Diwas is aware his practice has always been about duels to enable himself to communicate simplifying dialogues. Him, being part of two cultures and languages must have something to do with it. Diwas is also a member of “Out The Window” an art collective with friends and many associates, all glad to be practising amongst each other here in Bristol. Premila Tamang aka Premila van Ommen, is a PhD Candidate in Cultural Studies at the London College of Fashion, University of Arts London. Her research focuses on the impact of military Gurkha heritage in the cultural expressions of young Nepali men in the UK. She is also the director of the campaign group Gurkha Equal Rights. She is a member of the Haatemalo Collective, a global diasporic network of Nepali artists, academics and activists. She is also the curator of several online photo archival projects including Urban Arhats, founder of Himalayan food collective Yak Bites, and the Afro-Nepali arts movement MOMOLIFE. A full transcript is available on our website.Edit, Mix and Original music: Rowan Bishop https://www.rowanbishop.co.uk/This episode was commissioned by Caraboo Projects and kindly supported by Arts Council England <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Nepali/Gurkhali

<description>&lt;p&gt;Screens, along with #ScreenFatigue, increasingly dominate our online interactions with people and cities. Should audiences have to, or want to turn screens off, how might they sense the colours or shapes that are displayed in their virtual worlds? Taking audio as a starting point, the episode traces my journey as collaborators and I pursue the challenge of remotely experiencing the visual impressions of Bristol’s Clifton Suspension Bridge through sound.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Harshadha Balasubramanian is a doctoral candidate in the Department of Anthropology at UCL and a fellow at the Critical Design Lab. Harsha’s PhD explores how UK artists who adopt virtual reality (VR) are transforming knowledge about what and whom VR is for. She foregrounds her own experiences of disability to creatively reimagine sensory encounters with media, drawing on a background in performance and journalism to co-produce these ideas in communities with whom she collaborates.&lt;/p&gt;&lt;p&gt;&lt;a href='https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fharshabala.co.uk%2F&amp;data=04%7C01%7Charshadha.balasubramanian.18%40ucl.ac.uk%7C899c23103fcc4b9bcabf08da1024b581%7C1faf88fea9984c5b93c9210a11d9a5c2%7C0%7C0%7C637840048431401847%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=wlnOi5MBgV82XwtritABEDADzwS9G%2FjArk5d6XcBVng%3D&amp;reserved=0'&gt;https://harshabala.co.uk/&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;A full transcript is available on our website.&lt;/p&gt;&lt;p&gt;Edit, Mix and Original music: Rowan Bishop https://www.rowanbishop.co.uk/&lt;/p&gt;&lt;p&gt;This episode was commissioned by Caraboo Projects and kindly supported by Arts Council England &lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

Screens, along with #ScreenFatigue, increasingly dominate our online interactions with people and cities. Should audiences have to, or want to turn screens off, how might they sense the colours or shapes that are displayed in their virtual worlds? Ta...

Screens, along with #ScreenFatigue, increasingly dominate our online interactions with people and cities. Should audiences have to, or want to turn screens off, how might they sense the colours or shapes that are displayed in their virtual worlds? Taking audio as a starting point, the episode traces my journey as collaborators and I pursue the challenge of remotely experiencing the visual impressions of Bristol’s Clifton Suspension Bridge through sound. Harshadha Balasubramanian is a doctoral candidate in the Department of Anthropology at UCL and a fellow at the Critical Design Lab. Harsha’s PhD explores how UK artists who adopt virtual reality (VR) are transforming knowledge about what and whom VR is for. She foregrounds her own experiences of disability to creatively reimagine sensory encounters with media, drawing on a background in performance and journalism to co-produce these ideas in communities with whom she collaborates.<a href='https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fharshabala.co.uk%2F&data=04%7C01%7Charshadha.balasubramanian.18%40ucl.ac.uk%7C899c23103fcc4b9bcabf08da1024b581%7C1faf88fea9984c5b93c9210a11d9a5c2%7C0%7C0%7C637840048431401847%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=wlnOi5MBgV82XwtritABEDADzwS9G%2FjArk5d6XcBVng%3D&reserved=0'>https://harshabala.co.uk/</a> A full transcript is available on our website.Edit, Mix and Original music: Rowan Bishop https://www.rowanbishop.co.uk/This episode was commissioned by Caraboo Projects and kindly supported by Arts Council England <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Alt Sounds from Bristol

<description>&lt;p&gt;In this episode artist, curator and educator, Bryony Gillard interviews people who have found their lives or research intertwined with seaweed. Through the lens of environmental justice, marine biology, community activism and media theory, their conversations explore seaweed’s slippery relationship to place, identity, community and responsibility.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Bryony Gillard is an artist, curator and educator with an MFA from the &lt;a href='http://dutchartinstitute.eu/'&gt;Dutch Art Institute, School for Art Praxis&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Situated between writing, workshops, performance, video and exhibition making, her practice reflects upon events, creatures and ideas that refuse to be pinned down or categorised. Through a process of both uncovering and layering ideas, herstories and conversations, her work attempts to create a space for generations of intersectional feminist practice that are elusive, messy and entangled in contemporary concerns. She is drawn to thinking with and through the more-than-human-world and is committed to intersectional feminist and anti-colonial doings underpinning her practice and approach.&lt;/p&gt;&lt;p&gt;Recent projects include a solo exhibition at Jerwood Arts (London) in 2021 and a commission with the University of Bristol Doctoral College in 2022. Her work has been commissioned and presented on a variety of national and international platforms including ESTUARY (Kent), Holden Gallery (Manchester), Cinema Maison at BB15 (Linz), Ocean Archive Programme at TBA21 Academy (Venice), Arnolfini (Bristol), The Royal Albert Memorial Museum (Exeter), FLATLAND Projects (Hastings), De Pimlico Projects (London), The Arts Institute (Plymouth) and Turf Projects (Croydon). She was included in the Tate touring exhibition, ‘Virginia Woolf: an exhibition inspired by her writings’ and awarded the 2019 Royal Albert Memorial Museum artist commission.&lt;/p&gt;&lt;p&gt;She is an associate lecturer on MA Fine Art at University of Gloucestershire and BA Fine Art at University of the West of England and facilitates creative workshops with adults and young people. &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;A full transcript and research material collected by Bryony is available on our website.&lt;/p&gt;&lt;p&gt;Edit, Mix and Original music: Rowan Bishop &lt;a href='https://www.rowanbishop.co.uk/'&gt;https://www.rowanbishop.co.uk/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;This episode was commissioned by Caraboo Projects and kindly supported by Arts Council England &lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

In this episode artist, curator and educator, Bryony Gillard interviews people who have found their lives or research intertwined with seaweed. Through the lens of environmental justice, marine biology, community activism and media theory, their conv...

In this episode artist, curator and educator, Bryony Gillard interviews people who have found their lives or research intertwined with seaweed. Through the lens of environmental justice, marine biology, community activism and media theory, their conversations explore seaweed’s slippery relationship to place, identity, community and responsibility. Bryony Gillard is an artist, curator and educator with an MFA from the <a href='http://dutchartinstitute.eu/'>Dutch Art Institute, School for Art Praxis</a>.Situated between writing, workshops, performance, video and exhibition making, her practice reflects upon events, creatures and ideas that refuse to be pinned down or categorised. Through a process of both uncovering and layering ideas, herstories and conversations, her work attempts to create a space for generations of intersectional feminist practice that are elusive, messy and entangled in contemporary concerns. She is drawn to thinking with and through the more-than-human-world and is committed to intersectional feminist and anti-colonial doings underpinning her practice and approach.Recent projects include a solo exhibition at Jerwood Arts (London) in 2021 and a commission with the University of Bristol Doctoral College in 2022. Her work has been commissioned and presented on a variety of national and international platforms including ESTUARY (Kent), Holden Gallery (Manchester), Cinema Maison at BB15 (Linz), Ocean Archive Programme at TBA21 Academy (Venice), Arnolfini (Bristol), The Royal Albert Memorial Museum (Exeter), FLATLAND Projects (Hastings), De Pimlico Projects (London), The Arts Institute (Plymouth) and Turf Projects (Croydon). She was included in the Tate touring exhibition, ‘Virginia Woolf: an exhibition inspired by her writings’ and awarded the 2019 Royal Albert Memorial Museum artist commission.She is an associate lecturer on MA Fine Art at University of Gloucestershire and BA Fine Art at University of the West of England and facilitates creative workshops with adults and young people.  A full transcript and research material collected by Bryony is available on our website.Edit, Mix and Original music: Rowan Bishop <a href='https://www.rowanbishop.co.uk/'>https://www.rowanbishop.co.uk/</a>This episode was commissioned by Caraboo Projects and kindly supported by Arts Council England <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Free, Bold and Joyous (conversations with seaweed)

<description>&lt;p&gt;We're back! After just over a year since our last episode we have 5 very exciting new episodes to share with you all! &lt;/p&gt;&lt;p&gt;In part one of this episode, artist, researcher and writer Dan Guthrie uncovers the history of an object in his hometown of Stroud called the Black Boy Clock, from its creation in the midst of the transatlantic slave trade to its restorations in the late twentieth and early twenty-first centuries. &lt;/p&gt;&lt;p&gt;Part two of this story will be released on the 12th April.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Dan Guthrie is an artist, researcher and writer whose work often explores representations of Black Britishness, with an interest in examining how they manifest themselves in rural areas.&lt;/p&gt;&lt;p&gt;His work has been screened at Alchemy Film and Moving Image Festival, Focal Point Gallery, Obsidian Coast and the ICA, and he has previously worked as a submission viewer for London Short Film Festival and Glasgow Short Film Festival.&lt;/p&gt;&lt;p&gt;At the moment, he is developing a new body of work investigating historical and contemporary Black presences and mis-presences in his hometown of Stroud, working across moving image, sculpture and writing.&lt;/p&gt;&lt;p&gt;He is currently a participant in East Bristol Contemporary’s Day School programme, a panel member for Stroud District Council’s review of statues, buildings, streets and monuments, and a part-time librarian.&lt;/p&gt;&lt;p&gt;He lives and works in Stroud, Gloucestershire.&lt;/p&gt;&lt;p&gt;&lt;a href='http://danguthrie.net'&gt;danguthrie.net&lt;/a&gt; /&lt;a href='http://instagram.com/danglefree'&gt; instagram.com/danglefree&lt;/a&gt; &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;A full transcript and research material collected by Dan is available on our website.&lt;/p&gt;&lt;p&gt;Edit, Mix and Original music: Rowan Bishop https://www.rowanbishop.co.uk/&lt;/p&gt;&lt;p&gt;This episode was commissioned by Caraboo Projects and kindly supported by Arts Council England &lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</description>

We're back! After just over a year since our last episode we have 5 very exciting new episodes to share with you all! In part one of this episode, artist, researcher and writer Dan Guthrie uncovers the history of an object in his hometown of Stroud ...

We're back! After just over a year since our last episode we have 5 very exciting new episodes to share with you all! In part one of this episode, artist, researcher and writer Dan Guthrie uncovers the history of an object in his hometown of Stroud called the Black Boy Clock, from its creation in the midst of the transatlantic slave trade to its restorations in the late twentieth and early twenty-first centuries. Part two of this story will be released on the 12th April. Dan Guthrie is an artist, researcher and writer whose work often explores representations of Black Britishness, with an interest in examining how they manifest themselves in rural areas.His work has been screened at Alchemy Film and Moving Image Festival, Focal Point Gallery, Obsidian Coast and the ICA, and he has previously worked as a submission viewer for London Short Film Festival and Glasgow Short Film Festival.At the moment, he is developing a new body of work investigating historical and contemporary Black presences and mis-presences in his hometown of Stroud, working across moving image, sculpture and writing.He is currently a participant in East Bristol Contemporary’s Day School programme, a panel member for Stroud District Council’s review of statues, buildings, streets and monuments, and a part-time librarian.He lives and works in Stroud, Gloucestershire.<a href='http://danguthrie.net'>danguthrie.net</a> /<a href='http://instagram.com/danglefree'> instagram.com/danglefree</a>  A full transcript and research material collected by Dan is available on our website.Edit, Mix and Original music: Rowan Bishop https://www.rowanbishop.co.uk/This episode was commissioned by Caraboo Projects and kindly supported by Arts Council England <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Two Black Boys - Part 1

Caraboo Loops is a monthly podcast transmitting our collective curiosities and ambient wanderings of Bristol and further a field. In each episode, we collaborate with a guest artist, cultivating conversations around social histories, folklore, arts, music and everything else that falls between the cracks.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

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