Keen On America

<p></p><p>Might 2025 turn out to be the new 1925? In other words, are we currently in the Roaring Twenties and on the brink of another Great Depression? This historical analogy, according to the <em>Financial Times’ c</em>hief economics commentator <a target="_blank" href="https://www.ft.com/martin-wolf">Martin Wolf</a>, isn’t entirely fanciful. Economic history doesn’t exactly repeat itself, Wolf acknowledges, but it has a rhythmic quality. We are living, he suggests, in a “slow-motion” interwar moment. And while FDR is Donald Trump’s mirror image, perhaps the most similar President to Trump was Warren Harding whose administration was deeply tarnished by the Teapot Dome scandal. Crypto, Wolf suggests, might turn out to be Trump’s Teapot Dome. And 2026, Martin Wolf warns, might turn out to be significantly more turbulent for both the US and global economies than 2025.</p><p></p><p></p><p></p><p></p><p></p><p><p>Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></p><p></p> <br/><br/>This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://keenon.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_2">keenon.substack.com/subscribe</a>

<p></p><p>“If they want to put on my tombstone ‘The Last Idealist’, that’s fine,” the iconic (and I don’t use that word lightly) American journalist <a target="_blank" href="https://en.wikipedia.org/wiki/Ray_Suarez">Ray Suarez</a> tells me. But even Suarez’s idealism was tested by Trump’s America in 2025. It was a “jaw-dropping” year, he tells me, astonishing for a veteran journalist like Suarez. In some senses, he says, America has reverted to being a 19th century colonial power. So what happens when you “repeal” the 20th century? For all his idealism, Suarez is a realist, particularly in economics. So it's worth noting his warnings about the “devils of inflation” in 2026 which he sees as a likely consequence of Trump’s economic populism. </p><p></p><p></p><p></p><p></p><p></p><p><p>Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></p><p></p> <br/><br/>This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://keenon.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_2">keenon.substack.com/subscribe</a>

<p></p><p>So what does the latest Time Warner brouhaha tell us about the state of America? According to <a target="_blank" href="https://danielbessner.com/">Daniel Bessner</a>, host of the <a target="_blank" href="https://americanprestigepod.com/">American Prestige</a> podcast, it reflects the imminent death of Hollywood itself. Having written a recent <em>Harper</em>’s <a target="_blank" href="https://harpers.org/archive/2024/05/the-life-and-death-of-hollywood-daniel-bessner/">cover story</a> about “The Life and Death of Hollywood”, Bessner is no stranger to the existential struggle of America’s dream machine. And for Bessner, the latest Netflix-Paramount drama is just one proof point not just of Hollywood’s last dance, but also the imminent crisis of American capitalism. It’s the canary in the coal mine, he argues, about the future of every industry. His apocalyptic take would, of course, make a great movie. The only problem is that Hollywood won’t be around to make it. </p><p></p><p></p><p></p><p></p><p></p><p><p>Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></p><p></p> <br/><br/>This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://keenon.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_2">keenon.substack.com/subscribe</a>

<p></p><p></p><p>It’s been quite a week in tech. The Australian social media ban, the Netflix vs Paramount fight over Warner Bros & the Disney-OpenAI deal. <a target="_blank" href="https://www.thatwastheweek.com/">That Was The Week’</a>s Keith Teare and I try to explain all this in the broader context of the future of media in 2026 and beyond. Has Australia really gone Orwellian in its teen social media ban, who <em>should</em> own Warner and will movie theaters & serious journalism have a future in the AI age? Our answers aren’t always what you’d expect.</p><p></p><p></p><p></p> <br/><br/>This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://keenon.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_2">keenon.substack.com/subscribe</a>

<p></p><p></p><p>Mount Rushmore, with its images of four Presidents carved into the Black Hills of South Dakota, is America’s most identifiable monument. It might also be its most monumental contradiction — which is saying a lot, given the country’s gaping contradictions. According to <a target="_blank" href="https://www.matthewdaviswriter.com/">Matthew Davis</a>, the mountain’s biographer, the history of the Rushmore project captures both the remarkable engineering achievements of early 20th-century America and the country’s bloody colonial and racist past. So <a target="_blank" href="https://www.amazon.com/Biography-Mountain-Making-Meaning-Rushmore/dp/1250285100"><em>Mount Rushmore</em></a>, Davis suggests, is indeed as American as cherry pie. Only that pie and those cherries aren’t quite as sweet as the MAGA crowd might like to think. </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p><p>Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></p><p></p> <br/><br/>This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://keenon.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_2">keenon.substack.com/subscribe</a>