Send us a textHorror stays scary when the set stays alive, and few directors kept a set more awake than George Romero. We’re at Living Dead Weekend inside the Monroeville Mall with Michael Gornick and Tom Dubinsky, digging into the craft behind Dawn of the Dead, Martin, and Creepshow—where a passing idea could turn into the next unforgettable moment. From the Westinghouse lights shutting down floor by floor to a mall blood pressure machine that inspired a gnarly gag, you’ll hear how real-life details became on-screen legend through quick thinking and a crew ready to pivot.Michael and Tom pull back the curtain on Romero’s process: open scripts, sharp eyes, and a willingness to fold in whatever the world offered that day. We talk timing a helicopter shot to a skyline, inventing non-gun zombie kills like the screwdriver to the ear, and navigating mall hours where the music cut them off at seven. The result is a practical playbook for indie and studio shooters alike—use your environment, embrace constraints, and let spontaneity guide the camera.Creepshow brings a lighter twist with Leslie Nielsen’s notorious pocket whoopee cushion, a running bit that tested patience, then restored it with perfect comedic timing. We connect those pranks to Nielsen’s deadpan legacy in Police Squad and The Naked Gun, showing how performance, rhythm, and tone cross from horror to comedy with the same precision. We close with updates on Tom’s documentary work with Tony Buba and both guests’ memoirs, capturing lessons from decades of fearless filmmaking.If you care about how iconic scenes are born—half planning, half lightning strike—this conversation will arm you with tools and stories you can use on your next shoot. Listen, subscribe, and share your favorite Romero moment with us. Your pick might inspire the next great set story.Support the show