The Pod Charles Cinecast
The Prince Charles Cinema
Recent Episodes
This is a sample clip from our Patreon feed. If you'd like to hear this episode in its entirety and more episodes like it, subscribe for as little as $1 per month over at patreon.com/thepccpodcast
In this bonus edition of The Pod Charles Cinecast, your hosts Jonathan Foster and Fil Freitas step back into the territory of new film releases to talk about two spooky new films out in cinemas! One is genuinely spooky, and the other is spooky on account of how bad it is...
First up, we dive into the hit new film from Shudder, Colin and Cameron Caire's LATE NIGHT WITH THE DEVIL. The film follows cinema journeyman David Dastmalchian as late night talk show host Jack Delroy. On Halloween Night 1977, hoping to get a much-needed ratings boost, Jack invites a parapsychologist and a young girl possessed by a demon on to his show. Soon, all hell breaks loose, and it is all captured in this found footage film.
We dive into all angles of this one, what we liked, what we didn't, what we thought could have made it pop, and even the much maligned AI element of the film, that has turned away some viewers. Did it still deliver enough scares to be spooky delight? Tune in...
Then, we turn our attentions to the most recent outing from the Ghostbusters franchise, GHOSTBUSTERS : FROZEN EMPIRE. The Ghostbusters are back from the Afterlife to deliver another film that pretty much rehashes the original Ghostbusters again. Be prepared, we (mostly Fil) go off on this one. So, if you like hearing us complain, this episode is for you.
Silver lining? Are we turning around Finn Wolfhard (despite him doing nooooothing in this movie?) He is a fan of the Prince Charles Cinema, so he gets bonus points for that. Tune in for all this, and who knows, maybe even a fashion update...
"The power of Christ compels you! The power of Christ compels you!"
This week on The Pod Charles Cinecast, it's the 3rd episode of the monthly miniseries – BROTHERLY LOVE – where we are pitting some films from filmmaking brothers the Coen Brothers vs. the Farrelly Brothers. This month, it's all about bowling! For some reason, both of these sets of brothers made bowling movies – and both of them performed pretty badly on release, only to become cult classics. So, we'll be talking about Joel & Ethan Coen's 1998 neo-noir comedy THE BIG LEBOWSKI, and Peter & Bobby Farrelly's 1996 sports comedy, KINGPIN. Which is the better bowling movie?
In The Big Lebowski, Jeff Bridges shines in a career role as Jeffrey "The Dude" Lebowski in a tale of mistaken identity, deceitfulness, severed toes, nihilists, White Russians and lots of bowling. After his rug get soiled by a couple of guys looking for money from a millionaire with the same name, The Dude falls down a rabbit hole that feels straight out of a Raymond Chandler novel. This film is damn near perfect. It's funny, has a great story, stellar performances with a supporting cast boasting John Goodman, Steve Buscemi, Julianne Moore and John Turturro, a kick ass soundtrack and some insanely good cinematography from Roger Deakins. The Dude Abides.
But is it a better bowling movie than Kingpin? Woody Harrelson plays Roy Munson, a young bowler who is just about to make it big, before his rival, Ernie McCracken (Bill Murray doing Bill Murray shit) tricks him into doing con games, which results in Roy's bowling hand getting destroyed. Years later, Roy is an alcoholic with a hook for a hand and no prospects, before he stumbles upon Ishmael (Randy Quaid), a promising young Amish man that Roy attempts to take to the top of the bowling world. It's more of what you expect from the Farrelly's, with some gross out humour, fun 90s soundtracks, and some hit or miss elements. But, it's pretty much the Farrelly's most underrated, and potentially one of their better titles. And, it actually is more about bowling than The Big Lebowksi, it just may look as nice. I mean, Deakins, man...
Which brother will win Brotherly Love, and be crowned the best brother filmmaking duo of the 90s? Tune in to find out...
If you enjoy the podcast, leave a Rating and Review! It really helps us out!
As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcast
If you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcast
Last Chance to help Fil's movie, THE REGULARS, get into Film Festivals – Please Share and/or Donate the fundraiser: https://www.indiegogo.com/projects/the-regulars-film-take-two#/
This week on The Pod Charles Cinecast, presented by The Prince Charles Cinema, our hosts Jonathan Foster and Fil Freitas are back with the another edition of THE POD CHARLES CINECAST CLASSIC, expecting only good vibes in the month of April 2024!
There is so much to see this month! So, join us as we discuss Sean Price Williams' THE SWEET EAST, Ryusuke Hamaguchi's EVIL DOES NOT EXIST, ONCE UPON A TIME IN HOLLYWOOD, KING KONG vs GODZILLA, ZODIAC, SUPERBAD, HOT ROD, THE PARALLAX VIEW, David Lynch's DUNE, THE LOST BOYS, JAWBREAKER, and so much more! Plus, there are even some mentions of STAR WARS: EPISODE I – THE PHANTOM MENACE (which is actually coming in May). There may even be some guitar playing and songs about The Crow... man.
For full listings and tickets visit: princecharlescinema.com
If you enjoy the podcast, leave a Rating and Review! It really helps us out!
As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcast
If you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcast
This is a sample clip from our Patreon feed. If you'd like to hear this episode in its entirety and more episodes like it, subscribe for as little as $1 per month over at patreon.com/thepccpodcast
In this bonus edition of The Pod Charles Cinecast, your hosts Jonathan Foster and Fil Freitas try something a little different, where we are talking about a book that one of us has actually read that has been made into a movie that we then watched, and how the two compare. For the first instalment of this Book Club series, we tackle Whitley Strieber's 1987 non-fiction bestseller, COMMUNION, which was made into the 1989 sci-fi horror of the same name, starring Christopher Walken.
In December 1985, renowned sci-fi/horror novelist Whitley Strieber (The Wolfen, The Hunger) had an unexplainable experience; a shattering assault from the unknown. Experiences in which he "lost time" and has terrifying flashbacks, which hypnosis undertaken by Dr. Donald F. Klein and ufologist Budd Hopkins later links to an alleged encounter with aliens. To all appearances, he and his family have had a series of elaborate personal encounters with intelligent non-human beings in his isolated cabin in upstate New York. At first, he thought he was losing his mind. Unconcerned with the whole phenomenon of UFOs and extraterrestrials, he viewed them as a false unknown, easily explainable as misperceptions or hallucinations. But the visitors marched right into the middle of the life of this indifferent sceptic.
Who are these visitors? Where do they come from? Do they represent some as-yet-unidentified aspect of the human mind - incredible, almost beyond comprehension, but essentially human - or are they what they seem to be, visitors of unknown origin? If this happened to you, and you wrote a bestselling novel about it, and decided to make a movie based on your experiences, would you let Christopher Walken come in and improvise a bunch of stuff, dance with puppets, and make you look like a lunatic? I would hope not.
We were inspired to dive into this book and its wacky adaptation from our I Want To Believe Arc over last Halloween, where we were discussing Alien Movies. During this arc, we kept asking ourselves, "What really is the alien agenda?" Now, we don't know if we are any closer to the truth after witnessing Christopher Walken dance around with aliens and make the writer of this book look like a complete ass hat, but maybe... just maybe... the truth is still out there!
"I am you. And you are me. And we are here. I am the dreamer and you are the dream."