<description>&lt;p data-start="264" data-end="756"&gt;&lt;strong data-start="264" data-end="305"&gt;Paloma Young&lt;/strong&gt; is a Tony Award&amp;ndash;winning costume designer whose work spans Broadway and London, including &lt;em data-start="395" data-end="422"&gt;Peter and the Starcatcher&lt;/em&gt;, &lt;em data-start="424" data-end="467"&gt;Natasha, Pierre &amp;amp; The Great Comet of 1812&lt;/em&gt;, &lt;em data-start="469" data-end="479"&gt;&amp;amp; Juliet&lt;/em&gt;, &lt;em data-start="481" data-end="495"&gt;The Notebook&lt;/em&gt;, &lt;em data-start="497" data-end="508"&gt;Bandstand&lt;/em&gt;, and &lt;em data-start="514" data-end="538"&gt;Real Women Have Curves&lt;/em&gt;. In this episode of &lt;em data-start="559" data-end="575" data-is-only-node=""&gt;The Resistance&lt;/em&gt;, Paloma reflects on how motherhood changed the cost of availability in an industry built on endurance, and what it means to stay committed to the work without disappearing into it.&lt;/p&gt;&lt;p&gt;See &lt;a href="https://omnystudio.com/listener"&gt;omnystudio.com/listener&lt;/a&gt; for privacy information.&lt;/p&gt;</description>

The Resistance

Matt Conner

Paloma Young on the cost of always being available

JAN 28, 202638 MIN
The Resistance

Paloma Young on the cost of always being available

JAN 28, 202638 MIN

Description

Paloma Young is a Tony Award–winning costume designer whose work spans Broadway and London, including Peter and the Starcatcher, Natasha, Pierre & The Great Comet of 1812, & Juliet, The Notebook, Bandstand, and Real Women Have Curves. In this episode of The Resistance, Paloma reflects on how motherhood changed the cost of availability in an industry built on endurance, and what it means to stay committed to the work without disappearing into it.See omnystudio.com/listener for privacy information.