Critters, creatures, and things that crawl -- part of the fun of building a new world is getting to populate it with not just sapient characters, but all the flora and fauna. And sometimes, that means the things you find in the smallest corners and crevices. Guest <a href='https://www.premeemohamed.com/'>Premee Mohamed</a> joins us to talk about the role of bugs and other biology in worldbuilding!
Bugs are a critical part of our world, performing so many essential functions that we never think about and that writers often neglect -- so, why is that? Where does our tendency towards squeamishness about bugs overlap with fears of body horror -- and how have SFF stories magnified those fears to create memorable antagonists like Xenomorphs and monsters like Shelob? How can a worldbuilder think about the health of their whole ecosystem, from those itsy-bitsy bugs all the way up to the apex predators -- and if the health of the ecosystem reflects the health of the world, how can that provide some good plot hooks for characters? All this and many, many scientific factoids are packed into this episode!
[Transcript TK]
Our Guest: Premee Mohamed is a Nebula, World Fantasy, and Aurora award-winning Indo-Caribbean scientist and speculative fiction author based in Edmonton, Alberta. She has also been a finalist for the Hugo, Ignyte, Locus, British Fantasy, and Crawford awards. Currently, she is the Edmonton Public Library writer-in-residence and an Assistant Editor at the short fiction audio venue Escape Pod. She is the author of the 'Beneath the Rising' series of novels as well as several novellas. Her short fiction has appeared in many venues and she can be found on her website at www.premeemohamed.com.

<description>&lt;p&gt;Critters, creatures, and things that crawl -- part of the fun of building a new world is getting to populate it with not just sapient characters, but all the flora and fauna. And sometimes, that means the things you find in the smallest corners and crevices. Guest &lt;a href='https://www.premeemohamed.com/'&gt;Premee Mohamed&lt;/a&gt; joins us to talk about the role of bugs and other biology in worldbuilding!&lt;/p&gt;
&lt;p&gt;Bugs are a critical part of our world, performing so many essential functions that we never think about and that writers often neglect -- so, why is that? Where does our tendency towards squeamishness about bugs overlap with fears of body horror -- and how have SFF stories magnified those fears to create memorable antagonists like Xenomorphs and monsters like Shelob? How can a worldbuilder think about the health of their whole ecosystem, from those itsy-bitsy bugs all the way up to the apex predators -- and if the health of the ecosystem reflects the health of the world, how can that provide some good plot hooks for characters? All this and many, many scientific factoids are packed into this episode!&lt;/p&gt;
&lt;p&gt;[Transcript TK]&lt;/p&gt;
&lt;p&gt;Our Guest: Premee Mohamed is a Nebula, World Fantasy, and Aurora award-winning Indo-Caribbean scientist and speculative fiction author based in Edmonton, Alberta. She has also been a finalist for the Hugo, Ignyte, Locus, British Fantasy, and Crawford awards. Currently, she is the Edmonton Public Library writer-in-residence and an Assistant Editor at the short fiction audio venue Escape Pod. She is the author of the 'Beneath the Rising' series of novels as well as several novellas. Her short fiction has appeared in many venues and she can be found on her website at www.premeemohamed.com. &lt;/p&gt;
</description>

Critters, creatures, and things that crawl -- part of the fun of building a new world is getting to populate it with not just sapient characters, but all the flora and fauna. And sometimes, that means the things you find in the smallest corners and c...

Critters, creatures, and things that crawl -- part of the fun of building a new world is getting to populate it with not just sapient characters, but all the flora and fauna. And sometimes, that means the things you find in the smallest corners and crevices. Guest Premee Mohamed joins us to talk about the role of bugs and other biology in worldbuilding!
Bugs are a critical part of our world, performing so many essential functions that we never think about and that writers often neglect -- so, why is that? Where does our tendency towards squeamishness about bugs overlap with fears of body horror -- and how have SFF stories magnified those fears to create memorable antagonists like Xenomorphs and monsters like Shelob? How can a worldbuilder think about the health of their whole ecosystem, from those itsy-bitsy bugs all the way up to the apex predators -- and if the health of the ecosystem reflects the health of the world, how can that provide some good plot hooks for characters? All this and many, many scientific factoids are packed into this episode!
[Transcript TK]
Our Guest: Premee Mohamed is a Nebula, World Fantasy, and Aurora award-winning Indo-Caribbean scientist and speculative fiction author based in Edmonton, Alberta. She has also been a finalist for the Hugo, Ignyte, Locus, British Fantasy, and Crawford awards. Currently, she is the Edmonton Public Library writer-in-residence and an Assistant Editor at the short fiction audio venue Escape Pod. She is the author of the 'Beneath the Rising' series of novels as well as several novellas. Her short fiction has appeared in many venues and she can be found on her website at www.premeemohamed.com. 

Episode 126: When Worldbuilding Gets Wild, ft PREMEE MOHAMED

From the Minotaur to xenomorphs to the undead, monsters and their ilk have long been a staple of the sci-fi and fantasy genres. But what exactly is it that makes a monster? Guest <a href='https://johnwiswell.blogspot.com/'>John Wiswell</a> joins us to discuss how monsters in fiction often reflect not only our primal fears, but also the people that society seeks to Other. When monsters reflect what a real or fictitious society values and doesn't value, what sorts of things do writers need to consider when placing monsters in their world?
In this episode, we explore how, while monsters can sometimes just be plot obstacles for Our Heroes to overcome, they can also be coded -- intentionally or as a matter of unconscious bias -- in the same ways that disability, poverty, non-heteronormative sexuality, and other marginalized populations get coded. We also pull apart the idea of recontextualizing monsters: As is often said of Frankenstein and his creation -- who's really the monster? Who's the true beast?
[Transcript TK]
Our Guest: John Wiswell is an American science fiction and fantasy author whose short fiction has won the <a href='https://en.wikipedia.org/wiki/Locus_Award'>Locus</a> and <a href='https://en.wikipedia.org/wiki/Nebula_Award'>Nebula Awards</a> and been a finalist for the <a href='https://en.wikipedia.org/wiki/Hugo_Award'>Hugo</a>, <a href='https://en.wikipedia.org/wiki/British_Fantasy_Award'>British Fantasy</a>, and <a href='https://en.wikipedia.org/wiki/World_Fantasy_Award'>World Fantasy</a> Awards. His debut fantasy novel, Someone You Can Build a Nest In, will be released in spring 2024 by <a href='https://en.wikipedia.org/wiki/DAW_Books'>DAW Books</a>.
John's work has appeared in Uncanny Magazine, Tor.com, LeVar Burton Reads, Nature Magazine, The Magazine of Fantasy &amp; Science Fiction, Weird Tales, the No Sleep podcast, Nightmare Magazine, Cast of Wonders, Podcastle, Escape Pod, Pseudopod, and other fine venues. His fiction has been translated into Italian, Portuguese, Mandarin, Japanese, Polish, Hungarian, Turkish, Hebrew, and Romanian.
He graduated Bennington College in 2005, and attended the Viable Paradise 17 workshop in 2013. He has multiple disabilities including a neuromuscular syndrome, and thinks healthy people's capacity to complain is very funny. He finds a lot of things very funny and would like to keep it that way.
He is frequently available for interview and for talks at conferences. He has done panels at places such as Worldcon, the Nebula Awards, and the World Fantasy Convention.
He posted fiction daily on this blog for six straight years, and has left every embarrassing and inspiring word of it up to read for free. If you'd like to see a writer develop style, it's all there. You can point and laugh. He probably can't hear you.

<description>&lt;p&gt;From the Minotaur to xenomorphs to the undead, monsters and their ilk have long been a staple of the sci-fi and fantasy genres. But what exactly is it that makes a monster? Guest &lt;a href='https://johnwiswell.blogspot.com/'&gt;John Wiswell&lt;/a&gt; joins us to discuss how monsters in fiction often reflect not only our primal fears, but also the people that society seeks to Other. When monsters reflect what a real or fictitious society values and doesn't value, what sorts of things do writers need to consider when placing monsters in their world?&lt;/p&gt;
&lt;p&gt;In this episode, we explore how, while monsters can sometimes just be plot obstacles for Our Heroes to overcome, they can also be coded -- intentionally or as a matter of unconscious bias -- in the same ways that disability, poverty, non-heteronormative sexuality, and other marginalized populations get coded. We also pull apart the idea of recontextualizing monsters: As is often said of Frankenstein and his creation -- who's really the monster? Who's the true beast?&lt;/p&gt;
&lt;p&gt;[Transcript TK]&lt;/p&gt;
&lt;p&gt;Our Guest: John Wiswell is an American science fiction and fantasy author whose short fiction has won the &lt;a href='https://en.wikipedia.org/wiki/Locus_Award'&gt;Locus&lt;/a&gt; and &lt;a href='https://en.wikipedia.org/wiki/Nebula_Award'&gt;Nebula Awards&lt;/a&gt; and been a finalist for the &lt;a href='https://en.wikipedia.org/wiki/Hugo_Award'&gt;Hugo&lt;/a&gt;, &lt;a href='https://en.wikipedia.org/wiki/British_Fantasy_Award'&gt;British Fantasy&lt;/a&gt;, and &lt;a href='https://en.wikipedia.org/wiki/World_Fantasy_Award'&gt;World Fantasy&lt;/a&gt; Awards. His debut fantasy novel, Someone You Can Build a Nest In, will be released in spring 2024 by &lt;a href='https://en.wikipedia.org/wiki/DAW_Books'&gt;DAW Books&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;John's work has appeared in Uncanny Magazine, Tor.com, LeVar Burton Reads, Nature Magazine, The Magazine of Fantasy &amp;amp; Science Fiction, Weird Tales, the No Sleep podcast, Nightmare Magazine, Cast of Wonders, Podcastle, Escape Pod, Pseudopod, and other fine venues. His fiction has been translated into Italian, Portuguese, Mandarin, Japanese, Polish, Hungarian, Turkish, Hebrew, and Romanian.&lt;/p&gt;
&lt;p&gt;He graduated Bennington College in 2005, and attended the Viable Paradise 17 workshop in 2013. He has multiple disabilities including a neuromuscular syndrome, and thinks healthy people's capacity to complain is very funny. He finds a lot of things very funny and would like to keep it that way.&lt;/p&gt;
&lt;p&gt;He is frequently available for interview and for talks at conferences. He has done panels at places such as Worldcon, the Nebula Awards, and the World Fantasy Convention.&lt;/p&gt;
&lt;p&gt;He posted fiction daily on this blog for six straight years, and has left every embarrassing and inspiring word of it up to read for free. If you'd like to see a writer develop style, it's all there. You can point and laugh. He probably can't hear you.&lt;/p&gt;
</description>

From the Minotaur to xenomorphs to the undead, monsters and their ilk have long been a staple of the sci-fi and fantasy genres. But what exactly is it that makes a monster? Guest John Wiswell joins us to discuss how monsters in fiction often reflect ...

From the Minotaur to xenomorphs to the undead, monsters and their ilk have long been a staple of the sci-fi and fantasy genres. But what exactly is it that makes a monster? Guest John Wiswell joins us to discuss how monsters in fiction often reflect not only our primal fears, but also the people that society seeks to Other. When monsters reflect what a real or fictitious society values and doesn't value, what sorts of things do writers need to consider when placing monsters in their world?
In this episode, we explore how, while monsters can sometimes just be plot obstacles for Our Heroes to overcome, they can also be coded -- intentionally or as a matter of unconscious bias -- in the same ways that disability, poverty, non-heteronormative sexuality, and other marginalized populations get coded. We also pull apart the idea of recontextualizing monsters: As is often said of Frankenstein and his creation -- who's really the monster? Who's the true beast?
[Transcript TK]
Our Guest: John Wiswell is an American science fiction and fantasy author whose short fiction has won the Locus and Nebula Awards and been a finalist for the Hugo, British Fantasy, and World Fantasy Awards. His debut fantasy novel, Someone You Can Build a Nest In, will be released in spring 2024 by DAW Books.
John's work has appeared in Uncanny Magazine, Tor.com, LeVar Burton Reads, Nature Magazine, The Magazine of Fantasy &amp; Science Fiction, Weird Tales, the No Sleep podcast, Nightmare Magazine, Cast of Wonders, Podcastle, Escape Pod, Pseudopod, and other fine venues. His fiction has been translated into Italian, Portuguese, Mandarin, Japanese, Polish, Hungarian, Turkish, Hebrew, and Romanian.
He graduated Bennington College in 2005, and attended the Viable Paradise 17 workshop in 2013. He has multiple disabilities including a neuromuscular syndrome, and thinks healthy people's capacity to complain is very funny. He finds a lot of things very funny and would like to keep it that way.
He is frequently available for interview and for talks at conferences. He has done panels at places such as Worldcon, the Nebula Awards, and the World Fantasy Convention.
He posted fiction daily on this blog for six straight years, and has left every embarrassing and inspiring word of it up to read for free. If you'd like to see a writer develop style, it's all there. You can point and laugh. He probably can't hear you.

Episode 125: Monstrous Worldbuilding, ft. JOHN WISWELL

We spend a lot of time thinking about how to work with worldbuilding as writers -- but how does a reviewer approach the topic when they're reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer and critiquer of speculative fiction! Paul talks about the details that he pays attention to, the things he looks for, and the things that draw his attention, as well as discussing the purpose of reviews and who they're for (hint: it's not the authors!).
In this episode, we spin things around to look at how we approach worldbuilding and narrative construction as readers -- since we are, of course, readers as well as writers! We explore of aspects of how a writer can set and, hopefully, meet expectations through worldbuilding -- and where that can sometimes become challenging as a series goes on. What makes a world exciting to enter in the first place? What grips a reader and keeps them with it? And how can you use worldbuilding to make your wizard chase sequence a more cohesive part of your world?
Also, here's Natania's rock, as promised:

[Transcript TK]
Our Guest: Not really a Prince of Amber, but rather, an ex-pat New Yorker living in Minnesota, Paul Weimer has been reading sci-fi and fantasy for over 40 years. An avid and enthusiastic amateur photographer, blogger and podcaster, Paul primarily contributes to the <a href='https://skiffyandfanty.com/'>Skiffy and Fanty Show</a> as blogger and podcaster, to <a href='http://www.nerds-feather.com/'>Nerds of a Feather</a> as a reviewer and interviewer, to the SFF Audio podcast, and turns up elsewhere as well. If you’ve spent any time reading about SFF online, you’ve probably read one of his reviews, comments or tweets (he’s @PrinceJvstin).

<description>&lt;p&gt;We spend a lot of time thinking about how to work with worldbuilding as writers -- but how does a reviewer approach the topic when they're reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer and critiquer of speculative fiction! Paul talks about the details that he pays attention to, the things he looks for, and the things that draw his attention, as well as discussing the purpose of reviews and who they're for (hint: it's not the authors!).&lt;/p&gt;
&lt;p&gt;In this episode, we spin things around to look at how we approach worldbuilding and narrative construction as readers -- since we are, of course, readers as well as writers! We explore of aspects of how a writer can set and, hopefully, meet expectations through worldbuilding -- and where that can sometimes become challenging as a series goes on. What makes a world exciting to enter in the first place? What grips a reader and keeps them with it? And how can you use worldbuilding to make your wizard chase sequence a more cohesive part of your world?&lt;/p&gt;
&lt;p&gt;Also, here's Natania's rock, as promised:&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;[Transcript TK]&lt;/p&gt;
&lt;p&gt;Our Guest: Not really a Prince of Amber, but rather, an ex-pat New Yorker living in Minnesota, Paul Weimer has been reading sci-fi and fantasy for over 40 years. An avid and enthusiastic amateur photographer, blogger and podcaster, Paul primarily contributes to the &lt;a href='https://skiffyandfanty.com/'&gt;Skiffy and Fanty Show&lt;/a&gt; as blogger and podcaster, to &lt;a href='http://www.nerds-feather.com/'&gt;Nerds of a Feather&lt;/a&gt; as a reviewer and interviewer, to the SFF Audio podcast, and turns up elsewhere as well. If you’ve spent any time reading about SFF online, you’ve probably read one of his reviews, comments or tweets (he’s @PrinceJvstin).&lt;/p&gt;
</description>

We spend a lot of time thinking about how to work with worldbuilding as writers -- but how does a reviewer approach the topic when they're reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer an...

We spend a lot of time thinking about how to work with worldbuilding as writers -- but how does a reviewer approach the topic when they're reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer and critiquer of speculative fiction! Paul talks about the details that he pays attention to, the things he looks for, and the things that draw his attention, as well as discussing the purpose of reviews and who they're for (hint: it's not the authors!).
In this episode, we spin things around to look at how we approach worldbuilding and narrative construction as readers -- since we are, of course, readers as well as writers! We explore of aspects of how a writer can set and, hopefully, meet expectations through worldbuilding -- and where that can sometimes become challenging as a series goes on. What makes a world exciting to enter in the first place? What grips a reader and keeps them with it? And how can you use worldbuilding to make your wizard chase sequence a more cohesive part of your world?
Also, here's Natania's rock, as promised:

[Transcript TK]
Our Guest: Not really a Prince of Amber, but rather, an ex-pat New Yorker living in Minnesota, Paul Weimer has been reading sci-fi and fantasy for over 40 years. An avid and enthusiastic amateur photographer, blogger and podcaster, Paul primarily contributes to the Skiffy and Fanty Show as blogger and podcaster, to Nerds of a Feather as a reviewer and interviewer, to the SFF Audio podcast, and turns up elsewhere as well. If you’ve spent any time reading about SFF online, you’ve probably read one of his reviews, comments or tweets (he’s @PrinceJvstin).

Episode 124: Worldbuilding in Review, ft. PAUL WEIMER

When you're creating your world and bringing it into a story, how much do you let show? Guest <a href='https://johnhartness.com/'>John Hartness</a> joins us to discuss balancing the off-page and on-page elements, and how that balance might shift based on what kind of a world you're working in and what sort of a story you're telling. How do you ensure that the worldbuilding serves a purpose and serves the characters?
In this episode, you'll also get a peek behind the publishing curtain! John discusses running Falstaff Books, a publisher known for making space for authors at "the weird kids' table." That ethos translates into his work as an editor and publisher, and it's led him to think and talk about worldbuilding in different ways than when he's writing his own works!
Sidebar: It's Hugo Award nomination season! If you're a nominating sort of person and you enjoyed the podcast in 2023, we'd love your consideration for Best Fancast.
[Transcript TK]
Our Guest: John G. Hartness is a teller of tales, a righter of wrong, defender of ladies’ virtues, and some people call him Maurice, for he speaks of the pompatus of love. He is also the award-winning author of the urban fantasy series The Black Knight Chronicles, the Bubba the Monster Hunter comedic horror series, the Quincy Harker, Demon Hunter dark fantasy series, and many other projects. He is also a cast member of the role-playing podcast Authors &amp; Dragons, where a group of comedy, fantasy, and horror writers play Dungeons &amp; Dragons. Very poorly.

In 2016, John teamed up with a group of other publishing industry ne’er-do-wells and founded Falstaff Books, a small press dedicated to publishing the best of genre fiction’s “misfit toys.” Falstaff Books has since published over 50 titles with authors ranging from first-timers to NY Times bestsellers, with no signs of slowing down any time soon.
In his copious free time John enjoys long walks on the beach, rescuing kittens from trees and playing Magic: the Gathering. John’s pronouns are he/him.

<description>&lt;p&gt;When you're creating your world and bringing it into a story, how much do you let show? Guest &lt;a href='https://johnhartness.com/'&gt;John Hartness&lt;/a&gt; joins us to discuss balancing the off-page and on-page elements, and how that balance might shift based on what kind of a world you're working in and what sort of a story you're telling. How do you ensure that the worldbuilding serves a purpose and serves the characters?&lt;/p&gt;
&lt;p&gt;In this episode, you'll also get a peek behind the publishing curtain! John discusses running Falstaff Books, a publisher known for making space for authors at "the weird kids' table." That ethos translates into his work as an editor and publisher, and it's led him to think and talk about worldbuilding in different ways than when he's writing his own works!&lt;/p&gt;
&lt;p&gt;Sidebar: It's Hugo Award nomination season! If you're a nominating sort of person and you enjoyed the podcast in 2023, we'd love your consideration for Best Fancast.&lt;/p&gt;
&lt;p&gt;[Transcript TK]&lt;/p&gt;
&lt;p&gt;Our Guest: John G. Hartness is a teller of tales, a righter of wrong, defender of ladies’ virtues, and some people call him Maurice, for he speaks of the pompatus of love. He is also the award-winning author of the urban fantasy series The Black Knight Chronicles, the Bubba the Monster Hunter comedic horror series, the Quincy Harker, Demon Hunter dark fantasy series, and many other projects. He is also a cast member of the role-playing podcast Authors &amp;amp; Dragons, where a group of comedy, fantasy, and horror writers play Dungeons &amp;amp; Dragons. Very poorly.&lt;/p&gt;

&lt;p&gt;In 2016, John teamed up with a group of other publishing industry ne’er-do-wells and founded Falstaff Books, a small press dedicated to publishing the best of genre fiction’s “misfit toys.” Falstaff Books has since published over 50 titles with authors ranging from first-timers to NY Times bestsellers, with no signs of slowing down any time soon.&lt;/p&gt;
&lt;p&gt;In his copious free time John enjoys long walks on the beach, rescuing kittens from trees and playing Magic: the Gathering. John’s pronouns are he/him.&lt;/p&gt;
</description>

When you're creating your world and bringing it into a story, how much do you let show? Guest John Hartness joins us to discuss balancing the off-page and on-page elements, and how that balance might shift based on what kind of a world you're working...

When you're creating your world and bringing it into a story, how much do you let show? Guest John Hartness joins us to discuss balancing the off-page and on-page elements, and how that balance might shift based on what kind of a world you're working in and what sort of a story you're telling. How do you ensure that the worldbuilding serves a purpose and serves the characters?
In this episode, you'll also get a peek behind the publishing curtain! John discusses running Falstaff Books, a publisher known for making space for authors at "the weird kids' table." That ethos translates into his work as an editor and publisher, and it's led him to think and talk about worldbuilding in different ways than when he's writing his own works!
Sidebar: It's Hugo Award nomination season! If you're a nominating sort of person and you enjoyed the podcast in 2023, we'd love your consideration for Best Fancast.
[Transcript TK]
Our Guest: John G. Hartness is a teller of tales, a righter of wrong, defender of ladies’ virtues, and some people call him Maurice, for he speaks of the pompatus of love. He is also the award-winning author of the urban fantasy series The Black Knight Chronicles, the Bubba the Monster Hunter comedic horror series, the Quincy Harker, Demon Hunter dark fantasy series, and many other projects. He is also a cast member of the role-playing podcast Authors &amp; Dragons, where a group of comedy, fantasy, and horror writers play Dungeons &amp; Dragons. Very poorly.

In 2016, John teamed up with a group of other publishing industry ne’er-do-wells and founded Falstaff Books, a small press dedicated to publishing the best of genre fiction’s “misfit toys.” Falstaff Books has since published over 50 titles with authors ranging from first-timers to NY Times bestsellers, with no signs of slowing down any time soon.
In his copious free time John enjoys long walks on the beach, rescuing kittens from trees and playing Magic: the Gathering. John’s pronouns are he/him.


Episode 123: Worldbuilding in Your Underpants, ft. JOHN HARTNESS

We've talked before about the difference between aesthetic-driven genres, like sci-fi and fantasy, and structure-driven genres, like mystery and romance. So what happens when you want to build a world just ripe for all your favorite romance tropes? How can your world create the obstacles to your characters getting their happy-ever-after? Guest <a href='https://www.gwendabond.com/'>Gwenda Bond</a> joins us to talk about the love of worldbuilding and worldbuilding for love!
A lot of writing romance means dealing with reader's expectations in a slightly different way than some other story-types. How useful are the sub-genre distinctions that might shape those expectations -- fantasy romance, romantic fantasy, fantasy with romance, romantasy, paranormal romance -- from the writer's perspective? And why are some SFF readers still worried that sex and romance might get cooties on their genre? In this episode, we look at how romance can hybridize with so many different forms and flavors of fantasy writing, and what choices writers make when directing the reader's attention more towards the romance or more towards the fantasy.
Sidebar: It's Hugo Award nomination season! If you're a nominating sort of person and you enjoyed the podcast in 2023, we'd love your consideration for Best Fancast.
[Transcript TK]
Our Guest: Gwenda Bond is the New York Times bestselling author of many novels, including the first official Stranger Things novel, Suspicious Minds, the Lois Lane YA series, and the romantic comedies Not Your Average Hot Guy, The Date from Hell, and Mr. &amp; Mrs. Witch. She has a number of forthcoming projects, including a magical art heist book, The Frame-Up. Her nonfiction writing has appeared in Publishers Weekly, Locus Magazine, Salon, the Los Angeles Times, and many other publications.
She co-founded and chairs the nonprofit Lexington Writer’s Room, and lives in a hundred-year-old house in Lexington, Kentucky, with her husband, author Christopher Rowe, and a veritable zoo of adorable doggos and queenly cats. Visit her online at <a href='http://www.gwendabond.com/'>www.gwendabond.com</a> or join her newsletter at <a href='http://www.gwendabond.substack.com/'>www.gwendabond.substack.com</a>.

<description>&lt;p&gt;We've talked before about the difference between aesthetic-driven genres, like sci-fi and fantasy, and structure-driven genres, like mystery and romance. So what happens when you want to build a world just ripe for all your favorite romance tropes? How can your world create the obstacles to your characters getting their happy-ever-after? Guest &lt;a href='https://www.gwendabond.com/'&gt;Gwenda Bond&lt;/a&gt; joins us to talk about the love of worldbuilding and worldbuilding for love!&lt;/p&gt;
&lt;p&gt;A lot of writing romance means dealing with reader's expectations in a slightly different way than some other story-types. How useful are the sub-genre distinctions that might shape those expectations -- fantasy romance, romantic fantasy, fantasy with romance, romantasy, paranormal romance -- from the writer's perspective? And why are some SFF readers still worried that sex and romance might get cooties on their genre? In this episode, we look at how romance can hybridize with so many different forms and flavors of fantasy writing, and what choices writers make when directing the reader's attention more towards the romance or more towards the fantasy.&lt;/p&gt;
&lt;p&gt;Sidebar: It's Hugo Award nomination season! If you're a nominating sort of person and you enjoyed the podcast in 2023, we'd love your consideration for Best Fancast.&lt;/p&gt;
&lt;p&gt;[Transcript TK]&lt;/p&gt;
&lt;p&gt;Our Guest: Gwenda Bond is the New York Times bestselling author of many novels, including the first official Stranger Things novel, Suspicious Minds, the Lois Lane YA series, and the romantic comedies Not Your Average Hot Guy, The Date from Hell, and Mr. &amp;amp; Mrs. Witch. She has a number of forthcoming projects, including a magical art heist book, The Frame-Up. Her nonfiction writing has appeared in Publishers Weekly, Locus Magazine, Salon, the Los Angeles Times, and many other publications.&lt;/p&gt;
&lt;p&gt;She co-founded and chairs the nonprofit Lexington Writer’s Room, and lives in a hundred-year-old house in Lexington, Kentucky, with her husband, author Christopher Rowe, and a veritable zoo of adorable doggos and queenly cats. Visit her online at &lt;a href='http://www.gwendabond.com/'&gt;www.gwendabond.com&lt;/a&gt; or join her newsletter at &lt;a href='http://www.gwendabond.substack.com/'&gt;www.gwendabond.substack.com&lt;/a&gt;.&lt;/p&gt;
</description>

We've talked before about the difference between aesthetic-driven genres, like sci-fi and fantasy, and structure-driven genres, like mystery and romance. So what happens when you want to build a world just ripe for all your favorite romance tropes? H...

We've talked before about the difference between aesthetic-driven genres, like sci-fi and fantasy, and structure-driven genres, like mystery and romance. So what happens when you want to build a world just ripe for all your favorite romance tropes? How can your world create the obstacles to your characters getting their happy-ever-after? Guest Gwenda Bond joins us to talk about the love of worldbuilding and worldbuilding for love!
A lot of writing romance means dealing with reader's expectations in a slightly different way than some other story-types. How useful are the sub-genre distinctions that might shape those expectations -- fantasy romance, romantic fantasy, fantasy with romance, romantasy, paranormal romance -- from the writer's perspective? And why are some SFF readers still worried that sex and romance might get cooties on their genre? In this episode, we look at how romance can hybridize with so many different forms and flavors of fantasy writing, and what choices writers make when directing the reader's attention more towards the romance or more towards the fantasy.
Sidebar: It's Hugo Award nomination season! If you're a nominating sort of person and you enjoyed the podcast in 2023, we'd love your consideration for Best Fancast.
[Transcript TK]
Our Guest: Gwenda Bond is the New York Times bestselling author of many novels, including the first official Stranger Things novel, Suspicious Minds, the Lois Lane YA series, and the romantic comedies Not Your Average Hot Guy, The Date from Hell, and Mr. &amp; Mrs. Witch. She has a number of forthcoming projects, including a magical art heist book, The Frame-Up. Her nonfiction writing has appeared in Publishers Weekly, Locus Magazine, Salon, the Los Angeles Times, and many other publications.
She co-founded and chairs the nonprofit Lexington Writer’s Room, and lives in a hundred-year-old house in Lexington, Kentucky, with her husband, author Christopher Rowe, and a veritable zoo of adorable doggos and queenly cats. Visit her online at www.gwendabond.com or join her newsletter at www.gwendabond.substack.com.

Episode 122: Now Kiss: Building Romance into Your Worlds, ft. GWENDA BOND

A podcast by three fantasy authors who love to overcomplicate their writing lives and want to help you do the same.

Worldbuilding for Masochists

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