Editors - Geoff Richman ACE, Joe Landauer, Keith Fraase ACE The Severance editing team of Geoff Richman, Joe Landauer and Keith Fraase discuss their experiences and creative processes for the hit show's second season. They talk about their initial impressions of the project, preparation to join the show, and specific challenges in editing various episodes. Highlights include creating complex montages, handling visual effects, maintaining geographic and narrative coherence, and managing ambitious scenes like Mark's dual-dialogue via a DV camera. They also discuss the excitement of uncovering scripts and scenes as the series progresses. Created by Dan Erickson and exec produced (and often directed) by Ben Stiller, SEVERANCE follows employees at the biotechnology corporation Lumon Industries who have undergone "severance"—a medical procedure that ensures they retain no memories of the outside world while at work and have no recollection of their job once they leave. This results in two distinct personalities for each employee: the "innie", who exists solely within Lumon, and the "outie", who lives their personal life outside of work. GEOFF RICHMAN, ACE Geoff Richman is known for <a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt11823076/?ref_=nm_flmg_job_1_cdt_t_7"> Tiger King (2020)</a>, <a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt6866266/?ref_=nmbio_mbio">Escape at Dannemora (2018)</a> and <a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt6857376/?ref_=nmbio_mbio">Palmer (2021)</a>. JOE LANDAUER Joe Landauer is known for <a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt0286106/?ref_=nmbio_mbio">Signs (2002)</a>, <a class="ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt0368008/?ref_=nmbio_mbio">The Manchurian Candidate (2004)</a> and <a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt0272152/?ref_=nmbio_mbio">K-PAX (2001)</a>. KEITH FRAASE, ACE Keith Fraase is known for <a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt13238346/?ref_=nmbio_mbio">Past Lives (2023)</a>, <a class="ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt1595656/?ref_=nmbio_mbio">To the Wonder (2012)</a> and <a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt2101383/?ref_=nmbio_mbio">Knight of Cups (2015)</a>. The Credits Visit <a href="http://www.extrememusic.com">ExtremeMusic</a> for all your production audio needs Check out what's new with <a href= "http://www.avid.com/media-composer">Avid Media Composer</a> <a href="https://theroughcutpod.com/subscribe/">Subscribe</a> to The Rough Cut podcast and never miss an episode Visit The Rough Cut on <a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"> YouTube</a>

<description>&lt;h2&gt;Editors - Geoff Richman ACE, Joe Landauer, Keith Fraase ACE&lt;/h2&gt; &lt;p&gt;The Severance editing team of Geoff Richman, Joe Landauer and Keith Fraase discuss their experiences and creative processes for the hit show's second season. They talk about their initial impressions of the project, preparation to join the show, and specific challenges in editing various episodes. Highlights include creating complex montages, handling visual effects, maintaining geographic and narrative coherence, and managing ambitious scenes like Mark's dual-dialogue via a DV camera. They also discuss the excitement of uncovering scripts and scenes as the series progresses. Created by Dan Erickson and exec produced (and often directed) by Ben Stiller, SEVERANCE follows employees at the biotechnology corporation Lumon Industries who have undergone "severance"—a medical procedure that ensures they retain no memories of the outside world while at work and have no recollection of their job once they leave. This results in two distinct personalities for each employee: the "innie", who exists solely within Lumon, and the "outie", who lives their personal life outside of work.&lt;/p&gt; &lt;h4&gt;GEOFF RICHMAN, ACE&lt;/h4&gt; &lt;p&gt;Geoff Richman is known for &lt;a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt11823076/?ref_=nm_flmg_job_1_cdt_t_7"&gt; Tiger King (2020)&lt;/a&gt;, &lt;a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt6866266/?ref_=nmbio_mbio"&gt;Escape at Dannemora (2018)&lt;/a&gt; and &lt;a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt6857376/?ref_=nmbio_mbio"&gt;Palmer (2021)&lt;/a&gt;.&lt;/p&gt; &lt;h4&gt;JOE LANDAUER&lt;/h4&gt; &lt;p&gt;Joe Landauer is known for &lt;a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt0286106/?ref_=nmbio_mbio"&gt;Signs (2002)&lt;/a&gt;, &lt;a class="ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt0368008/?ref_=nmbio_mbio"&gt;The Manchurian Candidate (2004)&lt;/a&gt; and &lt;a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt0272152/?ref_=nmbio_mbio"&gt;K-PAX (2001)&lt;/a&gt;.&lt;/p&gt; &lt;h4&gt;KEITH FRAASE, ACE&lt;/h4&gt; &lt;p&gt;Keith Fraase is known for &lt;a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt13238346/?ref_=nmbio_mbio"&gt;Past Lives (2023)&lt;/a&gt;, &lt;a class="ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt1595656/?ref_=nmbio_mbio"&gt;To the Wonder (2012)&lt;/a&gt; and &lt;a class= "ipc-md-link ipc-md-link--entity" href= "https://www.imdb.com/title/tt2101383/?ref_=nmbio_mbio"&gt;Knight of Cups (2015)&lt;/a&gt;.&lt;/p&gt; &lt;h2&gt;The Credits&lt;/h2&gt; &lt;p&gt;Visit &lt;a href="http://www.extrememusic.com"&gt;ExtremeMusic&lt;/a&gt; for all your production audio needs&lt;br /&gt; &lt;br /&gt; Check out what's new with &lt;a href= "http://www.avid.com/media-composer"&gt;Avid Media Composer&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; &lt;a href="https://theroughcutpod.com/subscribe/"&gt;Subscribe&lt;/a&gt; to The Rough Cut podcast and never miss an episode&lt;br /&gt; &lt;br /&gt; Visit The Rough Cut on &lt;a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"&gt; YouTube&lt;/a&gt;&lt;/p&gt;</description>

Editors - Geoff Richman ACE, Joe Landauer, Keith Fraase ACE The Severance editing team of Geoff Richman, Joe Landauer and Keith Fraase discuss their experiences and creative processes for the hit show's second season. They talk about their initial...

Severance

Editor - Dan Rovetto, ACE SUITS LA editor Dan Rovetto's career path was far from straightforward. Reflecting on his early days, he shares how intern experiences at MTV laid the foundation for his editing career.  Our conversation covers his transition from reality TV editing to scripted television, plus the impact of streaming, social media and Meghan Markle on the resurgence of the original 'Suits' series.  We also talk about the influence of music choices and the role of assistants in the editing process.  Dan further discusses the unique pressure of editing a pilot episode, especially for a series as anticipated as "Suits LA", including the high stakes involved and the need to set up a new world. Created by SUITS showrunner Aaron Korsh, SUITS LA centers on how Ted Black, a former federal prosecutor from New York, has reinvented himself representing the most powerful clients in Los Angeles. But his firm is at a crisis point, and in order to survive, he must embrace a role he held in contempt his entire career. Ted is surrounded by a stellar group of attorneys who test their loyalties to both Ted and each other while they can't help but mix their personal and professional lives. On top of it all, Ted must come to terms with the events that years ago led him to leave behind everything and everyone he loved. DAN ROVETTO, ACE SUITS LA editor Dan Rovetto, ACE is known for editing Suits, Pearson and Grey's Anatomy. He grew up on the east coast of the United States getting his start in entertainment at MTV in Times Square. Following his passion for editing and sense of adventure he moved to Los Angeles, CA in 2010. After a short time he made the transition into scripted and got his start editing on the hit USA Network series Suits where he quickly made a name for himself. In 2022 Dan Rovetto became a proud member of American Cinema Editors. The Credits Visit <a href="http://www.extrememusic.com">ExtremeMusic</a> for all your production audio needs Check out what's new with <a href= "http://www.avid.com/media-composer">Avid Media Composer</a> <a href="https://theroughcutpod.com/subscribe/">Subscribe</a> to The Rough Cut podcast and never miss an episode Visit The Rough Cut on <a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"> YouTube</a>

<description>&lt;h2&gt;Editor - Dan Rovetto, ACE&lt;/h2&gt; &lt;p&gt;SUITS LA editor Dan Rovetto's career path was far from straightforward. Reflecting on his early days, he shares how intern experiences at MTV laid the foundation for his editing career.  Our conversation covers his transition from reality TV editing to scripted television, plus the impact of streaming, social media and Meghan Markle on the resurgence of the original 'Suits' series.  We also talk about the influence of music choices and the role of assistants in the editing process.  Dan further discusses the unique pressure of editing a pilot episode, especially for a series as anticipated as "Suits LA", including the high stakes involved and the need to set up a new world. Created by SUITS showrunner Aaron Korsh, SUITS LA centers on how Ted Black, a former federal prosecutor from New York, has reinvented himself representing the most powerful clients in Los Angeles. But his firm is at a crisis point, and in order to survive, he must embrace a role he held in contempt his entire career. Ted is surrounded by a stellar group of attorn&lt;span class= "yZlgBd"&gt;eys who test their loyalties to both Ted and each other while they can't help but mix their personal and professional lives. On top of it all, Ted must come to terms with the events that years ago led him to leave behind everything and everyone he loved.&lt;/span&gt;&lt;/p&gt; &lt;h4&gt;DAN ROVETTO, ACE&lt;/h4&gt; &lt;p&gt;SUITS LA editor Dan Rovetto, ACE is known for editing Suits, Pearson and Grey's Anatomy. He grew up on the east coast of the United States getting his start in entertainment at MTV in Times Square. Following his passion for editing and sense of adventure he moved to Los Angeles, CA in 2010. After a short time he made the transition into scripted and got his start editing on the hit USA Network series Suits where he quickly made a name for himself. In 2022 Dan Rovetto became a proud member of American Cinema Editors.&lt;/p&gt; &lt;h2&gt;The Credits&lt;/h2&gt; &lt;p&gt;Visit &lt;a href="http://www.extrememusic.com"&gt;ExtremeMusic&lt;/a&gt; for all your production audio needs&lt;br /&gt; &lt;br /&gt; Check out what's new with &lt;a href= "http://www.avid.com/media-composer"&gt;Avid Media Composer&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; &lt;a href="https://theroughcutpod.com/subscribe/"&gt;Subscribe&lt;/a&gt; to The Rough Cut podcast and never miss an episode&lt;br /&gt; &lt;br /&gt; Visit The Rough Cut on &lt;a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"&gt; YouTube&lt;/a&gt;&lt;/p&gt;</description>

Editor - Dan Rovetto, ACE SUITS LA editor Dan Rovetto's career path was far from straightforward. Reflecting on his early days, he shares how intern experiences at MTV laid the foundation for his editing career.  Our conversation covers his...

Suits LA

Editors - Federico Brioni, Diana Vasconcellos, Vicente Kubrusly and Guilherme Porto A big series, about a bigger than life racing icon, takes a big team of talented editors and assistant editors to tell the story right.  And that is just what Federico, Diana, Gui and Vicente have to say about their experience on the series - that they were part of highly tuned, highly collaborative team of professionals, all working diligently to honor the life of a racing legend and national hero of their home country of Brazil. Created by Vicente Amorim and directed by Amorim and Júlia Rezende, the series is based on the life of legendary race car driver Ayrton Senna.  Starring Gabriel Leone as Senna, the series follows his life from the beginning of his racing career in karting to his untimely death at the 1994 San Marino Grand Prix. FEDERICO BRIONI Federico Brioni is film editor with experience across various formats, and genres. Originally from Argentina, Federico has built his entire career in Brazil, where he continues to live and work. His contributions include "Senna," Netflix's series about the legendary Formula 1 driver Ayrton Senna, "Jules and Dolores," which garnered acclaim and awards. "O Doutrinador: A Série" a Brazilian action-thriller adapted from the eponymous comic book, as well as "Anderson Spider Silva," Paramount's series chronicling the life and career of Brazil's MMA champion. Senna is his first collaboration with Vicente Amorim. DIANA VASCONCELLOS Diana Vasconcellos is a Brazilian film editor whose career began in the 1980s. Over the years, she garnered more than 60 credits across feature films, documentaries, and TV series. Her contributions to the craft have earned her 16 nominations and 2 prestigious industry awards. She previously collaborated with Vicente Amorim on the film "Dirty Hearts" and the TV series "Romance Policial Espinosa". VICENTE KUBRUSLY Vicente Kubrusly is a Brazilian film editor and director with over two decades of experience in the audiovisual industry. His career spans feature films, documentaries, and TV series, reflecting a profound understanding of the entire production process. Vicente's notable works include the series Dom (Amazon Prime Video), the film Dois Filhos de Francisco (dir. Breno Silveira), and  Eu Tu Eles (dir. Andrucha Waddington). A former executive producer and partner at Conspiração Filmes, Vicente has contributed to a range of acclaimed projects, such as Assédio (Globoplay), Magnífica 70 (HBO), and the documentary Universo ao Meu Redor featuring Marisa Monte. His diverse body of work demonstrates a dedication to storytelling across formats and platforms.  Vicente previously colaborated with director Vicente Amorim on the anthology film Rio, I Love You. GUILHERME PORTO Guilherme Porto is a Brazilian editor with experience in over 20 feature films and TV series, taking on various post-production roles. He served as the editor of the feature film Raquel 1,1, directed by Mariana Bastos, and worked on episodes for Brazilian TV series like Senna, Desperate Lies, Criminal Code, Brotherhood, and Lady Voyeur for Netflix, as well as other projects for Globoplay, HBO, and Disney+. Senna marks his first collaboration with Vicente Amorim The Credits Visit <a href="http://www.extrememusic.com">ExtremeMusic</a> for all your production audio needs Check out what's new with <a href= "http://www.avid.com/media-composer">Avid Media Composer</a> <a href="https://theroughcutpod.com/subscribe/">Subscribe</a> to The Rough Cut podcast and never miss an episode Visit The Rough Cut on <a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"> YouTube</a>

<description>&lt;h2&gt;Editors - Federico Brioni, Diana Vasconcellos, Vicente Kubrusly and Guilherme Porto&lt;/h2&gt; &lt;p&gt;A big series, about a bigger than life racing icon, takes a big team of talented editors and assistant editors to tell the story right.  And that is just what Federico, Diana, Gui and Vicente have to say about their experience on the series - that they were part of highly tuned, highly collaborative team of professionals, all working diligently to honor the life of a racing legend and national hero of their home country of Brazil. Created by Vicente Amorim and directed by Amorim and Júlia Rezende, the series is based on the life of legendary race car driver Ayrton Senna.  Starring Gabriel Leone as Senna, the series follows his life from the beginning of his racing career in karting to his untimely death at the 1994 San Marino Grand Prix.&lt;/p&gt; &lt;h4&gt;FEDERICO BRIONI&lt;/h4&gt; &lt;p&gt;&lt;span class="outlook-search-highlight" data-markjs= "true"&gt;Federico&lt;/span&gt; &lt;span class="outlook-search-highlight" data-markjs="true"&gt;Brioni&lt;/span&gt; &lt;span data-ogsc="black"&gt;is film editor with experience across various formats, and genres. Originally from Argentina, &lt;span class="outlook-search-highlight" data-markjs="true"&gt;Federico&lt;/span&gt; has built his entire career in Brazil, where he continues to live and work. His contributions include "Senna," Netflix's series about the legendary Formula 1 driver Ayrton Senna, "Jules and Dolores," which garnered acclaim and awards. "O Doutrinador: A Série" a Brazilian action-thriller adapted from the eponymous comic book, as well as "Anderson Spider Silva," Paramount's series chronicling the life and career of Brazil's MMA champion. Senna is his first collaboration with Vicente Amorim.&lt;/span&gt;&lt;/p&gt; &lt;h4&gt;DIANA VASCONCELLOS&lt;/h4&gt; &lt;p&gt;Diana Vasconcellos is a Brazilian film editor whose career began in the 1980s. Over the years, she garnered more than 60 credits across feature films, documentaries, and TV series. Her contributions to the craft have earned her 16 nominations and 2 prestigious industry awards. She previously collaborated with Vicente Amorim on the film "Dirty Hearts" and the TV series "Romance Policial Espinosa".&lt;/p&gt; &lt;h4&gt;VICENTE KUBRUSLY&lt;/h4&gt; &lt;p&gt;Vicente Kubrusly&lt;span data-ogsc= "black"&gt; &lt;/span&gt;&lt;span data-ogsc="black"&gt;is a Brazilian film editor and director with over two decades of experience in the audiovisual industry. His career spans feature films, documentaries, and TV series, reflecting a profound understanding of the entire production process. Vicente's notable works include the series &lt;em&gt;Dom&lt;/em&gt; (Amazon Prime Video), the film &lt;em&gt;Dois Filhos de Francisco&lt;/em&gt; (dir. Breno Silveira), and  &lt;em&gt;Eu Tu Eles&lt;/em&gt; (dir. Andrucha Waddington). A former executive producer and partner at Conspiração Filmes, Vicente has contributed to a range of acclaimed projects, such as &lt;em&gt;Assédio&lt;/em&gt; (Globoplay), &lt;em&gt;Magnífica 70&lt;/em&gt; (HBO), and the documentary &lt;em&gt;Universo ao Meu Redor&lt;/em&gt; featuring Marisa Monte. His diverse body of work demonstrates a dedication to storytelling across formats and platforms.  Vicente previously colaborated with director Vicente Amorim on the anthology film Rio, I Love You.&lt;/span&gt;&lt;/p&gt; &lt;h4&gt;GUILHERME PORTO&lt;/h4&gt; &lt;p&gt;Guilherme Porto &lt;span data-ogsc="black"&gt;is a Brazilian editor with experience in over 20 feature films and TV series, taking on various post-production roles. He served as the editor of the feature film Raquel 1,1, directed by Mariana Bastos, and worked on episodes for Brazilian TV series like Senna, Desperate Lies, Criminal Code, Brotherhood, and Lady Voyeur for Netflix, as well as other projects for Globoplay, HBO, and Disney+. Senna marks his first collaboration with Vicente Amorim&lt;/span&gt;&lt;/p&gt; &lt;h2&gt;The Credits&lt;/h2&gt; &lt;p&gt;Visit &lt;a href="http://www.extrememusic.com"&gt;ExtremeMusic&lt;/a&gt; for all your production audio needs&lt;br /&gt; &lt;br /&gt; Check out what's new with &lt;a href= "http://www.avid.com/media-composer"&gt;Avid Media Composer&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; &lt;a href="https://theroughcutpod.com/subscribe/"&gt;Subscribe&lt;/a&gt; to The Rough Cut podcast and never miss an episode&lt;br /&gt; &lt;br /&gt; Visit The Rough Cut on &lt;a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"&gt; YouTube&lt;/a&gt;&lt;/p&gt;</description>

Editors - Federico Brioni, Diana Vasconcellos, Vicente Kubrusly and Guilherme Porto A big series, about a bigger than life racing icon, takes a big team of talented editors and assistant editors to tell the story right.  And that is just what...

Senna

Editors - Brett W. Bachman, ACE and Josh Ethier, ACE Long time friends, but first time co-editors, Brett and Josh are no strangers to working in the horror/thriller genre.  The same can't be said for COMPANION director Drew Hancock. Not only was this film Hancock's first feature as a director, but it was also his first real foray into genre filmmaking.  But that didn't stop either Brett or Josh from seeing how good this film was going to be right from the script.  What they couldn't predict, was how great a working experience the whole thing would be. Written and directed by Drew Hancock, COMPANION stars Sophie Thatcher and Jack Quaid as a couple on a weekend getaway with friends at a remote cabin that unravels into violence amid revelations that one of the guests is what’s known as a companion robot. BRETT W. BACHMAN, ACE Brett W. Bachman, ACE, is an editor of film & television with acclaimed titles such as Mandy, Pig, & The Fall of the House of Usher. He has worked with leading voices in genre film, such as Panos Cosmatos, Mike Flanagan, Josh Ruben, and Elijah Wood. Several of his feature films have premiered at renowned international festivals, including Sundance, TIFF, SXSW, and Cannes. He's also brought his talents to the small screen with numerous television and commercial projects. Recent & upcoming titles include: Companion, a thriller from writer/director Drew Hancock and New Line Cinema, Rabbit Trap starring Dev Patel, and Heart Eyes, a romcom-slasher hybrid from director Josh Ruben. Additional titles include Werewolves Within, Color Out of Space, The Toxic Avenger, The Vigil, Cooties, and many more. Bachman found his love of editing in his formative years, developing a passion for storytelling through three self-produced documentaries when he was just 19. At 22 years old, he was one of the youngest members of his AFI Conservatory editing program. Since then, he's nurtured his love of filmmaking with an array of eclectic projects as an Editor, Associate Producer, and Executive Producer JOSH ETHIER, ACE Josh Ethier is a renowned Los Angeles based film editor who has left a lasting mark on the horror, thriller and action genres; he literally wears his passion for the genres on his sleeve. His works have premiered at esteemed film festivals such as the Toronto International Film Festival, Sundance Film Festival, SXSW, Tribeca Film Festival, Beyond Fest and Fantastic Fest.  Ethier is most well known for his frequent collaborations with director Joe Begos, with whom he has crafted a unique, LOUD and impactful cinematic style. Their partnership has resulted in several acclaimed films, including "Bliss," a psychedelic horror film that explores the descent of an artist into madness; "VFW," a gritty, action-packed thriller about war veterans defending their local VFW post from a drug-addled gang; and most recently, "Christmas Bloody Christmas," a festive yet terrifying holiday horror film that's streaming on Shudder. These collaborations have resonated with audiences and critics alike, showcasing Ethier's ability to enhance Begos' visionary storytelling through his editing.  Ethier's impressive filmography includes notable titles such as Oz Perkins' "Gretel & Hansel" for Orion Pictures and MGM, a dark reimagining of the classic fairy tale; William Brent Bell's "Orphan: First Kill," the prequel to the cult horror favorite for Paramount Pictures; Henry Dunham's "The Standoff at Sparrow Creek," a tense, dialogue-driven thriller about a mass shooting at a police funeral; and "Mayhem," a high-octane action horror film starring Steven Yeun that highlights his versatility as an editor of action and comedy. In 2021, Ethier's contributions to film editing were formally recognized when he was invited to join American Cinema Editors (ACE), an honor that signifies his standing in the industry amongst his peers. His career is marked by a commitment to excellence and a passion for storytelling, making him one of the most respected and sought-after editors in independent genre cinema. The Credits Visit <a href="http://www.extrememusic.com">ExtremeMusic</a> for all your production audio needs Check out what's new with <a href= "http://www.avid.com/media-composer">Avid Media Composer</a> <a href="https://theroughcutpod.com/subscribe/">Subscribe</a> to The Rough Cut podcast and never miss an episode Visit The Rough Cut on <a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"> YouTube</a>

<description>&lt;h2&gt;Editors - Brett W. Bachman, ACE and Josh Ethier, ACE&lt;/h2&gt; &lt;p&gt;Long time friends, but first time co-editors, Brett and Josh are no strangers to working in the horror/thriller genre.  The same can't be said for COMPANION director Drew Hancock. Not only was this film Hancock's first feature as a director, but it was also his first real foray into genre filmmaking.  But that didn't stop either Brett or Josh from seeing how good this film was going to be right from the script.  What they couldn't predict, was how great a working experience the whole thing would be. Written and directed by Drew Hancock, COMPANION stars Sophie Thatcher and Jack Quaid as a couple on a weekend getaway with friends at a remote cabin that unravels into violence amid revelations that one of the guests is what’s known as a companion robot.&lt;/p&gt; &lt;h4&gt;BRETT W. BACHMAN, ACE&lt;/h4&gt; &lt;div class="" data-mesh-id="comp-jn9c5sdminlineContent" data-testid="inline-content"&gt; &lt;div data-mesh-id="comp-jn9c5sdminlineContent-gridContainer" data-testid="mesh-container-content"&gt; &lt;div id="comp-jn9c5se2" class= "HcOXKn c9GqVL QxJLC3 lq2cno YQcXTT comp-jn9c5se2 wixui-rich-text" data-testid="richTextElement"&gt; &lt;p class="font_7 wixui-rich-text__text"&gt;&lt;span class= "wixui-rich-text__text"&gt;Brett W. Bachman, ACE, is an editor of film &amp; television with acclaimed titles such as &lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;Mandy&lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;, &lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;Pig&lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;, &amp; &lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;The Fall of the House of Usher.&lt;/span&gt; &lt;span class="wixui-rich-text__text"&gt;He has worked with leading voices in genre film, such as Panos Cosmatos, Mike Flanagan, Josh Ruben, and Elijah Wood. Several of his feature films have premiered at renowned international festivals, including Sundance, TIFF, SXSW, and Cannes. He's also brought his talents to the small screen with numerous television and commercial projects. &lt;/span&gt;&lt;span class="wixui-rich-text__text"&gt;Recent &amp; upcoming titles include: &lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;Companion&lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;, a thriller from writer/director Drew Hancock and New Line Cinema, &lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;Rabbit Trap&lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt; starring Dev Patel, and &lt;/span&gt;&lt;span class="wixui-rich-text__text"&gt;Heart Eyes&lt;/span&gt;&lt;span class="wixui-rich-text__text"&gt;, a romcom-slasher hybrid from director Josh Ruben.&lt;/span&gt; &lt;span class= "wixui-rich-text__text"&gt;Additional titles include &lt;/span&gt;&lt;span class="wixui-rich-text__text"&gt;Werewolves Within&lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;, &lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;Color Out of Space&lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;, &lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;The Toxic Avenger&lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;, &lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;The Vigil&lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;, &lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;Cooties&lt;/span&gt;&lt;span class= "wixui-rich-text__text"&gt;, and many more.&lt;/span&gt; &lt;span class= "wixui-rich-text__text"&gt;Bachman found his love of editing in his formative years, developing a passion for storytelling through three self-produced documentaries when he was just 19. At 22 years old, he was one of the youngest members of his AFI Conservatory editing program. Since then, he's nurtured his love of filmmaking with an array of eclectic projects as an Editor, Associate Producer, and Executive Producer&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;h4&gt;JOSH ETHIER, ACE&lt;/h4&gt; &lt;p&gt;Josh Ethier is a renowned Los Angeles based film editor who has left a lasting mark on the horror, thriller and action genres; he literally wears his passion for the genres on his sleeve. His works have premiered at esteemed film festivals such as the Toronto International Film Festival, Sundance Film Festival, SXSW, Tribeca Film Festival, Beyond Fest and Fantastic Fest.  Ethier is most well known for his frequent collaborations with director Joe Begos, with whom he has crafted a unique, LOUD and impactful cinematic style. Their partnership has resulted in several acclaimed films, including "Bliss," a psychedelic horror film that explores the descent of an artist into madness; "VFW," a gritty, action-packed thriller about war veterans defending their local VFW post from a drug-addled gang; and most recently, "Christmas Bloody Christmas," a festive yet terrifying holiday horror film that's streaming on Shudder. These collaborations have resonated with audiences and critics alike, showcasing Ethier's ability to enhance Begos' visionary storytelling through his editing.  Ethier's impressive filmography includes notable titles such as Oz Perkins' "Gretel &amp; Hansel" for Orion Pictures and MGM, a dark reimagining of the classic fairy tale; William Brent Bell's "Orphan: First Kill," the prequel to the cult horror favorite for Paramount Pictures; Henry Dunham's "The Standoff at Sparrow Creek," a tense, dialogue-driven thriller about a mass shooting at a police funeral; and "Mayhem," a high-octane action horror film starring Steven Yeun that highlights his versatility as an editor of action and comedy. In 2021, Ethier's contributions to film editing were formally recognized when he was invited to join American Cinema Editors (ACE), an honor that signifies his standing in the industry amongst his peers. His career is marked by a commitment to excellence and a passion for storytelling, making him one of the most respected and sought-after editors in independent genre cinema.&lt;/p&gt; &lt;h2&gt;The Credits&lt;/h2&gt; &lt;p&gt;Visit &lt;a href="http://www.extrememusic.com"&gt;ExtremeMusic&lt;/a&gt; for all your production audio needs&lt;br /&gt; &lt;br /&gt; Check out what's new with &lt;a href= "http://www.avid.com/media-composer"&gt;Avid Media Composer&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; &lt;a href="https://theroughcutpod.com/subscribe/"&gt;Subscribe&lt;/a&gt; to The Rough Cut podcast and never miss an episode&lt;br /&gt; &lt;br /&gt; Visit The Rough Cut on &lt;a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"&gt; YouTube&lt;/a&gt;&lt;/p&gt;</description>

Editors - Brett W. Bachman, ACE and Josh Ethier, ACE Long time friends, but first time co-editors, Brett and Josh are no strangers to working in the horror/thriller genre.  The same can't be said for COMPANION director Drew Hancock. Not only was...

Companion

Editors - Andrew S. Eisen ACE, Terel Gibson ACE and Katheryn Naranjo Hiring editors for SKELETON CREW was akin to casting actors, considering how essential each editor's background and style would be in shaping the series. Kat, for instance, found her mark through her work on STRANGER THINGS which resonated with the show's tone of adventure. Meanwhile, Terrell's experience with Marvel projects like HAWKEYE proved that he would be up to the demands and rigors of a VFX heavy tv series.  Finally, Andrew's extensive Star Wars history positioned him as invaluable in guiding the new team. Capturing the right tone was crucial for the editors, as the show combined elements of adventure and comedy with darker themes. Andrew, Kat and Terel discussed the significance of striking a balance, especially when the storyline demanded a shift from lightheartedness to seriousness. Jude Law’s transformation from a seemingly rogue character to a complex anti-hero was a key point of focus, with the team ensuring his evolution was believable and engaging. SKELETON CREW, created by Christopher Ford and Jon Watts, takes place in the same time frame as THE MANDALORIAN, post RETURN OF THE JEDI, pre-THE FORCE AWAKENS.  It’s a coming-of-age story about four kids who make a discovery on their home planet that leads them to getting lost in the galaxy and the adventure to find their way back home. ANDREW S. EISEN, ACE Considering the cinematic approach that Andrew applies to THE MANDALORIAN, THE BOOK OF BOBA FETT and SKELETON CREW, it’s no surprise to see his name in the credits of big sci-fi / action films like TRANSFORMERS: AGE OF EXTINCTION and THE GUARDIANS OF THE GALAXY VOL 2. TEREL GIBSON, ACE Prior to joining the Star Wars universe for SKELETON CREW, Terel dropped by the MCU to cut HAWKEYE. He's also known for his feature work on movies such as CUCKOO (2024), SORRY TO BOTHER YOU (2018), READY OR NOT (2019) and THE FIGHTER (2010). KAT NARANJO Kat started her journey on Season 1 of STRANGER THINGS as an assistant, but over the following seasons started picking up full time editorial duties as well.  She also assisted editor Dean Zimmerman ACE on the features, THE ADAM PROJECT and FREE GUY.  Earlier in her career, Kat assisted on HALT AND CATCH FIRE and served as post coordinator on ONE TREE HILL. The Credits Visit <a href="http://www.extrememusic.com">ExtremeMusic</a> for all your production audio needs Listen to Andrew talk about his work on THE MANDALORIAN Season One (<a href="https://theroughcutpod.com/the-mandalorian-part-1/">Part One</a> and <a href= "https://theroughcutpod.com/the-mandalorian-part-2/">Two</a>) and <a href="https://theroughcutpod.com/mando2/">Season Two</a>, as well as <a href= "https://theroughcutpod.com/the-book-of-boba-fett/">THE BOOK OF BOBA FETT</a> Hear Terel discuss cutting the Marvel series, <a href= "https://theroughcutpod.com/hawkeye/">HAWKEYE</a> Check out Kat's interview for <a href= "https://theroughcutpod.com/stranger-things-season-4/">STRANGER THINGS</a> Check out what's new with <a href= "http://www.avid.com/media-composer">Avid Media Composer</a> <a href="https://theroughcutpod.com/subscribe/">Subscribe</a> to The Rough Cut podcast and never miss an episode Visit The Rough Cut on <a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"> YouTube</a>

<description>&lt;h2&gt;Editors - Andrew S. Eisen ACE, Terel Gibson ACE and Katheryn Naranjo&lt;/h2&gt; &lt;p&gt;Hiring editors for SKELETON CREW was akin to casting actors, considering how essential each editor's background and style would be in shaping the series. Kat, for instance, found her mark through her work on STRANGER THINGS which resonated with the show's tone of adventure. Meanwhile, Terrell's experience with Marvel projects like HAWKEYE proved that he would be up to the demands and rigors of a VFX heavy tv series.  Finally, Andrew's extensive Star Wars history positioned him as invaluable in guiding the new team. Capturing the right tone was crucial for the editors, as the show combined elements of adventure and comedy with darker themes. Andrew, Kat and Terel discussed the significance of striking a balance, especially when the storyline demanded a shift from lightheartedness to seriousness. Jude Law’s transformation from a seemingly rogue character to a complex anti-hero was a key point of focus, with the team ensuring his evolution was believable and engaging. SKELETON CREW, created by Christopher Ford and Jon Watts, takes place in the same time frame as THE MANDALORIAN, post RETURN OF THE JEDI, pre-THE FORCE AWAKENS.  It’s a coming-of-age story about four kids who make a discovery on their home planet that leads them to getting lost in the galaxy and the adventure to find their way back home.&lt;/p&gt; &lt;h4&gt;ANDREW S. EISEN, ACE&lt;/h4&gt; &lt;p&gt;Considering the cinematic approach that Andrew applies to THE MANDALORIAN, THE BOOK OF BOBA FETT and SKELETON CREW&lt;em&gt;,&lt;/em&gt; it’s no surprise to see his name in the credits of big sci-fi / action films like TRANSFORMERS: AGE OF EXTINCTION and THE GUARDIANS OF THE GALAXY VOL 2.&lt;/p&gt; &lt;h4&gt;TEREL GIBSON, ACE&lt;/h4&gt; &lt;p&gt;Prior to joining the Star Wars universe for SKELETON CREW, Terel dropped by the MCU to cut HAWKEYE. He's also known for his feature work on movies such as CUCKOO (2024), SORRY TO BOTHER YOU (2018), READY OR NOT (2019) and THE FIGHTER (2010).&lt;/p&gt; &lt;h4&gt;KAT NARANJO&lt;/h4&gt; &lt;p&gt;Kat started her journey on Season 1 of STRANGER THINGS as an assistant, but over the following seasons started picking up full time editorial duties as well.  She also assisted editor Dean Zimmerman ACE on the features, THE ADAM PROJECT and FREE GUY.  Earlier in her career, Kat assisted on HALT AND CATCH FIRE and served as post coordinator on ONE TREE HILL.&lt;/p&gt; &lt;h2&gt;The Credits&lt;/h2&gt; &lt;p&gt;Visit &lt;a href="http://www.extrememusic.com"&gt;ExtremeMusic&lt;/a&gt; for all your production audio needs&lt;br /&gt; &lt;br /&gt; Listen to Andrew talk about his work on THE MANDALORIAN Season One (&lt;a href="https://theroughcutpod.com/the-mandalorian-part-1/"&gt;Part One&lt;/a&gt; and &lt;a href= "https://theroughcutpod.com/the-mandalorian-part-2/"&gt;Two&lt;/a&gt;) and &lt;a href="https://theroughcutpod.com/mando2/"&gt;Season Two&lt;/a&gt;, as well as &lt;a href= "https://theroughcutpod.com/the-book-of-boba-fett/"&gt;THE BOOK OF BOBA FETT&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Hear Terel discuss cutting the Marvel series, &lt;a href= "https://theroughcutpod.com/hawkeye/"&gt;HAWKEYE&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Check out Kat's interview for &lt;a href= "https://theroughcutpod.com/stranger-things-season-4/"&gt;STRANGER THINGS&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Check out what's new with &lt;a href= "http://www.avid.com/media-composer"&gt;Avid Media Composer&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; &lt;a href="https://theroughcutpod.com/subscribe/"&gt;Subscribe&lt;/a&gt; to The Rough Cut podcast and never miss an episode&lt;br /&gt; &lt;br /&gt; Visit The Rough Cut on &lt;a href= "https://www.youtube.com/channel/UCTAfd5RmCI0hAP3Oh4WGdnw?view_as=subscriber"&gt; YouTube&lt;/a&gt;&lt;/p&gt;</description>

Editors - Andrew S. Eisen ACE, Terel Gibson ACE and Katheryn Naranjo Hiring editors for SKELETON CREW was akin to casting actors, considering how essential each editor's background and style would be in shaping the series. Kat, for instance, found her...

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