Khatt Chronicles: Stories on Design from the Arab World

Huda Smitshuijzen AbiFarès interviews Iranian-American visual artist Golnar Adili on her journey from architecture to teaching and practicing visual arts. They discuss her work that transgresses borders and definition and how she uses the Perso-Arabic script and language as material for artistic exploration. Golnar talks about her love for science and art and how architecture brought these two passions together. She also discusses her first research trip to Tehran to investigate (free)inside/(controlled)outside spaces and what these notions represent in that particular cultural context, which was her starting point into becoming an artist. The research is concluded with a book of photographs entitled: "Tehran, A Landscape of Compressed Freedoms." Through the discussion, they unpack the relation between her work, her personal family history and experiences of living in diaspora, and her work as an artist and designer. They further explore these concepts in her other projects delving into her collage techniques and books arts projects. Golnar explains how her heart-language, Persian, plays a central role in her work, taking lyrical Persian poetry and making it contemporary through the design of the letterforms and the use of material. She discusses how gender has informed her work and how it compelled her to express small intimate stories of women (in her family) in her work. In her work she formally manipulates physical and visual material to convey emotions going by the Persian saying: "What comes from the heart, sits on the heart." The conversation is concluded with a brief talk about her teaching at both the Parsons School of Design (with college students) on one hand and children middle-schoolers on the other, and how her teaching assignments relate to her own work and explorations: straddling two and three dimensions, and exploring materials and techniques of image-making.

Yasmine Nachabe Taan interviews Beirut-based, French-Lebanese illustrator Aude Abou Nasr. They discuss Aude's educational and professional journey from starting in architecture into illustration and activism. Aude discusses her interest in narratives that address issues of belonging and the strife of migrants (women in particular). She also discusses her passion for projects that address justice and social issues, and her commissions and collaborations with various artists and organizations. Together they unpack her creative process, her creative commitments, and the challenges of making a living as an illustrator. Aude speaks about her collaboration with the architectural collectives representing Lebanon in the Venice Architectural Biennale, weaving stories of nature and politics. She expresses her concerns about not having enough time to execute her work properly, to reflect and explore at a slower pace. She concludes with stressing on the importance of collaboration and collective support within the creative community.

Roshanak Keyghobadi interviews Iranian California-based graphic designer and illustrator Ghazal Foroutan. They discuss Ghazal's journey as a designer, her educational stages, and her impactful first professional experience at Studio Shizaru in Tehran. Ghazal discusses her interest in design research and design history that developed during her postgraduate studies in the US. She mentions that her design history education (both in Iran and the U.S.) was male-centric, and expresses her gratitude to contemporary platforms, such as Khatt Chronicles and Women Iranian Designers, for broadening her knowledge and providing information about women role models. As a woman growing up in Iran, she experienced challenges that made her want to work on projects that advocated for (Iranian) women's rights and equality. She discusses her cultural engagement and political activism through her personal design projects. Ghazal discusses her design process and her passion for the risography technique and how she employs it for her "passion projects"—personal prints, editorial work, and publications. She shares her challenges of balancing teaching, personal project, and paid design commissions. The conversation ends with a discussion about the future of design: AI and responsible innovation, and adaptability to the complex media and communications landscape. Ghazal believes that we need to see design not just as a service but rather as a way to shape culture and create a culture of solidarity. Ghazal Foroutan is one the designers featured in the book, Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa (Amsterdam: Khatt Books, 2024).

Yara Khoury Nammour interviews Cairo-based Lebanese designer and visual artist Bahia Shehab. They discuss Shehab's motivation and journey as a designer and educator. Shehab delves into political engagement, the importance of portraying an authentic image of Arab/Islamic visual heritage in order to decolonize design history discourse. They discuss her influences and how her educational development has shaped her perspective on design. Shehab elaborates on her artistic practice, her academic research, and her publications: A Thousand Times No, Art the Corner of a Dream, You Can Crush the Flowers, History of Arab Graphic Design, Revealing Recording Reflecting, and an upcoming publication on vernacular culture and advertising. They discuss the challenges for knowledge creation and dissemination in the Arab world: starting with the obstacles that hinder collection, documentation, and preservation of material. They conclude the conversation with the idea that change comes in a collective effort of certain generation and time period, and that maybe this is the moment to establish an Arab graphic design museum in the region.

Yasmine Nachabe Taan interviews Beirut-based Syrian visual storyteller and illustrator Dima Nachawi. They discuss her professional journey, education, and projects. Dima shares her passion for making people laugh, clowning, drawing, singing, performing, shadow puppetry, and street theater. Her multidisciplinary practice is connected to her Syrian roots through which she documents and advocates for social causes and injustices. Together they unpack some of the political narratives behind her projects, and discuss how humor can help circumvent censorship and oppression. They also discuss the importance of female figures with long flowing hair in her illustrations; how they symbolize homelands, freedom, strength, and resilience; and how they are often a part of the cityscape or of trees, rooted in nature, and holding their ground. Dima Nachawi's work is featured in the book, Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa (Amsterdam: Khatt Books, 2024).