Composer &amp; Conductor David Newman talks conducting classic film music live and the program curated by John Williams for the LA Phil concert at the Walt Disney Concert Hall on February 2-4. Featuring Writer and Journalist Tim Greiving
Hosted by Maurizio Caschetto and Tim Burden
Film music is now a staple of the concert hall experience, with countless performances across the world by orchestras and ensembles of all kind, from local community symphonies to major historical institutions. Music from the movies is performed on the same stage where only the established canon of classical repertoire was once allowed, bringing a new audience to the concert hall and reinvigorating the live experience with innovative formats like the live-to-picture concerts. If this is now an accepted reality of the classical music landscape, a huge part is owed to John Williams and his 45-year activity as a champion of conducting film music in concert halls.
On February 2, 3 and 4 at the Walt Disney Concert Hall, <a href='https://thelegacyofjohnwilliams.com/2019/05/31/david-newman-podcast/'>David Newman</a> is conducting the Los Angeles Philharmonic in a program called <a href='https://www.laphil.com/events/performances/2449/2024-02-02/a-century-of-film-music'>A Century Of Film Music</a>. The concert is part of a series curated by John Williams and it features an exciting selection offering a journey through several decades of great film music with pieces by some of the finest composers who ever wrote for the movies. This is the starting point of this new Legacy Conversation podcast episode, a lively discussion with David Newman about the challenges and the opportunities of performing film music in the concert hall, while also reflecting on how crucial John Williams has been in making film music more widely accepted and recognized. Joining the discussion is writer and journalist Tim Greiving, who has followed the film music industry closely for almost 20 years and witnessed the transformation of how music from the movies is perceived by the audience.
 
Read more: <a href='https://thelegacyofjohnwilliams.com/?p=4360'>https://thelegacyofjohnwilliams.com/2024/02/02/legacy-conversations-a-century-of-film-music</a>
Listen to "A Century Of Film Music" playlist: <a href='https://open.spotify.com/playlist/1blGRnjBOFUA4xfGZiX08O'>https://open.spotify.com/playlist/1blGRnjBOFUA4xfGZiX08O</a>

<description>Composer &amp;amp; Conductor David Newman talks conducting classic film music live and the program curated by John Williams for the LA Phil concert at the Walt Disney Concert Hall on February 2-4. Featuring Writer and Journalist Tim Greiving
Hosted by Maurizio Caschetto and Tim Burden
&lt;p&gt;Film music is now a staple of the concert hall experience, with countless performances across the world by orchestras and ensembles of all kind, from local community symphonies to major historical institutions. Music from the movies is performed on the same stage where only the established canon of classical repertoire was once allowed, bringing a new audience to the concert hall and reinvigorating the live experience with innovative formats like the live-to-picture concerts. If this is now an accepted reality of the classical music landscape, a huge part is owed to John Williams and his 45-year activity as a champion of conducting film music in concert halls.&lt;/p&gt;
&lt;p&gt;On February 2, 3 and 4 at the Walt Disney Concert Hall, &lt;a href='https://thelegacyofjohnwilliams.com/2019/05/31/david-newman-podcast/'&gt;David Newman&lt;/a&gt; is conducting the Los Angeles Philharmonic in a program called &lt;a href='https://www.laphil.com/events/performances/2449/2024-02-02/a-century-of-film-music'&gt;A Century Of Film Music&lt;/a&gt;. The concert is part of a series curated by John Williams and it features an exciting selection offering a journey through several decades of great film music with pieces by some of the finest composers who ever wrote for the movies. This is the starting point of this new Legacy Conversation podcast episode, a lively discussion with David Newman about the challenges and the opportunities of performing film music in the concert hall, while also reflecting on how crucial John Williams has been in making film music more widely accepted and recognized. Joining the discussion is writer and journalist Tim Greiving, who has followed the film music industry closely for almost 20 years and witnessed the transformation of how music from the movies is perceived by the audience.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Read more: &lt;a href='https://thelegacyofjohnwilliams.com/?p=4360'&gt;https://thelegacyofjohnwilliams.com/2024/02/02/legacy-conversations-a-century-of-film-music&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Listen to "A Century Of Film Music" playlist: &lt;a href='https://open.spotify.com/playlist/1blGRnjBOFUA4xfGZiX08O'&gt;https://open.spotify.com/playlist/1blGRnjBOFUA4xfGZiX08O&lt;/a&gt;&lt;/p&gt;
</description>

Composer &amp; Conductor David Newman talks conducting classic film music live and the program curated by John Williams for the LA Phil concert at the Walt Disney Concert Hall on February 2-4. Featuring Writer and Journalist Tim Greiving
Hosted by Ma...

Composer &amp; Conductor David Newman talks conducting classic film music live and the program curated by John Williams for the LA Phil concert at the Walt Disney Concert Hall on February 2-4. Featuring Writer and Journalist Tim Greiving
Hosted by Maurizio Caschetto and Tim Burden
Film music is now a staple of the concert hall experience, with countless performances across the world by orchestras and ensembles of all kind, from local community symphonies to major historical institutions. Music from the movies is performed on the same stage where only the established canon of classical repertoire was once allowed, bringing a new audience to the concert hall and reinvigorating the live experience with innovative formats like the live-to-picture concerts. If this is now an accepted reality of the classical music landscape, a huge part is owed to John Williams and his 45-year activity as a champion of conducting film music in concert halls.
On February 2, 3 and 4 at the Walt Disney Concert Hall, David Newman is conducting the Los Angeles Philharmonic in a program called A Century Of Film Music. The concert is part of a series curated by John Williams and it features an exciting selection offering a journey through several decades of great film music with pieces by some of the finest composers who ever wrote for the movies. This is the starting point of this new Legacy Conversation podcast episode, a lively discussion with David Newman about the challenges and the opportunities of performing film music in the concert hall, while also reflecting on how crucial John Williams has been in making film music more widely accepted and recognized. Joining the discussion is writer and journalist Tim Greiving, who has followed the film music industry closely for almost 20 years and witnessed the transformation of how music from the movies is perceived by the audience.
 
Read more: https://thelegacyofjohnwilliams.com/2024/02/02/legacy-conversations-a-century-of-film-music
Listen to "A Century Of Film Music" playlist: https://open.spotify.com/playlist/1blGRnjBOFUA4xfGZiX08O

Legacy Conversations: A Century Of Film Music, with David Newman

Renowned trombonist talks his career as a studio musician in Hollywood and his many years playing for John Williams as Principal Trombone on such scores as Hook, Jurassic Park, Indiana Jones and the Star Wars films
 
William “Bill” Booth is one of the most respected veterans of the Los Angeles music scene and one of the most appreciated orchestral trombonists in the world. In a career spanning five decades, Bill Booth has performed on thousands of recording sessions, including a staggering amount of film and television soundtracks in Hollywood, thus becoming the leading trombonist in town. He has been the Principal Trombone for John Williams for all of the Maestro’s recordings in LA since 1991, performing on such legendary scores as Home Alone, Hook, Jurassic Park, Indiana Jones and the Kingdom of the Crystal Skull and the Star Wars sequel trilogy.
 
In this conversation, Bill Booth reflects on his career as a studio musician, chronicling the path that led him to Hollywood and becoming the leading studio trombonist for film and television. He talks at length about his many years playing for John Williams on dozens of his legendary film scores, reflecting on the special quality of the Maestro's music and his affinity for the instrument as shown in many of his film scores including Hook, Jurassic Park and the Star Wars series.
 
Read more at <a href='https://thelegacyofjohnwilliams.com/?p=4322'>https://thelegacyofjohnwilliams.com/2024/01/19/bill-booth-podcast</a>

<description>Renowned trombonist talks his career as a studio musician in Hollywood and his many years playing for John Williams as Principal Trombone on such scores as Hook, Jurassic Park, Indiana Jones and the Star Wars films
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;William “Bill” Booth is one of the most respected veterans of the Los Angeles music scene and one of the most appreciated orchestral trombonists in the world. In a career spanning five decades, Bill Booth has performed on thousands of recording sessions, including a staggering amount of film and television soundtracks in Hollywood, thus becoming the leading trombonist in town. He has been the Principal Trombone for John Williams for all of the Maestro’s recordings in LA since 1991, performing on such legendary scores as Home Alone, Hook, Jurassic Park, Indiana Jones and the Kingdom of the Crystal Skull and the Star Wars sequel trilogy.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;In this conversation, Bill Booth reflects on his career as a studio musician, chronicling the path that led him to Hollywood and becoming the leading studio trombonist for film and television. He talks at length about his many years playing for John Williams on dozens of his legendary film scores, reflecting on the special quality of the Maestro's music and his affinity for the instrument as shown in many of his film scores including Hook, Jurassic Park and the Star Wars series.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Read more at &lt;a href='https://thelegacyofjohnwilliams.com/?p=4322'&gt;https://thelegacyofjohnwilliams.com/2024/01/19/bill-booth-podcast&lt;/a&gt;&lt;/p&gt;
</description>

Renowned trombonist talks his career as a studio musician in Hollywood and his many years playing for John Williams as Principal Trombone on such scores as Hook, Jurassic Park, Indiana Jones and the Star Wars films
 
William “Bill” Booth is one of th...

Renowned trombonist talks his career as a studio musician in Hollywood and his many years playing for John Williams as Principal Trombone on such scores as Hook, Jurassic Park, Indiana Jones and the Star Wars films
 
William “Bill” Booth is one of the most respected veterans of the Los Angeles music scene and one of the most appreciated orchestral trombonists in the world. In a career spanning five decades, Bill Booth has performed on thousands of recording sessions, including a staggering amount of film and television soundtracks in Hollywood, thus becoming the leading trombonist in town. He has been the Principal Trombone for John Williams for all of the Maestro’s recordings in LA since 1991, performing on such legendary scores as Home Alone, Hook, Jurassic Park, Indiana Jones and the Kingdom of the Crystal Skull and the Star Wars sequel trilogy.
 
In this conversation, Bill Booth reflects on his career as a studio musician, chronicling the path that led him to Hollywood and becoming the leading studio trombonist for film and television. He talks at length about his many years playing for John Williams on dozens of his legendary film scores, reflecting on the special quality of the Maestro's music and his affinity for the instrument as shown in many of his film scores including Hook, Jurassic Park and the Star Wars series.
 
Read more at https://thelegacyofjohnwilliams.com/2024/01/19/bill-booth-podcast

L.A. Studio Legends #19: Bill Booth

Part 2 of the podcast special dedicated to La-La Land Records’ magnificent 3-CD set of John Williams’ masterful score for the 1991 Steven Spielberg fantasy epic
<a href='https://lalalandrecords.com/hook-the-ultimate-edition-expanded-remastered-limited-edition-3-cd-set/'>Hook – The Ultimate Edition</a> is  a 3-CD collection with a newly restored and expanded presentation of the magnificent score composed by John Williams for the 1991 film directed by Steven Spielberg. Assembled, mastered and produced by Mike Matessino in full cooperation with the composer, the new release presents this seminal Williams’ work in a truly definitive and loving treatment, with the complete score presented in the film’s narrative order on disc 1 and 2, and a third disc featuring for the first time all the songs by John Williams and Leslie Bricusse for when the film was supposed to be a musical.
In Part 2 of the Hook - The Ultimate Edition podcast special, producer Mike Matessino returns to discuss more of the musical contents of La-La Land Records' magnificent release, together with associate producers and co-writers of the liner notes John Takis and Jason LeBlanc. During the conversation, the trio of special guests dissect all the riches found in the treasure chest of this John Williams' score, analyzing the score's main themes, how the songs' melodies were reworked into the thematic fabric of the piece and offering their own thoughts and reflections on the film and its score.
Read more at <a href='https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special/'>https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special</a>

<description>Part 2 of the podcast special dedicated to La-La Land Records’ magnificent 3-CD set of John Williams’ masterful score for the 1991 Steven Spielberg fantasy epic
&lt;p&gt;&lt;a href='https://lalalandrecords.com/hook-the-ultimate-edition-expanded-remastered-limited-edition-3-cd-set/'&gt;Hook – The Ultimate Edition&lt;/a&gt; is  a 3-CD collection with a newly restored and expanded presentation of the magnificent score composed by John Williams for the 1991 film directed by Steven Spielberg. Assembled, mastered and produced by Mike Matessino in full cooperation with the composer, the new release presents this seminal Williams’ work in a truly definitive and loving treatment, with the complete score presented in the film’s narrative order on disc 1 and 2, and a third disc featuring for the first time all the songs by John Williams and Leslie Bricusse for when the film was supposed to be a musical.&lt;/p&gt;
&lt;p&gt;In Part 2 of the Hook - The Ultimate Edition podcast special, producer Mike Matessino returns to discuss more of the musical contents of La-La Land Records' magnificent release, together with associate producers and co-writers of the liner notes John Takis and Jason LeBlanc. During the conversation, the trio of special guests dissect all the riches found in the treasure chest of this John Williams' score, analyzing the score's main themes, how the songs' melodies were reworked into the thematic fabric of the piece and offering their own thoughts and reflections on the film and its score.&lt;/p&gt;
&lt;p&gt;Read more at &lt;a href='https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special/'&gt;https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special&lt;/a&gt;&lt;/p&gt;
</description>

Part 2 of the podcast special dedicated to La-La Land Records’ magnificent 3-CD set of John Williams’ masterful score for the 1991 Steven Spielberg fantasy epic
Hook – The Ultimate Edition is  a 3-CD collection with a newly restored and expanded pres...

Part 2 of the podcast special dedicated to La-La Land Records’ magnificent 3-CD set of John Williams’ masterful score for the 1991 Steven Spielberg fantasy epic
Hook – The Ultimate Edition is  a 3-CD collection with a newly restored and expanded presentation of the magnificent score composed by John Williams for the 1991 film directed by Steven Spielberg. Assembled, mastered and produced by Mike Matessino in full cooperation with the composer, the new release presents this seminal Williams’ work in a truly definitive and loving treatment, with the complete score presented in the film’s narrative order on disc 1 and 2, and a third disc featuring for the first time all the songs by John Williams and Leslie Bricusse for when the film was supposed to be a musical.
In Part 2 of the Hook - The Ultimate Edition podcast special, producer Mike Matessino returns to discuss more of the musical contents of La-La Land Records' magnificent release, together with associate producers and co-writers of the liner notes John Takis and Jason LeBlanc. During the conversation, the trio of special guests dissect all the riches found in the treasure chest of this John Williams' score, analyzing the score's main themes, how the songs' melodies were reworked into the thematic fabric of the piece and offering their own thoughts and reflections on the film and its score.
Read more at https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special

Return To Neverland: HOOK The Ultimate Edition - Part 2

The Legacy of John Williams presents a multi-part podcast special dedicated to HOOK - The Ultimate Edition, a 3-CD set of John Williams' magnificent score for the 1991 film directed by Steven Spielberg, now available from La-La Land Records.
<a href='https://lalalandrecords.com/hook-the-ultimate-edition-expanded-remastered-limited-edition-3-cd-set/'>Hook – The Ultimate Edition</a> is a 3-CD collection from La-La Land Records with a newly restored and expanded presentation of the magnificent score composed by John Williams for the 1991 film directed by Steven Spielberg. Assembled, mastered and produced by Mike Matessino in full cooperation with the composer, the new release finally gives this seminal Williams’ work the truly definitive and loving treatment it always deserved, with the complete score presented in the film’s narrative order on disc 1 and 2 (including cues dialed out from the film’s final dub), followed by a selection of alternate cues. But the real surprise of this new Ultimate Edition is the third disc, a program presenting for the very first time all the songs written by John Williams and lyricist Leslie Bricusse when Hook was supposed to be a full-on movie musical, interjected by additional alternate score cues and source music pieces, thus creating a fascinating experience that offers the listener a chance to connect with this music in a new and unexpected way.
In part 1 of this Hook - The Ultimate Edition podcast special on The Legacy of John Williams, soundtrack producer Mike Matessino sits down to talk about the genesis of Steven Spielberg's 1991 fantasy epic, its place within the director's filmography and the long history of how it almost became a musical, while also addressing how Hook sits in the canon of the Steven Spielberg/John Williams collaboration; Matessino also talks about his friendship with lyricist Leslie Bricusse, the years-in-the-making process of assembling and producing this new set and his own personal journey to bring it to life with the utmost level of care and detail that such music always deserved.
Read more at <a href='https://thelegacyofjohnwilliams.com/?p=4278'>https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special/</a>

<description>&lt;p&gt;&lt;/p&gt;
The Legacy of John Williams presents a multi-part podcast special dedicated to HOOK - The Ultimate Edition, a 3-CD set of John Williams' magnificent score for the 1991 film directed by Steven Spielberg, now available from La-La Land Records.
&lt;p&gt;&lt;a href='https://lalalandrecords.com/hook-the-ultimate-edition-expanded-remastered-limited-edition-3-cd-set/'&gt;Hook – The Ultimate Edition&lt;/a&gt; is a 3-CD collection from La-La Land Records with a newly restored and expanded presentation of the magnificent score composed by John Williams for the 1991 film directed by Steven Spielberg. Assembled, mastered and produced by Mike Matessino in full cooperation with the composer, the new release finally gives this seminal Williams’ work the truly definitive and loving treatment it always deserved, with the complete score presented in the film’s narrative order on disc 1 and 2 (including cues dialed out from the film’s final dub), followed by a selection of alternate cues. But the real surprise of this new Ultimate Edition is the third disc, a program presenting for the very first time all the songs written by John Williams and lyricist Leslie Bricusse when Hook was supposed to be a full-on movie musical, interjected by additional alternate score cues and source music pieces, thus creating a fascinating experience that offers the listener a chance to connect with this music in a new and unexpected way.&lt;/p&gt;
&lt;p&gt;In part 1 of this Hook - The Ultimate Edition podcast special on The Legacy of John Williams, soundtrack producer Mike Matessino sits down to talk about the genesis of Steven Spielberg's 1991 fantasy epic, its place within the director's filmography and the long history of how it almost became a musical, while also addressing how Hook sits in the canon of the Steven Spielberg/John Williams collaboration; Matessino also talks about his friendship with lyricist Leslie Bricusse, the years-in-the-making process of assembling and producing this new set and his own personal journey to bring it to life with the utmost level of care and detail that such music always deserved.&lt;/p&gt;
&lt;p&gt;Read more at &lt;a href='https://thelegacyofjohnwilliams.com/?p=4278'&gt;https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
</description>


The Legacy of John Williams presents a multi-part podcast special dedicated to HOOK - The Ultimate Edition, a 3-CD set of John Williams' magnificent score for the 1991 film directed by Steven Spielberg, now available from La-La Land Records.
Hook – ...


The Legacy of John Williams presents a multi-part podcast special dedicated to HOOK - The Ultimate Edition, a 3-CD set of John Williams' magnificent score for the 1991 film directed by Steven Spielberg, now available from La-La Land Records.
Hook – The Ultimate Edition is a 3-CD collection from La-La Land Records with a newly restored and expanded presentation of the magnificent score composed by John Williams for the 1991 film directed by Steven Spielberg. Assembled, mastered and produced by Mike Matessino in full cooperation with the composer, the new release finally gives this seminal Williams’ work the truly definitive and loving treatment it always deserved, with the complete score presented in the film’s narrative order on disc 1 and 2 (including cues dialed out from the film’s final dub), followed by a selection of alternate cues. But the real surprise of this new Ultimate Edition is the third disc, a program presenting for the very first time all the songs written by John Williams and lyricist Leslie Bricusse when Hook was supposed to be a full-on movie musical, interjected by additional alternate score cues and source music pieces, thus creating a fascinating experience that offers the listener a chance to connect with this music in a new and unexpected way.
In part 1 of this Hook - The Ultimate Edition podcast special on The Legacy of John Williams, soundtrack producer Mike Matessino sits down to talk about the genesis of Steven Spielberg's 1991 fantasy epic, its place within the director's filmography and the long history of how it almost became a musical, while also addressing how Hook sits in the canon of the Steven Spielberg/John Williams collaboration; Matessino also talks about his friendship with lyricist Leslie Bricusse, the years-in-the-making process of assembling and producing this new set and his own personal journey to bring it to life with the utmost level of care and detail that such music always deserved.
Read more at https://thelegacyofjohnwilliams.com/2023/12/27/hook-podcast-special/


Return To Neverland: HOOK The Ultimate Edition - Part 1

Soundtrack Producer Mike Matessino and Writer John Takis talk two early John Williams' masterworks, now available in new remastered editions from Quartet Records
 
Hosted by Maurizio Caschetto and Tim Burden
European-based soundtrack label Quartet Records announced a 2-CD set presenting new remastered editions of two early masterworks in John Williams' filmography: Heidi (1968) and Jane Eyre (1970), both newly restored, assembled, mastered and produced by Mike Matessino. Both scores were composed by Williams for two made-for-television films produced by Frederick H. Brogger for Omnibus Productions and both directed by Academy Award-winning director Delbert Mann.
In this new podcast conversation, soundtrack producer Mike Matessino and film music writer John Takis talk the history of these two early landmark John Williams' scores, offering insights and reflections on the special quality and the timelessness of both scores, how they sits in the Williams' canon and chronicling the laborious restoration process both recordings went through for this new spectacular release, another one that cannot be missed in the CD collection of any true John Williams' admirer.
Read more at <a href='https://thelegacyofjohnwilliams.com/?p=4246'>https://thelegacyofjohnwilliams.com/2023/12/21/heidi-and-jane-eyre-podcast</a>

<description>&lt;p&gt;&lt;/p&gt;
Soundtrack Producer Mike Matessino and Writer John Takis talk two early John Williams' masterworks, now available in new remastered editions from Quartet Records
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Hosted by Maurizio Caschetto and Tim Burden&lt;/p&gt;
&lt;p&gt;European-based soundtrack label Quartet Records announced a 2-CD set presenting new remastered editions of two early masterworks in John Williams' filmography: Heidi (1968) and Jane Eyre (1970), both newly restored, assembled, mastered and produced by Mike Matessino. Both scores were composed by Williams for two made-for-television films produced by Frederick H. Brogger for Omnibus Productions and both directed by Academy Award-winning director Delbert Mann.&lt;/p&gt;
&lt;p&gt;In this new podcast conversation, soundtrack producer Mike Matessino and film music writer John Takis talk the history of these two early landmark John Williams' scores, offering insights and reflections on the special quality and the timelessness of both scores, how they sits in the Williams' canon and chronicling the laborious restoration process both recordings went through for this new spectacular release, another one that cannot be missed in the CD collection of any true John Williams' admirer.&lt;/p&gt;
&lt;p&gt;Read more at &lt;a href='https://thelegacyofjohnwilliams.com/?p=4246'&gt;https://thelegacyofjohnwilliams.com/2023/12/21/heidi-and-jane-eyre-podcast&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
</description>


Soundtrack Producer Mike Matessino and Writer John Takis talk two early John Williams' masterworks, now available in new remastered editions from Quartet Records
 
Hosted by Maurizio Caschetto and Tim Burden
European-based soundtrack label Quartet R...


Soundtrack Producer Mike Matessino and Writer John Takis talk two early John Williams' masterworks, now available in new remastered editions from Quartet Records
 
Hosted by Maurizio Caschetto and Tim Burden
European-based soundtrack label Quartet Records announced a 2-CD set presenting new remastered editions of two early masterworks in John Williams' filmography: Heidi (1968) and Jane Eyre (1970), both newly restored, assembled, mastered and produced by Mike Matessino. Both scores were composed by Williams for two made-for-television films produced by Frederick H. Brogger for Omnibus Productions and both directed by Academy Award-winning director Delbert Mann.
In this new podcast conversation, soundtrack producer Mike Matessino and film music writer John Takis talk the history of these two early landmark John Williams' scores, offering insights and reflections on the special quality and the timelessness of both scores, how they sits in the Williams' canon and chronicling the laborious restoration process both recordings went through for this new spectacular release, another one that cannot be missed in the CD collection of any true John Williams' admirer.
Read more at https://thelegacyofjohnwilliams.com/2023/12/21/heidi-and-jane-eyre-podcast


From Swiss Alps to English Moors: The Music of ’Heidi’ and ’Jane Eyre’

A series on in-depth talks celebrating the musical legacy of composer John Williams

The Legacy of John Williams Podcast

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