<description>&lt;p&gt;In this episode, we’ll be talking about the commodification of sad girl indie. We’ll discuss how we got here, the gendered term of sad girl indie, the problems with labeling artists, and reflect on the ways listeners can appreciate sad girl indie music for art again rather than as a commodity or aesthetic. Join staff designer Caroline Pastrano, print managing editor Audrey Vieira, and audio producer Talisa Treviño as they discuss why listeners should stop commodifying artists into the “sad girl indie” subgenre.&lt;/p&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;Recorded and Edited by Talisa Treviño&lt;/p&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;Music&lt;/p&gt;
&lt;p&gt;We Cruisin' · Otis McDonald&lt;/p&gt;
&lt;p&gt;We Cruisin'&lt;/p&gt;
&lt;p&gt;℗ YouTube Audio Library&lt;/p&gt;
&lt;p&gt;Released on: 2022-11-11&lt;/p&gt;
</description>

In this episode, we’ll be talking about the commodification of sad girl indie. We’ll discuss how we got here, the gendered term of sad girl indie, the problems with labeling artists, and reflect on the ways listeners can appreciate sad girl indie music for art again rather than as a commodity or aesthetic. Join staff designer Caroline Pastrano, print managing editor Audrey Vieira, and audio producer Talisa Treviño as they discuss why listeners should stop commodifying artists into the “sad girl indie” subgenre.
 
Recorded and Edited by Talisa Treviño
 
Music
We Cruisin' · Otis McDonald
We Cruisin'
℗ YouTube Audio Library
Released on: 2022-11-11

Glow My God! : An Afterglow Podcast

Why Listeners Need to Stop Commodifying “Sad Girl Indie”

Why Listeners Need to Stop Commodifying “Sad Girl Indie”

Description