<p>As a 20-year-old cub reporter in the early 1980s I was invited in to the 16th century Ayrshire castle that had been the base for many of the nation's Pre-Raphaelite artists who aimed to reform art by rejecting the "formulaic" academic approach in favor of bright colors, intense detail, and "truth to nature," inspired by Italian art before Raphael.</p><br><p>My invitation came from Elton Eckstrand, a US corporate attorney who spent more than a decade restoring the castle and curating the artworks that hung on its walls. That castle was Penkill, located close to the town of Girvan where I worked on the Carrick Gazette.</p><br><p>Meeting people like Mr Eckstrand was one of the joys of the job I did at the time and Elton Eckstrand sure was an interesting mix, from his love of art and architecture to his passion for motor facing, muscle cars and dragsters.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>