 In Glasnevin Cemetery, James Clarence Mangan’s grave lists him as ‘Ireland’s National Poet.’ Today, he is a curiously overlooked character. His influence on figures as diverse as Philip Lynott and Shane MacGowan is explored in this podcast, where Mangan’s biographer Bridget Hourican explores his life, and historian Warren Farrell discusses his resting place and memory. ‘Finding Mangan’ and ‘So Once Was I’ are both available now. 

<description>&lt;div data-rbd-draggable-context-id="6" data-rbd-draggable-id= "5un9t"&gt; &lt;div class= "public-DraftStyleDefault-block public-DraftStyleDefault-ltr" data-offset-key="aulpu-0-0"&gt;&lt;span data-offset-key= "aulpu-0-0"&gt;&lt;span data-text="true"&gt;In Glasnevin Cemetery, James Clarence Mangan’s grave lists him as ‘Ireland’s National Poet.’ Today, he is a curiously overlooked character. His influence on figures as diverse as Philip Lynott and Shane MacGowan is explored in this podcast, where Mangan’s biographer Bridget Hourican explores his life, and historian Warren Farrell discusses his resting place and memory. ‘Finding Mangan’ and ‘So Once Was I’ are both available now.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;/div&gt;</description>

In Glasnevin Cemetery, James Clarence Mangan’s grave lists him as ‘Ireland’s National Poet.’ Today, he is a curiously overlooked character. His influence on figures as diverse as Philip Lynott and Shane MacGowan is explored in this podcast,...

From The Nation to Shane MacGowan: Finding James Clarence Mangan (with Bridget Hourican and Warren Farrell)

In 1898, tens of thousands of people paraded in Dublin for the unveiling of a foundation stone to a Wolfe Tone statue. So why did it not happen? Only in 1967 did Edward Delaney’s tribute to Tone appear on St Stephen’s Green. In this podcast, celebrating the fact the Tone monument is part of Dublin City Council’s Dublin Winter Lights, Delaney’s son and biographer joins me at the memorial to talk about one of my favourite Dublin statues. For more see: https://www.dublinwinterlights.ie/

<description>&lt;p&gt;In 1898, tens of thousands of people paraded in Dublin for the unveiling of a foundation stone to a Wolfe Tone statue. So why did it not happen? Only in 1967 did Edward Delaney’s tribute to Tone appear on St Stephen’s Green. In this podcast, celebrating the fact the Tone monument is part of Dublin City Council’s Dublin Winter Lights, Delaney’s son and biographer joins me at the memorial to talk about one of my favourite Dublin statues. For more see: https://www.dublinwinterlights.ie/&lt;/p&gt;</description>

In 1898, tens of thousands of people paraded in Dublin for the unveiling of a foundation stone to a Wolfe Tone statue. So why did it not happen? Only in 1967 did Edward Delaney’s tribute to Tone appear on St Stephen’s Green. In this podcast,...

Tonehenge: Edward Delaney's Wolfe Tone Monument

These are exciting times at the Collins Barracks branch of the National Museum of Ireland. This week, the first Harry Clarke display at the museum opens, showcasing six works by Ireland's most beloved stained glass artist. The Museum is also taking part in the Dublin City Council 'Dublin Winter Lights' for the first time. Dónal Maguire, Keeper of Art & Industry at the National Museum of Ireland, gave me a sense of the museum and its collections. Tickets and more information from www.dublinwinterlights.ie.

<description>&lt;p&gt;These are exciting times at the Collins Barracks branch of the National Museum of Ireland. This week, the first Harry Clarke display at the museum opens, showcasing six works by Ireland's most beloved stained glass artist. The Museum is also taking part in the Dublin City Council 'Dublin Winter Lights' for the first time. Dónal Maguire, Keeper of Art &amp; Industry at the National Museum of Ireland, gave me a sense of the museum and its collections. Tickets and more information from www.dublinwinterlights.ie.&lt;/p&gt;</description>

These are exciting times at the Collins Barracks branch of the National Museum of Ireland. This week, the first Harry Clarke display at the museum opens, showcasing six works by Ireland's most beloved stained glass artist. The Museum is also taking...

Night at the Museum

The story of Michael Healy is one that tells us much about the Dublin of his time. Born into a working class inner-city family in 1873, Healy was shaped by the artistic and cultural movements of the time, becoming a central figure in the stained glass studio An Túr Gloine. The work of that studio is still to be found across Dublin today. His biographer David Caron joined me in Dublin’s Hugh Lane Gallery to discuss Healy and his time. Be sure to check out the Hugh Lane Gallery's fantastic After Hours programme. With thanks to the gallery and Sherpa events.

<description>&lt;p dir="ltr"&gt;The story of Michael Healy is one that tells us much about the Dublin of his time. Born into a working class inner-city family in 1873, Healy was shaped by the artistic and cultural movements of the time, becoming a central figure in the stained glass studio An Túr Gloine. The work of that studio is still to be found across Dublin today. His biographer David Caron joined me in Dublin’s Hugh Lane Gallery to discuss Healy and his time. Be sure to check out the Hugh Lane Gallery's fantastic After Hours programme. With thanks to the gallery and Sherpa events.&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</description>

The story of Michael Healy is one that tells us much about the Dublin of his time. Born into a working class inner-city family in 1873, Healy was shaped by the artistic and cultural movements of the time, becoming a central figure in the stained glass...

The Stained Glass Artist From a Dublin Tenement

In the heart of Dublin’s north inner-city, the SFX was one of the defining venues of Dublin’s music scene. U2, The Smiths, New Order, Siouxsie and the Banshees and The Pogues are just some of the acts to have taken to the stage in the Jesuit hall that enjoyed a remarkable second life. I’m joined by David Bell (who experienced the venue as a fan, reporter, merchman and band manager) and Paul Page (Whipping Boy). Thanks to Laura Williams, Jackie Trulock and all at the Annesley Bridge House.

<description>&lt;p&gt;In the heart of Dublin’s north inner-city, the SFX was one of the defining venues of Dublin’s music scene. U2, The Smiths, New Order, Siouxsie and the Banshees and The Pogues are just some of the acts to have taken to the stage in the Jesuit hall that enjoyed a remarkable second life. I’m joined by David Bell (who experienced the venue as a fan, reporter, merchman and band manager) and Paul Page (Whipping Boy). Thanks to Laura Williams, Jackie Trulock and all at the Annesley Bridge House.&lt;/p&gt;</description>

In the heart of Dublin’s north inner-city, the SFX was one of the defining venues of Dublin’s music scene. U2, The Smiths, New Order, Siouxsie and the Banshees and The Pogues are just some of the acts to have taken to the stage in the Jesuit hall...

Remembering The SFX Hall (with Paul Page and David Bell)

Three Castles Burning is a social history podcast, dedicated to the story of the Irish capital. Dublin is a city of many stories, Three Castles Burning tells some of the more forgotten ones.

Three Castles Burning

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