<description>This February at the UW Cinematheque, in our ongoing series of new international movies making their first local theatrical showings, we present the Madison Premiere of DEAD MAIL, written and directed by the talented duo of Joe DeBoer and Kyle McConaghy.

Evocatively set in the Midwest at the dawn of the digital age, this dark comedy and thriller is one of the most exciting American movies of the decade! DEAD MAIL begins with the story of Jasper, a diligent post-office clerk played by Tomas Boykin, who discovers a blood-stained cry for help delivered to his “dead letter” office. With assistance from Jasper’s quirky colleagues and a Scandinavian hacker, an investigation uncovers a whole new story, a psychodrama played-out between a synthesizer engineer and his possessive patron. Frequently reminiscent of movies by Alfred Hitchcock, Brian De Palma and the Coen Brothers, Dead Mail’s narrative is consistently compelling and surprising. Set in the mid 1980s, the blandly evocative period details and the numerous stylistic directorial flourishes make it clear that we are in the hands of a confident and talented pair of filmmakers. On this episode of Cinematalk, Jim Healy and Ben Reiser talk to Joe DeBoer and Kyle McConaghy about their friendship, professional history, and the making of DEAD MAIL, which premiered at the SXSW Film Festival in early 2024 and went on to play a number of other major international Festivals, including Toronto and Leeds. This podcast does contain DEAD MAIL spoilers, and we recommend seeing the movie before listening.
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This February at the UW Cinematheque, in our ongo…

This February at the UW Cinematheque, in our ongoing series of new international movies making their first local theatrical showings, we present the Madison Premiere of DEAD MAIL, written and directed by the talented duo of Joe DeBoer and Kyle McConaghy.

Evocatively set in the Midwest at the dawn of the digital age, this dark comedy and thriller is one of the most exciting American movies of the decade! DEAD MAIL begins with the story of Jasper, a diligent post-office clerk played by Tomas Boykin, who discovers a blood-stained cry for help delivered to his “dead letter” office. With assistance from Jasper’s quirky colleagues and a Scandinavian hacker, an investigation uncovers a whole new story, a psychodrama played-out between a synthesizer engineer and his possessive patron. Frequently reminiscent of movies by Alfred Hitchcock, Brian De Palma and the Coen Brothers, Dead Mail’s narrative is consistently compelling and surprising. Set in the mid 1980s, the blandly evocative period details and the numerous stylistic directorial flourishes make it clear that we are in the hands of a confident and talented pair of filmmakers. On this episode of Cinematalk, Jim Healy and Ben Reiser talk to Joe DeBoer and Kyle McConaghy about their friendship, professional history, and the making of DEAD MAIL, which premiered at the SXSW Film Festival in early 2024 and went on to play a number of other major international Festivals, including Toronto and Leeds. This podcast does contain DEAD MAIL spoilers, and we recommend seeing the movie before listening.


Ep. 94 DEAD MAIL with Joe DeBoer and Kyle McConaghy

<description>Winner of the top prize at the 1985 Venice Film Festival, Vagabond begins with the discovery of the lifeless, frozen body of the young hitch-hiker Mona (Bonnaire). Through flashbacks recounted by individuals who crossed paths with her (portrayed predominantly by amateur actors), Varda constructs a fragmented depiction of this mysterious woman, crafting a mosaic-like portrayal that the director playfully referred to as “Rashomona.” Bonnaire’s multi-faceted turn won her several awards, including France’s Cesar, and the Los Film Critics Association prize for Best Actress. On this episode of Cinematalk, Ben Reiser sits down with Varda expert Professor Kelley Conway to discuss the making-of and legacy of Vagabond.</description>

Winner of the top prize at the 1985 Venice Film F…

Winner of the top prize at the 1985 Venice Film Festival, Vagabond begins with the discovery of the lifeless, frozen body of the young hitch-hiker Mona (Bonnaire). Through flashbacks recounted by individuals who crossed paths with her (portrayed predominantly by amateur actors), Varda constructs a fragmented depiction of this mysterious woman, crafting a mosaic-like portrayal that the director playfully referred to as “Rashomona.” Bonnaire’s multi-faceted turn won her several awards, including France’s Cesar, and the Los Film Critics Association prize for Best Actress. On this episode of Cinematalk, Ben Reiser sits down with Varda expert Professor Kelley Conway to discuss the making-of and legacy of Vagabond.

Ep. 93 VAGABOND with Kelley Conway

<description>On a new episode of the official UW Cinematheque podcast, Director of Programming Jim Healy talks with Robert M. Rubin, author of Vanishing Point Forever, a gorgeous new volume from Film Desk Books. Rubin discusses the enduring legacy of Vanishing Point (1971), director Richard Sarafian’s existential car chase classic. Rubin also talks about the essential contributions of author Guillermo Cabrera Infante, who was credited with Vanishing Point’s screenplay using the pseudonym Guillermo Cain, and the star qualities of the Dodge Challenger R/T! Vanishing Point screens for free in a new 4K DCP on Friday, July 12 and copies of Vanishing Point Forever will be available for sale before and after the screening!</description>

On a new episode of the official UW Cinematheque …

On a new episode of the official UW Cinematheque podcast, Director of Programming Jim Healy talks with Robert M. Rubin, author of Vanishing Point Forever, a gorgeous new volume from Film Desk Books. Rubin discusses the enduring legacy of Vanishing Point (1971), director Richard Sarafian’s existential car chase classic. Rubin also talks about the essential contributions of author Guillermo Cabrera Infante, who was credited with Vanishing Point’s screenplay using the pseudonym Guillermo Cain, and the star qualities of the Dodge Challenger R/T! Vanishing Point screens for free in a new 4K DCP on Friday, July 12 and copies of Vanishing Point Forever will be available for sale before and after the screening!

Ep 92. VANISHING POINT with Robert M. Rubin

<description>Director of programming for UW Cinematheque and Ben Reiser, programmer for Cinematheque walk through the Cinematheque's Summer 2024 calendar which kicks off on June 19th and runs through July 26th. Full details at https://cinema.wisc.edu/</description>

Director of programming for UW Cinematheque and B…

Director of programming for UW Cinematheque and Ben Reiser, programmer for Cinematheque walk through the Cinematheque's Summer 2024 calendar which kicks off on June 19th and runs through July 26th. Full details at https://cinema.wisc.edu/

Ep 91. UW Cinematheque Summer 2024 Calendar

<description>On a special double feature/dual podcast episode of 70 Movies We Saw in the 70s/Cinematalk commemorating the screenings of both films at UW Cinematheque, Ben Reiser and Jim Healy take a deep dive into a “Fistful of Feiffers”, discussing both LITTLE MURDERS (1971) and CARNAL KNOWLEDGE (1971). ‘71 was a big year for screenwriter/playwright/cartoonist Jules Feiffer, with Alan Arkin’s LITTLE MURDERS and Mike Nichols’ CARNAL KNOWLEDGE both hitting screens within six months of each other. Listen along as Jim and Ben try to suss out Feiffer’s inspirations, figure out what genres these films do and don’t fall into, Elliott Gould on top of the world, Candice Bergen’s best work, waiting for Godard, Gordon Willis goes wild, Nicholson as man-baby, magnificent Ann Margret, and much more, including not one, but TWO rounds of “What else was playing that week?”.</description>

On a special double feature/dual podcast episode …

On a special double feature/dual podcast episode of 70 Movies We Saw in the 70s/Cinematalk commemorating the screenings of both films at UW Cinematheque, Ben Reiser and Jim Healy take a deep dive into a “Fistful of Feiffers”, discussing both LITTLE MURDERS (1971) and CARNAL KNOWLEDGE (1971). ‘71 was a big year for screenwriter/playwright/cartoonist Jules Feiffer, with Alan Arkin’s LITTLE MURDERS and Mike Nichols’ CARNAL KNOWLEDGE both hitting screens within six months of each other. Listen along as Jim and Ben try to suss out Feiffer’s inspirations, figure out what genres these films do and don’t fall into, Elliott Gould on top of the world, Candice Bergen’s best work, waiting for Godard, Gordon Willis goes wild, Nicholson as man-baby, magnificent Ann Margret, and much more, including not one, but TWO rounds of “What else was playing that week?”.

Ep 90 - Little Murders & Carnal Knowledge

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