This Wooden O

This week, in true Shakespearean fashion, Monty reclaims the pod as a solo host! His first guest in his new and glorious podcast empire is actor/singer/casting-director, Daniel Kemper (www.montgomerysutton.com). Topics include: The fact that websites are, by definition, a tool for self-aggrandizement YouTube live chat questions Daniel’s belief in having an affinity to certain skills and how working hard can sometimes bridge the gap The different pleasures achieved when working within natural skillsets versus working in areas that require additional effort What Daniel looks for as a Casting Director Treating an audition like a first date (or, don’t be a jerk) The production and personal experience that inspired Daniel to become an actor The power of theater to help people to look outside of themselves People’s willing state of readiness for change as audience members and the responsibility to do justice to people’s time that goes along with it The special atmosphere created by the communal knowledge that each theatrical performance is a singular and irreplicable moment. Loving cats while being allergic to them Daniel’s love for Shakespeare being born out of their enduring impact throughout the centuries and their abilities to ask the big questions Daniel’s beautiful rendition of a speech from the Archbishop Scroop from Henry IV part 2 Shoutouts, recommendations, and further reading include: The West Wing Jesus Christ Superstar Carl Anderson James Gandolfini The Sopranos Zoom Dinners with your friends Circle in the Sand International Actors Ensemble Alex Theatre Melbourne, Australia Shakespeare’s Age of Crowns Support this podcast at — https://redcircle.com/this-wooden-o/donations

This week, in true Shakespearean fashion, Daniel stages a coup and takes over the podcast as a solo host! His first guest in his new and glorious podcast empire is actor/director/writer and Master of the Revels for Rude Grooms, Montgomery Sutton (www.montgomerysutton.com). Topics include: Daniel’s boundless capacity for benevolence as a resplendent podcast dictator; How Monty was (maybe?) dropped as a baby; Where Monty gets his drive to constantly create; Using accountability to others as a means to spur productivity; Using art to engage with the world around you; Toddler Monty’s 3 hour, living room Batman plays; The religious experience of live theatre; What makes a good actor; Figuring out your own artistry through exposure to other artists and forms of theatre; The importance of a degree of “messiness” in live theatre; The difference between emotionally honest and performative acting; When do you impose structure on the sense of play when managing a show; The essential relationship between an actor and the audience; How much rehearsal is too much; The importance of a small amount of challenge or fear on opening night; Which TV show would Monty put himself in if given the opportunity? Shoutouts, recommendations, and further reading include: The Drawer Boy; Shakespeare Dallas; Rene Moreno; Dallas Children’s Theater; Junior Players; Shakespeare Happy Hours; Shakespeare's Globe; Michelle Terry; Colin Hurley; Toni Morrisson; “Different Every Night” by Mark Alfreds; Ed Dixon; David Baynes; New York Shakespeare Company. Support this podcast at — https://redcircle.com/this-wooden-o/donations

Daniel & Monty are back with our first episode recorded during Corona. In a Facebook livestream (using Skype), they virtually sit down with Rude Grooms Associate Artist Laura Piccoli (check out her website lauracpiccoli.com). Topics include: Shifting to a virtual Wooden O; How Laura’s super-high work ethic developed and has influenced her life from undergrad, through freelance acting, producing with Rude Grooms, and into a Masters program; The benefits for an actor of wearing other theatrical hats and feeling more power in the process of creating opportunities; How the feeling of empowerment from getting more involved on the producing side of theater inspired Laura to start writing her own short films; Pursuing a Masters degree in Energy and Environment Policy to learn more about subjects so that she should start writing projects, like a recent short film she wrote inspired by studying in Bolivia Shifting as a writer from writing for herself as an actor to writing with a hope towards other actors flourishing Finding your Artistic Family; Imposter Syndrome How a Process-oriented approach can benefit even Product-oriented environments; COVID brain This week, Daniel & Monty both recommend Shakespeare Happy Hours, co-produced with Seven Stages Shakespeare Company - 90 minute virtual performances of all of Shakespeare’s plays, every Monday, Wednesday, and Friday at shakespearehappyhours.tv. Other shoutouts, recommendations, and further reading include: Pachamama; Cloud Forests of Bolivia This Wooden O is a production of Rude Grooms. Learn more at rudegrooms.com or follow us @rudegrooms on Twitter, Instagram, and Facebook. Support this podcast at — https://redcircle.com/this-wooden-o/donations

CONTENT WARNING: This episode contains mentions of sex, and references of drug use. This week, Daniel and Monty reconnect with a former acting classmate turned entrepreneur and International Tea Master, Mike Ortiz (@sipjojo on Instagram) to discuss his journey from theatre school to brewing tea on the world stage. Topics include: The return of “Danny” Kemper; Finding your weirdos in action; The parallels between auditioning and building a business; The importance of unapologetically taking up space; Being comfortable with not having answers, and being willing to constantly ask questions in life and theatre; The proper way to drink tea; How Mike went from actor to tea salesman and entrepreneur Brewing tea as a practice of meditation; The importance of persistence in developing relationships; Learning under pressure; The influence of slave labor on modern tea consumption and sales; How an actor with no business training starts a company; Resilience as a necessity in the pursuit of your goals; What makes a master; Understanding a structure well enough to break it; The origin of the name Jojo Tea This week’s shoutouts, recommendations, and further reading include: Anya Saffir; EBE Ensemble; Master Chufei Tsai; Jojo Tea Company; Badia Spice Company; World Tea Expo Grandmaster Maurice Ashley; Tea Master’s Cup; Osteria 57; Malaparte; Cafe Integra; Tiger King on Netflix; Hollywood Caucus podcast This Wooden O is a production of Rude Grooms. Learn more at rudegrooms.com or follow us @rudegrooms on Twitter, Instagram, and Facebook. WE HAVE MERCH! Official This Wooden O coffee mugs and baseball tees are available on our website. Get yours at http://www.thiswoodeno.com/shop today! Support this podcast at — https://redcircle.com/this-wooden-o/donations

WE HAVE MERCH! Official This Wooden O coffee mugs and baseball tees are available on our website. Get yours at http://www.thiswoodeno.com/shop today! This week Daniel (@thedanielkemper) and Monty (@montgomerysutto) sit down with Rude Grooms’ Master of Movement Bridget Bose (@bridgetbose on Instagram). Bridget has choreographed dances, jigs, and creepy death movement pieces for all Rude Grooms productions. Listen to her talk about her journey from Colorado to New York, starting and running Guilty Pleasures Cabaret, and much more. Topics include: Rude Grooms’ Secret Shakespeare Hunt (possibly returning in 2020); Performing at Lincoln Center with Bridget’s cabaret troupe, Guilty Pleasures; Dancing in a circus in the Middle East Touring the world in a Bollywood dance company, and becoming a tourist attraction by rehearsing in Central Park; The happenstance creation of Guilty Pleasures in a tiny UWS bar; Defying expectations at The Duplex by making dance that functions in a non-traditional space; The power of appealing to the 11pm timeslot niche; How Guilty Pleasures alters shows from late-night to mainstage, from smaller venues to larger venues, and from 1.0 to 11.0 versions; Repurposing successful material to fit in different shows; Parallels between creating frequent cabaret content and the incredibly prolific rate of new plays in Shakespeare’s London; Keeping all of her creative work in notebooks and having an archive dating back to high school; The importance of overplanning and yet being able to throw it all out in the moment when none of it works for the bodies in the room; Cue Scripts and the power of muscle memory from writing down, going back to the beginning until you make no mistakes, or just repeating things over and over; The difficulty of dancing someone else’s choreography vs. what comes naturally to your own body; The importance of letting dancers write choreography down in the performer’s own vocabulary because there’s no standardized form of notation; How to navigate the balance choreographing for character and for an individual actor; Is there a point at which a piece is “done” for Guilty Pleasures? Music is by Kara Arena, Master of Music for Rude Grooms. Share your thoughts and questions with us @thiswoodeno on Twitter and Instagram, email audio responses to [email protected], visit us on the web at thiswoodeno.com, like us at facebook.com/thiswoodenopod/, or support us on Patreon (patreon.com/rudegrooms) to join the conversation during livestream broadcasts of every episode. This week’s shoutouts, recommendations, & further reading include: Guilty Pleasure Cabaret | email: [email protected]; website guiltypleasurescabaret.com; twitter/instagram: @gpcabaret; The Duplex; 54 Below; LineLearner App, available on the App Store or Google Play; Kast App: kastapp.co; The Show Must Go Online, produced by Rob Myles (@robmyles) This Wooden O is a production of Rude Grooms. Learn more at rudegrooms.com or follow us @rudegrooms on Twitter, Instagram, and Facebook. Support this podcast at — https://redcircle.com/this-wooden-o/donations