<p>My three favorite pieces of audio gear - depending where I am recording are the Zoom H6: https://amzn.to/30FXILo; the AudioTechnica headset with mic: https://amzn.to/2TMJxmi, and the Focusrite Scarlett 2i2 interface: https://amzn.to/2TKMiV7</p>
<p>In this episode, I share the basic steps, actually the first steps of adjusting exposure when color grading Canon Log or CLog in Final Cut Pro X and DaVinci Resolve. &nbsp;&nbsp;This is the 21st episode of a daily photography podcast where I share my thoughts on my photography and filmmaking journey. I am a freelance photographer and filmmaker based in Southern California, and upload educational photography and filmmaking content on my YouTube channel (WesKrieselPhoto). Please follow me on social media - instagram.com/weskrieselphoto and Twitter twitter.com/weskriesel.</p>

Photo PIE

Wes Kriesel

Color Grading Basics #1 - Final Cut Pro X vs. DaVinci Resolve

FEB 24, 20207 MIN
Photo PIE

Color Grading Basics #1 - Final Cut Pro X vs. DaVinci Resolve

FEB 24, 20207 MIN

Description

<p>My three favorite pieces of audio gear - depending where I am recording are the Zoom H6: https://amzn.to/30FXILo; the AudioTechnica headset with mic: https://amzn.to/2TMJxmi, and the Focusrite Scarlett 2i2 interface: https://amzn.to/2TKMiV7</p> <p>In this episode, I share the basic steps, actually the first steps of adjusting exposure when color grading Canon Log or CLog in Final Cut Pro X and DaVinci Resolve. &nbsp;&nbsp;This is the 21st episode of a daily photography podcast where I share my thoughts on my photography and filmmaking journey. I am a freelance photographer and filmmaker based in Southern California, and upload educational photography and filmmaking content on my YouTube channel (WesKrieselPhoto). Please follow me on social media - instagram.com/weskrieselphoto and Twitter twitter.com/weskriesel.</p>