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Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/career-advice-for-colorists-from-aurora-shannon-company-3/
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Aurora Shannon, colorist at Company 3 Vancouver, is known for her impressive work on popular shows, including Sweet Magnolia and Under the Bridge. Aurora’s career journey spans several continents and includes incredible career opportunities with:
- Rob Pizzey
- Stephen Nakamura
- Stefan Sonnenfeld
- Mitch Paulson
- Adam Glassman
- Greg Fisher
- Paul Ennsby
As a result, the wealth of color grading knowledge she has to share is considerable!
In this detailed discussion, we unpacked her professional accomplishments, creative process, the technical aspects of color grading, and her approach to tackling long-form color grading.
Alongside her professional achievements, Aurora has an inspiring commitment to mentorship roles and giving back to the community. Her insights on carving a successful career in the industry offer valuable lessons for all aspiring colorists.
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I’m excited to share my interview with Ferg Rotherham. He’s a senior colourist and his credits include “The Pope’s Exorcist”, “Heartbreak High”, and “Boy Swallows Universe.”
We discuss his journey in the industry and the mentors who have shaped his career. Fergus also talks about his transition into long-form grading and the challenges of managing his own schedule as a freelancer.
We talk about the process of grading some of his recent projects and the challenges when transitioning from theatrical grade to HDR.
Key takeaways from this Insight
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Full show notes and related links and tutorials are here: https://mixinglight.com/color-grading-tutorials/ferg-rotherham-interview/
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Today, I talked to Hootan Haghshenas, CSI. He’s a senior colourist with extensive credits, including the Oscar-Winner “The Salesman”, plus many feature films, music videos, and documentaries. His clients include Netflix, Disney, National Geographic, and more.
He studied cinematography at the Art University of Tehran. Hootan is also an accomplished photographer with a Masters in Photography from the Royal Melbourne Institute of Technology.
Our discussion starts with his career in Beruit and how he ended up in Australia, scene-referred workflows, Baselight / Resolve differences, and how colour preferences differ between cultures. He also discusses how remote workflows have had a positive impact on his career opportunities.
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Full show notes and additional links and related tutorials are here: https://mixinglight.com/color-grading-tutorials/interview-hootan-haghshenas/