Classical New York

For the last decade, Alex Ross, music critic for The New Yorker, has been researching and writing about the outsize influence of German composer Richard Wagner on non-musicians — from literature, to film, to politics. The result of that work is his new book, Wagnerism: Art and Politics in the Shadow of Music, which was published on September 15. He spoke with producer Max Fine about Wagner's broad influence, how we deal with great art by problematic artists, and what it means to publish this book today.

When the stay-at-home orders in New York began in March, pianist Simone Dinnerstein found herself unable to sit down at the piano. So, she took to reading and going on walks in Brooklyn's Greenwood Cemetery with her family. In June, her producer, Adam Abeshouse, convinced her to return to the piano through recording in her home. The results of those sessions, the album A Character of Quiet, featuring works by Schubert and Glass, is out now. Zev Kane talks with her about coping with lockdown, recording the album in her house, and what Glass and Schubert have in common (besides a birthday).

WQXR’s Terrance McKnight hosts a conversation about the Black experience in the concert hall and the unique challenges people of color face in the classical music world with violinist Sanford Allen, vocalist & conductor Bobby McFerrin, vocalist Julia Bullock, tenor Lawrence Brownlee, and cellist Alvin McCall.Producer: Rosa GollanTechnical Producer: Ed Haber

While In Conversations is on summer break, James Bennett sat down with Davóne Tines for a special episode as part of the Mostly Mozart on WQXR Festival to talk about his chamber Opera "The Black Clown", the relationship between Bach's music and R&B, and how sometimes just being in the room (or on stage) is already a form of protest.

Lauren Michelle is very good at singing. Seriously — over her career, she's stacked up awards that include First Place in the 2015 Lotte Lenya Competition and Marcello Giordani International Vocal Competition, and claimed prize winner status as BBC Cardiff Singer of the World Competition prize winner, and The Francisco Viñas International Singing Competition. But, in classical music of all places, the myth of meritocracy looms ever-large. In this episode of IN CONVERSATION, writer/editor James Bennett links up with the accomplished Soprano to discuss racism in the opera house, the cost of speaking up, and how she tumbled headfirst into the dazzling world of opera and the human voice. James Bennett, HostRosa Gollan, ProducerLukas Krohn-Grimberghe, Executive Producer