<description>&lt;p&gt;SEASON 2 - EPISODE 111 - JESSE JAMES Live Q&amp;A - with Wendy Roderweiss&lt;/p&gt; &lt;p&gt;This special episode of the Team Deakins Podcast features a recording of what was a live conversation between Team Deakins and filmmaker and DePaul University professor Wendy Roderweiss following a screening of THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD at the Music Box Theatre in Chicago. During the conversation, we discuss our experiences shooting the movie and working together as creative and life partners, and James reveals how her involvement allowed Roger to simultaneously shoot JESSE JAMES while colour timing JARHEAD. She also discusses how she balanced the workload between the two films (and countries!). We later share the genesis of the opening montage, and we also reflect on the limited use of the Deakinizer lenses invented for the film. We also answer a series of audience questions, and we reflect on our time working with the DePaul students during our visit to Chicago. Roger also offers his (brief) review of the print used at the screening!&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;This was recorded in early 2024 during our visit to DePaul University to participate in a series of events with their students.&lt;/p&gt; &lt;p&gt;-&lt;/p&gt; &lt;p&gt;This episode is sponsored by Aputure&lt;/p&gt;</description>

Team Deakins

James Ellis Deakins, Roger Deakins

JESSE JAMES Live Q&A

OCT 16, 202442 MIN
Team Deakins

JESSE JAMES Live Q&A

OCT 16, 202442 MIN

Description

SEASON 2 - EPISODE 111 - JESSE JAMES Live Q&A - with Wendy Roderweiss

This special episode of the Team Deakins Podcast features a recording of what was a live conversation between Team Deakins and filmmaker and DePaul University professor Wendy Roderweiss following a screening of THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD at the Music Box Theatre in Chicago. During the conversation, we discuss our experiences shooting the movie and working together as creative and life partners, and James reveals how her involvement allowed Roger to simultaneously shoot JESSE JAMES while colour timing JARHEAD. She also discusses how she balanced the workload between the two films (and countries!). We later share the genesis of the opening montage, and we also reflect on the limited use of the Deakinizer lenses invented for the film. We also answer a series of audience questions, and we reflect on our time working with the DePaul students during our visit to Chicago. Roger also offers his (brief) review of the print used at the screening!

 

This was recorded in early 2024 during our visit to DePaul University to participate in a series of events with their students.

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This episode is sponsored by Aputure