<description>&lt;p&gt;SEASON 2 - EPISODE 110 - JON SANDERS &amp; ANNA MOTTRAM - WRITER / DIRECTOR &amp; WRITER / ACTOR&lt;/p&gt; &lt;p&gt;On the episode of the Team Deakins Podcast, we speak with writer/director Jon Sanders &amp; actor/writer Anna Mottram (PAINTED ANGELS, A CHANGE IN THE WEATHER, A CLEVER WOMAN). As old friends and a fellow filmmaking couple, we had a lot to talk about! Roger and Jon reminisce on coming up together amidst the fallout television left hanging over England’s film scene, and we all compare our experiences working with our partners over a lifetime. Anna muses on the act of improvisation as an actor, and Jon shares how he works with the cinematographer to pull off the series of long takes that define their films. We later discuss the liberating force of digital cameras, and we learn why they opt to improvise every scene and shoot their films in chronological order. Towards the end, we reflect on their commitment to the theatrical experience, the reach of their films, and on the touching feedback Jon and Anna receive from their viewers.&lt;/p&gt; &lt;p&gt;-&lt;/p&gt; &lt;p&gt;This episode is sponsored by Aputure&lt;/p&gt;</description>

Team Deakins

James Ellis Deakins, Roger Deakins

JON SANDERS & ANNA MOTTRAM - Writer/Director & Actor/Writer

OCT 9, 202466 MIN
Team Deakins

JON SANDERS & ANNA MOTTRAM - Writer/Director & Actor/Writer

OCT 9, 202466 MIN

Description

SEASON 2 - EPISODE 110 - JON SANDERS & ANNA MOTTRAM - WRITER / DIRECTOR & WRITER / ACTOR

On the episode of the Team Deakins Podcast, we speak with writer/director Jon Sanders & actor/writer Anna Mottram (PAINTED ANGELS, A CHANGE IN THE WEATHER, A CLEVER WOMAN). As old friends and a fellow filmmaking couple, we had a lot to talk about! Roger and Jon reminisce on coming up together amidst the fallout television left hanging over England’s film scene, and we all compare our experiences working with our partners over a lifetime. Anna muses on the act of improvisation as an actor, and Jon shares how he works with the cinematographer to pull off the series of long takes that define their films. We later discuss the liberating force of digital cameras, and we learn why they opt to improvise every scene and shoot their films in chronological order. Towards the end, we reflect on their commitment to the theatrical experience, the reach of their films, and on the touching feedback Jon and Anna receive from their viewers.

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This episode is sponsored by Aputure